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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24C01F it is the complementary color #DB3FE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24C01F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24C01F shade: #29C01A, #3AD22D, #4BE440, #5CF653 and #6DFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24C01F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24C01F shade: #24C01F, #13AE0C, #029C00, #008A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24C01F shade: #24C01F, #4FC01F, #7BC01F, #A7C01F and #C0AF1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24C01F shade: #24C01F, #1FC045, #1FC071, #1FC09D and #1FB9C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24C01F shade matches the following richer shades: #24C01F and #13D30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24C01F shade: #24C01F, #35AE31, #469C43, #578A55 and #687868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24C01F shade: #7AC01F, #4FC01F, #24C01F, #1FC045 and #1FC070

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24C01F shade: #177A13, #1D9D19, #24C01F, #32DC2C and #54E250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24C01F shade: #24C01F, #1FA6C0 and #C01F65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24C01F shade: #24C01F, #1F24C0 and #C01F24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24C01F shade: #24C01F, #1FA6C0, #BB1FC0 and #C03A1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24C01F shade: #24C01F, #1F75C0, #BB1FC0 and #C06A1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

Complementary color

CMYK 2 / 72 / 0 / 12

HEX #DB3FE0

RGB 219 63 224

HSL 298.14, 0.72%, 0.56%

LAB 56.08, 77.38, -50.61

 

CMYK 79 / 0 / 86 / 25

HEX #29C01A

RGB 41 192 26

HSL 114.58, 0.76%, 0.43%

LAB 68.2, -65.79, 63.9

 

CMYK 72 / 0 / 79 / 18

HEX #3AD22D

RGB 58 210 45

HSL 115.27, 0.65%, 0.5%

LAB 74.31, -67.76, 64.7

 

CMYK 67 / 0 / 72 / 11

HEX #4BE440

RGB 75 228 64

HSL 115.98, 0.75%, 0.57%

LAB 80.38, -69.15, 64.61

 

CMYK 63 / 0 / 66 / 4

HEX #5CF653

RGB 92 246 83

HSL 116.69, 0.9%, 0.65%

LAB 86.41, -70.1, 64

 

CMYK 57 / 0 / 60 / 0

HEX #6DFF66

RGB 109 255 102

HSL 117.25, 1%, 0.7%

LAB 89.73, -67.6, 60.09

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 89 / 0 / 93 / 32

HEX #13AE0C

RGB 19 174 12

HSL 117.41, 0.87%, 0.36%

LAB 62.03, -63.33, 61.02

 

CMYK 99 / 0 / 100 / 39

HEX #029C00

RGB 2 156 0

HSL 119.23, 1%, 0.31%

LAB 55.88, -59.58, 57.64

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 59 / 0 / 84 / 25

HEX #4FC01F

RGB 79 192 31

HSL 102.11, 0.72%, 0.44%

LAB 69.08, -58.26, 63.86

 

CMYK 36 / 0 / 84 / 25

HEX #7BC01F

RGB 123 192 31

HSL 85.71, 0.72%, 0.44%

LAB 70.88, -44.71, 66.13

 

CMYK 13 / 0 / 84 / 25

HEX #A7C01F

RGB 167 192 31

HSL 69.32, 0.72%, 0.44%

LAB 73.55, -27.51, 69.5

 

CMYK 0 / 9 / 84 / 25

HEX #C0AF1F

RGB 192 175 31

HSL 53.66, 0.72%, 0.44%

LAB 70.85, -8.22, 68.01

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 84 / 0 / 64 / 25

HEX #1FC045

RGB 31 192 69

HSL 134.16, 0.72%, 0.44%

LAB 68.33, -63.69, 49.6

 

CMYK 84 / 0 / 41 / 25

HEX #1FC071

RGB 31 192 113

HSL 150.56, 0.72%, 0.44%

LAB 68.88, -57.05, 28.98

 

CMYK 84 / 0 / 18 / 25

HEX #1FC09D

RGB 31 192 157

HSL 166.96, 0.72%, 0.44%

LAB 69.77, -47.22, 6.63

 

CMYK 84 / 4 / 0 / 25

HEX #1FB9C0

RGB 31 185 192

HSL 182.61, 0.72%, 0.44%

LAB 68.6, -34.25, -14.29

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 91 / 0 / 94 / 17

HEX #13D30D

RGB 19 211 13

HSL 118.18, 0.88%, 0.44%

LAB 74.03, -73.65, 70.91

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 70 / 0 / 72 / 32

HEX #35AE31

RGB 53 174 49

HSL 118.08, 0.56%, 0.44%

LAB 62.72, -56.72, 51.84

 

CMYK 55 / 0 / 57 / 39

HEX #469C43

RGB 70 156 67

HSL 117.98, 0.4%, 0.44%

LAB 57.54, -44.26, 38.36

 

CMYK 37 / 0 / 38 / 46

HEX #578A55

RGB 87 138 85

HSL 117.74, 0.24%, 0.44%

LAB 52.79, -28.39, 23.13

 

CMYK 13 / 0 / 13 / 53

HEX #687868

RGB 104 120 104

HSL 120, 0.07%, 0.44%

LAB 48.73, -9.26, 6.81

 

CMYK 36 / 0 / 84 / 25

HEX #7AC01F

RGB 122 192 31

HSL 86.09, 0.72%, 0.44%

LAB 70.83, -45.07, 66.07

 

CMYK 59 / 0 / 84 / 25

HEX #4FC01F

RGB 79 192 31

HSL 102.11, 0.72%, 0.44%

LAB 69.08, -58.26, 63.86

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 84 / 0 / 64 / 25

HEX #1FC045

RGB 31 192 69

HSL 134.16, 0.72%, 0.44%

LAB 68.33, -63.69, 49.6

 

CMYK 84 / 0 / 42 / 25

HEX #1FC070

RGB 31 192 112

HSL 150.19, 0.72%, 0.44%

LAB 68.87, -57.24, 29.48

 

CMYK 81 / 0 / 84 / 52

HEX #177A13

RGB 23 122 19

HSL 117.67, 0.73%, 0.28%

LAB 44.44, -46.74, 44.11

 

CMYK 82 / 0 / 84 / 38

HEX #1D9D19

RGB 29 157 25

HSL 118.18, 0.73%, 0.36%

LAB 56.53, -56.75, 53.59

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 77 / 0 / 80 / 14

HEX #32DC2C

RGB 50 220 44

HSL 117.95, 0.72%, 0.52%

LAB 77.31, -72.04, 67.77

 

CMYK 63 / 0 / 65 / 11

HEX #54E250

RGB 84 226 80

HSL 118.36, 0.72%, 0.6%

LAB 80.1, -65.3, 58.29

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 84 / 14 / 0 / 25

HEX #1FA6C0

RGB 31 166 192

HSL 189.69, 0.72%, 0.44%

LAB 62.82, -24.96, -23.07

 

CMYK 0 / 84 / 47 / 25

HEX #C01F65

RGB 192 31 101

HSL 333.91, 0.72%, 0.44%

LAB 42.95, 64.44, 1.79

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 84 / 81 / 0 / 25

HEX #1F24C0

RGB 31 36 192

HSL 238.14, 0.72%, 0.44%

LAB 27.73, 53, -79.25

 

CMYK 0 / 84 / 81 / 25

HEX #C01F24

RGB 192 31 36

HSL 358.14, 0.72%, 0.44%

LAB 41.71, 60.76, 40.07

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 84 / 14 / 0 / 25

HEX #1FA6C0

RGB 31 166 192

HSL 189.69, 0.72%, 0.44%

LAB 62.82, -24.96, -23.07

 

CMYK 3 / 84 / 0 / 25

HEX #BB1FC0

RGB 187 31 192

HSL 298.14, 0.72%, 0.44%

LAB 46.11, 74.59, -48.46

 

CMYK 0 / 70 / 84 / 25

HEX #C03A1F

RGB 192 58 31

HSL 10.06, 0.72%, 0.44%

LAB 44.7, 52.16, 45.46

 

CMYK 81 / 0 / 84 / 25

HEX #24C01F

RGB 36 192 31

HSL 118.14, 0.72%, 0.44%

LAB 68.15, -66.18, 62.67

 

CMYK 84 / 39 / 0 / 25

HEX #1F75C0

RGB 31 117 192

HSL 207.95, 0.72%, 0.44%

LAB 48.03, 2.59, -46.18

 

CMYK 3 / 84 / 0 / 25

HEX #BB1FC0

RGB 187 31 192

HSL 298.14, 0.72%, 0.44%

LAB 46.11, 74.59, -48.46

 

CMYK 0 / 45 / 84 / 25

HEX #C06A1F

RGB 192 106 31

HSL 27.95, 0.72%, 0.44%

LAB 53.61, 29.19, 53.33

 

Description

Color code: HEX #24C01F | qconv.com Color code: HEX #24C01F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 192 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 192 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 84 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 84% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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