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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254B73 it is the complementary color #DAB48C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254B73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254B73 shade: #2A4B6E, #3B5D81, #4C6F94, #5D81A7 and #6E93BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254B73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254B73 shade: #254B73, #143960, #03274D, #00153A and #000327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254B73 shade: #254B73, #253673, #292573, #3E2573 and #532573

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254B73 shade: #254B73, #253673 and #252573

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254B73 shade matches the following richer shades: #254B73, #194B7F, #0C4A8C and #004A98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254B73 shade: #254B73, #314B67, #3E4C5A, #4A4C4E and #564C42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254B73 shade: #257370, #256173, #254C73, #253773 and #282573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254B73 shade: #112235, #1B3754, #254B73, #2F5F92 and #3974B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254B73 shade: #254B73, #5C2573 and #6B7325

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254B73 shade: #254B73, #73254C and #4C7325

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254B73 shade: #254B73, #5C2573, #734C25 and #3C7325

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254B73 shade: #254B73, #732573, #734C25 and #257325

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

Complementary color

CMYK 0 / 17 / 36 / 15

HEX #DAB48C

RGB 218 180 140

HSL 30.77, 0.51%, 0.7%

LAB 75.73, 8.18, 25.56

 

CMYK 62 / 32 / 0 / 57

HEX #2A4B6E

RGB 42 75 110

HSL 210.88, 0.45%, 0.3%

LAB 31, -0.38, -23.86

 

CMYK 54 / 28 / 0 / 49

HEX #3B5D81

RGB 59 93 129

HSL 210.86, 0.37%, 0.37%

LAB 38.45, -1.21, -23.93

 

CMYK 49 / 25 / 0 / 42

HEX #4C6F94

RGB 76 111 148

HSL 210.83, 0.32%, 0.44%

LAB 45.69, -1.8, -24.04

 

CMYK 44 / 23 / 0 / 35

HEX #5D81A7

RGB 93 129 167

HSL 210.81, 0.3%, 0.51%

LAB 52.75, -2.25, -24.18

 

CMYK 41 / 21 / 0 / 27

HEX #6E93BA

RGB 110 147 186

HSL 210.79, 0.36%, 0.58%

LAB 59.64, -2.61, -24.35

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 79 / 41 / 0 / 62

HEX #143960

RGB 20 57 96

HSL 210.79, 0.66%, 0.23%

LAB 23.4, 2.07, -26.93

 

CMYK 96 / 49 / 0 / 70

HEX #03274D

RGB 3 39 77

HSL 210.81, 0.93%, 0.16%

LAB 15.52, 4.5, -26.9

 

CMYK 100 / 64 / 0 / 77

HEX #00153A

RGB 0 21 58

HSL 218.28, 1%, 0.11%

LAB 7.6, 8.97, -26.4

 

CMYK 100 / 92 / 0 / 85

HEX #000327

RGB 0 3 39

HSL 235.38, 1%, 0.08%

LAB 1.91, 8.1, -21.35

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 68 / 53 / 0 / 55

HEX #253673

RGB 37 54 115

HSL 226.92, 0.51%, 0.3%

LAB 24.54, 14.77, -37.31

 

CMYK 64 / 68 / 0 / 55

HEX #292573

RGB 41 37 115

HSL 243.08, 0.51%, 0.3%

LAB 20.17, 27.22, -44.39

 

CMYK 46 / 68 / 0 / 55

HEX #3E2573

RGB 62 37 115

HSL 259.23, 0.51%, 0.3%

LAB 22.25, 31.33, -40.92

 

CMYK 28 / 68 / 0 / 55

HEX #532573

RGB 83 37 115

HSL 275.38, 0.51%, 0.3%

LAB 24.95, 36.25, -36.41

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 68 / 53 / 0 / 55

HEX #253673

RGB 37 54 115

HSL 226.92, 0.51%, 0.3%

LAB 24.54, 14.77, -37.31

 

CMYK 68 / 68 / 0 / 55

HEX #252573

RGB 37 37 115

HSL 240, 0.51%, 0.3%

LAB 19.86, 26.57, -44.91

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 80 / 41 / 0 / 50

HEX #194B7F

RGB 25 75 127

HSL 210.59, 0.67%, 0.3%

LAB 31.28, 3.24, -34.09

 

CMYK 91 / 47 / 0 / 45

HEX #0C4A8C

RGB 12 74 140

HSL 210.94, 0.84%, 0.3%

LAB 31.51, 8.09, -41.77

 

CMYK 100 / 51 / 0 / 40

HEX #004A98

RGB 0 74 152

HSL 210.79, 1%, 0.3%

LAB 32.18, 12.51, -48.02

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 52 / 27 / 0 / 60

HEX #314B67

RGB 49 75 103

HSL 211.11, 0.36%, 0.3%

LAB 31.03, -1.11, -19.35

 

CMYK 31 / 16 / 0 / 65

HEX #3E4C5A

RGB 62 76 90

HSL 210, 0.18%, 0.3%

LAB 31.65, -1.8, -10.06

 

CMYK 5 / 3 / 0 / 69

HEX #4A4C4E

RGB 74 76 78

HSL 210, 0.03%, 0.3%

LAB 32.2, -0.36, -1.47

 

CMYK 0 / 12 / 23 / 66

HEX #564C42

RGB 86 76 66

HSL 30, 0.13%, 0.3%

LAB 33.01, 2.32, 7.47

 

CMYK 68 / 0 / 3 / 55

HEX #257370

RGB 37 115 112

HSL 177.69, 0.51%, 0.3%

LAB 43.98, -23.93, -5.28

 

CMYK 68 / 16 / 0 / 55

HEX #256173

RGB 37 97 115

HSL 193.85, 0.51%, 0.3%

LAB 38.16, -13.14, -15.88

 

CMYK 68 / 34 / 0 / 55

HEX #254C73

RGB 37 76 115

HSL 210, 0.51%, 0.3%

LAB 31.35, -0.22, -26.47

 

CMYK 68 / 52 / 0 / 55

HEX #253773

RGB 37 55 115

HSL 226.15, 0.51%, 0.3%

LAB 24.84, 14.07, -36.83

 

CMYK 65 / 68 / 0 / 55

HEX #282573

RGB 40 37 115

HSL 242.31, 0.51%, 0.3%

LAB 20.09, 27.05, -44.52

 

CMYK 68 / 36 / 0 / 79

HEX #112235

RGB 17 34 53

HSL 211.67, 0.51%, 0.14%

LAB 12.74, 0.02, -14.56

 

CMYK 68 / 35 / 0 / 67

HEX #1B3754

RGB 27 55 84

HSL 210.53, 0.51%, 0.22%

LAB 22.32, -0.14, -20.74

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 68 / 35 / 0 / 43

HEX #2F5F92

RGB 47 95 146

HSL 210.91, 0.51%, 0.38%

LAB 39.35, 0.97, -32.86

 

CMYK 68 / 34 / 0 / 31

HEX #3974B1

RGB 57 116 177

HSL 210.5, 0.51%, 0.46%

LAB 47.67, 0.89, -38.03

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 20 / 68 / 0 / 55

HEX #5C2573

RGB 92 37 115

HSL 282.31, 0.51%, 0.3%

LAB 26.26, 38.49, -34.24

 

CMYK 7 / 0 / 68 / 55

HEX #6B7325

RGB 107 115 37

HSL 66.15, 0.51%, 0.3%

LAB 46.34, -14.25, 40.52

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 0 / 68 / 34 / 55

HEX #73254C

RGB 115 37 76

HSL 330, 0.51%, 0.3%

LAB 28.09, 38.17, -5.68

 

CMYK 34 / 0 / 68 / 55

HEX #4C7325

RGB 76 115 37

HSL 90, 0.51%, 0.3%

LAB 44.13, -27.61, 37.52

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 20 / 68 / 0 / 55

HEX #5C2573

RGB 92 37 115

HSL 282.31, 0.51%, 0.3%

LAB 26.26, 38.49, -34.24

 

CMYK 0 / 34 / 68 / 55

HEX #734C25

RGB 115 76 37

HSL 30, 0.51%, 0.3%

LAB 35.88, 12.32, 29.38

 

CMYK 48 / 0 / 68 / 55

HEX #3C7325

RGB 60 115 37

HSL 102.31, 0.51%, 0.3%

LAB 43.29, -33.5, 36.37

 

CMYK 68 / 35 / 0 / 55

HEX #254B73

RGB 37 75 115

HSL 210.77, 0.51%, 0.3%

LAB 31.03, 0.43, -26.97

 

CMYK 0 / 68 / 0 / 55

HEX #732573

RGB 115 37 115

HSL 300, 0.51%, 0.3%

LAB 29.93, 44.42, -28.19

 

CMYK 0 / 34 / 68 / 55

HEX #734C25

RGB 115 76 37

HSL 30, 0.51%, 0.3%

LAB 35.88, 12.32, 29.38

 

CMYK 68 / 0 / 68 / 55

HEX #257325

RGB 37 115 37

HSL 120, 0.51%, 0.3%

LAB 42.44, -40.08, 35.19

 

Description

Color code: HEX #254B73 | qconv.com Color code: HEX #254B73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 75 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 75 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 35 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 35% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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