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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #248926 it is the complementary color #DB76D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #248926. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #248926 shade: #298921, #3A9B34, #4BAD47, #5CBF5A and #6DD16D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #248926. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #248926 shade: #248926, #137713, #026500, #005300 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #248926 shade: #248826, #3D8824, #588824, #738824 and #888324

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #248926 shade: #248826, #248841, #24885C, #248877 and #247F88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #248926 shade matches the following richer shades: #248826, #169718 and #08A50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #248926 shade: #248826, #327A33, #406C41, #4E5E4E and #5C505C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #248926 shade: #588824, #3D8824, #248826, #248840 and #24885B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #248926 shade: #134714, #1B681D, #248826, #2DA92F and #36C939

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #248926 shade: #248926, #247388 and #88244A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #248926 shade: #248926, #262488 and #882624

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #248926 shade: #248926, #247388, #882487 and #883A24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #248926 shade: #248926, #245588, #882487 and #885824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 72 / 46

HEX #248926

RGB 36 137 38

HSL 121.19, 0.58%, 0.34%

LAB 49.99, -48.2, 42.83

 

Complementary color

CMYK 0 / 46 / 1 / 14

HEX #DB76D9

RGB 219 118 217

HSL 301.19, 0.58%, 0.66%

LAB 64.18, 53.15, -33.94

 

CMYK 70 / 0 / 76 / 46

HEX #298921

RGB 41 137 33

HSL 115.38, 0.61%, 0.33%

LAB 50.06, -47.66, 44.91

 

CMYK 63 / 0 / 66 / 39

HEX #3A9B34

RGB 58 155 52

HSL 116.5, 0.5%, 0.41%

LAB 56.67, -48.65, 44.23

 

CMYK 57 / 0 / 59 / 32

HEX #4BAD47

RGB 75 173 71

HSL 117.65, 0.42%, 0.48%

LAB 63.21, -49.15, 43.12

 

CMYK 52 / 0 / 53 / 25

HEX #5CBF5A

RGB 92 191 90

HSL 118.81, 0.44%, 0.55%

LAB 69.67, -49.36, 41.86

 

CMYK 48 / 0 / 48 / 18

HEX #6DD16D

RGB 109 209 109

HSL 120, 0.52%, 0.62%

LAB 76.04, -49.38, 40.57

 

CMYK 74 / 0 / 72 / 46

HEX #248926

RGB 36 137 38

HSL 121.19, 0.58%, 0.34%

LAB 49.99, -48.2, 42.83

 

CMYK 84 / 0 / 84 / 53

HEX #137713

RGB 19 119 19

HSL 120, 0.72%, 0.27%

LAB 43.33, -46.32, 43.04

 

CMYK 98 / 0 / 100 / 60

HEX #026500

RGB 2 101 0

HSL 118.81, 1%, 0.2%

LAB 36.59, -43.45, 42.18

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 74 / 0 / 72 / 47

HEX #248826

RGB 36 136 38

HSL 121.2, 0.58%, 0.34%

LAB 49.65, -47.85, 42.48

 

CMYK 55 / 0 / 74 / 47

HEX #3D8824

RGB 61 136 36

HSL 105, 0.58%, 0.34%

LAB 50.37, -42.06, 44.26

 

CMYK 35 / 0 / 74 / 47

HEX #588824

RGB 88 136 36

HSL 88.8, 0.58%, 0.34%

LAB 51.62, -32.89, 45.94

 

CMYK 15 / 0 / 74 / 47

HEX #738824

RGB 115 136 36

HSL 72.6, 0.58%, 0.34%

LAB 53.36, -21.8, 48.25

 

CMYK 0 / 4 / 74 / 47

HEX #888324

RGB 136 131 36

HSL 57, 0.58%, 0.34%

LAB 53.59, -9.75, 49.06

 

CMYK 74 / 0 / 72 / 47

HEX #248826

RGB 36 136 38

HSL 121.2, 0.58%, 0.34%

LAB 49.65, -47.85, 42.48

 

CMYK 74 / 0 / 52 / 47

HEX #248841

RGB 36 136 65

HSL 137.4, 0.58%, 0.34%

LAB 49.94, -44.4, 29.94

 

CMYK 74 / 0 / 32 / 47

HEX #24885C

RGB 36 136 92

HSL 153.6, 0.58%, 0.34%

LAB 50.4, -39.17, 15.65

 

CMYK 74 / 0 / 13 / 47

HEX #248877

RGB 36 136 119

HSL 169.8, 0.58%, 0.34%

LAB 51.05, -32.33, 0.98

 

CMYK 74 / 7 / 0 / 47

HEX #247F88

RGB 36 127 136

HSL 185.4, 0.58%, 0.34%

LAB 48.67, -22.75, -12.52

 

CMYK 74 / 0 / 72 / 47

HEX #248826

RGB 36 136 38

HSL 121.2, 0.58%, 0.34%

LAB 49.65, -47.85, 42.48

 

CMYK 85 / 0 / 84 / 41

HEX #169718

RGB 22 151 24

HSL 120.93, 0.75%, 0.34%

LAB 54.42, -55.78, 51.89

 

CMYK 95 / 0 / 93 / 35

HEX #08A50B

RGB 8 165 11

HSL 121.15, 0.91%, 0.34%

LAB 58.96, -61.49, 58.55

 

CMYK 74 / 0 / 72 / 47

HEX #248826

RGB 36 136 38

HSL 121.2, 0.58%, 0.34%

LAB 49.65, -47.85, 42.48

 

CMYK 59 / 0 / 58 / 52

HEX #327A33

RGB 50 122 51

HSL 120.83, 0.42%, 0.34%

LAB 45.41, -37.88, 31.82

 

CMYK 41 / 0 / 40 / 58

HEX #406C41

RGB 64 108 65

HSL 121.36, 0.26%, 0.34%

LAB 41.53, -24.97, 19.41

 

CMYK 17 / 0 / 17 / 63

HEX #4E5E4E

RGB 78 94 78

HSL 120, 0.09%, 0.34%

LAB 38.15, -9.66, 7.15

 

CMYK 0 / 13 / 0 / 64

HEX #5C505C

RGB 92 80 92

HSL 300, 0.07%, 0.34%

LAB 35.57, 7.41, -5.18

 

CMYK 35 / 0 / 74 / 47

HEX #588824

RGB 88 136 36

HSL 88.8, 0.58%, 0.34%

LAB 51.62, -32.89, 45.94

 

CMYK 55 / 0 / 74 / 47

HEX #3D8824

RGB 61 136 36

HSL 105, 0.58%, 0.34%

LAB 50.37, -42.06, 44.26

 

CMYK 74 / 0 / 72 / 47

HEX #248826

RGB 36 136 38

HSL 121.2, 0.58%, 0.34%

LAB 49.65, -47.85, 42.48

 

CMYK 74 / 0 / 53 / 47

HEX #248840

RGB 36 136 64

HSL 136.8, 0.58%, 0.34%

LAB 49.92, -44.56, 30.45

 

CMYK 74 / 0 / 33 / 47

HEX #24885B

RGB 36 136 91

HSL 153, 0.58%, 0.34%

LAB 50.38, -39.4, 16.19

 

CMYK 73 / 0 / 72 / 72

HEX #134714

RGB 19 71 20

HSL 121.15, 0.58%, 0.18%

LAB 25.85, -28.81, 24.98

 

CMYK 74 / 0 / 72 / 59

HEX #1B681D

RGB 27 104 29

HSL 121.56, 0.59%, 0.26%

LAB 38.24, -38.95, 34.21

 

CMYK 74 / 0 / 72 / 47

HEX #248826

RGB 36 136 38

HSL 121.2, 0.58%, 0.34%

LAB 49.65, -47.85, 42.48

 

CMYK 73 / 0 / 72 / 34

HEX #2DA92F

RGB 45 169 47

HSL 120.97, 0.58%, 0.42%

LAB 60.9, -56.66, 50.68

 

CMYK 73 / 0 / 72 / 21

HEX #36C939

RGB 54 201 57

HSL 121.22, 0.58%, 0.5%

LAB 71.46, -64.72, 57.86

 

CMYK 74 / 0 / 72 / 46

HEX #248926

RGB 36 137 38

HSL 121.19, 0.58%, 0.34%

LAB 49.99, -48.2, 42.83

 

CMYK 74 / 15 / 0 / 47

HEX #247388

RGB 36 115 136

HSL 192.6, 0.58%, 0.34%

LAB 44.82, -16.29, -18.38

 

CMYK 0 / 74 / 46 / 47

HEX #88244A

RGB 136 36 74

HSL 337.2, 0.58%, 0.34%

LAB 31.79, 45, 1.53

 

CMYK 74 / 0 / 72 / 46

HEX #248926

RGB 36 137 38

HSL 121.19, 0.58%, 0.34%

LAB 49.99, -48.2, 42.83

 

CMYK 72 / 74 / 0 / 47

HEX #262488

RGB 38 36 136

HSL 241.2, 0.58%, 0.34%

LAB 21.77, 34.89, -55.1

 

CMYK 0 / 72 / 74 / 47

HEX #882624

RGB 136 38 36

HSL 1.2, 0.58%, 0.34%

LAB 31.23, 41.31, 25.48

 

CMYK 74 / 0 / 72 / 46

HEX #248926

RGB 36 137 38

HSL 121.19, 0.58%, 0.34%

LAB 49.99, -48.2, 42.83

 

CMYK 74 / 15 / 0 / 47

HEX #247388

RGB 36 115 136

HSL 192.6, 0.58%, 0.34%

LAB 44.82, -16.29, -18.38

 

CMYK 0 / 74 / 1 / 47

HEX #882487

RGB 136 36 135

HSL 300.6, 0.58%, 0.34%

LAB 34.49, 53.52, -33.28

 

CMYK 0 / 57 / 74 / 47

HEX #883A24

RGB 136 58 36

HSL 13.2, 0.58%, 0.34%

LAB 34.78, 31.86, 29.54

 

CMYK 74 / 0 / 72 / 46

HEX #248926

RGB 36 137 38

HSL 121.19, 0.58%, 0.34%

LAB 49.99, -48.2, 42.83

 

CMYK 74 / 38 / 0 / 47

HEX #245588

RGB 36 85 136

HSL 210.6, 0.58%, 0.34%

LAB 35.3, 1.77, -33.23

 

CMYK 0 / 74 / 1 / 47

HEX #882487

RGB 136 36 135

HSL 300.6, 0.58%, 0.34%

LAB 34.49, 53.52, -33.28

 

CMYK 0 / 35 / 74 / 47

HEX #885824

RGB 136 88 36

HSL 31.2, 0.58%, 0.34%

LAB 41.75, 14.88, 37.12

 

Description

Color code: HEX #248926 | qconv.com Color code: HEX #248926 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 137 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 137 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 72 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 72% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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