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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #247CA1 it is the complementary color #DB835E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #247CA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #247CA1 shade: #297C9C, #3A8EAF, #4BA0C2, #5CB2D5 and #6DC4E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #247CA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #247CA1 shade: #247CA1, #136A8E, #02587B, #004668 and #003455

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #247CA1 shade: #247DA2, #245BA2, #2439A2, #3124A2 and #5324A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #247CA1 shade: #247DA2, #245BA2, #2439A2 and #2424A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #247CA1 shade matches the following richer shades: #247DA2, #1483B2 and #048AC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #247CA1 shade: #247DA2, #347692, #446F81, #556971 and #656261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #247CA1 shade: #24A282, #24A0A2, #247EA2, #245DA2 and #243BA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #247CA1 shade: #15495E, #1D6380, #247DA2, #2C96C3 and #44AAD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #247CA1 shade: #247CA1, #6124A2 and #A29324

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #247CA1 shade: #247CA1, #A2247E and #7EA224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #247CA1 shade: #247CA1, #6124A2, #A24824 and #65A224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #247CA1 shade: #247CA1, #8624A2, #A24824 and #3FA224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 23 / 0 / 37

HEX #247CA1

RGB 36 124 161

HSL 197.76, 0.63%, 0.39%

LAB 48.71, -12.59, -27.12

 

Complementary color

CMYK 0 / 40 / 57 / 14

HEX #DB835E

RGB 219 131 94

HSL 17.76, 0.63%, 0.61%

LAB 63.43, 30.3, 34.31

 

CMYK 74 / 21 / 0 / 39

HEX #297C9C

RGB 41 124 156

HSL 196.7, 0.58%, 0.39%

LAB 48.62, -13.7, -24.33

 

CMYK 67 / 19 / 0 / 31

HEX #3A8EAF

RGB 58 142 175

HSL 196.92, 0.5%, 0.46%

LAB 55.42, -14.7, -24.78

 

CMYK 61 / 18 / 0 / 24

HEX #4BA0C2

RGB 75 160 194

HSL 197.14, 0.49%, 0.53%

LAB 62.11, -15.43, -25.19

 

CMYK 57 / 16 / 0 / 16

HEX #5CB2D5

RGB 92 178 213

HSL 197.36, 0.59%, 0.6%

LAB 68.69, -15.98, -25.56

 

CMYK 53 / 16 / 0 / 9

HEX #6DC4E8

RGB 109 196 232

HSL 197.56, 0.73%, 0.67%

LAB 75.18, -16.4, -25.92

 

CMYK 78 / 23 / 0 / 37

HEX #247CA1

RGB 36 124 161

HSL 197.76, 0.63%, 0.39%

LAB 48.71, -12.59, -27.12

 

CMYK 87 / 25 / 0 / 44

HEX #136A8E

RGB 19 106 142

HSL 197.56, 0.76%, 0.32%

LAB 41.84, -10.91, -26.6

 

CMYK 98 / 28 / 0 / 52

HEX #02587B

RGB 2 88 123

HSL 197.36, 0.97%, 0.25%

LAB 34.85, -8.69, -26

 

CMYK 100 / 33 / 0 / 59

HEX #004668

RGB 0 70 104

HSL 199.62, 1%, 0.2%

LAB 27.79, -5.37, -25.17

 

CMYK 100 / 39 / 0 / 67

HEX #003455

RGB 0 52 85

HSL 203.29, 1%, 0.17%

LAB 20.49, -1.61, -24.35

 

CMYK 78 / 23 / 0 / 36

HEX #247DA2

RGB 36 125 162

HSL 197.62, 0.64%, 0.39%

LAB 49.07, -12.8, -27.15

 

CMYK 78 / 44 / 0 / 36

HEX #245BA2

RGB 36 91 162

HSL 213.81, 0.64%, 0.39%

LAB 38.67, 7.96, -43.56

 

CMYK 78 / 65 / 0 / 36

HEX #2439A2

RGB 36 57 162

HSL 230, 0.64%, 0.39%

LAB 29.18, 30.68, -58.92

 

CMYK 70 / 78 / 0 / 36

HEX #3124A2

RGB 49 36 162

HSL 246.19, 0.64%, 0.39%

LAB 25.33, 44.73, -65.23

 

CMYK 49 / 78 / 0 / 36

HEX #5324A2

RGB 83 36 162

HSL 262.38, 0.64%, 0.39%

LAB 28.67, 49.04, -59.62

 

CMYK 78 / 23 / 0 / 36

HEX #247DA2

RGB 36 125 162

HSL 197.62, 0.64%, 0.39%

LAB 49.07, -12.8, -27.15

 

CMYK 78 / 44 / 0 / 36

HEX #245BA2

RGB 36 91 162

HSL 213.81, 0.64%, 0.39%

LAB 38.67, 7.96, -43.56

 

CMYK 78 / 65 / 0 / 36

HEX #2439A2

RGB 36 57 162

HSL 230, 0.64%, 0.39%

LAB 29.18, 30.68, -58.92

 

CMYK 78 / 78 / 0 / 36

HEX #2424A2

RGB 36 36 162

HSL 240, 0.64%, 0.39%

LAB 24.47, 43.6, -66.69

 

CMYK 78 / 23 / 0 / 36

HEX #247DA2

RGB 36 125 162

HSL 197.62, 0.64%, 0.39%

LAB 49.07, -12.8, -27.15

 

CMYK 89 / 26 / 0 / 30

HEX #1483B2

RGB 20 131 178

HSL 197.85, 0.8%, 0.39%

LAB 51.38, -11.83, -32.85

 

CMYK 98 / 29 / 0 / 24

HEX #048AC2

RGB 4 138 194

HSL 197.68, 0.96%, 0.39%

LAB 54.13, -10.57, -37.7

 

CMYK 78 / 23 / 0 / 36

HEX #247DA2

RGB 36 125 162

HSL 197.62, 0.64%, 0.39%

LAB 49.07, -12.8, -27.15

 

CMYK 64 / 19 / 0 / 43

HEX #347692

RGB 52 118 146

HSL 197.87, 0.47%, 0.39%

LAB 46.66, -11.93, -21.45

 

CMYK 47 / 14 / 0 / 49

HEX #446F81

RGB 68 111 129

HSL 197.7, 0.31%, 0.39%

LAB 44.49, -9.7, -14.59

 

CMYK 25 / 7 / 0 / 56

HEX #556971

RGB 85 105 113

HSL 197.14, 0.14%, 0.39%

LAB 43.1, -5.47, -6.95

 

CMYK 0 / 3 / 4 / 60

HEX #656261

RGB 101 98 97

HSL 15, 0.02%, 0.39%

LAB 41.79, 0.98, 0.98

 

CMYK 78 / 0 / 20 / 36

HEX #24A282

RGB 36 162 130

HSL 164.76, 0.64%, 0.39%

LAB 59.73, -41.03, 7.2

 

CMYK 78 / 1 / 0 / 36

HEX #24A0A2

RGB 36 160 162

HSL 180.95, 0.64%, 0.39%

LAB 60, -31.09, -10.47

 

CMYK 78 / 22 / 0 / 36

HEX #247EA2

RGB 36 126 162

HSL 197.14, 0.64%, 0.39%

LAB 49.38, -13.37, -26.67

 

CMYK 78 / 43 / 0 / 36

HEX #245DA2

RGB 36 93 162

HSL 212.86, 0.64%, 0.39%

LAB 39.26, 6.66, -42.61

 

CMYK 78 / 64 / 0 / 36

HEX #243BA2

RGB 36 59 162

HSL 229.05, 0.64%, 0.39%

LAB 29.69, 29.36, -58.09

 

CMYK 78 / 22 / 0 / 63

HEX #15495E

RGB 21 73 94

HSL 197.26, 0.63%, 0.23%

LAB 28.73, -9.11, -17.28

 

CMYK 77 / 23 / 0 / 50

HEX #1D6380

RGB 29 99 128

HSL 197.58, 0.63%, 0.31%

LAB 39.14, -10.94, -22.33

 

CMYK 78 / 23 / 0 / 36

HEX #247DA2

RGB 36 125 162

HSL 197.62, 0.64%, 0.39%

LAB 49.07, -12.8, -27.15

 

CMYK 77 / 23 / 0 / 24

HEX #2C96C3

RGB 44 150 195

HSL 197.88, 0.63%, 0.47%

LAB 58.31, -14.26, -31.7

 

CMYK 68 / 20 / 0 / 17

HEX #44AAD4

RGB 68 170 212

HSL 197.5, 0.63%, 0.55%

LAB 65.54, -16.25, -29.93

 

CMYK 78 / 23 / 0 / 37

HEX #247CA1

RGB 36 124 161

HSL 197.76, 0.63%, 0.39%

LAB 48.71, -12.59, -27.12

 

CMYK 40 / 78 / 0 / 36

HEX #6124A2

RGB 97 36 162

HSL 269.05, 0.64%, 0.39%

LAB 30.43, 51.28, -56.67

 

CMYK 0 / 9 / 78 / 36

HEX #A29324

RGB 162 147 36

HSL 52.86, 0.64%, 0.39%

LAB 60.49, -6.6, 56.41

 

CMYK 78 / 23 / 0 / 37

HEX #247CA1

RGB 36 124 161

HSL 197.76, 0.63%, 0.39%

LAB 48.71, -12.59, -27.12

 

CMYK 0 / 78 / 22 / 36

HEX #A2247E

RGB 162 36 126

HSL 317.14, 0.64%, 0.39%

LAB 38.64, 58.36, -20.87

 

CMYK 22 / 0 / 78 / 36

HEX #7EA224

RGB 126 162 36

HSL 77.14, 0.64%, 0.39%

LAB 62, -29.95, 56.78

 

CMYK 78 / 23 / 0 / 37

HEX #247CA1

RGB 36 124 161

HSL 197.76, 0.63%, 0.39%

LAB 48.71, -12.59, -27.12

 

CMYK 40 / 78 / 0 / 36

HEX #6124A2

RGB 97 36 162

HSL 269.05, 0.64%, 0.39%

LAB 30.43, 51.28, -56.67

 

CMYK 0 / 56 / 78 / 36

HEX #A24824

RGB 162 72 36

HSL 17.14, 0.64%, 0.39%

LAB 41.91, 35.02, 38.47

 

CMYK 38 / 0 / 78 / 36

HEX #65A224

RGB 101 162 36

HSL 89.05, 0.64%, 0.39%

LAB 60.55, -39.63, 54.89

 

CMYK 78 / 23 / 0 / 37

HEX #247CA1

RGB 36 124 161

HSL 197.76, 0.63%, 0.39%

LAB 48.71, -12.59, -27.12

 

CMYK 17 / 78 / 0 / 36

HEX #8624A2

RGB 134 36 162

HSL 286.67, 0.64%, 0.39%

LAB 35.87, 58.06, -47.6

 

CMYK 0 / 56 / 78 / 36

HEX #A24824

RGB 162 72 36

HSL 17.14, 0.64%, 0.39%

LAB 41.91, 35.02, 38.47

 

CMYK 61 / 0 / 78 / 36

HEX #3FA224

RGB 63 162 36

HSL 107.14, 0.64%, 0.39%

LAB 59, -51.34, 52.86

 

Description

Color code: HEX #247CA1 | qconv.com Color code: HEX #247CA1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 124 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 124 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 23 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 23% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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