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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #254F45 it is the complementary color #DAB0BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #254F45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #254F45 shade: #2A4F40, #3B6153, #4C7366, #5D8579 and #6E978C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #254F45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #254F45 shade: #254F45, #143D32, #032B1F, #00190C and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #254F45 shade: #254F45, #254F3A, #254F2E, #274F25 and #324F25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #254F45 shade: #254F45, #254E4F, #25434F, #25374F and #252C4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #254F45 shade matches the following richer shades: #254F45, #1C594A, #12624F and #096C54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #254F45 shade: #254F45, #2F4640, #383C3B, #423336 and #4B2931

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #254F45 shade: #254F2E, #254F39, #254F45, #254F4F and #25434F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #254F45 shade: #0B1714, #18332D, #254F45, #326B5E and #3F8776

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #254F45 shade: #254F45, #25274F and #4F3425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #254F45 shade: #254F45, #45254F and #4F4525

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #254F45 shade: #254F45, #25274F, #4F2530 and #4F4D25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #254F45 shade: #254F45, #30254F, #4F2530 and #454F25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

Complementary color

CMYK 0 / 19 / 15 / 15

HEX #DAB0BA

RGB 218 176 186

HSL 345.71, 0.36%, 0.77%

LAB 75.76, 16.8, 0.69

 

CMYK 47 / 0 / 19 / 69

HEX #2A4F40

RGB 42 79 64

HSL 155.68, 0.31%, 0.24%

LAB 30.53, -17.35, 4.76

 

CMYK 39 / 0 / 14 / 62

HEX #3B6153

RGB 59 97 83

HSL 157.89, 0.24%, 0.31%

LAB 38.03, -17.1, 3.73

 

CMYK 34 / 0 / 11 / 55

HEX #4C7366

RGB 76 115 102

HSL 160, 0.2%, 0.37%

LAB 45.3, -16.86, 2.83

 

CMYK 30 / 0 / 9 / 48

HEX #5D8579

RGB 93 133 121

HSL 162, 0.18%, 0.44%

LAB 52.38, -16.64, 2.01

 

CMYK 27 / 0 / 7 / 41

HEX #6E978C

RGB 110 151 140

HSL 163.9, 0.16%, 0.51%

LAB 59.29, -16.46, 1.25

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 67 / 0 / 18 / 76

HEX #143D32

RGB 20 61 50

HSL 163.9, 0.51%, 0.16%

LAB 22.71, -17.51, 2.54

 

CMYK 93 / 0 / 28 / 83

HEX #032B1F

RGB 3 43 31

HSL 162, 0.87%, 0.09%

LAB 14.66, -17.4, 3.95

 

CMYK 100 / 0 / 52 / 90

HEX #00190C

RGB 0 25 12

HSL 148.8, 1%, 0.05%

LAB 6.52, -11.14, 4.59

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 53 / 0 / 27 / 69

HEX #254F3A

RGB 37 79 58

HSL 150, 0.36%, 0.23%

LAB 30.13, -20.38, 7.97

 

CMYK 53 / 0 / 42 / 69

HEX #254F2E

RGB 37 79 46

HSL 132.86, 0.36%, 0.23%

LAB 29.87, -23.04, 15.1

 

CMYK 51 / 0 / 53 / 69

HEX #274F25

RGB 39 79 37

HSL 117.14, 0.36%, 0.23%

LAB 29.8, -24, 20.44

 

CMYK 37 / 0 / 53 / 69

HEX #324F25

RGB 50 79 37

HSL 101.43, 0.36%, 0.23%

LAB 30.41, -19.89, 21.32

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 53 / 1 / 0 / 69

HEX #254E4F

RGB 37 78 79

HSL 181.43, 0.36%, 0.23%

LAB 30.42, -14, -5.03

 

CMYK 53 / 15 / 0 / 69

HEX #25434F

RGB 37 67 79

HSL 197.14, 0.36%, 0.23%

LAB 26.66, -7.35, -10.7

 

CMYK 53 / 30 / 0 / 69

HEX #25374F

RGB 37 55 79

HSL 214.29, 0.36%, 0.23%

LAB 22.62, 0.52, -16.91

 

CMYK 53 / 44 / 0 / 69

HEX #252C4F

RGB 37 44 79

HSL 230, 0.36%, 0.23%

LAB 19.05, 8.23, -22.51

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 69 / 0 / 17 / 65

HEX #1C594A

RGB 28 89 74

HSL 165.25, 0.52%, 0.23%

LAB 33.74, -23.55, 2.98

 

CMYK 82 / 0 / 19 / 62

HEX #12624F

RGB 18 98 79

HSL 165.75, 0.69%, 0.23%

LAB 36.8, -28.17, 4.23

 

CMYK 92 / 0 / 22 / 58

HEX #096C54

RGB 9 108 84

HSL 165.45, 0.85%, 0.23%

LAB 40.28, -32.27, 6.15

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 33 / 0 / 9 / 73

HEX #2F4640

RGB 47 70 64

HSL 164.35, 0.2%, 0.23%

LAB 27.72, -10.47, 0.75

 

CMYK 7 / 0 / 2 / 76

HEX #383C3B

RGB 56 60 59

HSL 165, 0.03%, 0.23%

LAB 24.92, -1.92, 0.03

 

CMYK 0 / 23 / 18 / 74

HEX #423336

RGB 66 51 54

HSL 348, 0.13%, 0.23%

LAB 22.97, 7.32, 0.67

 

CMYK 0 / 45 / 35 / 71

HEX #4B2931

RGB 75 41 49

HSL 345.88, 0.29%, 0.23%

LAB 21.22, 17.02, 1.69

 

CMYK 53 / 0 / 42 / 69

HEX #254F2E

RGB 37 79 46

HSL 132.86, 0.36%, 0.23%

LAB 29.87, -23.04, 15.1

 

CMYK 53 / 0 / 28 / 69

HEX #254F39

RGB 37 79 57

HSL 148.57, 0.36%, 0.23%

LAB 30.11, -20.62, 8.57

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 53 / 0 / 0 / 69

HEX #254F4F

RGB 37 79 79

HSL 180, 0.36%, 0.23%

LAB 30.76, -14.57, -4.52

 

CMYK 53 / 15 / 0 / 69

HEX #25434F

RGB 37 67 79

HSL 197.14, 0.36%, 0.23%

LAB 26.66, -7.35, -10.7

 

CMYK 52 / 0 / 13 / 91

HEX #0B1714

RGB 11 23 20

HSL 165, 0.35%, 0.07%

LAB 6.63, -5.22, 0.37

 

CMYK 53 / 0 / 12 / 80

HEX #18332D

RGB 24 51 45

HSL 166.67, 0.36%, 0.15%

LAB 19.02, -12.12, 0.61

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 53 / 0 / 12 / 58

HEX #326B5E

RGB 50 107 94

HSL 166.32, 0.36%, 0.31%

LAB 41.22, -22.22, 1.57

 

CMYK 53 / 0 / 13 / 47

HEX #3F8776

RGB 63 135 118

HSL 165.83, 0.36%, 0.39%

LAB 51.49, -26.94, 2.28

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 53 / 51 / 0 / 69

HEX #25274F

RGB 37 39 79

HSL 237.14, 0.36%, 0.23%

LAB 17.5, 11.83, -24.98

 

CMYK 0 / 34 / 53 / 69

HEX #4F3425

RGB 79 52 37

HSL 21.43, 0.36%, 0.23%

LAB 24.49, 10.13, 14.37

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 13 / 53 / 0 / 69

HEX #45254F

RGB 69 37 79

HSL 285.71, 0.36%, 0.23%

LAB 20.65, 23.29, -19.76

 

CMYK 0 / 13 / 53 / 69

HEX #4F4525

RGB 79 69 37

HSL 45.71, 0.36%, 0.23%

LAB 29.54, -0.75, 20.79

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 53 / 51 / 0 / 69

HEX #25274F

RGB 37 39 79

HSL 237.14, 0.36%, 0.23%

LAB 17.5, 11.83, -24.98

 

CMYK 0 / 53 / 39 / 69

HEX #4F2530

RGB 79 37 48

HSL 344.29, 0.36%, 0.23%

LAB 20.82, 21.08, 1.89

 

CMYK 0 / 3 / 53 / 69

HEX #4F4D25

RGB 79 77 37

HSL 57.14, 0.36%, 0.23%

LAB 32.04, -5.67, 23.84

 

CMYK 53 / 0 / 13 / 69

HEX #254F45

RGB 37 79 69

HSL 165.71, 0.36%, 0.23%

LAB 30.44, -17.51, 1.4

 

CMYK 39 / 53 / 0 / 69

HEX #30254F

RGB 48 37 79

HSL 255.71, 0.36%, 0.23%

LAB 17.99, 16.47, -24.13

 

CMYK 0 / 53 / 39 / 69

HEX #4F2530

RGB 79 37 48

HSL 344.29, 0.36%, 0.23%

LAB 20.82, 21.08, 1.89

 

CMYK 13 / 0 / 53 / 69

HEX #454F25

RGB 69 79 37

HSL 74.29, 0.36%, 0.23%

LAB 31.79, -11.6, 23.32

 

Description

Color code: HEX #254F45 | qconv.com Color code: HEX #254F45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 79 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 79 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 13 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 13% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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