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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #248782 it is the complementary color #DB787D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #248782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #248782 shade: #29877D, #3A9990, #4BABA3, #5CBDB6 and #6DCFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #248782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #248782 shade: #248782, #13756F, #02635C, #005149 and #003F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #248782 shade: #248883, #248868, #24884D, #248832 and #318824

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #248782 shade: #248883, #247288, #245788, #243C88 and #242488

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #248782 shade matches the following richer shades: #248883, #169790 and #08A59D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #248782 shade: #248883, #327A77, #406C6A, #4E5E5E and #5C5051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #248782 shade: #24884C, #248867, #248882, #247488 and #245A88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #248782 shade: #134745, #1B6864, #248883, #2DA9A3 and #36C9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #248782 shade: #248782, #312488 and #885A24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #248782 shade: #248782, #822488 and #888224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #248782 shade: #248782, #312488, #88242B and #7B8824

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #248782 shade: #248782, #4F2488, #88242B and #5D8824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 4 / 47

HEX #248782

RGB 36 135 130

HSL 176.97, 0.58%, 0.34%

LAB 51.05, -28.66, -5.44

 

Complementary color

CMYK 0 / 45 / 43 / 14

HEX #DB787D

RGB 219 120 125

HSL 356.97, 0.58%, 0.66%

LAB 61.63, 38.92, 14.57

 

CMYK 70 / 0 / 7 / 47

HEX #29877D

RGB 41 135 125

HSL 173.62, 0.53%, 0.35%

LAB 51.01, -29.4, -2.57

 

CMYK 62 / 0 / 6 / 40

HEX #3A9990

RGB 58 153 144

HSL 174.32, 0.45%, 0.41%

LAB 57.75, -29.84, -3.55

 

CMYK 56 / 0 / 5 / 33

HEX #4BABA3

RGB 75 171 163

HSL 175, 0.39%, 0.48%

LAB 64.38, -30.09, -4.42

 

CMYK 51 / 0 / 4 / 26

HEX #5CBDB6

RGB 92 189 182

HSL 175.67, 0.42%, 0.55%

LAB 70.9, -30.21, -5.22

 

CMYK 47 / 0 / 3 / 19

HEX #6DCFC9

RGB 109 207 201

HSL 176.33, 0.51%, 0.62%

LAB 77.34, -30.25, -5.95

 

CMYK 73 / 0 / 4 / 47

HEX #248782

RGB 36 135 130

HSL 176.97, 0.58%, 0.34%

LAB 51.05, -28.66, -5.44

 

CMYK 84 / 0 / 5 / 54

HEX #13756F

RGB 19 117 111

HSL 176.33, 0.72%, 0.27%

LAB 44.25, -27.64, -4.33

 

CMYK 98 / 0 / 7 / 61

HEX #02635C

RGB 2 99 92

HSL 175.67, 0.96%, 0.2%

LAB 37.32, -26.2, -3.05

 

CMYK 100 / 0 / 10 / 68

HEX #005149

RGB 0 81 73

HSL 174.07, 1%, 0.16%

LAB 30.32, -23.65, -1.44

 

CMYK 100 / 0 / 14 / 75

HEX #003F36

RGB 0 63 54

HSL 171.43, 1%, 0.12%

LAB 23.07, -20.85, 0.34

 

CMYK 74 / 0 / 4 / 47

HEX #248883

RGB 36 136 131

HSL 177, 0.58%, 0.34%

LAB 51.41, -28.85, -5.5

 

CMYK 74 / 0 / 24 / 47

HEX #248868

RGB 36 136 104

HSL 160.8, 0.58%, 0.34%

LAB 50.67, -36.31, 9.13

 

CMYK 74 / 0 / 43 / 47

HEX #24884D

RGB 36 136 77

HSL 144.6, 0.58%, 0.34%

LAB 50.12, -42.29, 23.7

 

CMYK 74 / 0 / 63 / 47

HEX #248832

RGB 36 136 50

HSL 128.4, 0.58%, 0.34%

LAB 49.75, -46.54, 37.26

 

CMYK 64 / 0 / 74 / 47

HEX #318824

RGB 49 136 36

HSL 112.2, 0.58%, 0.34%

LAB 49.96, -45.26, 43.72

 

CMYK 74 / 0 / 4 / 47

HEX #248883

RGB 36 136 131

HSL 177, 0.58%, 0.34%

LAB 51.41, -28.85, -5.5

 

CMYK 74 / 16 / 0 / 47

HEX #247288

RGB 36 114 136

HSL 193.2, 0.58%, 0.34%

LAB 44.5, -15.73, -18.87

 

CMYK 74 / 36 / 0 / 47

HEX #245788

RGB 36 87 136

HSL 209.4, 0.58%, 0.34%

LAB 35.92, 0.48, -32.24

 

CMYK 74 / 56 / 0 / 47

HEX #243C88

RGB 36 60 136

HSL 225.6, 0.58%, 0.34%

LAB 27.8, 18.63, -45.25

 

CMYK 74 / 74 / 0 / 47

HEX #242488

RGB 36 36 136

HSL 240, 0.58%, 0.34%

LAB 21.63, 34.67, -55.33

 

CMYK 74 / 0 / 4 / 47

HEX #248883

RGB 36 136 131

HSL 177, 0.58%, 0.34%

LAB 51.41, -28.85, -5.5

 

CMYK 85 / 0 / 5 / 41

HEX #169790

RGB 22 151 144

HSL 176.74, 0.75%, 0.34%

LAB 56.4, -33.55, -5.61

 

CMYK 95 / 0 / 5 / 35

HEX #08A59D

RGB 8 165 157

HSL 176.94, 0.91%, 0.34%

LAB 61.13, -36.85, -6

 

CMYK 74 / 0 / 4 / 47

HEX #248883

RGB 36 136 131

HSL 177, 0.58%, 0.34%

LAB 51.41, -28.85, -5.5

 

CMYK 59 / 0 / 2 / 52

HEX #327A77

RGB 50 122 119

HSL 177.5, 0.42%, 0.34%

LAB 46.88, -22.99, -5.11

 

CMYK 41 / 0 / 2 / 58

HEX #406C6A

RGB 64 108 106

HSL 177.27, 0.26%, 0.34%

LAB 42.55, -15.69, -3.68

 

CMYK 17 / 0 / 0 / 63

HEX #4E5E5E

RGB 78 94 94

HSL 180, 0.09%, 0.34%

LAB 38.61, -6.1, -2.06

 

CMYK 0 / 13 / 12 / 64

HEX #5C5051

RGB 92 80 81

HSL 355, 0.07%, 0.34%

LAB 35.22, 5.16, 1.23

 

CMYK 74 / 0 / 44 / 47

HEX #24884C

RGB 36 136 76

HSL 144, 0.58%, 0.34%

LAB 50.1, -42.48, 24.22

 

CMYK 74 / 0 / 24 / 47

HEX #248867

RGB 36 136 103

HSL 160.2, 0.58%, 0.34%

LAB 50.64, -36.56, 9.67

 

CMYK 74 / 0 / 4 / 47

HEX #248882

RGB 36 136 130

HSL 176.4, 0.58%, 0.34%

LAB 51.38, -29.15, -4.96

 

CMYK 74 / 15 / 0 / 47

HEX #247488

RGB 36 116 136

HSL 192, 0.58%, 0.34%

LAB 45.14, -16.84, -17.89

 

CMYK 74 / 34 / 0 / 47

HEX #245A88

RGB 36 90 136

HSL 207.6, 0.58%, 0.34%

LAB 36.86, -1.43, -30.76

 

CMYK 73 / 0 / 3 / 72

HEX #134745

RGB 19 71 69

HSL 177.69, 0.58%, 0.18%

LAB 26.95, -17.26, -3.8

 

CMYK 74 / 0 / 4 / 59

HEX #1B6864

RGB 27 104 100

HSL 176.88, 0.59%, 0.26%

LAB 39.67, -23.59, -4.44

 

CMYK 74 / 0 / 4 / 47

HEX #248883

RGB 36 136 131

HSL 177, 0.58%, 0.34%

LAB 51.41, -28.85, -5.5

 

CMYK 73 / 0 / 4 / 34

HEX #2DA9A3

RGB 45 169 163

HSL 177.1, 0.58%, 0.42%

LAB 62.99, -34.05, -6.56

 

CMYK 73 / 0 / 3 / 21

HEX #36C9C2

RGB 54 201 194

HSL 177.14, 0.58%, 0.5%

LAB 73.84, -38.87, -7.52

 

CMYK 73 / 0 / 4 / 47

HEX #248782

RGB 36 135 130

HSL 176.97, 0.58%, 0.34%

LAB 51.05, -28.66, -5.44

 

CMYK 64 / 74 / 0 / 47

HEX #312488

RGB 49 36 136

HSL 247.8, 0.58%, 0.34%

LAB 22.63, 36.3, -53.66

 

CMYK 0 / 34 / 74 / 47

HEX #885A24

RGB 136 90 36

HSL 32.4, 0.58%, 0.34%

LAB 42.27, 13.71, 37.66

 

CMYK 73 / 0 / 4 / 47

HEX #248782

RGB 36 135 130

HSL 176.97, 0.58%, 0.34%

LAB 51.05, -28.66, -5.44

 

CMYK 4 / 74 / 0 / 47

HEX #822488

RGB 130 36 136

HSL 296.4, 0.58%, 0.34%

LAB 33.53, 52.31, -35.49

 

CMYK 0 / 4 / 74 / 47

HEX #888224

RGB 136 130 36

HSL 56.4, 0.58%, 0.34%

LAB 53.31, -9.2, 48.78

 

CMYK 73 / 0 / 4 / 47

HEX #248782

RGB 36 135 130

HSL 176.97, 0.58%, 0.34%

LAB 51.05, -28.66, -5.44

 

CMYK 64 / 74 / 0 / 47

HEX #312488

RGB 49 36 136

HSL 247.8, 0.58%, 0.34%

LAB 22.63, 36.3, -53.66

 

CMYK 0 / 74 / 68 / 47

HEX #88242B

RGB 136 36 43

HSL 355.8, 0.58%, 0.34%

LAB 31.04, 42.5, 20.83

 

CMYK 10 / 0 / 74 / 47

HEX #7B8824

RGB 123 136 36

HSL 67.8, 0.58%, 0.34%

LAB 53.97, -18.29, 49.05

 

CMYK 73 / 0 / 4 / 47

HEX #248782

RGB 36 135 130

HSL 176.97, 0.58%, 0.34%

LAB 51.05, -28.66, -5.44

 

CMYK 42 / 74 / 0 / 47

HEX #4F2488

RGB 79 36 136

HSL 265.8, 0.58%, 0.34%

LAB 25.87, 41.36, -48.23

 

CMYK 0 / 74 / 68 / 47

HEX #88242B

RGB 136 36 43

HSL 355.8, 0.58%, 0.34%

LAB 31.04, 42.5, 20.83

 

CMYK 32 / 0 / 74 / 47

HEX #5D8824

RGB 93 136 36

HSL 85.8, 0.58%, 0.34%

LAB 51.91, -30.95, 46.32

 

Description

Color code: HEX #248782 | qconv.com Color code: HEX #248782 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 135 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 135 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 4 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 4% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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