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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #255525 it is the complementary color #DAAADA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #255525. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #255525 shade: #2A5520, #3B6733, #4C7946, #5D8B59 and #6E9D6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #255525. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #255525 shade: #255525, #144312, #033100, #001F00 and #000D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #255525 shade: #255525, #325525, #3F5525, #4B5525 and #555125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #255525 shade: #255525, #255532, #25553F, #25554B and #255155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #255525 shade matches the following richer shades: #255525, #1B5E1B, #116811 and #077207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #255525 shade: #255525, #2F4B2F, #394139, #433743 and #4C2D4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #255525 shade: #3E5525, #325525, #255525, #255532 and #25553E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #255525 shade: #0C1B0C, #183818, #255525, #317131 and #3E8E3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #255525 shade: #255525, #254B55 and #552538

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #255525 shade: #255525, #252555 and #552525

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #255525 shade: #255525, #254B55, #552555 and #552E25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #255525 shade: #255525, #253D55, #552555 and #553D25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

Complementary color

CMYK 0 / 22 / 0 / 15

HEX #DAAADA

RGB 218 170 218

HSL 300, 0.39%, 0.76%

LAB 75.27, 25.6, -17.5

 

CMYK 51 / 0 / 62 / 67

HEX #2A5520

RGB 42 85 32

HSL 108.68, 0.45%, 0.23%

LAB 32.02, -26.58, 25.94

 

CMYK 43 / 0 / 50 / 60

HEX #3B6733

RGB 59 103 51

HSL 110.77, 0.34%, 0.3%

LAB 39.36, -26.56, 24.56

 

CMYK 37 / 0 / 42 / 53

HEX #4C7946

RGB 76 121 70

HSL 112.94, 0.27%, 0.37%

LAB 46.52, -26.37, 23.19

 

CMYK 33 / 0 / 36 / 45

HEX #5D8B59

RGB 93 139 89

HSL 115.2, 0.22%, 0.45%

LAB 53.51, -26.14, 21.91

 

CMYK 30 / 0 / 31 / 38

HEX #6E9D6C

RGB 110 157 108

HSL 117.55, 0.2%, 0.52%

LAB 60.35, -25.89, 20.72

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 70 / 0 / 73 / 74

HEX #144312

RGB 20 67 18

HSL 117.55, 0.58%, 0.17%

LAB 24.34, -27.11, 24.35

 

CMYK 94 / 0 / 100 / 81

HEX #033100

RGB 3 49 0

HSL 116.33, 1%, 0.1%

LAB 16.58, -26.13, 23.33

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 41 / 0 / 56 / 67

HEX #325525

RGB 50 85 37

HSL 103.75, 0.39%, 0.24%

LAB 32.5, -22.99, 23.87

 

CMYK 26 / 0 / 56 / 67

HEX #3F5525

RGB 63 85 37

HSL 87.5, 0.39%, 0.24%

LAB 33.32, -17.67, 25.06

 

CMYK 12 / 0 / 56 / 67

HEX #4B5525

RGB 75 85 37

HSL 72.5, 0.39%, 0.24%

LAB 34.24, -12.27, 26.38

 

CMYK 0 / 5 / 56 / 67

HEX #555125

RGB 85 81 37

HSL 55, 0.39%, 0.24%

LAB 33.88, -5.18, 26.17

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 56 / 0 / 41 / 67

HEX #255532

RGB 37 85 50

HSL 136.25, 0.39%, 0.24%

LAB 32.08, -25.2, 15.59

 

CMYK 56 / 0 / 26 / 67

HEX #25553F

RGB 37 85 63

HSL 152.5, 0.39%, 0.24%

LAB 32.37, -22.28, 7.95

 

CMYK 56 / 0 / 12 / 67

HEX #25554B

RGB 37 85 75

HSL 167.5, 0.39%, 0.24%

LAB 32.7, -19.1, 0.88

 

CMYK 56 / 5 / 0 / 67

HEX #255155

RGB 37 81 85

HSL 185, 0.39%, 0.24%

LAB 31.66, -13.85, -7.01

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 71 / 0 / 71 / 63

HEX #1B5E1B

RGB 27 94 27

HSL 120, 0.55%, 0.24%

LAB 34.64, -35.35, 31.25

 

CMYK 84 / 0 / 84 / 59

HEX #116811

RGB 17 104 17

HSL 120, 0.72%, 0.24%

LAB 37.95, -41.73, 38.6

 

CMYK 94 / 0 / 94 / 55

HEX #077207

RGB 7 114 7

HSL 120, 0.88%, 0.24%

LAB 41.37, -46.61, 44.34

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 37 / 0 / 37 / 71

HEX #2F4B2F

RGB 47 75 47

HSL 120, 0.23%, 0.24%

LAB 29.01, -17.22, 13.44

 

CMYK 12 / 0 / 12 / 75

HEX #394139

RGB 57 65 57

HSL 120, 0.07%, 0.24%

LAB 26.58, -5.15, 3.77

 

CMYK 0 / 18 / 0 / 74

HEX #433743

RGB 67 55 67

HSL 300, 0.1%, 0.24%

LAB 24.74, 7.86, -5.44

 

CMYK 0 / 41 / 0 / 70

HEX #4C2D4C

RGB 76 45 76

HSL 300, 0.26%, 0.24%

LAB 23.46, 20.03, -13.3

 

CMYK 27 / 0 / 56 / 67

HEX #3E5525

RGB 62 85 37

HSL 88.75, 0.39%, 0.24%

LAB 33.25, -18.1, 24.96

 

CMYK 41 / 0 / 56 / 67

HEX #325525

RGB 50 85 37

HSL 103.75, 0.39%, 0.24%

LAB 32.5, -22.99, 23.87

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 56 / 0 / 41 / 67

HEX #255532

RGB 37 85 50

HSL 136.25, 0.39%, 0.24%

LAB 32.08, -25.2, 15.59

 

CMYK 56 / 0 / 27 / 67

HEX #25553E

RGB 37 85 62

HSL 151.25, 0.39%, 0.24%

LAB 32.34, -22.53, 8.54

 

CMYK 56 / 0 / 56 / 89

HEX #0C1B0C

RGB 12 27 12

HSL 120, 0.38%, 0.08%

LAB 8.03, -9.61, 6.87

 

CMYK 57 / 0 / 57 / 78

HEX #183818

RGB 24 56 24

HSL 120, 0.4%, 0.16%

LAB 20.39, -19.86, 16.38

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 57 / 0 / 57 / 56

HEX #317131

RGB 49 113 49

HSL 120, 0.4%, 0.32%

LAB 42.28, -34.63, 29.13

 

CMYK 56 / 0 / 56 / 44

HEX #3E8E3E

RGB 62 142 62

HSL 120, 0.39%, 0.4%

LAB 52.64, -41.39, 34.94

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 56 / 12 / 0 / 67

HEX #254B55

RGB 37 75 85

HSL 192.5, 0.39%, 0.24%

LAB 29.62, -10.3, -10.08

 

CMYK 0 / 56 / 34 / 67

HEX #552538

RGB 85 37 56

HSL 336.25, 0.39%, 0.24%

LAB 22.09, 24.68, -1.66

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 56 / 56 / 0 / 67

HEX #252555

RGB 37 37 85

HSL 240, 0.39%, 0.24%

LAB 17.33, 15.47, -29.3

 

CMYK 0 / 56 / 56 / 67

HEX #552525

RGB 85 37 37

HSL 0, 0.39%, 0.24%

LAB 21.54, 22.28, 10.62

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 56 / 12 / 0 / 67

HEX #254B55

RGB 37 75 85

HSL 192.5, 0.39%, 0.24%

LAB 29.62, -10.3, -10.08

 

CMYK 0 / 56 / 0 / 67

HEX #552555

RGB 85 37 85

HSL 300, 0.39%, 0.24%

LAB 23.37, 29.9, -19.34

 

CMYK 0 / 46 / 56 / 67

HEX #552E25

RGB 85 46 37

HSL 11.25, 0.39%, 0.24%

LAB 23.73, 16.79, 13.55

 

CMYK 56 / 0 / 56 / 67

HEX #255525

RGB 37 85 37

HSL 120, 0.39%, 0.24%

LAB 31.86, -27.51, 22.95

 

CMYK 56 / 28 / 0 / 67

HEX #253D55

RGB 37 61 85

HSL 210, 0.39%, 0.24%

LAB 24.91, -1.39, -17.31

 

CMYK 0 / 56 / 0 / 67

HEX #552555

RGB 85 37 85

HSL 300, 0.39%, 0.24%

LAB 23.37, 29.9, -19.34

 

CMYK 0 / 28 / 56 / 67

HEX #553D25

RGB 85 61 37

HSL 30, 0.39%, 0.24%

LAB 27.85, 7.25, 18.84

 

Description

Color code: HEX #255525 | qconv.com Color code: HEX #255525 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 85 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 85 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 56 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 56% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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