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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25570B it is the complementary color #DAA8F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25570B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25570B shade: #2A5706, #3B6919, #4C7B2C, #5D8D3F and #6E9F52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25570B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25570B shade: #25570B, #144500, #033300, #002100 and #000F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25570B shade: #24560A, #38560A, #4D560A, #564A0A and #56360A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25570B shade: #24560A, #10560A, #0A5619, #0A562D and #0A5642

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25570B shade matches the following richer shades: #24560A and #225E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25570B shade: #24560A, #264E12, #29461A, #2B3E22 and #2E362A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25570B shade: #4D560A, #39560A, #25560A, #10560A and #0A5618

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25570B shade: #050C01, #143106, #24560A, #347A0F and #439F13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25570B shade: #25570B, #0A564A and #560A43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25570B shade: #25570B, #0A2556 and #560A25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25570B shade: #25570B, #0A564A, #3B0A56 and #560A15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25570B shade: #25570B, #0A4A56, #3B0A56 and #56150A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 87 / 66

HEX #25570B

RGB 37 87 11

HSL 99.47, 0.78%, 0.19%

LAB 32.33, -31.12, 35.5

 

Complementary color

CMYK 11 / 31 / 0 / 4

HEX #DAA8F4

RGB 218 168 244

HSL 279.47, 0.78%, 0.81%

LAB 75.73, 31.74, -30.94

 

CMYK 52 / 0 / 93 / 66

HEX #2A5706

RGB 42 87 6

HSL 93.33, 0.87%, 0.18%

LAB 32.53, -29.7, 37.34

 

CMYK 44 / 0 / 76 / 59

HEX #3B6919

RGB 59 105 25

HSL 94.5, 0.62%, 0.25%

LAB 39.75, -30.43, 37.86

 

CMYK 38 / 0 / 64 / 52

HEX #4C7B2C

RGB 76 123 44

HSL 95.7, 0.47%, 0.33%

LAB 46.82, -30.74, 37.2

 

CMYK 34 / 0 / 55 / 45

HEX #5D8D3F

RGB 93 141 63

HSL 96.92, 0.38%, 0.4%

LAB 53.75, -30.81, 36.1

 

CMYK 31 / 0 / 48 / 38

HEX #6E9F52

RGB 110 159 82

HSL 98.18, 0.32%, 0.47%

LAB 60.53, -30.76, 34.87

 

CMYK 57 / 0 / 87 / 66

HEX #25570B

RGB 37 87 11

HSL 99.47, 0.78%, 0.19%

LAB 32.33, -31.12, 35.5

 

CMYK 71 / 0 / 100 / 73

HEX #144500

RGB 20 69 0

HSL 102.61, 1%, 0.14%

LAB 24.97, -29.56, 32.71

 

CMYK 94 / 0 / 100 / 80

HEX #033300

RGB 3 51 0

HSL 116.47, 1%, 0.1%

LAB 17.4, -26.85, 24.33

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 58 / 0 / 88 / 66

HEX #24560A

RGB 36 86 10

HSL 99.47, 0.79%, 0.19%

LAB 31.93, -31.08, 35.42

 

CMYK 35 / 0 / 88 / 66

HEX #38560A

RGB 56 86 10

HSL 83.68, 0.79%, 0.19%

LAB 32.96, -23.51, 36.74

 

CMYK 10 / 0 / 88 / 66

HEX #4D560A

RGB 77 86 10

HSL 67.11, 0.79%, 0.19%

LAB 34.51, -13.84, 38.71

 

CMYK 0 / 14 / 88 / 66

HEX #564A0A

RGB 86 74 10

HSL 50.53, 0.79%, 0.19%

LAB 31.57, -2.27, 36.5

 

CMYK 0 / 37 / 88 / 66

HEX #56360A

RGB 86 54 10

HSL 34.74, 0.79%, 0.19%

LAB 25.68, 10.3, 31.29

 

CMYK 58 / 0 / 88 / 66

HEX #24560A

RGB 36 86 10

HSL 99.47, 0.79%, 0.19%

LAB 31.93, -31.08, 35.42

 

CMYK 81 / 0 / 88 / 66

HEX #10560A

RGB 16 86 10

HSL 115.26, 0.79%, 0.19%

LAB 31.32, -36.1, 34.64

 

CMYK 88 / 0 / 71 / 66

HEX #0A5619

RGB 10 86 25

HSL 131.84, 0.79%, 0.19%

LAB 31.32, -35.63, 28.48

 

CMYK 88 / 0 / 48 / 66

HEX #0A562D

RGB 10 86 45

HSL 147.63, 0.79%, 0.19%

LAB 31.6, -32.33, 17.82

 

CMYK 88 / 0 / 23 / 66

HEX #0A5642

RGB 10 86 66

HSL 164.21, 0.79%, 0.19%

LAB 32.06, -27.15, 5.54

 

CMYK 58 / 0 / 88 / 66

HEX #24560A

RGB 36 86 10

HSL 99.47, 0.79%, 0.19%

LAB 31.93, -31.08, 35.42

 

CMYK 64 / 0 / 98 / 63

HEX #225E02

RGB 34 94 2

HSL 99.13, 0.96%, 0.19%

LAB 34.7, -35.36, 40.31

 

CMYK 58 / 0 / 88 / 66

HEX #24560A

RGB 36 86 10

HSL 99.47, 0.79%, 0.19%

LAB 31.93, -31.08, 35.42

 

CMYK 51 / 0 / 77 / 69

HEX #264E12

RGB 38 78 18

HSL 100, 0.63%, 0.19%

LAB 29.17, -26.27, 29.72

 

CMYK 41 / 0 / 63 / 73

HEX #29461A

RGB 41 70 26

HSL 99.55, 0.46%, 0.19%

LAB 26.52, -20.32, 22.8

 

CMYK 31 / 0 / 45 / 76

HEX #2B3E22

RGB 43 62 34

HSL 100.71, 0.29%, 0.19%

LAB 23.92, -13.9, 14.84

 

CMYK 15 / 0 / 22 / 79

HEX #2E362A

RGB 46 54 42

HSL 100, 0.13%, 0.19%

LAB 21.53, -6.18, 6.43

 

CMYK 10 / 0 / 88 / 66

HEX #4D560A

RGB 77 86 10

HSL 67.11, 0.79%, 0.19%

LAB 34.51, -13.84, 38.71

 

CMYK 34 / 0 / 88 / 66

HEX #39560A

RGB 57 86 10

HSL 82.89, 0.79%, 0.19%

LAB 33.02, -23.08, 36.82

 

CMYK 57 / 0 / 88 / 66

HEX #25560A

RGB 37 86 10

HSL 98.68, 0.79%, 0.19%

LAB 31.97, -30.75, 35.48

 

CMYK 81 / 0 / 88 / 66

HEX #10560A

RGB 16 86 10

HSL 115.26, 0.79%, 0.19%

LAB 31.32, -36.1, 34.64

 

CMYK 88 / 0 / 72 / 66

HEX #0A5618

RGB 10 86 24

HSL 131.05, 0.79%, 0.19%

LAB 31.31, -35.75, 28.95

 

CMYK 58 / 0 / 92 / 95

HEX #050C01

RGB 5 12 1

HSL 98.18, 0.85%, 0.03%

LAB 2.69, -3.41, 3.55

 

CMYK 59 / 0 / 88 / 81

HEX #143106

RGB 20 49 6

HSL 100.47, 0.78%, 0.11%

LAB 17.27, -20.25, 21.86

 

CMYK 58 / 0 / 88 / 66

HEX #24560A

RGB 36 86 10

HSL 99.47, 0.79%, 0.19%

LAB 31.93, -31.08, 35.42

 

CMYK 57 / 0 / 88 / 52

HEX #347A0F

RGB 52 122 15

HSL 99.25, 0.78%, 0.27%

LAB 45.2, -40.52, 46.2

 

CMYK 58 / 0 / 88 / 38

HEX #439F13

RGB 67 159 19

HSL 99.43, 0.79%, 0.35%

LAB 58.07, -50.1, 56.76

 

CMYK 57 / 0 / 87 / 66

HEX #25570B

RGB 37 87 11

HSL 99.47, 0.78%, 0.19%

LAB 32.33, -31.12, 35.5

 

CMYK 88 / 0 / 14 / 66

HEX #0A564A

RGB 10 86 74

HSL 170.53, 0.79%, 0.19%

LAB 32.29, -24.77, 0.83

 

CMYK 0 / 88 / 22 / 66

HEX #560A43

RGB 86 10 67

HSL 315, 0.79%, 0.19%

LAB 18.37, 38.7, -14.9

 

CMYK 57 / 0 / 87 / 66

HEX #25570B

RGB 37 87 11

HSL 99.47, 0.78%, 0.19%

LAB 32.33, -31.12, 35.5

 

CMYK 88 / 57 / 0 / 66

HEX #0A2556

RGB 10 37 86

HSL 218.68, 0.79%, 0.19%

LAB 15.8, 10.97, -32.53

 

CMYK 0 / 88 / 57 / 66

HEX #560A25

RGB 86 10 37

HSL 338.68, 0.79%, 0.19%

LAB 17.13, 35.1, 4.57

 

CMYK 57 / 0 / 87 / 66

HEX #25570B

RGB 37 87 11

HSL 99.47, 0.78%, 0.19%

LAB 32.33, -31.12, 35.5

 

CMYK 88 / 0 / 14 / 66

HEX #0A564A

RGB 10 86 74

HSL 170.53, 0.79%, 0.19%

LAB 32.29, -24.77, 0.83

 

CMYK 31 / 88 / 0 / 66

HEX #3B0A56

RGB 59 10 86

HSL 278.68, 0.79%, 0.19%

LAB 14.51, 36.3, -34.41

 

CMYK 0 / 88 / 76 / 66

HEX #560A15

RGB 86 10 21

HSL 351.32, 0.79%, 0.19%

LAB 16.75, 33.94, 15.59

 

CMYK 57 / 0 / 87 / 66

HEX #25570B

RGB 37 87 11

HSL 99.47, 0.78%, 0.19%

LAB 32.33, -31.12, 35.5

 

CMYK 88 / 14 / 0 / 66

HEX #0A4A56

RGB 10 74 86

HSL 189.47, 0.79%, 0.19%

LAB 28.47, -14.16, -12.55

 

CMYK 31 / 88 / 0 / 66

HEX #3B0A56

RGB 59 10 86

HSL 278.68, 0.79%, 0.19%

LAB 14.51, 36.3, -34.41

 

CMYK 0 / 76 / 88 / 66

HEX #56150A

RGB 86 21 10

HSL 8.68, 0.79%, 0.19%

LAB 18.08, 29.3, 23.2

 

Description

Color code: HEX #25570B | qconv.com Color code: HEX #25570B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 87 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 87 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 87 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 87% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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