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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2498EA it is the complementary color #DB6715. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2498EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2498EA shade: #2998E5, #3AAAF8, #4BBCFF, #5CCEFF and #6DE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2498EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2498EA shade: #2498EA, #1386D7, #0274C4, #0062B1 and #00509E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2498EA shade: #2398EA, #2362EA, #232CEA, #5023EA and #8523EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2498EA shade: #2398EA, #2362EA, #232CEA and #2323EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2498EA shade matches the following richer shades: #2398EA and #109BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2498EA shade: #2398EA, #3794D7, #4A91C3, #5D8EB0 and #718A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2498EA shade: #23EAD0, #23D0EA, #239BEA, #2365EA and #2330EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2498EA shade: #0F6BAB, #1382D1, #2398EA, #49A9EE and #6FBBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2498EA shade: #2498EA, #9B23EA and #EAEA23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2498EA shade: #2498EA, #EA239B and #9BEA23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2498EA shade: #2498EA, #9B23EA, #EA7323 and #73EA23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2498EA shade: #2498EA, #D623EA, #EA7323 and #37EA23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 35 / 0 / 8

HEX #2498EA

RGB 36 152 234

HSL 204.85, 0.83%, 0.53%

LAB 60.58, -2.19, -49.91

 

Complementary color

CMYK 0 / 53 / 90 / 14

HEX #DB6715

RGB 219 103 21

HSL 24.85, 0.83%, 0.47%

LAB 56.89, 41.43, 60.92

 

CMYK 82 / 34 / 0 / 10

HEX #2998E5

RGB 41 152 229

HSL 204.57, 0.78%, 0.53%

LAB 60.41, -3.61, -47.41

 

CMYK 77 / 31 / 0 / 3

HEX #3AAAF8

RGB 58 170 248

HSL 204.63, 0.93%, 0.6%

LAB 66.84, -5.44, -47.67

 

CMYK 71 / 26 / 0 / 0

HEX #4BBCFF

RGB 75 188 255

HSL 202.33, 1%, 0.65%

LAB 72.68, -10.91, -42.27

 

CMYK 64 / 19 / 0 / 0

HEX #5CCEFF

RGB 92 206 255

HSL 198.04, 1%, 0.68%

LAB 78.25, -17.9, -33.59

 

CMYK 57 / 12 / 0 / 0

HEX #6DE0FF

RGB 109 224 255

HSL 192.74, 1%, 0.71%

LAB 83.85, -24.07, -24.95

 

CMYK 85 / 35 / 0 / 8

HEX #2498EA

RGB 36 152 234

HSL 204.85, 0.83%, 0.53%

LAB 60.58, -2.19, -49.91

 

CMYK 91 / 38 / 0 / 16

HEX #1386D7

RGB 19 134 215

HSL 204.8, 0.84%, 0.46%

LAB 54.13, 0.28, -49.58

 

CMYK 99 / 41 / 0 / 23

HEX #0274C4

RGB 2 116 196

HSL 204.74, 0.98%, 0.39%

LAB 47.61, 3.24, -49.17

 

CMYK 100 / 45 / 0 / 31

HEX #0062B1

RGB 0 98 177

HSL 206.78, 1%, 0.35%

LAB 41.07, 6.93, -48.61

 

CMYK 100 / 49 / 0 / 38

HEX #00509E

RGB 0 80 158

HSL 209.62, 1%, 0.31%

LAB 34.41, 10.96, -48.05

 

CMYK 85 / 35 / 0 / 8

HEX #2398EA

RGB 35 152 234

HSL 204.72, 0.83%, 0.53%

LAB 60.56, -2.26, -49.94

 

CMYK 85 / 58 / 0 / 8

HEX #2362EA

RGB 35 98 234

HSL 221.01, 0.83%, 0.53%

LAB 45.68, 31.1, -73.9

 

CMYK 85 / 81 / 0 / 8

HEX #232CEA

RGB 35 44 234

HSL 237.29, 0.83%, 0.53%

LAB 34.19, 62.28, -92.83

 

CMYK 66 / 85 / 0 / 8

HEX #5023EA

RGB 80 35 234

HSL 253.57, 0.83%, 0.53%

LAB 35.69, 68.32, -90.26

 

CMYK 43 / 85 / 0 / 8

HEX #8523EA

RGB 133 35 234

HSL 269.55, 0.83%, 0.53%

LAB 41.42, 73.39, -80.61

 

CMYK 85 / 35 / 0 / 8

HEX #2398EA

RGB 35 152 234

HSL 204.72, 0.83%, 0.53%

LAB 60.56, -2.26, -49.94

 

CMYK 85 / 58 / 0 / 8

HEX #2362EA

RGB 35 98 234

HSL 221.01, 0.83%, 0.53%

LAB 45.68, 31.1, -73.9

 

CMYK 85 / 81 / 0 / 8

HEX #232CEA

RGB 35 44 234

HSL 237.29, 0.83%, 0.53%

LAB 34.19, 62.28, -92.83

 

CMYK 85 / 85 / 0 / 8

HEX #2323EA

RGB 35 35 234

HSL 240, 0.83%, 0.53%

LAB 32.92, 66.05, -94.95

 

CMYK 85 / 35 / 0 / 8

HEX #2398EA

RGB 35 152 234

HSL 204.72, 0.83%, 0.53%

LAB 60.56, -2.26, -49.94

 

CMYK 94 / 39 / 0 / 0

HEX #109BFE

RGB 16 155 254

HSL 204.96, 0.99%, 0.53%

LAB 62.26, 2.44, -58.25

 

CMYK 85 / 35 / 0 / 8

HEX #2398EA

RGB 35 152 234

HSL 204.72, 0.83%, 0.53%

LAB 60.56, -2.26, -49.94

 

CMYK 74 / 31 / 0 / 16

HEX #3794D7

RGB 55 148 215

HSL 205.13, 0.67%, 0.53%

LAB 58.88, -4.85, -42.01

 

CMYK 62 / 26 / 0 / 24

HEX #4A91C3

RGB 74 145 195

HSL 204.79, 0.5%, 0.53%

LAB 57.7, -7, -32.58

 

CMYK 47 / 19 / 0 / 31

HEX #5D8EB0

RGB 93 142 176

HSL 204.58, 0.34%, 0.53%

LAB 56.89, -7.07, -22.98

 

CMYK 28 / 12 / 0 / 38

HEX #718A9D

RGB 113 138 157

HSL 205.91, 0.18%, 0.53%

LAB 56.21, -4.33, -13.02

 

CMYK 85 / 0 / 11 / 8

HEX #23EAD0

RGB 35 234 208

HSL 172.16, 0.83%, 0.53%

LAB 83.84, -51.02, -0.31

 

CMYK 85 / 11 / 0 / 8

HEX #23D0EA

RGB 35 208 234

HSL 187.84, 0.83%, 0.53%

LAB 76.93, -31.88, -24.48

 

CMYK 85 / 34 / 0 / 8

HEX #239BEA

RGB 35 155 234

HSL 203.82, 0.83%, 0.53%

LAB 61.43, -3.99, -48.57

 

CMYK 85 / 57 / 0 / 8

HEX #2365EA

RGB 35 101 234

HSL 220.1, 0.83%, 0.53%

LAB 46.45, 29.18, -72.64

 

CMYK 85 / 79 / 0 / 8

HEX #2330EA

RGB 35 48 234

HSL 236.08, 0.83%, 0.53%

LAB 34.83, 60.42, -91.77

 

CMYK 91 / 37 / 0 / 33

HEX #0F6BAB

RGB 15 107 171

HSL 204.62, 0.84%, 0.36%

LAB 43.59, -0.54, -41.06

 

CMYK 91 / 38 / 0 / 18

HEX #1382D1

RGB 19 130 209

HSL 204.95, 0.83%, 0.45%

LAB 52.63, 0.39, -48.58

 

CMYK 85 / 35 / 0 / 8

HEX #2398EA

RGB 35 152 234

HSL 204.72, 0.83%, 0.53%

LAB 60.56, -2.26, -49.94

 

CMYK 69 / 29 / 0 / 7

HEX #49A9EE

RGB 73 169 238

HSL 205.09, 0.83%, 0.61%

LAB 66.49, -6.41, -42.73

 

CMYK 54 / 22 / 0 / 5

HEX #6FBBF1

RGB 111 187 241

HSL 204.92, 0.82%, 0.69%

LAB 73.07, -8.6, -34.02

 

CMYK 85 / 35 / 0 / 8

HEX #2498EA

RGB 36 152 234

HSL 204.85, 0.83%, 0.53%

LAB 60.58, -2.19, -49.91

 

CMYK 34 / 85 / 0 / 8

HEX #9B23EA

RGB 155 35 234

HSL 276.18, 0.83%, 0.53%

LAB 44.39, 76.18, -75.62

 

CMYK 0 / 0 / 85 / 8

HEX #EAEA23

RGB 234 234 35

HSL 60, 0.83%, 0.53%

LAB 90.07, -19.74, 84.42

 

CMYK 85 / 35 / 0 / 8

HEX #2498EA

RGB 36 152 234

HSL 204.85, 0.83%, 0.53%

LAB 60.58, -2.19, -49.91

 

CMYK 0 / 85 / 34 / 8

HEX #EA239B

RGB 234 35 155

HSL 323.82, 0.83%, 0.53%

LAB 53.02, 78.61, -15.27

 

CMYK 34 / 0 / 85 / 8

HEX #9BEA23

RGB 155 234 35

HSL 83.82, 0.83%, 0.53%

LAB 84.96, -50.63, 78.09

 

CMYK 85 / 35 / 0 / 8

HEX #2498EA

RGB 36 152 234

HSL 204.85, 0.83%, 0.53%

LAB 60.58, -2.19, -49.91

 

CMYK 34 / 85 / 0 / 8

HEX #9B23EA

RGB 155 35 234

HSL 276.18, 0.83%, 0.53%

LAB 44.39, 76.18, -75.62

 

CMYK 0 / 51 / 85 / 8

HEX #EA7323

RGB 234 115 35

HSL 24.12, 0.83%, 0.53%

LAB 61.55, 41.58, 61

 

CMYK 51 / 0 / 85 / 8

HEX #73EA23

RGB 115 234 35

HSL 95.88, 0.83%, 0.53%

LAB 83.24, -63.34, 75.92

 

CMYK 85 / 35 / 0 / 8

HEX #2498EA

RGB 36 152 234

HSL 204.85, 0.83%, 0.53%

LAB 60.58, -2.19, -49.91

 

CMYK 9 / 85 / 0 / 8

HEX #D623EA

RGB 214 35 234

HSL 293.97, 0.83%, 0.53%

LAB 53.43, 85.13, -60.55

 

CMYK 0 / 51 / 85 / 8

HEX #EA7323

RGB 234 115 35

HSL 24.12, 0.83%, 0.53%

LAB 61.55, 41.58, 61

 

CMYK 76 / 0 / 85 / 8

HEX #37EA23

RGB 55 234 35

HSL 113.97, 0.83%, 0.53%

LAB 81.72, -75.91, 74

 

Description

Color code: HEX #2498EA | qconv.com Color code: HEX #2498EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 152 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 152 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 35 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 35% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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