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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24DCF9 it is the complementary color #DB2306. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24DCF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24DCF9 shade: #29DCF4, #3AEEFF, #4BFFFF, #5CFFFF and #6DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24DCF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24DCF9 shade: #24DCF9, #13CAE6, #02B8D3, #00A6C0 and #0094AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24DCF9 shade: #24DCF9, #24A2F9, #2469F9, #242FF9 and #5224F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24DCF9 shade: #24DCF9, #24A2F9, #2469F9, #242FF9 and #2424F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24DCF9 shade matches the following richer shades: #24DCF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24DCF9 shade: #24DCF9, #36CFE7, #48C1D5, #5AB4C2 and #6CA7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24DCF9 shade: #24F9A4, #24F9DC, #24DCF9, #24A4F9 and #246BF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24DCF9 shade: #05ABC6, #06CEEE, #24DCF9, #4CE2FA and #74E9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24DCF9 shade: #24DCF9, #6B24F9 and #F9C024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24DCF9 shade: #24DCF9, #F924DC and #DCF924

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24DCF9 shade: #24DCF9, #6B24F9, #F94024 and #B2F924

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24DCF9 shade: #24DCF9, #AB24F9, #F94024 and #72F924

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

Complementary color

CMYK 0 / 84 / 97 / 14

HEX #DB2306

RGB 219 35 6

HSL 8.17, 0.95%, 0.44%

LAB 47.33, 66.86, 58.81

 

CMYK 83 / 10 / 0 / 4

HEX #29DCF4

RGB 41 220 244

HSL 187.09, 0.9%, 0.56%

LAB 80.84, -34.08, -23.84

 

CMYK 77 / 7 / 0 / 0

HEX #3AEEFF

RGB 58 238 255

HSL 185.18, 1%, 0.61%

LAB 86.64, -37.78, -20.84

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 92 / 12 / 0 / 10

HEX #13CAE6

RGB 19 202 230

HSL 187.96, 0.85%, 0.49%

LAB 74.88, -31.08, -25.46

 

CMYK 99 / 13 / 0 / 17

HEX #02B8D3

RGB 2 184 211

HSL 187.75, 0.98%, 0.42%

LAB 68.75, -28.99, -24.52

 

CMYK 100 / 14 / 0 / 25

HEX #00A6C0

RGB 0 166 192

HSL 188.13, 1%, 0.38%

LAB 62.57, -26.42, -23.47

 

CMYK 100 / 14 / 0 / 32

HEX #0094AD

RGB 0 148 173

HSL 188.67, 1%, 0.34%

LAB 56.28, -23.73, -22.39

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 86 / 35 / 0 / 2

HEX #24A2F9

RGB 36 162 249

HSL 204.51, 0.95%, 0.56%

LAB 64.21, -2.48, -52.41

 

CMYK 86 / 58 / 0 / 2

HEX #2469F9

RGB 36 105 249

HSL 220.56, 0.95%, 0.56%

LAB 48.66, 32.33, -77.43

 

CMYK 86 / 81 / 0 / 2

HEX #242FF9

RGB 36 47 249

HSL 236.9, 0.95%, 0.56%

LAB 36.46, 65.44, -97.54

 

CMYK 67 / 86 / 0 / 2

HEX #5224F9

RGB 82 36 249

HSL 252.96, 0.95%, 0.56%

LAB 37.65, 72.01, -95.48

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 86 / 35 / 0 / 2

HEX #24A2F9

RGB 36 162 249

HSL 204.51, 0.95%, 0.56%

LAB 64.21, -2.48, -52.41

 

CMYK 86 / 58 / 0 / 2

HEX #2469F9

RGB 36 105 249

HSL 220.56, 0.95%, 0.56%

LAB 48.66, 32.33, -77.43

 

CMYK 86 / 81 / 0 / 2

HEX #242FF9

RGB 36 47 249

HSL 236.9, 0.95%, 0.56%

LAB 36.46, 65.44, -97.54

 

CMYK 86 / 86 / 0 / 2

HEX #2424F9

RGB 36 36 249

HSL 240, 0.95%, 0.56%

LAB 34.96, 69.91, -100.04

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 77 / 10 / 0 / 9

HEX #36CFE7

RGB 54 207 231

HSL 188.14, 0.79%, 0.56%

LAB 76.79, -30.77, -23.06

 

CMYK 66 / 9 / 0 / 16

HEX #48C1D5

RGB 72 193 213

HSL 188.51, 0.63%, 0.56%

LAB 72.44, -27.15, -19.9

 

CMYK 54 / 7 / 0 / 24

HEX #5AB4C2

RGB 90 180 194

HSL 188.08, 0.46%, 0.56%

LAB 68.54, -22.93, -15.35

 

CMYK 39 / 5 / 0 / 31

HEX #6CA7B0

RGB 108 167 176

HSL 187.94, 0.3%, 0.56%

LAB 64.93, -16.78, -10.71

 

CMYK 86 / 0 / 34 / 2

HEX #24F9A4

RGB 36 249 164

HSL 156.06, 0.95%, 0.56%

LAB 87.39, -66.93, 27.53

 

CMYK 86 / 0 / 12 / 2

HEX #24F9DC

RGB 36 249 220

HSL 171.83, 0.95%, 0.56%

LAB 88.59, -53.96, 0.34

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 86 / 34 / 0 / 2

HEX #24A4F9

RGB 36 164 249

HSL 203.94, 0.95%, 0.56%

LAB 64.78, -3.62, -51.51

 

CMYK 86 / 57 / 0 / 2

HEX #246BF9

RGB 36 107 249

HSL 220, 0.95%, 0.56%

LAB 49.17, 31.07, -76.6

 

CMYK 97 / 14 / 0 / 22

HEX #05ABC6

RGB 5 171 198

HSL 188.39, 0.95%, 0.4%

LAB 64.35, -26.76, -24.08

 

CMYK 97 / 13 / 0 / 7

HEX #06CEEE

RGB 6 206 238

HSL 188.28, 0.95%, 0.48%

LAB 76.29, -30.81, -27.62

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 70 / 10 / 0 / 2

HEX #4CE2FA

RGB 76 226 250

HSL 188.28, 0.95%, 0.64%

LAB 83.35, -31.65, -23.15

 

CMYK 54 / 7 / 0 / 2

HEX #74E9FB

RGB 116 233 251

HSL 188, 0.94%, 0.72%

LAB 86.48, -28.25, -18.84

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 57 / 86 / 0 / 2

HEX #6B24F9

RGB 107 36 249

HSL 260, 0.95%, 0.56%

LAB 39.96, 73.91, -91.59

 

CMYK 0 / 23 / 86 / 2

HEX #F9C024

RGB 249 192 36

HSL 43.94, 0.95%, 0.56%

LAB 80.72, 7.77, 77.16

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 0 / 86 / 12 / 2

HEX #F924DC

RGB 249 36 220

HSL 308.17, 0.95%, 0.56%

LAB 58.57, 89.11, -44.09

 

CMYK 12 / 0 / 86 / 2

HEX #DCF924

RGB 220 249 36

HSL 68.17, 0.95%, 0.56%

LAB 93.06, -32.49, 86.25

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 57 / 86 / 0 / 2

HEX #6B24F9

RGB 107 36 249

HSL 260, 0.95%, 0.56%

LAB 39.96, 73.91, -91.59

 

CMYK 0 / 74 / 86 / 2

HEX #F94024

RGB 249 64 36

HSL 7.89, 0.95%, 0.56%

LAB 56.02, 68.02, 57.05

 

CMYK 29 / 0 / 86 / 2

HEX #B2F924

RGB 178 249 36

HSL 80, 0.95%, 0.56%

LAB 90.48, -48.58, 83.06

 

CMYK 86 / 12 / 0 / 2

HEX #24DCF9

RGB 36 220 249

HSL 188.17, 0.95%, 0.56%

LAB 80.96, -32.85, -26.32

 

CMYK 31 / 86 / 0 / 2

HEX #AB24F9

RGB 171 36 249

HSL 278.03, 0.95%, 0.56%

LAB 47.96, 81.08, -78.15

 

CMYK 0 / 74 / 86 / 2

HEX #F94024

RGB 249 64 36

HSL 7.89, 0.95%, 0.56%

LAB 56.02, 68.02, 57.05

 

CMYK 54 / 0 / 86 / 2

HEX #72F924

RGB 114 249 36

HSL 98.03, 0.95%, 0.56%

LAB 87.71, -68.81, 79.59

 

Description

Color code: HEX #24DCF9 | qconv.com Color code: HEX #24DCF9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 220 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 220 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 12 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 12% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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