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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254951 it is the complementary color #DAB6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254951 shade: #2A494C, #3B5B5F, #4C6D72, #5D7F85 and #6E9198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254951 shade: #254951, #14373E, #03252B, #001318 and #000105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254951 shade: #244850, #243C50, #243150, #242550 and #302450

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254951 shade: #244850, #243C50, #243150, #242550 and #242450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254951 shade matches the following richer shades: #244850, #1B4E59, #115463 and #085A6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254951 shade: #244850, #2E4246, #373C3D, #413633 and #4A302A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254951 shade: #245040, #24504C, #244950, #243D50 and #243150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254951 shade: #0A1517, #172E34, #244850, #31616C and #3E7B88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254951 shade: #254951, #342450 and #504624

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254951 shade: #254951, #502449 and #495024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254951 shade: #254951, #342450, #502C24 and #405024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254951 shade: #254951, #412450, #502C24 and #335024

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 10 / 0 / 68

HEX #254951

RGB 37 73 81

HSL 190.91, 0.37%, 0.23%

LAB 28.78, -10.4, -8.77

 

Complementary color

CMYK 0 / 17 / 20 / 15

HEX #DAB6AE

RGB 218 182 174

HSL 10.91, 0.37%, 0.77%

LAB 76.93, 11.71, 8.9

 

CMYK 45 / 4 / 0 / 70

HEX #2A494C

RGB 42 73 76

HSL 185.29, 0.29%, 0.23%

LAB 28.85, -10.55, -5.41

 

CMYK 38 / 4 / 0 / 63

HEX #3B5B5F

RGB 59 91 95

HSL 186.67, 0.23%, 0.3%

LAB 36.44, -10.52, -6.03

 

CMYK 33 / 4 / 0 / 55

HEX #4C6D72

RGB 76 109 114

HSL 187.89, 0.2%, 0.37%

LAB 43.78, -10.48, -6.6

 

CMYK 30 / 5 / 0 / 48

HEX #5D7F85

RGB 93 127 133

HSL 189, 0.18%, 0.44%

LAB 50.92, -10.44, -7.15

 

CMYK 28 / 5 / 0 / 40

HEX #6E9198

RGB 110 145 152

HSL 190, 0.17%, 0.51%

LAB 57.88, -10.41, -7.67

 

CMYK 54 / 10 / 0 / 68

HEX #254951

RGB 37 73 81

HSL 190.91, 0.37%, 0.23%

LAB 28.78, -10.4, -8.77

 

CMYK 68 / 11 / 0 / 76

HEX #14373E

RGB 20 55 62

HSL 190, 0.51%, 0.16%

LAB 20.94, -10.04, -8.16

 

CMYK 93 / 14 / 0 / 83

HEX #03252B

RGB 3 37 43

HSL 189, 0.87%, 0.09%

LAB 12.72, -9.48, -7.48

 

CMYK 100 / 21 / 0 / 91

HEX #001318

RGB 0 19 24

HSL 192.5, 1%, 0.05%

LAB 4.8, -4.41, -5.25

 

CMYK 100 / 80 / 0 / 98

HEX #000105

RGB 0 1 5

HSL 228, 1%, 0.01%

LAB 0.3, 0.29, -1.61

 

CMYK 55 / 10 / 0 / 69

HEX #244850

RGB 36 72 80

HSL 190.91, 0.38%, 0.23%

LAB 28.35, -10.38, -8.78

 

CMYK 55 / 25 / 0 / 69

HEX #243C50

RGB 36 60 80

HSL 207.27, 0.38%, 0.23%

LAB 24.28, -2.77, -15.01

 

CMYK 55 / 39 / 0 / 69

HEX #243150

RGB 36 49 80

HSL 222.27, 0.38%, 0.23%

LAB 20.64, 4.76, -20.68

 

CMYK 55 / 54 / 0 / 69

HEX #242550

RGB 36 37 80

HSL 238.64, 0.38%, 0.23%

LAB 16.88, 13.38, -26.65

 

CMYK 40 / 55 / 0 / 69

HEX #302450

RGB 48 36 80

HSL 256.36, 0.38%, 0.23%

LAB 17.78, 17.48, -25.15

 

CMYK 55 / 10 / 0 / 69

HEX #244850

RGB 36 72 80

HSL 190.91, 0.38%, 0.23%

LAB 28.35, -10.38, -8.78

 

CMYK 55 / 25 / 0 / 69

HEX #243C50

RGB 36 60 80

HSL 207.27, 0.38%, 0.23%

LAB 24.28, -2.77, -15.01

 

CMYK 55 / 39 / 0 / 69

HEX #243150

RGB 36 49 80

HSL 222.27, 0.38%, 0.23%

LAB 20.64, 4.76, -20.68

 

CMYK 55 / 54 / 0 / 69

HEX #242550

RGB 36 37 80

HSL 238.64, 0.38%, 0.23%

LAB 16.88, 13.38, -26.65

 

CMYK 55 / 55 / 0 / 69

HEX #242450

RGB 36 36 80

HSL 240, 0.38%, 0.23%

LAB 16.58, 14.1, -27.13

 

CMYK 55 / 10 / 0 / 69

HEX #244850

RGB 36 72 80

HSL 190.91, 0.38%, 0.23%

LAB 28.35, -10.38, -8.78

 

CMYK 70 / 12 / 0 / 65

HEX #1B4E59

RGB 27 78 89

HSL 190.65, 0.53%, 0.23%

LAB 30.41, -12.94, -11.48

 

CMYK 83 / 15 / 0 / 61

HEX #115463

RGB 17 84 99

HSL 190.98, 0.71%, 0.23%

LAB 32.61, -14.37, -14.48

 

CMYK 93 / 17 / 0 / 58

HEX #085A6C

RGB 8 90 108

HSL 190.8, 0.86%, 0.23%

LAB 34.9, -15.3, -16.63

 

CMYK 55 / 10 / 0 / 69

HEX #244850

RGB 36 72 80

HSL 190.91, 0.38%, 0.23%

LAB 28.35, -10.38, -8.78

 

CMYK 34 / 6 / 0 / 73

HEX #2E4246

RGB 46 66 70

HSL 190, 0.21%, 0.23%

LAB 26.5, -6.71, -4.98

 

CMYK 10 / 2 / 0 / 76

HEX #373C3D

RGB 55 60 61

HSL 190, 0.05%, 0.23%

LAB 24.89, -1.86, -1.34

 

CMYK 0 / 17 / 22 / 75

HEX #413633

RGB 65 54 51

HSL 12.86, 0.12%, 0.23%

LAB 23.68, 4.29, 3.69

 

CMYK 0 / 35 / 43 / 71

HEX #4A302A

RGB 74 48 42

HSL 11.25, 0.28%, 0.23%

LAB 22.78, 10.98, 8.65

 

CMYK 55 / 0 / 20 / 69

HEX #245040

RGB 36 80 64

HSL 158.18, 0.38%, 0.23%

LAB 30.6, -19.69, 4.82

 

CMYK 55 / 0 / 5 / 69

HEX #24504C

RGB 36 80 76

HSL 174.55, 0.38%, 0.23%

LAB 30.96, -16.31, -2.31

 

CMYK 55 / 9 / 0 / 69

HEX #244950

RGB 36 73 80

HSL 189.55, 0.38%, 0.23%

LAB 28.69, -10.99, -8.26

 

CMYK 55 / 24 / 0 / 69

HEX #243D50

RGB 36 61 80

HSL 205.91, 0.38%, 0.23%

LAB 24.61, -3.43, -14.49

 

CMYK 55 / 39 / 0 / 69

HEX #243150

RGB 36 49 80

HSL 222.27, 0.38%, 0.23%

LAB 20.64, 4.76, -20.68

 

CMYK 57 / 9 / 0 / 91

HEX #0A1517

RGB 10 21 23

HSL 189.23, 0.39%, 0.06%

LAB 5.99, -3.36, -2.69

 

CMYK 56 / 12 / 0 / 80

HEX #172E34

RGB 23 46 52

HSL 192.41, 0.39%, 0.15%

LAB 17.39, -7.02, -6.67

 

CMYK 55 / 10 / 0 / 69

HEX #244850

RGB 36 72 80

HSL 190.91, 0.38%, 0.23%

LAB 28.35, -10.38, -8.78

 

CMYK 55 / 10 / 0 / 58

HEX #31616C

RGB 49 97 108

HSL 191.19, 0.38%, 0.31%

LAB 38.35, -12.9, -11.25

 

CMYK 54 / 10 / 0 / 47

HEX #3E7B88

RGB 62 123 136

HSL 190.54, 0.37%, 0.39%

LAB 48.22, -15.84, -13.13

 

CMYK 54 / 10 / 0 / 68

HEX #254951

RGB 37 73 81

HSL 190.91, 0.37%, 0.23%

LAB 28.78, -10.4, -8.77

 

CMYK 35 / 55 / 0 / 69

HEX #342450

RGB 52 36 80

HSL 261.82, 0.38%, 0.23%

LAB 18.24, 18.7, -24.39

 

CMYK 0 / 13 / 55 / 69

HEX #504624

RGB 80 70 36

HSL 46.36, 0.38%, 0.23%

LAB 29.94, -0.99, 21.9

 

CMYK 54 / 10 / 0 / 68

HEX #254951

RGB 37 73 81

HSL 190.91, 0.37%, 0.23%

LAB 28.78, -10.4, -8.77

 

CMYK 0 / 55 / 9 / 69

HEX #502449

RGB 80 36 73

HSL 309.55, 0.38%, 0.23%

LAB 21.76, 26.36, -13.85

 

CMYK 9 / 0 / 55 / 69

HEX #495024

RGB 73 80 36

HSL 69.55, 0.38%, 0.23%

LAB 32.44, -10.43, 24.75

 

CMYK 54 / 10 / 0 / 68

HEX #254951

RGB 37 73 81

HSL 190.91, 0.37%, 0.23%

LAB 28.78, -10.4, -8.77

 

CMYK 35 / 55 / 0 / 69

HEX #342450

RGB 52 36 80

HSL 261.82, 0.38%, 0.23%

LAB 18.24, 18.7, -24.39

 

CMYK 0 / 45 / 55 / 69

HEX #502C24

RGB 80 44 36

HSL 10.91, 0.38%, 0.23%

LAB 22.42, 15.63, 12.34

 

CMYK 20 / 0 / 55 / 69

HEX #405024

RGB 64 80 36

HSL 81.82, 0.38%, 0.23%

LAB 31.7, -14.58, 23.7

 

CMYK 54 / 10 / 0 / 68

HEX #254951

RGB 37 73 81

HSL 190.91, 0.37%, 0.23%

LAB 28.78, -10.4, -8.77

 

CMYK 19 / 55 / 0 / 69

HEX #412450

RGB 65 36 80

HSL 279.55, 0.38%, 0.23%

LAB 19.9, 22.84, -21.65

 

CMYK 0 / 45 / 55 / 69

HEX #502C24

RGB 80 44 36

HSL 10.91, 0.38%, 0.23%

LAB 22.42, 15.63, 12.34

 

CMYK 36 / 0 / 55 / 69

HEX #335024

RGB 51 80 36

HSL 99.55, 0.38%, 0.23%

LAB 30.8, -20.16, 22.4

 

Description

Color code: HEX #254951 | qconv.com Color code: HEX #254951 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 73 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 73 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 10 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 10% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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