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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2482A2 it is the complementary color #DB7D5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2482A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2482A2 shade: #29829D, #3A94B0, #4BA6C3, #5CB8D6 and #6DCAE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2482A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2482A2 shade: #2482A2, #13708F, #025E7C, #004C69 and #003A56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2482A2 shade: #2382A3, #2360A3, #233EA3, #2B23A3 and #4E23A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2482A2 shade: #2382A3, #2360A3, #233EA3 and #2323A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2482A2 shade matches the following richer shades: #2382A3, #138AB3 and #0392C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2482A2 shade: #2382A3, #337A93, #437282, #546B72 and #646362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2482A2 shade: #23A37F, #23A3A0, #2383A3, #2361A3 and #233FA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2482A2 shade: #144C5F, #1C6781, #2382A3, #2B9DC4 and #43B0D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2482A2 shade: #2482A2, #5D23A3 and #A39023

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2482A2 shade: #2482A2, #A32383 and #83A323

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2482A2 shade: #2482A2, #5D23A3, #A34323 and #69A323

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2482A2 shade: #2482A2, #8323A3, #A34323 and #43A323

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 20 / 0 / 36

HEX #2482A2

RGB 36 130 162

HSL 195.24, 0.64%, 0.39%

LAB 50.63, -15.6, -24.74

 

Complementary color

CMYK 0 / 43 / 58 / 14

HEX #DB7D5D

RGB 219 125 93

HSL 15.24, 0.64%, 0.61%

LAB 62.1, 33.39, 33.19

 

CMYK 74 / 17 / 0 / 38

HEX #29829D

RGB 41 130 157

HSL 193.97, 0.59%, 0.39%

LAB 50.54, -16.69, -21.96

 

CMYK 67 / 16 / 0 / 31

HEX #3A94B0

RGB 58 148 176

HSL 194.24, 0.5%, 0.46%

LAB 57.28, -17.63, -22.49

 

CMYK 62 / 15 / 0 / 24

HEX #4BA6C3

RGB 75 166 195

HSL 194.5, 0.5%, 0.53%

LAB 63.92, -18.32, -22.97

 

CMYK 57 / 14 / 0 / 16

HEX #5CB8D6

RGB 92 184 214

HSL 194.75, 0.6%, 0.6%

LAB 70.46, -18.83, -23.4

 

CMYK 53 / 13 / 0 / 9

HEX #6DCAE9

RGB 109 202 233

HSL 195, 0.74%, 0.67%

LAB 76.91, -19.21, -23.82

 

CMYK 78 / 20 / 0 / 36

HEX #2482A2

RGB 36 130 162

HSL 195.24, 0.64%, 0.39%

LAB 50.63, -15.6, -24.74

 

CMYK 87 / 22 / 0 / 44

HEX #13708F

RGB 19 112 143

HSL 195, 0.77%, 0.32%

LAB 43.81, -14, -24.13

 

CMYK 98 / 24 / 0 / 51

HEX #025E7C

RGB 2 94 124

HSL 194.75, 0.97%, 0.25%

LAB 36.88, -11.91, -23.44

 

CMYK 100 / 28 / 0 / 59

HEX #004C69

RGB 0 76 105

HSL 196.57, 1%, 0.21%

LAB 29.88, -8.77, -22.52

 

CMYK 100 / 33 / 0 / 66

HEX #003A56

RGB 0 58 86

HSL 199.53, 1%, 0.17%

LAB 22.65, -5.25, -21.6

 

CMYK 79 / 20 / 0 / 36

HEX #2382A3

RGB 35 130 163

HSL 195.47, 0.65%, 0.39%

LAB 50.65, -15.37, -25.29

 

CMYK 79 / 41 / 0 / 36

HEX #2360A3

RGB 35 96 163

HSL 211.41, 0.65%, 0.39%

LAB 40.19, 5, -41.72

 

CMYK 79 / 62 / 0 / 36

HEX #233EA3

RGB 35 62 163

HSL 227.34, 0.65%, 0.39%

LAB 30.51, 27.63, -57.35

 

CMYK 74 / 79 / 0 / 36

HEX #2B23A3

RGB 43 35 163

HSL 243.75, 0.65%, 0.39%

LAB 24.83, 45.03, -66.69

 

CMYK 52 / 79 / 0 / 36

HEX #4E23A3

RGB 78 35 163

HSL 260.16, 0.65%, 0.39%

LAB 28.02, 49.04, -61.31

 

CMYK 79 / 20 / 0 / 36

HEX #2382A3

RGB 35 130 163

HSL 195.47, 0.65%, 0.39%

LAB 50.65, -15.37, -25.29

 

CMYK 79 / 41 / 0 / 36

HEX #2360A3

RGB 35 96 163

HSL 211.41, 0.65%, 0.39%

LAB 40.19, 5, -41.72

 

CMYK 79 / 62 / 0 / 36

HEX #233EA3

RGB 35 62 163

HSL 227.34, 0.65%, 0.39%

LAB 30.51, 27.63, -57.35

 

CMYK 79 / 79 / 0 / 36

HEX #2323A3

RGB 35 35 163

HSL 240, 0.65%, 0.39%

LAB 24.33, 44.4, -67.52

 

CMYK 79 / 20 / 0 / 36

HEX #2382A3

RGB 35 130 163

HSL 195.47, 0.65%, 0.39%

LAB 50.65, -15.37, -25.29

 

CMYK 89 / 23 / 0 / 30

HEX #138AB3

RGB 19 138 179

HSL 195.38, 0.81%, 0.39%

LAB 53.57, -15.45, -30.01

 

CMYK 98 / 25 / 0 / 24

HEX #0392C3

RGB 3 146 195

HSL 195.31, 0.97%, 0.39%

LAB 56.6, -14.72, -34.39

 

CMYK 79 / 20 / 0 / 36

HEX #2382A3

RGB 35 130 163

HSL 195.47, 0.65%, 0.39%

LAB 50.65, -15.37, -25.29

 

CMYK 65 / 17 / 0 / 42

HEX #337A93

RGB 51 122 147

HSL 195.63, 0.48%, 0.39%

LAB 47.92, -14.04, -20.11

 

CMYK 48 / 12 / 0 / 49

HEX #437282

RGB 67 114 130

HSL 195.24, 0.32%, 0.39%

LAB 45.41, -11.39, -13.8

 

CMYK 26 / 6 / 0 / 55

HEX #546B72

RGB 84 107 114

HSL 194, 0.15%, 0.39%

LAB 43.68, -6.73, -6.71

 

CMYK 0 / 1 / 2 / 61

HEX #646362

RGB 100 99 98

HSL 30, 0.01%, 0.39%

LAB 42.02, 0.19, 0.7

 

CMYK 79 / 0 / 22 / 36

HEX #23A37F

RGB 35 163 127

HSL 163.13, 0.65%, 0.39%

LAB 59.96, -42.33, 9.21

 

CMYK 79 / 0 / 2 / 36

HEX #23A3A0

RGB 35 163 160

HSL 178.59, 0.65%, 0.39%

LAB 60.86, -33.23, -8.06

 

CMYK 79 / 20 / 0 / 36

HEX #2383A3

RGB 35 131 163

HSL 195, 0.65%, 0.39%

LAB 50.96, -15.92, -24.81

 

CMYK 79 / 40 / 0 / 36

HEX #2361A3

RGB 35 97 163

HSL 210.94, 0.65%, 0.39%

LAB 40.49, 4.36, -41.24

 

CMYK 79 / 61 / 0 / 36

HEX #233FA3

RGB 35 63 163

HSL 226.88, 0.65%, 0.39%

LAB 30.78, 26.96, -56.92

 

CMYK 79 / 20 / 0 / 63

HEX #144C5F

RGB 20 76 95

HSL 195.2, 0.65%, 0.23%

LAB 29.77, -10.72, -16.31

 

CMYK 78 / 20 / 0 / 49

HEX #1C6781

RGB 28 103 129

HSL 195.45, 0.64%, 0.31%

LAB 40.46, -13.04, -20.9

 

CMYK 79 / 20 / 0 / 36

HEX #2382A3

RGB 35 130 163

HSL 195.47, 0.65%, 0.39%

LAB 50.65, -15.37, -25.29

 

CMYK 78 / 20 / 0 / 23

HEX #2B9DC4

RGB 43 157 196

HSL 195.29, 0.64%, 0.47%

LAB 60.44, -17.82, -28.96

 

CMYK 69 / 17 / 0 / 16

HEX #43B0D5

RGB 67 176 213

HSL 195.21, 0.63%, 0.55%

LAB 67.31, -19.24, -27.75

 

CMYK 78 / 20 / 0 / 36

HEX #2482A2

RGB 36 130 162

HSL 195.24, 0.64%, 0.39%

LAB 50.63, -15.6, -24.74

 

CMYK 43 / 79 / 0 / 36

HEX #5D23A3

RGB 93 35 163

HSL 267.19, 0.65%, 0.39%

LAB 29.85, 51.3, -58.25

 

CMYK 0 / 12 / 79 / 36

HEX #A39023

RGB 163 144 35

HSL 51.09, 0.65%, 0.39%

LAB 59.76, -4.56, 56.11

 

CMYK 78 / 20 / 0 / 36

HEX #2482A2

RGB 36 130 162

HSL 195.24, 0.64%, 0.39%

LAB 50.63, -15.6, -24.74

 

CMYK 0 / 79 / 20 / 36

HEX #A32383

RGB 163 35 131

HSL 315, 0.65%, 0.39%

LAB 38.95, 59.58, -23.47

 

CMYK 20 / 0 / 79 / 36

HEX #83A323

RGB 131 163 35

HSL 75, 0.65%, 0.39%

LAB 62.63, -28.41, 57.8

 

CMYK 78 / 20 / 0 / 36

HEX #2482A2

RGB 36 130 162

HSL 195.24, 0.64%, 0.39%

LAB 50.63, -15.6, -24.74

 

CMYK 43 / 79 / 0 / 36

HEX #5D23A3

RGB 93 35 163

HSL 267.19, 0.65%, 0.39%

LAB 29.85, 51.3, -58.25

 

CMYK 0 / 59 / 79 / 36

HEX #A34323

RGB 163 67 35

HSL 15, 0.65%, 0.39%

LAB 41.09, 37.9, 38.21

 

CMYK 36 / 0 / 79 / 36

HEX #69A323

RGB 105 163 35

HSL 87.19, 0.65%, 0.39%

LAB 61.06, -38.65, 55.77

 

CMYK 78 / 20 / 0 / 36

HEX #2482A2

RGB 36 130 162

HSL 195.24, 0.64%, 0.39%

LAB 50.63, -15.6, -24.74

 

CMYK 20 / 79 / 0 / 36

HEX #8323A3

RGB 131 35 163

HSL 285, 0.65%, 0.39%

LAB 35.34, 58.02, -49.06

 

CMYK 0 / 59 / 79 / 36

HEX #A34323

RGB 163 67 35

HSL 15, 0.65%, 0.39%

LAB 41.09, 37.9, 38.21

 

CMYK 59 / 0 / 79 / 36

HEX #43A323

RGB 67 163 35

HSL 105, 0.65%, 0.39%

LAB 59.44, -50.75, 53.66

 

Description

Color code: HEX #2482A2 | qconv.com Color code: HEX #2482A2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 130 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 130 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 20 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 20% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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