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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24A6CB it is the complementary color #DB5934. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24A6CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24A6CB shade: #29A6C6, #3AB8D9, #4BCAEC, #5CDCFF and #6DEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24A6CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24A6CB shade: #24A6CB, #1394B8, #0282A5, #007092 and #005E7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24A6CB shade: #23A6CB, #2379CB, #234CCB, #2923CB and #5623CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24A6CB shade: #23A6CB, #2379CB, #234CCB and #2323CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24A6CB shade matches the following richer shades: #23A6CB and #10B1DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24A6CB shade: #23A6CB, #379BB8, #4A90A4, #5E8691 and #717B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24A6CB shade: #23CB96, #23CBC3, #23A7CB, #237ACB and #234DCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24A6CB shade: #176D85, #1D89A8, #23A6CB, #3CB9DC and #5FC5E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24A6CB shade: #24A6CB, #6923CB and #CBAC23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24A6CB shade: #24A6CB, #CB23A7 and #A7CB23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24A6CB shade: #24A6CB, #6923CB, #CB4823 and #85CB23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24A6CB shade: #24A6CB, #9C23CB, #CB4823 and #53CB23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 18 / 0 / 20

HEX #24A6CB

RGB 36 166 203

HSL 193.29, 0.7%, 0.47%

LAB 63.31, -20.88, -28.44

 

Complementary color

CMYK 0 / 59 / 76 / 14

HEX #DB5934

RGB 219 89 52

HSL 13.29, 0.7%, 0.53%

LAB 54.5, 48.96, 46.21

 

CMYK 79 / 16 / 0 / 22

HEX #29A6C6

RGB 41 166 198

HSL 192.23, 0.66%, 0.47%

LAB 63.19, -22.1, -25.83

 

CMYK 73 / 15 / 0 / 15

HEX #3AB8D9

RGB 58 184 217

HSL 192.45, 0.68%, 0.54%

LAB 69.6, -23.3, -26.44

 

CMYK 68 / 14 / 0 / 7

HEX #4BCAEC

RGB 75 202 236

HSL 192.67, 0.81%, 0.61%

LAB 75.94, -24.24, -27

 

CMYK 64 / 14 / 0 / 0

HEX #5CDCFF

RGB 92 220 255

HSL 192.88, 1%, 0.68%

LAB 82.21, -24.98, -27.51

 

CMYK 57 / 7 / 0 / 0

HEX #6DEEFF

RGB 109 238 255

HSL 186.99, 1%, 0.71%

LAB 87.79, -30.87, -18.99

 

CMYK 82 / 18 / 0 / 20

HEX #24A6CB

RGB 36 166 203

HSL 193.29, 0.7%, 0.47%

LAB 63.31, -20.88, -28.44

 

CMYK 90 / 20 / 0 / 28

HEX #1394B8

RGB 19 148 184

HSL 193.09, 0.81%, 0.4%

LAB 56.86, -19.1, -27.75

 

CMYK 99 / 21 / 0 / 35

HEX #0282A5

RGB 2 130 165

HSL 192.88, 0.98%, 0.33%

LAB 50.33, -16.91, -26.98

 

CMYK 100 / 23 / 0 / 43

HEX #007092

RGB 0 112 146

HSL 193.97, 1%, 0.29%

LAB 43.75, -14, -26.04

 

CMYK 100 / 26 / 0 / 50

HEX #005E7F

RGB 0 94 127

HSL 195.59, 1%, 0.25%

LAB 37, -10.86, -25.1

 

CMYK 83 / 18 / 0 / 20

HEX #23A6CB

RGB 35 166 203

HSL 193.21, 0.71%, 0.47%

LAB 63.29, -20.96, -28.47

 

CMYK 83 / 40 / 0 / 20

HEX #2379CB

RGB 35 121 203

HSL 209.29, 0.71%, 0.47%

LAB 49.91, 4.67, -49.48

 

CMYK 83 / 63 / 0 / 20

HEX #234CCB

RGB 35 76 203

HSL 225.36, 0.71%, 0.47%

LAB 37.55, 33.6, -69.48

 

CMYK 80 / 83 / 0 / 20

HEX #2923CB

RGB 41 35 203

HSL 242.14, 0.71%, 0.47%

LAB 29.38, 57.29, -82.96

 

CMYK 58 / 83 / 0 / 20

HEX #5623CB

RGB 86 35 203

HSL 258.21, 0.71%, 0.47%

LAB 32.9, 60.72, -77.01

 

CMYK 83 / 18 / 0 / 20

HEX #23A6CB

RGB 35 166 203

HSL 193.21, 0.71%, 0.47%

LAB 63.29, -20.96, -28.47

 

CMYK 83 / 40 / 0 / 20

HEX #2379CB

RGB 35 121 203

HSL 209.29, 0.71%, 0.47%

LAB 49.91, 4.67, -49.48

 

CMYK 83 / 63 / 0 / 20

HEX #234CCB

RGB 35 76 203

HSL 225.36, 0.71%, 0.47%

LAB 37.55, 33.6, -69.48

 

CMYK 83 / 83 / 0 / 20

HEX #2323CB

RGB 35 35 203

HSL 240, 0.71%, 0.47%

LAB 29.09, 57.01, -83.45

 

CMYK 83 / 18 / 0 / 20

HEX #23A6CB

RGB 35 166 203

HSL 193.21, 0.71%, 0.47%

LAB 63.29, -20.96, -28.47

 

CMYK 93 / 21 / 0 / 13

HEX #10B1DF

RGB 16 177 223

HSL 193.33, 0.87%, 0.47%

LAB 67.19, -20.98, -33.51

 

CMYK 83 / 18 / 0 / 20

HEX #23A6CB

RGB 35 166 203

HSL 193.21, 0.71%, 0.47%

LAB 63.29, -20.96, -28.47

 

CMYK 70 / 16 / 0 / 28

HEX #379BB8

RGB 55 155 184

HSL 193.49, 0.54%, 0.47%

LAB 59.63, -19.24, -23.43

 

CMYK 55 / 12 / 0 / 36

HEX #4A90A4

RGB 74 144 164

HSL 193.33, 0.38%, 0.47%

LAB 56.17, -16.19, -17.29

 

CMYK 35 / 8 / 0 / 43

HEX #5E8691

RGB 94 134 145

HSL 192.94, 0.21%, 0.47%

LAB 53.46, -10.95, -10.33

 

CMYK 10 / 2 / 0 / 51

HEX #717B7E

RGB 113 123 126

HSL 193.85, 0.05%, 0.47%

LAB 50.9, -3.06, -2.91

 

CMYK 83 / 0 / 26 / 20

HEX #23CB96

RGB 35 203 150

HSL 161.07, 0.71%, 0.47%

LAB 73.07, -53.01, 15.09

 

CMYK 83 / 0 / 4 / 20

HEX #23CBC3

RGB 35 203 195

HSL 177.14, 0.71%, 0.47%

LAB 74.2, -41.3, -7.56

 

CMYK 83 / 18 / 0 / 20

HEX #23A7CB

RGB 35 167 203

HSL 192.86, 0.71%, 0.47%

LAB 63.6, -21.48, -28

 

CMYK 83 / 40 / 0 / 20

HEX #237ACB

RGB 35 122 203

HSL 208.93, 0.71%, 0.47%

LAB 50.2, 4.06, -49.02

 

CMYK 83 / 62 / 0 / 20

HEX #234DCB

RGB 35 77 203

HSL 225, 0.71%, 0.47%

LAB 37.8, 32.95, -69.07

 

CMYK 83 / 18 / 0 / 48

HEX #176D85

RGB 23 109 133

HSL 193.09, 0.71%, 0.31%

LAB 42.48, -15.59, -20.21

 

CMYK 83 / 18 / 0 / 34

HEX #1D89A8

RGB 29 137 168

HSL 193.38, 0.71%, 0.39%

LAB 52.93, -18.06, -24.67

 

CMYK 83 / 18 / 0 / 20

HEX #23A6CB

RGB 35 166 203

HSL 193.21, 0.71%, 0.47%

LAB 63.29, -20.96, -28.47

 

CMYK 73 / 16 / 0 / 14

HEX #3CB9DC

RGB 60 185 220

HSL 193.13, 0.7%, 0.55%

LAB 70.05, -22.61, -27.39

 

CMYK 58 / 13 / 0 / 11

HEX #5FC5E2

RGB 95 197 226

HSL 193.28, 0.69%, 0.63%

LAB 74.73, -21.42, -23.4

 

CMYK 82 / 18 / 0 / 20

HEX #24A6CB

RGB 36 166 203

HSL 193.29, 0.7%, 0.47%

LAB 63.31, -20.88, -28.44

 

CMYK 48 / 83 / 0 / 20

HEX #6923CB

RGB 105 35 203

HSL 265, 0.71%, 0.47%

LAB 35.04, 62.86, -73.42

 

CMYK 0 / 15 / 83 / 20

HEX #CBAC23

RGB 203 172 35

HSL 48.93, 0.71%, 0.47%

LAB 71.09, -1.69, 67.57

 

CMYK 82 / 18 / 0 / 20

HEX #24A6CB

RGB 36 166 203

HSL 193.29, 0.7%, 0.47%

LAB 63.31, -20.88, -28.44

 

CMYK 0 / 83 / 18 / 20

HEX #CB23A7

RGB 203 35 167

HSL 312.86, 0.71%, 0.47%

LAB 47.87, 73.29, -30.8

 

CMYK 18 / 0 / 83 / 20

HEX #A7CB23

RGB 167 203 35

HSL 72.86, 0.71%, 0.47%

LAB 76.71, -32.57, 71.26

 

CMYK 82 / 18 / 0 / 20

HEX #24A6CB

RGB 36 166 203

HSL 193.29, 0.7%, 0.47%

LAB 63.31, -20.88, -28.44

 

CMYK 48 / 83 / 0 / 20

HEX #6923CB

RGB 105 35 203

HSL 265, 0.71%, 0.47%

LAB 35.04, 62.86, -73.42

 

CMYK 0 / 65 / 83 / 20

HEX #CB4823

RGB 203 72 35

HSL 13.21, 0.71%, 0.47%

LAB 48.83, 50.27, 48.04

 

CMYK 34 / 0 / 83 / 20

HEX #85CB23

RGB 133 203 35

HSL 85, 0.71%, 0.47%

LAB 74.71, -45.6, 68.74

 

CMYK 82 / 18 / 0 / 20

HEX #24A6CB

RGB 36 166 203

HSL 193.29, 0.7%, 0.47%

LAB 63.31, -20.88, -28.44

 

CMYK 23 / 83 / 0 / 20

HEX #9C23CB

RGB 156 35 203

HSL 283.21, 0.71%, 0.47%

LAB 42.13, 70.2, -61.54

 

CMYK 0 / 65 / 83 / 20

HEX #CB4823

RGB 203 72 35

HSL 13.21, 0.71%, 0.47%

LAB 48.83, 50.27, 48.04

 

CMYK 59 / 0 / 83 / 20

HEX #53CB23

RGB 83 203 35

HSL 102.86, 0.71%, 0.47%

LAB 72.68, -60.9, 66.15

 

Description

Color code: HEX #24A6CB | qconv.com Color code: HEX #24A6CB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 166 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 166 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 18 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 18% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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