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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #24E9DB it is the complementary color #DB1624. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #24E9DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #24E9DB shade: #29E9D6, #3AFBE9, #4BFFFC, #5CFFFF and #6DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #24E9DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #24E9DB shade: #24E9DB, #13D7C8, #02C5B5, #00B3A2 and #00A18F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #24E9DB shade: #24E9DB, #24E9A6, #24E971, #24E93C and #42E924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #24E9DB shade: #24E9DB, #24C2E9, #248DE9, #2458E9 and #2424E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #24E9DB shade matches the following richer shades: #24E9DB and #11FCEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #24E9DB shade: #24E9DB, #38D6CA, #4BC2BA, #5FAFA9 and #729B98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #24E9DB shade: #24E970, #24E9A4, #24E9D9, #24C5E9 and #2490E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #24E9DB shade: #10AA9F, #14D0C3, #24E9DB, #4AEDE1 and #6FF0E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #24E9DB shade: #24E9DB, #3B24E9 and #E98A24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #24E9DB shade: #24E9DB, #D924E9 and #E9D924

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #24E9DB shade: #24E9DB, #3B24E9, #E92435 and #D2E924

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #24E9DB shade: #24E9DB, #7624E9, #E92435 and #97E924

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

Complementary color

CMYK 0 / 90 / 84 / 14

HEX #DB1624

RGB 219 22 36

HSL 355.74, 0.82%, 0.47%

LAB 46.66, 69.66, 46.7

 

CMYK 82 / 0 / 8 / 9

HEX #29E9D6

RGB 41 233 214

HSL 174.06, 0.81%, 0.54%

LAB 83.76, -48.58, -3.58

 

CMYK 77 / 0 / 7 / 2

HEX #3AFBE9

RGB 58 251 233

HSL 174.4, 0.96%, 0.61%

LAB 89.76, -49.68, -4.68

 

CMYK 71 / 0 / 1 / 0

HEX #4BFFFC

RGB 75 255 252

HSL 179, 1%, 0.65%

LAB 91.7, -44.5, -11.63

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 57 / 0 / 0 / 0

HEX #6DFFFF

RGB 109 255 255

HSL 180, 1%, 0.71%

LAB 92.57, -38.78, -11.81

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 91 / 0 / 7 / 16

HEX #13D7C8

RGB 19 215 200

HSL 175.41, 0.84%, 0.46%

LAB 77.82, -46.04, -4.91

 

CMYK 99 / 0 / 8 / 23

HEX #02C5B5

RGB 2 197 181

HSL 175.08, 0.98%, 0.39%

LAB 71.75, -44.21, -3.61

 

CMYK 100 / 0 / 9 / 30

HEX #00B3A2

RGB 0 179 162

HSL 174.3, 1%, 0.35%

LAB 65.63, -41.91, -2.16

 

CMYK 100 / 0 / 11 / 37

HEX #00A18F

RGB 0 161 143

HSL 173.29, 1%, 0.32%

LAB 59.41, -39.5, -0.64

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 85 / 0 / 29 / 9

HEX #24E9A6

RGB 36 233 166

HSL 159.59, 0.82%, 0.53%

LAB 82.6, -60.73, 19.93

 

CMYK 85 / 0 / 52 / 9

HEX #24E971

RGB 36 233 113

HSL 143.45, 0.82%, 0.53%

LAB 81.75, -70.48, 45.35

 

CMYK 85 / 0 / 74 / 9

HEX #24E93C

RGB 36 233 60

HSL 127.31, 0.82%, 0.53%

LAB 81.28, -76.32, 66.68

 

CMYK 72 / 0 / 85 / 9

HEX #42E924

RGB 66 233 36

HSL 110.86, 0.82%, 0.53%

LAB 81.6, -73.93, 73.75

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 85 / 17 / 0 / 9

HEX #24C2E9

RGB 36 194 233

HSL 191.88, 0.82%, 0.53%

LAB 72.79, -25.26, -30.29

 

CMYK 85 / 39 / 0 / 9

HEX #248DE9

RGB 36 141 233

HSL 208.02, 0.82%, 0.53%

LAB 57.37, 3.92, -54.46

 

CMYK 85 / 62 / 0 / 9

HEX #2458E9

RGB 36 88 233

HSL 224.16, 0.82%, 0.53%

LAB 43.12, 37.15, -77.52

 

CMYK 85 / 85 / 0 / 9

HEX #2424E9

RGB 36 36 233

HSL 240, 0.82%, 0.53%

LAB 32.96, 65.41, -94.3

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 93 / 0 / 6 / 1

HEX #11FCEC

RGB 17 252 236

HSL 175.91, 0.98%, 0.53%

LAB 89.76, -51.77, -6.27

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 74 / 0 / 6 / 16

HEX #38D6CA

RGB 56 214 202

HSL 175.44, 0.66%, 0.53%

LAB 77.99, -42.24, -5.68

 

CMYK 61 / 0 / 4 / 24

HEX #4BC2BA

RGB 75 194 186

HSL 175.97, 0.49%, 0.53%

LAB 71.98, -34.83, -5.88

 

CMYK 46 / 0 / 3 / 31

HEX #5FAFA9

RGB 95 175 169

HSL 175.5, 0.33%, 0.53%

LAB 66.49, -26.01, -4.56

 

CMYK 26 / 0 / 2 / 39

HEX #729B98

RGB 114 155 152

HSL 175.61, 0.17%, 0.53%

LAB 61.03, -14.58, -2.97

 

CMYK 85 / 0 / 52 / 9

HEX #24E970

RGB 36 233 112

HSL 143.15, 0.82%, 0.53%

LAB 81.74, -70.62, 45.81

 

CMYK 85 / 0 / 30 / 9

HEX #24E9A4

RGB 36 233 164

HSL 158.98, 0.82%, 0.53%

LAB 82.56, -61.16, 20.91

 

CMYK 85 / 0 / 7 / 9

HEX #24E9D9

RGB 36 233 217

HSL 175.13, 0.82%, 0.53%

LAB 83.79, -48.11, -5.13

 

CMYK 85 / 15 / 0 / 9

HEX #24C5E9

RGB 36 197 233

HSL 190.96, 0.82%, 0.53%

LAB 73.67, -26.76, -28.93

 

CMYK 85 / 38 / 0 / 9

HEX #2490E9

RGB 36 144 233

HSL 207.11, 0.82%, 0.53%

LAB 58.23, 2.14, -53.09

 

CMYK 91 / 0 / 6 / 33

HEX #10AA9F

RGB 16 170 159

HSL 175.71, 0.83%, 0.36%

LAB 62.81, -38.18, -4.63

 

CMYK 90 / 0 / 6 / 18

HEX #14D0C3

RGB 20 208 195

HSL 175.85, 0.82%, 0.45%

LAB 75.58, -44.39, -5.53

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 69 / 0 / 5 / 7

HEX #4AEDE1

RGB 74 237 225

HSL 175.58, 0.82%, 0.61%

LAB 85.74, -43.98, -6.4

 

CMYK 54 / 0 / 4 / 6

HEX #6FF0E7

RGB 111 240 231

HSL 175.81, 0.81%, 0.69%

LAB 87.71, -37.73, -6.52

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 75 / 85 / 0 / 9

HEX #3B24E9

RGB 59 36 233

HSL 247.01, 0.82%, 0.53%

LAB 34.14, 66.39, -92.31

 

CMYK 0 / 41 / 85 / 9

HEX #E98A24

RGB 233 138 36

HSL 31.07, 0.82%, 0.53%

LAB 66.23, 29.41, 64.51

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 7 / 85 / 0 / 9

HEX #D924E9

RGB 217 36 233

HSL 295.13, 0.82%, 0.53%

LAB 53.92, 85.29, -59.17

 

CMYK 0 / 7 / 85 / 9

HEX #E9D924

RGB 233 217 36

HSL 55.13, 0.82%, 0.53%

LAB 85.54, -11.8, 80.48

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 75 / 85 / 0 / 9

HEX #3B24E9

RGB 59 36 233

HSL 247.01, 0.82%, 0.53%

LAB 34.14, 66.39, -92.31

 

CMYK 0 / 85 / 77 / 9

HEX #E92435

RGB 233 36 53

HSL 354.82, 0.82%, 0.53%

LAB 50.5, 71.32, 42.25

 

CMYK 10 / 0 / 85 / 9

HEX #D2E924

RGB 210 233 36

HSL 67.01, 0.82%, 0.53%

LAB 88.02, -29.11, 81.8

 

CMYK 85 / 0 / 6 / 9

HEX #24E9DB

RGB 36 233 219

HSL 175.74, 0.82%, 0.53%

LAB 83.84, -47.56, -6.1

 

CMYK 49 / 85 / 0 / 9

HEX #7624E9

RGB 118 36 233

HSL 264.97, 0.82%, 0.53%

LAB 39.57, 71.17, -83.14

 

CMYK 0 / 85 / 77 / 9

HEX #E92435

RGB 233 36 53

HSL 354.82, 0.82%, 0.53%

LAB 50.5, 71.32, 42.25

 

CMYK 35 / 0 / 85 / 9

HEX #97E924

RGB 151 233 36

HSL 84.97, 0.82%, 0.53%

LAB 84.48, -51.58, 77.38

 

Description

Color code: HEX #24E9DB | qconv.com Color code: HEX #24E9DB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 233 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 233 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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