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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254610 it is the complementary color #DAB9EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254610. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254610 shade: #2A460B, #3B581E, #4C6A31, #5D7C44 and #6E8E57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254610. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254610 shade: #254610, #143400, #032200 and #001000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254610 shade: #254610, #344610, #424610, #463B10 and #462D10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254610 shade: #254610, #164610, #104618, #104626 and #104635

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254610 shade matches the following richer shades: #254610, #234D09 and #225402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254610 shade: #254610, #263F17, #28381E, #293125 and #2B2A2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254610 shade: #434610, #344610, #254610, #174610 and #104617

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254610 shade: #010300, #132508, #254610, #376817 and #48891F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254610 shade: #254610, #10463B and #46103B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254610 shade: #254610, #102546 and #461025

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254610 shade: #254610, #10463B, #301046 and #46101A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254610 shade: #254610, #104146, #301046 and #461510

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

Complementary color

CMYK 9 / 23 / 0 / 6

HEX #DAB9EF

RGB 218 185 239

HSL 276.67, 0.63%, 0.83%

LAB 79.52, 21.54, -22.44

 

CMYK 40 / 0 / 84 / 73

HEX #2A460B

RGB 42 70 11

HSL 88.47, 0.73%, 0.16%

LAB 26.44, -21.38, 30.03

 

CMYK 33 / 0 / 66 / 65

HEX #3B581E

RGB 59 88 30

HSL 90, 0.49%, 0.23%

LAB 33.99, -21.75, 29.48

 

CMYK 28 / 0 / 54 / 58

HEX #4C6A31

RGB 76 106 49

HSL 91.58, 0.37%, 0.3%

LAB 41.32, -21.83, 28.29

 

CMYK 25 / 0 / 45 / 51

HEX #5D7C44

RGB 93 124 68

HSL 93.21, 0.29%, 0.38%

LAB 48.46, -21.79, 27

 

CMYK 23 / 0 / 39 / 44

HEX #6E8E57

RGB 110 142 87

HSL 94.91, 0.24%, 0.45%

LAB 55.43, -21.7, 25.73

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 62 / 0 / 100 / 80

HEX #143400

RGB 20 52 0

HSL 96.92, 1%, 0.1%

LAB 18.39, -22.34, 25.65

 

CMYK 91 / 0 / 100 / 87

HEX #032200

RGB 3 34 0

HSL 114.71, 1%, 0.07%

LAB 10.28, -19.36, 14.98

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 26 / 0 / 77 / 73

HEX #344610

RGB 52 70 16

HSL 80, 0.63%, 0.17%

LAB 27.15, -16.54, 28.82

 

CMYK 6 / 0 / 77 / 73

HEX #424610

RGB 66 70 16

HSL 64.44, 0.63%, 0.17%

LAB 28.32, -9.73, 30.37

 

CMYK 0 / 16 / 77 / 73

HEX #463B10

RGB 70 59 16

HSL 47.78, 0.63%, 0.17%

LAB 25.16, -0.88, 27.31

 

CMYK 0 / 36 / 77 / 73

HEX #462D10

RGB 70 45 16

HSL 32.22, 0.63%, 0.17%

LAB 20.89, 8.25, 22.81

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 69 / 0 / 77 / 73

HEX #164610

RGB 22 70 16

HSL 113.33, 0.63%, 0.17%

LAB 25.53, -28.07, 26.63

 

CMYK 77 / 0 / 66 / 73

HEX #104618

RGB 16 70 24

HSL 128.89, 0.63%, 0.17%

LAB 25.43, -28.54, 22.36

 

CMYK 77 / 0 / 46 / 73

HEX #104626

RGB 16 70 38

HSL 144.44, 0.63%, 0.17%

LAB 25.65, -25.98, 14.36

 

CMYK 77 / 0 / 24 / 73

HEX #104635

RGB 16 70 53

HSL 161.11, 0.63%, 0.17%

LAB 26, -22.22, 5.25

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 55 / 0 / 88 / 70

HEX #234D09

RGB 35 77 9

HSL 97.06, 0.79%, 0.17%

LAB 28.6, -27.57, 32.68

 

CMYK 60 / 0 / 98 / 67

HEX #225402

RGB 34 84 2

HSL 96.59, 0.95%, 0.17%

LAB 31.08, -31.35, 37.35

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 40 / 0 / 63 / 75

HEX #263F17

RGB 38 63 23

HSL 97.5, 0.47%, 0.17%

LAB 23.77, -18.26, 21.22

 

CMYK 29 / 0 / 46 / 78

HEX #28381E

RGB 40 56 30

HSL 96.92, 0.3%, 0.17%

LAB 21.48, -12.39, 14.18

 

CMYK 16 / 0 / 24 / 81

HEX #293125

RGB 41 49 37

HSL 100, 0.14%, 0.17%

LAB 19.23, -6.26, 6.54

 

CMYK 2 / 5 / 0 / 83

HEX #2B2A2C

RGB 43 42 44

HSL 270, 0.02%, 0.17%

LAB 17.23, 0.93, -1.14

 

CMYK 4 / 0 / 77 / 73

HEX #434610

RGB 67 70 16

HSL 63.33, 0.63%, 0.17%

LAB 28.41, -9.23, 30.5

 

CMYK 26 / 0 / 77 / 73

HEX #344610

RGB 52 70 16

HSL 80, 0.63%, 0.17%

LAB 27.15, -16.54, 28.82

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 67 / 0 / 77 / 73

HEX #174610

RGB 23 70 16

HSL 112.22, 0.63%, 0.17%

LAB 25.56, -27.78, 26.67

 

CMYK 77 / 0 / 67 / 73

HEX #104617

RGB 16 70 23

HSL 127.78, 0.63%, 0.17%

LAB 25.42, -28.68, 22.89

 

CMYK 67 / 0 / 100 / 99

HEX #010300

RGB 1 3 0

HSL 100, 1%, 0.01%

LAB 0.65, -0.94, 0.95

 

CMYK 49 / 0 / 78 / 85

HEX #132508

RGB 19 37 8

HSL 97.24, 0.64%, 0.09%

LAB 12.47, -14.13, 14.87

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 47 / 0 / 78 / 59

HEX #376817

RGB 55 104 23

HSL 96.3, 0.64%, 0.25%

LAB 39.2, -31.58, 38.04

 

CMYK 47 / 0 / 77 / 46

HEX #48891F

RGB 72 137 31

HSL 96.79, 0.63%, 0.33%

LAB 51.11, -39.4, 47.03

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 77 / 0 / 16 / 73

HEX #10463B

RGB 16 70 59

HSL 167.78, 0.63%, 0.17%

LAB 26.18, -20.45, 1.59

 

CMYK 0 / 77 / 16 / 73

HEX #46103B

RGB 70 16 59

HSL 312.22, 0.63%, 0.17%

LAB 15.43, 30.9, -14.12

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 77 / 47 / 0 / 73

HEX #102546

RGB 16 37 70

HSL 216.67, 0.63%, 0.17%

LAB 14.82, 4.75, -23.19

 

CMYK 0 / 77 / 47 / 73

HEX #461025

RGB 70 16 37

HSL 336.67, 0.63%, 0.17%

LAB 14.44, 27.61, 0.25

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 77 / 0 / 16 / 73

HEX #10463B

RGB 16 70 59

HSL 167.78, 0.63%, 0.17%

LAB 26.18, -20.45, 1.59

 

CMYK 31 / 77 / 0 / 73

HEX #301046

RGB 48 16 70

HSL 275.56, 0.63%, 0.17%

LAB 12.23, 27.21, -27.18

 

CMYK 0 / 77 / 63 / 73

HEX #46101A

RGB 70 16 26

HSL 348.89, 0.63%, 0.17%

LAB 14.1, 26.45, 7.87

 

CMYK 47 / 0 / 77 / 73

HEX #254610

RGB 37 70 16

HSL 96.67, 0.63%, 0.17%

LAB 26.19, -23.02, 27.52

 

CMYK 77 / 7 / 0 / 73

HEX #104146

RGB 16 65 70

HSL 185.56, 0.63%, 0.17%

LAB 24.74, -14.01, -7.76

 

CMYK 31 / 77 / 0 / 73

HEX #301046

RGB 48 16 70

HSL 275.56, 0.63%, 0.17%

LAB 12.23, 27.21, -27.18

 

CMYK 0 / 70 / 77 / 73

HEX #461510

RGB 70 21 16

HSL 5.56, 0.63%, 0.17%

LAB 14.82, 23.16, 15.54

 

Description

Color code: HEX #254610 | qconv.com Color code: HEX #254610 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 70 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 70 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 77 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 77% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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