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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #251F49 it is the complementary color #DAE0B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #251F49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #251F49 shade: #2A1F44, #3B3157, #4C436A, #5D557D and #6E6790

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #251F49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #251F49 shade: #251F49, #140D36, #030023 and #000010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #251F49 shade: #241E47, #2F1E47, #3A1E47, #451E47 and #471E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #251F49 shade: #241E47 and #1E1E47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #251F49 shade matches the following richer shades: #241E47, #1E164F, #180E57 and #120560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #251F49 shade: #241E47, #2A263F, #302F36, #36372E and #3C3F26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #251F49 shade: #1E2E47, #1E2447, #241E47, #2E1E47 and #391E47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #251F49 shade: #06050D, #15122A, #241E47, #332A64 and #413781

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #251F49 shade: #251F49, #471E39 and #29471E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #251F49 shade: #251F49, #47241E and #1E4724

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #251F49 shade: #251F49, #471E39, #41471E and #1E472C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #251F49 shade: #251F49, #471E2D, #41471E and #1E4738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 58 / 0 / 71

HEX #251F49

RGB 37 31 73

HSL 248.57, 0.4%, 0.2%

LAB 14.7, 15.47, -25.36

 

Complementary color

CMYK 3 / 0 / 19 / 12

HEX #DAE0B6

RGB 218 224 182

HSL 68.57, 0.4%, 0.8%

LAB 87.77, -9.02, 19.93

 

CMYK 38 / 54 / 0 / 73

HEX #2A1F44

RGB 42 31 68

HSL 257.84, 0.37%, 0.19%

LAB 14.9, 15.29, -21.56

 

CMYK 32 / 44 / 0 / 66

HEX #3B3157

RGB 59 49 87

HSL 255.79, 0.28%, 0.27%

LAB 23.05, 14.19, -21.41

 

CMYK 28 / 37 / 0 / 58

HEX #4C436A

RGB 76 67 106

HSL 253.85, 0.23%, 0.34%

LAB 30.86, 13.33, -21.36

 

CMYK 26 / 32 / 0 / 51

HEX #5D557D

RGB 93 85 125

HSL 252, 0.19%, 0.41%

LAB 38.38, 12.63, -21.4

 

CMYK 24 / 28 / 0 / 44

HEX #6E6790

RGB 110 103 144

HSL 250.24, 0.17%, 0.48%

LAB 45.67, 12.04, -21.49

 

CMYK 49 / 58 / 0 / 71

HEX #251F49

RGB 37 31 73

HSL 248.57, 0.4%, 0.2%

LAB 14.7, 15.47, -25.36

 

CMYK 63 / 76 / 0 / 79

HEX #140D36

RGB 20 13 54

HSL 250.24, 0.61%, 0.13%

LAB 6.35, 16.71, -25.47

 

CMYK 91 / 100 / 0 / 86

HEX #030023

RGB 3 0 35

HSL 245.14, 1%, 0.07%

LAB 1.27, 8.49, -19.2

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 49 / 58 / 0 / 72

HEX #241E47

RGB 36 30 71

HSL 248.78, 0.41%, 0.2%

LAB 14.17, 15.21, -24.84

 

CMYK 34 / 58 / 0 / 72

HEX #2F1E47

RGB 47 30 71

HSL 264.88, 0.41%, 0.2%

LAB 15.42, 18.5, -22.76

 

CMYK 18 / 58 / 0 / 72

HEX #3A1E47

RGB 58 30 71

HSL 280.98, 0.41%, 0.2%

LAB 16.91, 22.04, -20.31

 

CMYK 3 / 58 / 0 / 72

HEX #451E47

RGB 69 30 71

HSL 297.07, 0.41%, 0.2%

LAB 18.58, 25.68, -17.57

 

CMYK 0 / 58 / 13 / 72

HEX #471E3E

RGB 71 30 62

HSL 313.17, 0.41%, 0.2%

LAB 18.44, 24.5, -11.55

 

CMYK 49 / 58 / 0 / 72

HEX #241E47

RGB 36 30 71

HSL 248.78, 0.41%, 0.2%

LAB 14.17, 15.21, -24.84

 

CMYK 58 / 58 / 0 / 72

HEX #1E1E47

RGB 30 30 71

HSL 240, 0.41%, 0.2%

LAB 13.59, 13.59, -25.8

 

CMYK 49 / 58 / 0 / 72

HEX #241E47

RGB 36 30 71

HSL 248.78, 0.41%, 0.2%

LAB 14.17, 15.21, -24.84

 

CMYK 62 / 72 / 0 / 69

HEX #1E164F

RGB 30 22 79

HSL 248.42, 0.56%, 0.2%

LAB 12.05, 22.3, -33.81

 

CMYK 72 / 84 / 0 / 66

HEX #180E57

RGB 24 14 87

HSL 248.22, 0.72%, 0.2%

LAB 10.53, 29.3, -41.79

 

CMYK 81 / 95 / 0 / 62

HEX #120560

RGB 18 5 96

HSL 248.57, 0.9%, 0.2%

LAB 9.65, 36.42, -49.33

 

CMYK 49 / 58 / 0 / 72

HEX #241E47

RGB 36 30 71

HSL 248.78, 0.41%, 0.2%

LAB 14.17, 15.21, -24.84

 

CMYK 33 / 40 / 0 / 75

HEX #2A263F

RGB 42 38 63

HSL 249.6, 0.25%, 0.2%

LAB 16.69, 8.7, -15.27

 

CMYK 11 / 13 / 0 / 79

HEX #302F36

RGB 48 47 54

HSL 248.57, 0.07%, 0.2%

LAB 19.75, 2.16, -4.3

 

CMYK 2 / 0 / 16 / 78

HEX #36372E

RGB 54 55 46

HSL 66.67, 0.09%, 0.2%

LAB 22.7, -2.39, 5.5

 

CMYK 5 / 0 / 40 / 75

HEX #3C3F26

RGB 60 63 38

HSL 67.2, 0.25%, 0.2%

LAB 25.73, -6.09, 14.94

 

CMYK 58 / 35 / 0 / 72

HEX #1E2E47

RGB 30 46 71

HSL 216.59, 0.41%, 0.2%

LAB 18.74, 1.89, -17.63

 

CMYK 58 / 49 / 0 / 72

HEX #1E2447

RGB 30 36 71

HSL 231.22, 0.41%, 0.2%

LAB 15.45, 9.14, -22.82

 

CMYK 49 / 58 / 0 / 72

HEX #241E47

RGB 36 30 71

HSL 248.78, 0.41%, 0.2%

LAB 14.17, 15.21, -24.84

 

CMYK 35 / 58 / 0 / 72

HEX #2E1E47

RGB 46 30 71

HSL 263.41, 0.41%, 0.2%

LAB 15.3, 18.18, -22.97

 

CMYK 20 / 58 / 0 / 72

HEX #391E47

RGB 57 30 71

HSL 279.51, 0.41%, 0.2%

LAB 16.76, 21.71, -20.55

 

CMYK 54 / 62 / 0 / 95

HEX #06050D

RGB 6 5 13

HSL 247.5, 0.44%, 0.04%

LAB 1.59, 1.41, -3.03

 

CMYK 50 / 57 / 0 / 84

HEX #15122A

RGB 21 18 42

HSL 247.5, 0.4%, 0.12%

LAB 6.86, 8.93, -15.77

 

CMYK 49 / 58 / 0 / 72

HEX #241E47

RGB 36 30 71

HSL 248.78, 0.41%, 0.2%

LAB 14.17, 15.21, -24.84

 

CMYK 49 / 58 / 0 / 61

HEX #332A64

RGB 51 42 100

HSL 249.31, 0.41%, 0.28%

LAB 21.13, 20.74, -33.06

 

CMYK 50 / 57 / 0 / 49

HEX #413781

RGB 65 55 129

HSL 248.11, 0.4%, 0.36%

LAB 27.96, 25.07, -40.54

 

CMYK 49 / 58 / 0 / 71

HEX #251F49

RGB 37 31 73

HSL 248.57, 0.4%, 0.2%

LAB 14.7, 15.47, -25.36

 

CMYK 0 / 58 / 20 / 72

HEX #471E39

RGB 71 30 57

HSL 320.49, 0.41%, 0.2%

LAB 18.2, 23.56, -8.42

 

CMYK 42 / 0 / 58 / 72

HEX #29471E

RGB 41 71 30

HSL 103.9, 0.41%, 0.2%

LAB 26.94, -20.3, 21.02

 

CMYK 49 / 58 / 0 / 71

HEX #251F49

RGB 37 31 73

HSL 248.57, 0.4%, 0.2%

LAB 14.7, 15.47, -25.36

 

CMYK 0 / 49 / 58 / 72

HEX #47241E

RGB 71 36 30

HSL 8.78, 0.41%, 0.2%

LAB 18.78, 15.86, 11.33

 

CMYK 58 / 0 / 49 / 72

HEX #1E4724

RGB 30 71 36

HSL 128.78, 0.41%, 0.2%

LAB 26.48, -23.21, 16.75

 

CMYK 49 / 58 / 0 / 71

HEX #251F49

RGB 37 31 73

HSL 248.57, 0.4%, 0.2%

LAB 14.7, 15.47, -25.36

 

CMYK 0 / 58 / 20 / 72

HEX #471E39

RGB 71 30 57

HSL 320.49, 0.41%, 0.2%

LAB 18.2, 23.56, -8.42

 

CMYK 8 / 0 / 58 / 72

HEX #41471E

RGB 65 71 30

HSL 68.78, 0.41%, 0.2%

LAB 28.71, -9.6, 23.55

 

CMYK 58 / 0 / 38 / 72

HEX #1E472C

RGB 30 71 44

HSL 140.49, 0.41%, 0.2%

LAB 26.63, -21.59, 11.98

 

CMYK 49 / 58 / 0 / 71

HEX #251F49

RGB 37 31 73

HSL 248.57, 0.4%, 0.2%

LAB 14.7, 15.47, -25.36

 

CMYK 0 / 58 / 37 / 72

HEX #471E2D

RGB 71 30 45

HSL 338.05, 0.41%, 0.2%

LAB 17.73, 21.55, -0.68

 

CMYK 8 / 0 / 58 / 72

HEX #41471E

RGB 65 71 30

HSL 68.78, 0.41%, 0.2%

LAB 28.71, -9.6, 23.55

 

CMYK 58 / 0 / 21 / 72

HEX #1E4738

RGB 30 71 56

HSL 158.05, 0.41%, 0.2%

LAB 26.93, -18.65, 4.69

 

Description

Color code: HEX #251F49 | qconv.com Color code: HEX #251F49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 31 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 31 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 58 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 58% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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