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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24C3C6 it is the complementary color #DB3C39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24C3C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24C3C6 shade: #29C3C1, #3AD5D4, #4BE7E7, #5CF9FA and #6DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24C3C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24C3C6 shade: #24C3C6, #13B1B3, #029FA0, #008D8D and #007B7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24C3C6 shade: #24C3C6, #2497C6, #246BC6, #2440C6 and #3424C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24C3C6 shade: #24C3C6, #2497C6, #246BC6, #2440C6 and #2424C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24C3C6 shade matches the following richer shades: #24C3C6 and #11D5D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24C3C6 shade: #24C3C6, #37B0B3, #4A9EA0, #5D8C8D and #707A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24C3C6 shade: #24C672, #24C69D, #24C3C6, #2498C6 and #246DC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24C3C6 shade: #177E80, #1DA0A3, #24C3C6, #39D7DA and #5CDEE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24C3C6 shade: #24C3C6, #4724C6 and #C68824

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24C3C6 shade: #24C3C6, #C624C3 and #C3C624

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24C3C6 shade: #24C3C6, #4724C6, #C62724 and #A3C624

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24C3C6 shade: #24C3C6, #7724C6, #C62724 and #72C624

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

Complementary color

CMYK 0 / 73 / 74 / 14

HEX #DB3C39

RGB 219 60 57

HSL 1.11, 0.69%, 0.54%

LAB 50.2, 60.91, 38.91

 

CMYK 79 / 0 / 1 / 24

HEX #29C3C1

RGB 41 195 193

HSL 179.22, 0.65%, 0.46%

LAB 71.79, -37.78, -10.04

 

CMYK 73 / 0 / 0 / 16

HEX #3AD5D4

RGB 58 213 212

HSL 179.61, 0.65%, 0.53%

LAB 78.02, -38.78, -11

 

CMYK 68 / 0 / 0 / 9

HEX #4BE7E7

RGB 75 231 231

HSL 180, 0.76%, 0.6%

LAB 84.18, -39.54, -11.87

 

CMYK 63 / 0 / 0 / 2

HEX #5CF9FA

RGB 92 249 250

HSL 180.38, 0.94%, 0.67%

LAB 90.29, -40.11, -12.67

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 89 / 1 / 0 / 30

HEX #13B1B3

RGB 19 177 179

HSL 180.75, 0.81%, 0.39%

LAB 65.62, -35.23, -11.59

 

CMYK 99 / 1 / 0 / 37

HEX #029FA0

RGB 2 159 160

HSL 180.38, 0.98%, 0.32%

LAB 59.29, -33.38, -10.43

 

CMYK 100 / 0 / 0 / 45

HEX #008D8D

RGB 0 141 141

HSL 180, 1%, 0.28%

LAB 52.92, -30.93, -9.1

 

CMYK 100 / 0 / 1 / 52

HEX #007B7A

RGB 0 123 122

HSL 179.51, 1%, 0.24%

LAB 46.41, -28.35, -7.7

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 82 / 24 / 0 / 22

HEX #2497C6

RGB 36 151 198

HSL 197.41, 0.69%, 0.46%

LAB 58.59, -14.57, -32.96

 

CMYK 82 / 46 / 0 / 22

HEX #246BC6

RGB 36 107 198

HSL 213.7, 0.69%, 0.46%

LAB 45.59, 11.63, -53.54

 

CMYK 82 / 68 / 0 / 22

HEX #2440C6

RGB 36 64 198

HSL 229.63, 0.69%, 0.46%

LAB 34.23, 39.47, -72.02

 

CMYK 74 / 82 / 0 / 22

HEX #3424C6

RGB 52 36 198

HSL 245.93, 0.69%, 0.46%

LAB 29.59, 56, -79.67

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 82 / 24 / 0 / 22

HEX #2497C6

RGB 36 151 198

HSL 197.41, 0.69%, 0.46%

LAB 58.59, -14.57, -32.96

 

CMYK 82 / 46 / 0 / 22

HEX #246BC6

RGB 36 107 198

HSL 213.7, 0.69%, 0.46%

LAB 45.59, 11.63, -53.54

 

CMYK 82 / 68 / 0 / 22

HEX #2440C6

RGB 36 64 198

HSL 229.63, 0.69%, 0.46%

LAB 34.23, 39.47, -72.02

 

CMYK 82 / 82 / 0 / 22

HEX #2424C6

RGB 36 36 198

HSL 240, 0.69%, 0.46%

LAB 28.68, 55.08, -81.2

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 92 / 2 / 0 / 15

HEX #11D5D9

RGB 17 213 217

HSL 181.2, 0.85%, 0.46%

LAB 77.71, -40.32, -14.19

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 69 / 2 / 0 / 30

HEX #37B0B3

RGB 55 176 179

HSL 181.45, 0.53%, 0.46%

LAB 65.84, -31.39, -11.21

 

CMYK 54 / 1 / 0 / 37

HEX #4A9EA0

RGB 74 158 160

HSL 181.4, 0.37%, 0.46%

LAB 60.29, -24.68, -8.81

 

CMYK 34 / 1 / 0 / 45

HEX #5D8C8D

RGB 93 140 141

HSL 181.25, 0.21%, 0.46%

LAB 55.08, -15.57, -5.62

 

CMYK 8 / 0 / 0 / 52

HEX #707A7A

RGB 112 122 122

HSL 180, 0.04%, 0.46%

LAB 50.42, -3.71, -1.28

 

CMYK 82 / 0 / 42 / 22

HEX #24C672

RGB 36 198 114

HSL 148.89, 0.69%, 0.46%

LAB 70.86, -58.53, 31.06

 

CMYK 82 / 0 / 21 / 22

HEX #24C69D

RGB 36 198 157

HSL 164.81, 0.69%, 0.46%

LAB 71.69, -49.26, 9.38

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 82 / 23 / 0 / 22

HEX #2498C6

RGB 36 152 198

HSL 197.04, 0.69%, 0.46%

LAB 58.89, -15.11, -32.49

 

CMYK 82 / 45 / 0 / 22

HEX #246DC6

RGB 36 109 198

HSL 212.96, 0.69%, 0.46%

LAB 46.16, 10.35, -52.62

 

CMYK 82 / 2 / 0 / 50

HEX #177E80

RGB 23 126 128

HSL 181.14, 0.7%, 0.3%

LAB 47.83, -26.34, -9.09

 

CMYK 82 / 2 / 0 / 36

HEX #1DA0A3

RGB 29 160 163

HSL 181.34, 0.7%, 0.38%

LAB 59.93, -31.45, -11.15

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 74 / 1 / 0 / 15

HEX #39D7DA

RGB 57 215 218

HSL 181.12, 0.69%, 0.54%

LAB 78.77, -38.09, -13.09

 

CMYK 59 / 1 / 0 / 12

HEX #5CDEE1

RGB 92 222 225

HSL 181.35, 0.69%, 0.62%

LAB 81.81, -34.45, -12.19

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 64 / 82 / 0 / 22

HEX #4724C6

RGB 71 36 198

HSL 252.96, 0.69%, 0.46%

LAB 31.06, 57.52, -77.17

 

CMYK 0 / 31 / 82 / 22

HEX #C68824

RGB 198 136 36

HSL 37.04, 0.69%, 0.46%

LAB 61.43, 15.57, 58.68

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

CMYK 2 / 0 / 82 / 22

HEX #C3C624

RGB 195 198 36

HSL 61.11, 0.69%, 0.46%

LAB 77.35, -18.48, 72.36

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 64 / 82 / 0 / 22

HEX #4724C6

RGB 71 36 198

HSL 252.96, 0.69%, 0.46%

LAB 31.06, 57.52, -77.17

 

CMYK 0 / 80 / 82 / 22

HEX #C62724

RGB 198 39 36

HSL 1.11, 0.69%, 0.46%

LAB 43.63, 60.45, 42.35

 

CMYK 18 / 0 / 82 / 22

HEX #A3C624

RGB 163 198 36

HSL 72.96, 0.69%, 0.46%

LAB 75.02, -31.83, 69.43

 

CMYK 82 / 2 / 0 / 22

HEX #24C3C6

RGB 36 195 198

HSL 181.11, 0.69%, 0.46%

LAB 71.88, -36.73, -12.64

 

CMYK 40 / 82 / 0 / 22

HEX #7724C6

RGB 119 36 198

HSL 270.74, 0.69%, 0.46%

LAB 36.48, 63.19, -68.06

 

CMYK 0 / 80 / 82 / 22

HEX #C62724

RGB 198 39 36

HSL 1.11, 0.69%, 0.46%

LAB 43.63, 60.45, 42.35

 

CMYK 42 / 0 / 82 / 22

HEX #72C624

RGB 114 198 36

HSL 91.11, 0.69%, 0.46%

LAB 72.29, -50.06, 65.97

 

Description

Color code: HEX #24C3C6 | qconv.com Color code: HEX #24C3C6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 195 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 195 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 2 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 2% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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