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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254C78 it is the complementary color #DAB387. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254C78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254C78 shade: #2A4C73, #3B5E86, #4C7099, #5D82AC and #6E94BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254C78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254C78 shade: #254C78, #143A65, #032852, #00163F and #00042C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254C78 shade: #254C78, #253578, #2A2578, #412578 and #582578

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254C78 shade: #254C78, #253578 and #252578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254C78 shade matches the following richer shades: #254C78, #184B85 and #0B4A92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254C78 shade: #254C78, #314D6C, #3E4E5F, #4B4E52 and #584F45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254C78 shade: #257877, #256378, #254D78, #253778 and #292578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254C78 shade: #112439, #1B3859, #254C78, #2E6098 and #3874B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254C78 shade: #254C78, #612578 and #6F7825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254C78 shade: #254C78, #78254D and #4D7825

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254C78 shade: #254C78, #612578, #785025 and #3C7825

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254C78 shade: #254C78, #782577, #785025 and #257826

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

Complementary color

CMYK 0 / 18 / 38 / 15

HEX #DAB387

RGB 218 179 135

HSL 31.81, 0.53%, 0.69%

LAB 75.39, 8.12, 27.77

 

CMYK 63 / 34 / 0 / 55

HEX #2A4C73

RGB 42 76 115

HSL 212.05, 0.46%, 0.31%

LAB 31.58, 0.8, -26.09

 

CMYK 56 / 30 / 0 / 47

HEX #3B5E86

RGB 59 94 134

HSL 212, 0.39%, 0.38%

LAB 39, -0.15, -26.12

 

CMYK 50 / 27 / 0 / 40

HEX #4C7099

RGB 76 112 153

HSL 211.95, 0.34%, 0.45%

LAB 46.21, -0.83, -26.19

 

CMYK 46 / 24 / 0 / 33

HEX #5D82AC

RGB 93 130 172

HSL 211.9, 0.32%, 0.52%

LAB 53.24, -1.36, -26.3

 

CMYK 42 / 23 / 0 / 25

HEX #6E94BF

RGB 110 148 191

HSL 211.85, 0.39%, 0.59%

LAB 60.12, -1.77, -26.43

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 80 / 43 / 0 / 60

HEX #143A65

RGB 20 58 101

HSL 211.85, 0.67%, 0.24%

LAB 24.05, 3.46, -29.15

 

CMYK 96 / 51 / 0 / 68

HEX #032852

RGB 3 40 82

HSL 211.9, 0.93%, 0.17%

LAB 16.24, 6.08, -29.14

 

CMYK 100 / 65 / 0 / 75

HEX #00163F

RGB 0 22 63

HSL 219.05, 1%, 0.12%

LAB 8.42, 10.66, -28.65

 

CMYK 100 / 91 / 0 / 83

HEX #00042C

RGB 0 4 44

HSL 234.55, 1%, 0.09%

LAB 2.43, 9.94, -24.37

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 69 / 56 / 0 / 53

HEX #253578

RGB 37 53 120

HSL 228.43, 0.53%, 0.31%

LAB 24.63, 17.42, -40.35

 

CMYK 65 / 69 / 0 / 53

HEX #2A2578

RGB 42 37 120

HSL 243.61, 0.53%, 0.31%

LAB 20.72, 29.16, -46.7

 

CMYK 46 / 69 / 0 / 53

HEX #412578

RGB 65 37 120

HSL 260.24, 0.53%, 0.31%

LAB 23.01, 33.47, -42.86

 

CMYK 27 / 69 / 0 / 53

HEX #582578

RGB 88 37 120

HSL 276.87, 0.53%, 0.31%

LAB 26.02, 38.69, -37.84

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 69 / 56 / 0 / 53

HEX #253578

RGB 37 53 120

HSL 228.43, 0.53%, 0.31%

LAB 24.63, 17.42, -40.35

 

CMYK 69 / 69 / 0 / 53

HEX #252578

RGB 37 37 120

HSL 240, 0.53%, 0.31%

LAB 20.33, 28.4, -47.34

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 82 / 44 / 0 / 48

HEX #184B85

RGB 24 75 133

HSL 211.93, 0.69%, 0.31%

LAB 31.62, 5.56, -37.26

 

CMYK 92 / 49 / 0 / 43

HEX #0B4A92

RGB 11 74 146

HSL 212, 0.86%, 0.31%

LAB 31.91, 10.55, -44.8

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 55 / 29 / 0 / 58

HEX #314D6C

RGB 49 77 108

HSL 211.53, 0.38%, 0.31%

LAB 31.91, -0.69, -21.15

 

CMYK 35 / 18 / 0 / 63

HEX #3E4E5F

RGB 62 78 95

HSL 210.91, 0.21%, 0.31%

LAB 32.48, -1.63, -11.98

 

CMYK 9 / 5 / 0 / 68

HEX #4B4E52

RGB 75 78 82

HSL 214.29, 0.04%, 0.31%

LAB 33.04, -0.3, -2.78

 

CMYK 0 / 10 / 22 / 65

HEX #584F45

RGB 88 79 69

HSL 31.58, 0.12%, 0.31%

LAB 34.18, 1.85, 7.26

 

CMYK 69 / 0 / 1 / 53

HEX #257877

RGB 37 120 119

HSL 179.28, 0.53%, 0.31%

LAB 45.85, -24.35, -6.69

 

CMYK 69 / 18 / 0 / 53

HEX #256378

RGB 37 99 120

HSL 195.18, 0.53%, 0.31%

LAB 39.02, -12.57, -17.62

 

CMYK 69 / 36 / 0 / 53

HEX #254D78

RGB 37 77 120

HSL 211.08, 0.53%, 0.31%

LAB 31.94, 1.02, -28.67

 

CMYK 69 / 54 / 0 / 53

HEX #253778

RGB 37 55 120

HSL 226.99, 0.53%, 0.31%

LAB 25.2, 16.02, -39.42

 

CMYK 66 / 69 / 0 / 53

HEX #292578

RGB 41 37 120

HSL 242.89, 0.53%, 0.31%

LAB 20.64, 29, -46.83

 

CMYK 70 / 37 / 0 / 78

HEX #112439

RGB 17 36 57

HSL 211.5, 0.54%, 0.15%

LAB 13.69, 0.19, -15.9

 

CMYK 70 / 37 / 0 / 65

HEX #1B3859

RGB 27 56 89

HSL 211.94, 0.53%, 0.23%

LAB 22.94, 1.14, -23.06

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 70 / 37 / 0 / 40

HEX #2E6098

RGB 46 96 152

HSL 211.7, 0.54%, 0.39%

LAB 39.94, 2.38, -35.54

 

CMYK 70 / 37 / 0 / 28

HEX #3874B8

RGB 56 116 184

HSL 211.88, 0.53%, 0.47%

LAB 48, 3.23, -41.58

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 19 / 69 / 0 / 53

HEX #612578

RGB 97 37 120

HSL 283.37, 0.53%, 0.31%

LAB 27.35, 40.87, -35.63

 

CMYK 8 / 0 / 69 / 53

HEX #6F7825

RGB 111 120 37

HSL 66.51, 0.53%, 0.31%

LAB 48.19, -15.13, 42.55

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 0 / 69 / 36 / 53

HEX #78254D

RGB 120 37 77

HSL 331.08, 0.53%, 0.31%

LAB 29.04, 39.91, -4.83

 

CMYK 36 / 0 / 69 / 53

HEX #4D7825

RGB 77 120 37

HSL 91.08, 0.53%, 0.31%

LAB 45.83, -29.6, 39.35

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 19 / 69 / 0 / 53

HEX #612578

RGB 97 37 120

HSL 283.37, 0.53%, 0.31%

LAB 27.35, 40.87, -35.63

 

CMYK 0 / 33 / 69 / 53

HEX #785025

RGB 120 80 37

HSL 31.08, 0.53%, 0.31%

LAB 37.6, 12.26, 31.49

 

CMYK 50 / 0 / 69 / 53

HEX #3C7825

RGB 60 120 37

HSL 103.37, 0.53%, 0.31%

LAB 44.98, -35.68, 38.19

 

CMYK 69 / 37 / 0 / 53

HEX #254C78

RGB 37 76 120

HSL 211.81, 0.53%, 0.31%

LAB 31.62, 1.67, -29.17

 

CMYK 0 / 69 / 1 / 53

HEX #782577

RGB 120 37 119

HSL 300.72, 0.53%, 0.31%

LAB 30.99, 46.44, -28.98

 

CMYK 0 / 33 / 69 / 53

HEX #785025

RGB 120 80 37

HSL 31.08, 0.53%, 0.31%

LAB 37.6, 12.26, 31.49

 

CMYK 69 / 0 / 68 / 53

HEX #257826

RGB 37 120 38

HSL 120.72, 0.53%, 0.31%

LAB 44.18, -41.86, 36.64

 

Description

Color code: HEX #254C78 | qconv.com Color code: HEX #254C78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 76 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 76 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 37 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 37% 0% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Cruise Direct for ch...
Link: http://WWW.CRUISEDIRECT.CO.UK

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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