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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #249885 it is the complementary color #DB677A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #249885. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #249885 shade: #299880, #3AAA93, #4BBCA6, #5CCEB9 and #6DE0CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #249885. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #249885 shade: #249885, #138672, #02745F, #00624C and #005039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #249885 shade: #239885, #239866, #239846, #239827 and #409823

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #249885 shade: #239885, #238C98, #236C98, #234D98 and #232D98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #249885 shade matches the following richer shades: #239885, #14A88F and #05B79A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #249885 shade: #239885, #33897B, #427A71, #516B66 and #605B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #249885 shade: #239846, #239866, #239885, #238D98 and #236D98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #249885 shade: #14564B, #1C7768, #239885, #2BBAA2 and #3DD1B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #249885 shade: #249885, #272398 and #985623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #249885 shade: #249885, #852398 and #988523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #249885 shade: #249885, #272398, #982337 and #949823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #249885 shade: #249885, #4A2398, #982337 and #719823

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 13 / 40

HEX #249885

RGB 36 152 133

HSL 170.17, 0.62%, 0.37%

LAB 56.61, -35.81, 1

 

Complementary color

CMYK 0 / 53 / 44 / 14

HEX #DB677A

RGB 219 103 122

HSL 350.17, 0.62%, 0.63%

LAB 58.19, 47.17, 11.49

 

CMYK 73 / 0 / 16 / 40

HEX #299880

RGB 41 152 128

HSL 167.03, 0.58%, 0.38%

LAB 56.57, -36.51, 3.8

 

CMYK 66 / 0 / 14 / 33

HEX #3AAA93

RGB 58 170 147

HSL 167.68, 0.49%, 0.45%

LAB 63.14, -37.01, 2.64

 

CMYK 60 / 0 / 12 / 26

HEX #4BBCA6

RGB 75 188 166

HSL 168.32, 0.46%, 0.52%

LAB 69.62, -37.29, 1.6

 

CMYK 55 / 0 / 10 / 19

HEX #5CCEB9

RGB 92 206 185

HSL 168.95, 0.54%, 0.58%

LAB 76.02, -37.43, 0.66

 

CMYK 51 / 0 / 9 / 12

HEX #6DE0CC

RGB 109 224 204

HSL 169.57, 0.65%, 0.65%

LAB 82.34, -37.48, -0.2

 

CMYK 76 / 0 / 13 / 40

HEX #249885

RGB 36 152 133

HSL 170.17, 0.62%, 0.37%

LAB 56.61, -35.81, 1

 

CMYK 86 / 0 / 15 / 47

HEX #138672

RGB 19 134 114

HSL 169.57, 0.75%, 0.3%

LAB 49.98, -34.76, 2.3

 

CMYK 98 / 0 / 18 / 55

HEX #02745F

RGB 2 116 95

HSL 168.95, 0.97%, 0.23%

LAB 43.26, -33.27, 3.78

 

CMYK 100 / 0 / 22 / 62

HEX #00624C

RGB 0 98 76

HSL 166.53, 1%, 0.19%

LAB 36.47, -30.79, 5.59

 

CMYK 100 / 0 / 29 / 69

HEX #005039

RGB 0 80 57

HSL 162.75, 1%, 0.16%

LAB 29.49, -28.07, 7.57

 

CMYK 77 / 0 / 13 / 40

HEX #239885

RGB 35 152 133

HSL 170.26, 0.63%, 0.37%

LAB 56.59, -35.93, 0.97

 

CMYK 77 / 0 / 33 / 40

HEX #239866

RGB 35 152 102

HSL 154.36, 0.63%, 0.37%

LAB 55.86, -43.69, 17.47

 

CMYK 77 / 0 / 54 / 40

HEX #239846

RGB 35 152 70

HSL 137.95, 0.63%, 0.37%

LAB 55.34, -49.69, 33.99

 

CMYK 77 / 0 / 74 / 40

HEX #239827

RGB 35 152 39

HSL 122.05, 0.63%, 0.37%

LAB 55.03, -53.35, 47.63

 

CMYK 58 / 0 / 77 / 40

HEX #409823

RGB 64 152 35

HSL 105.13, 0.63%, 0.37%

LAB 55.75, -47.47, 50.05

 

CMYK 77 / 0 / 13 / 40

HEX #239885

RGB 35 152 133

HSL 170.26, 0.63%, 0.37%

LAB 56.59, -35.93, 0.97

 

CMYK 77 / 8 / 0 / 40

HEX #238C98

RGB 35 140 152

HSL 186.15, 0.63%, 0.37%

LAB 53.36, -24.41, -14.75

 

CMYK 77 / 29 / 0 / 40

HEX #236C98

RGB 35 108 152

HSL 202.56, 0.63%, 0.37%

LAB 43.29, -6.65, -30.29

 

CMYK 77 / 49 / 0 / 40

HEX #234D98

RGB 35 77 152

HSL 218.46, 0.63%, 0.37%

LAB 33.84, 13.19, -45.3

 

CMYK 77 / 70 / 0 / 40

HEX #232D98

RGB 35 45 152

HSL 234.87, 0.63%, 0.37%

LAB 25.26, 34.67, -59.27

 

CMYK 77 / 0 / 13 / 40

HEX #239885

RGB 35 152 133

HSL 170.26, 0.63%, 0.37%

LAB 56.59, -35.93, 0.97

 

CMYK 88 / 0 / 15 / 34

HEX #14A88F

RGB 20 168 143

HSL 169.86, 0.79%, 0.37%

LAB 61.77, -41.6, 2.82

 

CMYK 97 / 0 / 16 / 28

HEX #05B79A

RGB 5 183 154

HSL 170.22, 0.95%, 0.37%

LAB 66.7, -45.65, 3.82

 

CMYK 77 / 0 / 13 / 40

HEX #239885

RGB 35 152 133

HSL 170.26, 0.63%, 0.37%

LAB 56.59, -35.93, 0.97

 

CMYK 63 / 0 / 10 / 46

HEX #33897B

RGB 51 137 123

HSL 170.23, 0.46%, 0.37%

LAB 51.87, -29.18, -0.12

 

CMYK 46 / 0 / 7 / 52

HEX #427A71

RGB 66 122 113

HSL 170.36, 0.3%, 0.37%

LAB 47.33, -20.83, -0.83

 

CMYK 24 / 0 / 5 / 58

HEX #516B66

RGB 81 107 102

HSL 168.46, 0.14%, 0.37%

LAB 43.1, -10.71, -0.33

 

CMYK 0 / 5 / 4 / 62

HEX #605B5C

RGB 96 91 92

HSL 348, 0.03%, 0.37%

LAB 39.14, 2.21, 0.14

 

CMYK 77 / 0 / 54 / 40

HEX #239846

RGB 35 152 70

HSL 137.95, 0.63%, 0.37%

LAB 55.34, -49.69, 33.99

 

CMYK 77 / 0 / 33 / 40

HEX #239866

RGB 35 152 102

HSL 154.36, 0.63%, 0.37%

LAB 55.86, -43.69, 17.47

 

CMYK 77 / 0 / 13 / 40

HEX #239885

RGB 35 152 133

HSL 170.26, 0.63%, 0.37%

LAB 56.59, -35.93, 0.97

 

CMYK 77 / 7 / 0 / 40

HEX #238D98

RGB 35 141 152

HSL 185.64, 0.63%, 0.37%

LAB 53.68, -24.93, -14.28

 

CMYK 77 / 28 / 0 / 40

HEX #236D98

RGB 35 109 152

HSL 202.05, 0.63%, 0.37%

LAB 43.6, -7.25, -29.8

 

CMYK 77 / 0 / 13 / 66

HEX #14564B

RGB 20 86 75

HSL 170, 0.62%, 0.21%

LAB 32.51, -23.17, 0.53

 

CMYK 76 / 0 / 13 / 53

HEX #1C7768

RGB 28 119 104

HSL 170.11, 0.62%, 0.29%

LAB 44.86, -29.67, 0.77

 

CMYK 77 / 0 / 13 / 40

HEX #239885

RGB 35 152 133

HSL 170.26, 0.63%, 0.37%

LAB 56.59, -35.93, 0.97

 

CMYK 77 / 0 / 13 / 27

HEX #2BBAA2

RGB 43 186 162

HSL 169.93, 0.62%, 0.45%

LAB 68.2, -42.23, 1.64

 

CMYK 71 / 0 / 11 / 18

HEX #3DD1B9

RGB 61 209 185

HSL 170.27, 0.62%, 0.53%

LAB 76.13, -43.98, 0.72

 

CMYK 76 / 0 / 13 / 40

HEX #249885

RGB 36 152 133

HSL 170.17, 0.62%, 0.37%

LAB 56.61, -35.81, 1

 

CMYK 74 / 77 / 0 / 40

HEX #272398

RGB 39 35 152

HSL 242.05, 0.63%, 0.37%

LAB 23.34, 41.06, -62.44

 

CMYK 0 / 43 / 77 / 40

HEX #985623

RGB 152 86 35

HSL 26.15, 0.63%, 0.37%

LAB 43.44, 23.18, 40.04

 

CMYK 76 / 0 / 13 / 40

HEX #249885

RGB 36 152 133

HSL 170.17, 0.62%, 0.37%

LAB 56.61, -35.81, 1

 

CMYK 13 / 77 / 0 / 40

HEX #852398

RGB 133 35 152

HSL 290.26, 0.63%, 0.37%

LAB 34.91, 56.28, -43.07

 

CMYK 0 / 13 / 77 / 40

HEX #988523

RGB 152 133 35

HSL 50.26, 0.63%, 0.37%

LAB 55.66, -3.55, 51.93

 

CMYK 76 / 0 / 13 / 40

HEX #249885

RGB 36 152 133

HSL 170.17, 0.62%, 0.37%

LAB 56.61, -35.81, 1

 

CMYK 74 / 77 / 0 / 40

HEX #272398

RGB 39 35 152

HSL 242.05, 0.63%, 0.37%

LAB 23.34, 41.06, -62.44

 

CMYK 0 / 77 / 64 / 40

HEX #982337

RGB 152 35 55

HSL 349.74, 0.63%, 0.37%

LAB 34.3, 48.74, 17.9

 

CMYK 3 / 0 / 77 / 40

HEX #949823

RGB 148 152 35

HSL 62.05, 0.63%, 0.37%

LAB 60.67, -15.57, 56.46

 

CMYK 76 / 0 / 13 / 40

HEX #249885

RGB 36 152 133

HSL 170.17, 0.62%, 0.37%

LAB 56.61, -35.81, 1

 

CMYK 51 / 77 / 0 / 40

HEX #4A2398

RGB 74 35 152

HSL 260, 0.63%, 0.37%

LAB 26.52, 45.4, -57.09

 

CMYK 0 / 77 / 64 / 40

HEX #982337

RGB 152 35 55

HSL 349.74, 0.63%, 0.37%

LAB 34.3, 48.74, 17.9

 

CMYK 26 / 0 / 77 / 40

HEX #719823

RGB 113 152 35

HSL 80, 0.63%, 0.37%

LAB 58.12, -30.55, 53.16

 

Description

Color code: HEX #249885 | qconv.com Color code: HEX #249885 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 152 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 152 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 13 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 13% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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