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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2547AB it is the complementary color #DAB854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2547AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2547AB shade: #2A47A6, #3B59B9, #4C6BCC, #5D7DDF and #6E8FF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2547AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2547AB shade: #2547AB, #143598, #032385, #001172 and #00005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2547AB shade: #2547AB, #2725AB, #4B25AB, #6F25AB and #9425AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2547AB shade: #2547AB and #2525AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2547AB shade matches the following richer shades: #2547AB, #143FBC and #0336CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2547AB shade: #2547AB, #364F9A, #475889, #586078 and #696867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2547AB shade: #2590AB, #256DAB, #2549AB, #2525AB and #4925AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2547AB shade: #162B67, #1E3989, #2547AB, #2D55CD and #4B6FD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2547AB shade: #2547AB, #A225AB and #7EAB25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2547AB shade: #2547AB, #AB2549 and #49AB25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2547AB shade: #2547AB, #A225AB, #AB8725 and #2EAB25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2547AB shade: #2547AB, #AB258C, #AB8725 and #25AB44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

Complementary color

CMYK 0 / 16 / 61 / 15

HEX #DAB854

RGB 218 184 84

HSL 44.78, 0.64%, 0.59%

LAB 75.96, 0.82, 54.14

 

CMYK 75 / 57 / 0 / 35

HEX #2A47A6

RGB 42 71 166

HSL 225.97, 0.6%, 0.41%

LAB 33.46, 23.56, -54.34

 

CMYK 68 / 52 / 0 / 27

HEX #3B59B9

RGB 59 89 185

HSL 225.71, 0.52%, 0.48%

LAB 40.54, 21.2, -54.09

 

CMYK 63 / 48 / 0 / 20

HEX #4C6BCC

RGB 76 107 204

HSL 225.47, 0.56%, 0.55%

LAB 47.51, 19.31, -53.82

 

CMYK 58 / 44 / 0 / 13

HEX #5D7DDF

RGB 93 125 223

HSL 225.23, 0.67%, 0.62%

LAB 54.37, 17.76, -53.56

 

CMYK 55 / 41 / 0 / 5

HEX #6E8FF2

RGB 110 143 242

HSL 225, 0.84%, 0.69%

LAB 61.11, 16.49, -53.33

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 87 / 65 / 0 / 40

HEX #143598

RGB 20 53 152

HSL 225, 0.77%, 0.34%

LAB 26.63, 28.11, -57.06

 

CMYK 98 / 74 / 0 / 48

HEX #032385

RGB 3 35 133

HSL 225.23, 0.96%, 0.27%

LAB 19.7, 31.86, -56.68

 

CMYK 100 / 85 / 0 / 55

HEX #001172

RGB 0 17 114

HSL 231.05, 1%, 0.22%

LAB 13.33, 35.68, -55.11

 

CMYK 100 / 100 / 0 / 63

HEX #00005F

RGB 0 0 95

HSL 240, 1%, 0.19%

LAB 7.46, 38.4, -52.35

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 77 / 78 / 0 / 33

HEX #2725AB

RGB 39 37 171

HSL 240.9, 0.64%, 0.41%

LAB 25.85, 46.24, -69.85

 

CMYK 56 / 78 / 0 / 33

HEX #4B25AB

RGB 75 37 171

HSL 257.01, 0.64%, 0.41%

LAB 28.8, 49.94, -64.88

 

CMYK 35 / 78 / 0 / 33

HEX #6F25AB

RGB 111 37 171

HSL 273.13, 0.64%, 0.41%

LAB 33.23, 55.39, -57.45

 

CMYK 13 / 78 / 0 / 33

HEX #9425AB

RGB 148 37 171

HSL 289.7, 0.64%, 0.41%

LAB 38.83, 62.18, -48.11

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 78 / 78 / 0 / 33

HEX #2525AB

RGB 37 37 171

HSL 240, 0.64%, 0.41%

LAB 25.73, 46.1, -70.04

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 89 / 66 / 0 / 26

HEX #143FBC

RGB 20 63 188

HSL 224.64, 0.81%, 0.41%

LAB 32.56, 35.42, -68.92

 

CMYK 99 / 74 / 0 / 20

HEX #0336CD

RGB 3 54 205

HSL 224.85, 0.97%, 0.41%

LAB 31.96, 46.72, -79.88

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 65 / 49 / 0 / 40

HEX #364F9A

RGB 54 79 154

HSL 225, 0.48%, 0.41%

LAB 35.42, 15.59, -43.93

 

CMYK 48 / 36 / 0 / 46

HEX #475889

RGB 71 88 137

HSL 224.55, 0.32%, 0.41%

LAB 38.07, 7.66, -29.35

 

CMYK 27 / 20 / 0 / 53

HEX #586078

RGB 88 96 120

HSL 225, 0.15%, 0.41%

LAB 40.89, 2.78, -14.52

 

CMYK 0 / 1 / 2 / 59

HEX #696867

RGB 105 104 103

HSL 30, 0.01%, 0.41%

LAB 44.06, 0.19, 0.69

 

CMYK 78 / 16 / 0 / 33

HEX #2590AB

RGB 37 144 171

HSL 192.09, 0.64%, 0.41%

LAB 55.36, -19.99, -22.63

 

CMYK 78 / 36 / 0 / 33

HEX #256DAB

RGB 37 109 171

HSL 207.76, 0.64%, 0.41%

LAB 44.62, 0.12, -39.4

 

CMYK 78 / 57 / 0 / 33

HEX #2549AB

RGB 37 73 171

HSL 223.88, 0.64%, 0.41%

LAB 34.19, 23.56, -56.16

 

CMYK 78 / 78 / 0 / 33

HEX #2525AB

RGB 37 37 171

HSL 240, 0.64%, 0.41%

LAB 25.73, 46.1, -70.04

 

CMYK 57 / 78 / 0 / 33

HEX #4925AB

RGB 73 37 171

HSL 256.12, 0.64%, 0.41%

LAB 28.59, 49.68, -65.23

 

CMYK 79 / 58 / 0 / 60

HEX #162B67

RGB 22 43 103

HSL 224.44, 0.65%, 0.25%

LAB 19.55, 15.36, -37.69

 

CMYK 78 / 58 / 0 / 46

HEX #1E3989

RGB 30 57 137

HSL 224.86, 0.64%, 0.33%

LAB 26.76, 20.31, -47.58

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 78 / 59 / 0 / 20

HEX #2D55CD

RGB 45 85 205

HSL 225, 0.64%, 0.49%

LAB 40.35, 29.4, -66.05

 

CMYK 65 / 48 / 0 / 16

HEX #4B6FD7

RGB 75 111 215

HSL 224.57, 0.64%, 0.57%

LAB 49.22, 20.45, -57.35

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 5 / 78 / 0 / 33

HEX #A225AB

RGB 162 37 171

HSL 295.97, 0.64%, 0.41%

LAB 41.13, 64.94, -44.29

 

CMYK 26 / 0 / 78 / 33

HEX #7EAB25

RGB 126 171 37

HSL 80.15, 0.64%, 0.41%

LAB 64.72, -34.11, 58.99

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 0 / 78 / 57 / 33

HEX #AB2549

RGB 171 37 73

HSL 343.88, 0.64%, 0.41%

LAB 38.66, 54.99, 12.85

 

CMYK 57 / 0 / 78 / 33

HEX #49AB25

RGB 73 171 37

HSL 103.88, 0.64%, 0.41%

LAB 62.23, -51.98, 55.76

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 5 / 78 / 0 / 33

HEX #A225AB

RGB 162 37 171

HSL 295.97, 0.64%, 0.41%

LAB 41.13, 64.94, -44.29

 

CMYK 0 / 21 / 78 / 33

HEX #AB8725

RGB 171 135 37

HSL 43.88, 0.64%, 0.41%

LAB 58.15, 4.1, 54.22

 

CMYK 73 / 0 / 78 / 33

HEX #2EAB25

RGB 46 171 37

HSL 115.97, 0.64%, 0.41%

LAB 61.52, -57.91, 54.83

 

CMYK 78 / 58 / 0 / 33

HEX #2547AB

RGB 37 71 171

HSL 224.78, 0.64%, 0.41%

LAB 33.65, 24.9, -57.04

 

CMYK 0 / 78 / 18 / 33

HEX #AB258C

RGB 171 37 140

HSL 313.88, 0.64%, 0.41%

LAB 41.02, 62.12, -25.67

 

CMYK 0 / 21 / 78 / 33

HEX #AB8725

RGB 171 135 37

HSL 43.88, 0.64%, 0.41%

LAB 58.15, 4.1, 54.22

 

CMYK 78 / 0 / 60 / 33

HEX #25AB44

RGB 37 171 68

HSL 133.88, 0.64%, 0.41%

LAB 61.6, -56.3, 42.41

 

Description

Color code: HEX #2547AB | qconv.com Color code: HEX #2547AB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 71 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 71 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 58 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 58% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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