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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #253263 it is the complementary color #DACD9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #253263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #253263 shade: #2A325E, #3B4471, #4C5684, #5D6897 and #6E7AAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #253263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #253263 shade: #253263, #142050, #030E3D, #00002A and #000017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #253263 shade: #253264, #282564, #3A2564, #4B2564 and #5C2564

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #253263 shade: #253264 and #252564

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #253263 shade matches the following richer shades: #253264, #1A2B6F, #0E257A and #031F85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #253263 shade: #253264, #303859, #3B3F4E, #464543 and #514C37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #253263 shade: #255464, #254364, #253264, #282564 and #392564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #253263 shade: #0E1428, #1A2346, #253264, #304182 and #3B50A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #253263 shade: #253263, #632564 and #4C6425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #253263 shade: #253263, #642532 and #326425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #253263 shade: #253263, #632564, #645625 and #266425

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #253263 shade: #253263, #642552, #645625 and #256437

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 49 / 0 / 61

HEX #253263

RGB 37 50 99

HSL 227.42, 0.46%, 0.27%

LAB 22.21, 11.43, -30.73

 

Complementary color

CMYK 0 / 6 / 28 / 15

HEX #DACD9C

RGB 218 205 156

HSL 47.42, 0.46%, 0.73%

LAB 82.36, -2.95, 26.08

 

CMYK 55 / 47 / 0 / 63

HEX #2A325E

RGB 42 50 94

HSL 230.77, 0.38%, 0.27%

LAB 22.24, 10.77, -27.4

 

CMYK 48 / 40 / 0 / 56

HEX #3B4471

RGB 59 68 113

HSL 230, 0.31%, 0.34%

LAB 30.05, 9.6, -27.17

 

CMYK 42 / 35 / 0 / 48

HEX #4C5684

RGB 76 86 132

HSL 229.29, 0.27%, 0.41%

LAB 37.59, 8.73, -27.03

 

CMYK 38 / 31 / 0 / 41

HEX #5D6897

RGB 93 104 151

HSL 228.62, 0.24%, 0.48%

LAB 44.89, 8.05, -26.98

 

CMYK 35 / 28 / 0 / 33

HEX #6E7AAA

RGB 110 122 170

HSL 228, 0.26%, 0.55%

LAB 51.99, 7.5, -27

 

CMYK 63 / 49 / 0 / 61

HEX #253263

RGB 37 50 99

HSL 227.42, 0.46%, 0.27%

LAB 22.21, 11.43, -30.73

 

CMYK 75 / 60 / 0 / 69

HEX #142050

RGB 20 32 80

HSL 228, 0.6%, 0.2%

LAB 14.18, 13.55, -31.07

 

CMYK 95 / 77 / 0 / 76

HEX #030E3D

RGB 3 14 61

HSL 228.62, 0.91%, 0.13%

LAB 6.06, 15.83, -31.07

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 63 / 50 / 0 / 61

HEX #253264

RGB 37 50 100

HSL 227.62, 0.46%, 0.27%

LAB 22.28, 11.81, -31.27

 

CMYK 60 / 63 / 0 / 61

HEX #282564

RGB 40 37 100

HSL 242.86, 0.46%, 0.27%

LAB 18.78, 21.63, -36.92

 

CMYK 42 / 63 / 0 / 61

HEX #3A2564

RGB 58 37 100

HSL 260, 0.46%, 0.27%

LAB 20.61, 25.82, -33.87

 

CMYK 25 / 63 / 0 / 61

HEX #4B2564

RGB 75 37 100

HSL 276.19, 0.46%, 0.27%

LAB 22.79, 30.37, -30.25

 

CMYK 8 / 63 / 0 / 61

HEX #5C2564

RGB 92 37 100

HSL 292.38, 0.46%, 0.27%

LAB 25.32, 35.18, -26.07

 

CMYK 63 / 50 / 0 / 61

HEX #253264

RGB 37 50 100

HSL 227.62, 0.46%, 0.27%

LAB 22.28, 11.81, -31.27

 

CMYK 63 / 63 / 0 / 61

HEX #252564

RGB 37 37 100

HSL 240, 0.46%, 0.27%

LAB 18.53, 21.02, -37.34

 

CMYK 63 / 50 / 0 / 61

HEX #253264

RGB 37 50 100

HSL 227.62, 0.46%, 0.27%

LAB 22.28, 11.81, -31.27

 

CMYK 77 / 61 / 0 / 56

HEX #1A2B6F

RGB 26 43 111

HSL 228, 0.62%, 0.27%

LAB 20.42, 19.21, -41.45

 

CMYK 89 / 70 / 0 / 52

HEX #0E257A

RGB 14 37 122

HSL 227.22, 0.79%, 0.27%

LAB 19.31, 26.71, -50.34

 

CMYK 98 / 77 / 0 / 48

HEX #031F85

RGB 3 31 133

HSL 227.08, 0.96%, 0.27%

LAB 18.77, 34.45, -58.22

 

CMYK 63 / 50 / 0 / 61

HEX #253264

RGB 37 50 100

HSL 227.62, 0.46%, 0.27%

LAB 22.28, 11.81, -31.27

 

CMYK 46 / 37 / 0 / 65

HEX #303859

RGB 48 56 89

HSL 228.29, 0.3%, 0.27%

LAB 24.25, 6.53, -20.91

 

CMYK 24 / 19 / 0 / 69

HEX #3B3F4E

RGB 59 63 78

HSL 227.37, 0.14%, 0.27%

LAB 26.83, 2.17, -9.63

 

CMYK 0 / 1 / 4 / 73

HEX #464543

RGB 70 69 67

HSL 40, 0.02%, 0.27%

LAB 29.32, -0.01, 1.35

 

CMYK 0 / 6 / 32 / 68

HEX #514C37

RGB 81 76 55

HSL 48.46, 0.19%, 0.27%

LAB 32.24, -1.74, 13.26

 

CMYK 63 / 16 / 0 / 61

HEX #255464

RGB 37 84 100

HSL 195.24, 0.46%, 0.27%

LAB 33.25, -10.66, -14.08

 

CMYK 63 / 33 / 0 / 61

HEX #254364

RGB 37 67 100

HSL 211.43, 0.46%, 0.27%

LAB 27.65, 0.08, -22.76

 

CMYK 63 / 50 / 0 / 61

HEX #253264

RGB 37 50 100

HSL 227.62, 0.46%, 0.27%

LAB 22.28, 11.81, -31.27

 

CMYK 60 / 63 / 0 / 61

HEX #282564

RGB 40 37 100

HSL 242.86, 0.46%, 0.27%

LAB 18.78, 21.63, -36.92

 

CMYK 43 / 63 / 0 / 61

HEX #392564

RGB 57 37 100

HSL 259.05, 0.46%, 0.27%

LAB 20.49, 25.57, -34.06

 

CMYK 65 / 50 / 0 / 84

HEX #0E1428

RGB 14 20 40

HSL 226.15, 0.48%, 0.11%

LAB 6.75, 4.28, -14.49

 

CMYK 63 / 50 / 0 / 73

HEX #1A2346

RGB 26 35 70

HSL 227.73, 0.46%, 0.19%

LAB 14.76, 8.45, -23.26

 

CMYK 63 / 50 / 0 / 61

HEX #253264

RGB 37 50 100

HSL 227.62, 0.46%, 0.27%

LAB 22.28, 11.81, -31.27

 

CMYK 63 / 50 / 0 / 49

HEX #304182

RGB 48 65 130

HSL 227.56, 0.46%, 0.35%

LAB 29.46, 14.99, -38.8

 

CMYK 63 / 50 / 0 / 37

HEX #3B50A0

RGB 59 80 160

HSL 227.52, 0.46%, 0.43%

LAB 36.38, 18.03, -45.98

 

CMYK 63 / 49 / 0 / 61

HEX #253263

RGB 37 50 99

HSL 227.42, 0.46%, 0.27%

LAB 22.21, 11.43, -30.73

 

CMYK 1 / 63 / 0 / 61

HEX #632564

RGB 99 37 100

HSL 299.05, 0.46%, 0.27%

LAB 26.44, 37.18, -24.23

 

CMYK 24 / 0 / 63 / 61

HEX #4C6425

RGB 76 100 37

HSL 82.86, 0.46%, 0.27%

LAB 39.21, -20.05, 32.11

 

CMYK 63 / 49 / 0 / 61

HEX #253263

RGB 37 50 99

HSL 227.42, 0.46%, 0.27%

LAB 22.21, 11.43, -30.73

 

CMYK 0 / 63 / 50 / 61

HEX #642532

RGB 100 37 50

HSL 347.62, 0.46%, 0.27%

LAB 24.52, 29.73, 6.28

 

CMYK 50 / 0 / 63 / 61

HEX #326425

RGB 50 100 37

HSL 107.62, 0.46%, 0.27%

LAB 37.71, -30.16, 30

 

CMYK 63 / 49 / 0 / 61

HEX #253263

RGB 37 50 99

HSL 227.42, 0.46%, 0.27%

LAB 22.21, 11.43, -30.73

 

CMYK 1 / 63 / 0 / 61

HEX #632564

RGB 99 37 100

HSL 299.05, 0.46%, 0.27%

LAB 26.44, 37.18, -24.23

 

CMYK 0 / 14 / 63 / 61

HEX #645625

RGB 100 86 37

HSL 46.67, 0.46%, 0.27%

LAB 36.93, -0.94, 30.09

 

CMYK 62 / 0 / 63 / 61

HEX #266425

RGB 38 100 37

HSL 119.05, 0.46%, 0.27%

LAB 37.23, -33.82, 29.32

 

CMYK 63 / 49 / 0 / 61

HEX #253263

RGB 37 50 99

HSL 227.42, 0.46%, 0.27%

LAB 22.21, 11.43, -30.73

 

CMYK 0 / 63 / 18 / 61

HEX #642552

RGB 100 37 82

HSL 317.14, 0.46%, 0.27%

LAB 25.69, 34.19, -13.55

 

CMYK 0 / 14 / 63 / 61

HEX #645625

RGB 100 86 37

HSL 46.67, 0.46%, 0.27%

LAB 36.93, -0.94, 30.09

 

CMYK 63 / 0 / 45 / 61

HEX #256437

RGB 37 100 55

HSL 137.14, 0.46%, 0.27%

LAB 37.45, -31.2, 19.66

 

Description

Color code: HEX #253263 | qconv.com Color code: HEX #253263 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 50 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 50 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 49 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 49% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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