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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24859D it is the complementary color #DB7A62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24859D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24859D shade: #298598, #3A97AB, #4BA9BE, #5CBBD1 and #6DCDE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24859D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24859D shade: #24859D, #13738A, #026177, #004F64 and #003D51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24859D shade: #23859D, #23649D, #23439D, #24239D and #45239D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24859D shade: #23859D, #23649D, #23439D and #23239D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24859D shade matches the following richer shades: #23859D, #148FAD and #0498BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24859D shade: #23859D, #337C8E, #43727E, #52696E and #625F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24859D shade: #239D73, #239D93, #23879D, #23679D and #23469D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24859D shade: #144C5A, #1C697C, #23859D, #2BA2BF and #40B6D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24859D shade: #24859D, #52239D and #9D8323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24859D shade: #24859D, #9D2387 and #879D23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24859D shade: #24859D, #52239D, #9D3A23 and #6F9D23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24859D shade: #24859D, #77239D, #9D3A23 and #4A9D23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 15 / 0 / 38

HEX #24859D

RGB 36 133 157

HSL 191.9, 0.63%, 0.38%

LAB 51.36, -18.96, -20.7

 

Complementary color

CMYK 0 / 44 / 55 / 14

HEX #DB7A62

RGB 219 122 98

HSL 11.9, 0.63%, 0.62%

LAB 61.53, 35.36, 29.71

 

CMYK 73 / 13 / 0 / 40

HEX #298598

RGB 41 133 152

HSL 190.27, 0.58%, 0.38%

LAB 51.28, -19.99, -17.91

 

CMYK 66 / 12 / 0 / 33

HEX #3A97AB

RGB 58 151 171

HSL 190.62, 0.49%, 0.45%

LAB 58.01, -20.82, -18.53

 

CMYK 61 / 11 / 0 / 25

HEX #4BA9BE

RGB 75 169 190

HSL 190.96, 0.47%, 0.52%

LAB 64.64, -21.4, -19.1

 

CMYK 56 / 11 / 0 / 18

HEX #5CBBD1

RGB 92 187 209

HSL 191.28, 0.56%, 0.59%

LAB 71.16, -21.82, -19.61

 

CMYK 52 / 10 / 0 / 11

HEX #6DCDE4

RGB 109 205 228

HSL 191.6, 0.69%, 0.66%

LAB 77.59, -22.13, -20.09

 

CMYK 77 / 15 / 0 / 38

HEX #24859D

RGB 36 133 157

HSL 191.9, 0.63%, 0.38%

LAB 51.36, -18.96, -20.7

 

CMYK 86 / 17 / 0 / 46

HEX #13738A

RGB 19 115 138

HSL 191.6, 0.76%, 0.31%

LAB 44.57, -17.5, -19.99

 

CMYK 98 / 18 / 0 / 53

HEX #026177

RGB 2 97 119

HSL 191.28, 0.97%, 0.24%

LAB 37.65, -15.57, -19.18

 

CMYK 100 / 21 / 0 / 61

HEX #004F64

RGB 0 79 100

HSL 192.6, 1%, 0.2%

LAB 30.67, -12.62, -18.13

 

CMYK 100 / 25 / 0 / 68

HEX #003D51

RGB 0 61 81

HSL 194.81, 1%, 0.16%

LAB 23.44, -9.34, -17.06

 

CMYK 78 / 15 / 0 / 38

HEX #23859D

RGB 35 133 157

HSL 191.8, 0.64%, 0.38%

LAB 51.34, -19.08, -20.73

 

CMYK 78 / 36 / 0 / 38

HEX #23649D

RGB 35 100 157

HSL 208.03, 0.64%, 0.38%

LAB 41.07, 0.14, -36.76

 

CMYK 78 / 57 / 0 / 38

HEX #23439D

RGB 35 67 157

HSL 224.26, 0.64%, 0.38%

LAB 31.36, 21.93, -52.34

 

CMYK 77 / 78 / 0 / 38

HEX #24239D

RGB 36 35 157

HSL 240.49, 0.64%, 0.38%

LAB 23.71, 42.48, -64.9

 

CMYK 56 / 78 / 0 / 38

HEX #45239D

RGB 69 35 157

HSL 256.72, 0.64%, 0.38%

LAB 26.45, 46.1, -60.28

 

CMYK 78 / 15 / 0 / 38

HEX #23859D

RGB 35 133 157

HSL 191.8, 0.64%, 0.38%

LAB 51.34, -19.08, -20.73

 

CMYK 78 / 36 / 0 / 38

HEX #23649D

RGB 35 100 157

HSL 208.03, 0.64%, 0.38%

LAB 41.07, 0.14, -36.76

 

CMYK 78 / 57 / 0 / 38

HEX #23439D

RGB 35 67 157

HSL 224.26, 0.64%, 0.38%

LAB 31.36, 21.93, -52.34

 

CMYK 78 / 78 / 0 / 38

HEX #23239D

RGB 35 35 157

HSL 240, 0.64%, 0.38%

LAB 23.65, 42.4, -65

 

CMYK 78 / 15 / 0 / 38

HEX #23859D

RGB 35 133 157

HSL 191.8, 0.64%, 0.38%

LAB 51.34, -19.08, -20.73

 

CMYK 88 / 17 / 0 / 32

HEX #148FAD

RGB 20 143 173

HSL 191.76, 0.79%, 0.38%

LAB 54.88, -20.22, -24.54

 

CMYK 98 / 20 / 0 / 26

HEX #0498BD

RGB 4 152 189

HSL 192, 0.96%, 0.38%

LAB 58.19, -20.09, -28.54

 

CMYK 78 / 15 / 0 / 38

HEX #23859D

RGB 35 133 157

HSL 191.8, 0.64%, 0.38%

LAB 51.34, -19.08, -20.73

 

CMYK 64 / 13 / 0 / 44

HEX #337C8E

RGB 51 124 142

HSL 191.87, 0.47%, 0.38%

LAB 48.35, -16.79, -16.5

 

CMYK 47 / 10 / 0 / 51

HEX #43727E

RGB 67 114 126

HSL 192.2, 0.31%, 0.38%

LAB 45.27, -12.57, -11.63

 

CMYK 25 / 5 / 0 / 57

HEX #52696E

RGB 82 105 110

HSL 190.71, 0.15%, 0.38%

LAB 42.8, -7.25, -5.61

 

CMYK 0 / 3 / 3 / 62

HEX #625F5F

RGB 98 95 95

HSL 0, 0.02%, 0.38%

LAB 40.59, 1.19, 0.42

 

CMYK 78 / 0 / 27 / 38

HEX #239D73

RGB 35 157 115

HSL 159.34, 0.64%, 0.38%

LAB 57.76, -42.75, 12.83

 

CMYK 78 / 0 / 6 / 38

HEX #239D93

RGB 35 157 147

HSL 175.08, 0.64%, 0.38%

LAB 58.58, -34.25, -4.08

 

CMYK 78 / 14 / 0 / 38

HEX #23879D

RGB 35 135 157

HSL 190.82, 0.64%, 0.38%

LAB 51.97, -20.15, -19.77

 

CMYK 78 / 34 / 0 / 38

HEX #23679D

RGB 35 103 157

HSL 206.56, 0.64%, 0.38%

LAB 41.99, -1.73, -35.3

 

CMYK 78 / 55 / 0 / 38

HEX #23469D

RGB 35 70 157

HSL 222.79, 0.64%, 0.38%

LAB 32.2, 19.9, -50.99

 

CMYK 78 / 16 / 0 / 65

HEX #144C5A

RGB 20 76 90

HSL 192, 0.64%, 0.22%

LAB 29.55, -12.59, -13.45

 

CMYK 77 / 15 / 0 / 51

HEX #1C697C

RGB 28 105 124

HSL 191.88, 0.63%, 0.3%

LAB 40.9, -15.97, -17.19

 

CMYK 78 / 15 / 0 / 38

HEX #23859D

RGB 35 133 157

HSL 191.8, 0.64%, 0.38%

LAB 51.34, -19.08, -20.73

 

CMYK 77 / 15 / 0 / 25

HEX #2BA2BF

RGB 43 162 191

HSL 191.76, 0.63%, 0.46%

LAB 61.75, -22.13, -24.13

 

CMYK 70 / 14 / 0 / 17

HEX #40B6D3

RGB 64 182 211

HSL 191.84, 0.63%, 0.54%

LAB 68.93, -23.4, -24.18

 

CMYK 77 / 15 / 0 / 38

HEX #24859D

RGB 36 133 157

HSL 191.9, 0.63%, 0.38%

LAB 51.36, -18.96, -20.7

 

CMYK 48 / 78 / 0 / 38

HEX #52239D

RGB 82 35 157

HSL 263.11, 0.64%, 0.38%

LAB 27.93, 48.01, -57.8

 

CMYK 0 / 17 / 78 / 38

HEX #9D8323

RGB 157 131 35

HSL 47.21, 0.64%, 0.38%

LAB 55.61, -0.15, 52.06

 

CMYK 77 / 15 / 0 / 38

HEX #24859D

RGB 36 133 157

HSL 191.9, 0.63%, 0.38%

LAB 51.36, -18.96, -20.7

 

CMYK 0 / 78 / 14 / 38

HEX #9D2387

RGB 157 35 135

HSL 310.82, 0.64%, 0.38%

LAB 38.06, 58.73, -27.41

 

CMYK 14 / 0 / 78 / 38

HEX #879D23

RGB 135 157 35

HSL 70.82, 0.64%, 0.38%

LAB 61.12, -23.79, 56.51

 

CMYK 77 / 15 / 0 / 38

HEX #24859D

RGB 36 133 157

HSL 191.9, 0.63%, 0.38%

LAB 51.36, -18.96, -20.7

 

CMYK 48 / 78 / 0 / 38

HEX #52239D

RGB 82 35 157

HSL 263.11, 0.64%, 0.38%

LAB 27.93, 48.01, -57.8

 

CMYK 0 / 63 / 78 / 38

HEX #9D3A23

RGB 157 58 35

HSL 11.31, 0.64%, 0.38%

LAB 38.4, 39.97, 35.1

 

CMYK 29 / 0 / 78 / 38

HEX #6F9D23

RGB 111 157 35

HSL 82.62, 0.64%, 0.38%

LAB 59.54, -33.68, 54.46

 

CMYK 77 / 15 / 0 / 38

HEX #24859D

RGB 36 133 157

HSL 191.9, 0.63%, 0.38%

LAB 51.36, -18.96, -20.7

 

CMYK 24 / 78 / 0 / 38

HEX #77239D

RGB 119 35 157

HSL 281.31, 0.64%, 0.38%

LAB 33.05, 54.49, -49.24

 

CMYK 0 / 63 / 78 / 38

HEX #9D3A23

RGB 157 58 35

HSL 11.31, 0.64%, 0.38%

LAB 38.4, 39.97, 35.1

 

CMYK 53 / 0 / 78 / 38

HEX #4A9D23

RGB 74 157 35

HSL 100.82, 0.64%, 0.38%

LAB 57.74, -46.55, 52.11

 

Description

Color code: HEX #24859D | qconv.com Color code: HEX #24859D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 133 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 133 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 15 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 15% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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