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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2557A1 it is the complementary color #DAA85E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2557A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2557A1 shade: #2A579C, #3B69AF, #4C7BC2, #5D8DD5 and #6E9FE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2557A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2557A1 shade: #2557A1, #14458E, #03337B, #002168 and #000F55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2557A1 shade: #2457A2, #2435A2, #3524A2, #5724A2 and #7924A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2557A1 shade: #2457A2, #2435A2 and #2424A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2557A1 shade matches the following richer shades: #2457A2, #1454B2 and #0451C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2557A1 shade: #2457A2, #345A92, #445D81, #556071 and #656361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2557A1 shade: #249BA2, #247AA2, #2459A2, #2437A2 and #3324A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2557A1 shade: #15335E, #1D4580, #2457A2, #2C69C3 and #447ED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2557A1 shade: #2557A1, #8624A2 and #8BA224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2557A1 shade: #2557A1, #A22459 and #59A224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2557A1 shade: #2557A1, #8624A2, #A26D24 and #3FA224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2557A1 shade: #2557A1, #A22497, #A26D24 and #24A22F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 46 / 0 / 37

HEX #2557A1

RGB 37 87 161

HSL 215.81, 0.63%, 0.39%

LAB 37.45, 10.32, -44.91

 

Complementary color

CMYK 0 / 23 / 57 / 15

HEX #DAA85E

RGB 218 168 94

HSL 35.81, 0.63%, 0.61%

LAB 72.04, 10.03, 44.82

 

CMYK 73 / 44 / 0 / 39

HEX #2A579C

RGB 42 87 156

HSL 216.32, 0.58%, 0.39%

LAB 37.31, 9.07, -42.12

 

CMYK 66 / 40 / 0 / 31

HEX #3B69AF

RGB 59 105 175

HSL 216.21, 0.5%, 0.46%

LAB 44.42, 7.32, -42.02

 

CMYK 61 / 37 / 0 / 24

HEX #4C7BC2

RGB 76 123 194

HSL 216.1, 0.49%, 0.53%

LAB 51.38, 5.98, -41.92

 

CMYK 56 / 34 / 0 / 16

HEX #5D8DD5

RGB 93 141 213

HSL 216, 0.59%, 0.6%

LAB 58.21, 4.92, -41.85

 

CMYK 53 / 31 / 0 / 9

HEX #6E9FE8

RGB 110 159 232

HSL 215.9, 0.73%, 0.67%

LAB 64.91, 4.05, -41.81

 

CMYK 77 / 46 / 0 / 37

HEX #2557A1

RGB 37 87 161

HSL 215.81, 0.63%, 0.39%

LAB 37.45, 10.32, -44.91

 

CMYK 86 / 51 / 0 / 44

HEX #14458E

RGB 20 69 142

HSL 215.9, 0.75%, 0.32%

LAB 30.3, 12.97, -44.94

 

CMYK 98 / 59 / 0 / 52

HEX #03337B

RGB 3 51 123

HSL 216, 0.95%, 0.25%

LAB 23.06, 16.42, -44.86

 

CMYK 100 / 68 / 0 / 59

HEX #002168

RGB 0 33 104

HSL 220.96, 1%, 0.2%

LAB 15.94, 21.09, -44.27

 

CMYK 100 / 82 / 0 / 67

HEX #000F55

RGB 0 15 85

HSL 229.41, 1%, 0.17%

LAB 8.97, 25.9, -43.06

 

CMYK 78 / 46 / 0 / 36

HEX #2457A2

RGB 36 87 162

HSL 215.71, 0.64%, 0.39%

LAB 37.48, 10.58, -45.46

 

CMYK 78 / 67 / 0 / 36

HEX #2435A2

RGB 36 53 162

HSL 231.9, 0.64%, 0.39%

LAB 28.19, 33.3, -60.55

 

CMYK 67 / 78 / 0 / 36

HEX #3524A2

RGB 53 36 162

HSL 248.1, 0.64%, 0.39%

LAB 25.65, 45.14, -64.71

 

CMYK 46 / 78 / 0 / 36

HEX #5724A2

RGB 87 36 162

HSL 264.29, 0.64%, 0.39%

LAB 29.15, 49.66, -58.81

 

CMYK 25 / 78 / 0 / 36

HEX #7924A2

RGB 121 36 162

HSL 280.48, 0.64%, 0.39%

LAB 33.85, 55.57, -50.96

 

CMYK 78 / 46 / 0 / 36

HEX #2457A2

RGB 36 87 162

HSL 215.71, 0.64%, 0.39%

LAB 37.48, 10.58, -45.46

 

CMYK 78 / 67 / 0 / 36

HEX #2435A2

RGB 36 53 162

HSL 231.9, 0.64%, 0.39%

LAB 28.19, 33.3, -60.55

 

CMYK 78 / 78 / 0 / 36

HEX #2424A2

RGB 36 36 162

HSL 240, 0.64%, 0.39%

LAB 24.47, 43.6, -66.69

 

CMYK 78 / 46 / 0 / 36

HEX #2457A2

RGB 36 87 162

HSL 215.71, 0.64%, 0.39%

LAB 37.48, 10.58, -45.46

 

CMYK 89 / 53 / 0 / 30

HEX #1454B2

RGB 20 84 178

HSL 215.7, 0.8%, 0.39%

LAB 37.31, 17.5, -55.27

 

CMYK 98 / 58 / 0 / 24

HEX #0451C2

RGB 4 81 194

HSL 215.68, 0.96%, 0.39%

LAB 37.49, 25.25, -64.36

 

CMYK 78 / 46 / 0 / 36

HEX #2457A2

RGB 36 87 162

HSL 215.71, 0.64%, 0.39%

LAB 37.48, 10.58, -45.46

 

CMYK 64 / 38 / 0 / 43

HEX #345A92

RGB 52 90 146

HSL 215.74, 0.47%, 0.39%

LAB 38.05, 5.09, -34.9

 

CMYK 47 / 28 / 0 / 49

HEX #445D81

RGB 68 93 129

HSL 215.41, 0.31%, 0.39%

LAB 38.97, 1.13, -23.08

 

CMYK 25 / 15 / 0 / 56

HEX #556071

RGB 85 96 113

HSL 216.43, 0.14%, 0.39%

LAB 40.39, -0.08, -11.02

 

CMYK 0 / 2 / 4 / 60

HEX #656361

RGB 101 99 97

HSL 30, 0.02%, 0.39%

LAB 42.08, 0.38, 1.41

 

CMYK 78 / 4 / 0 / 36

HEX #249BA2

RGB 36 155 162

HSL 183.33, 0.64%, 0.39%

LAB 58.44, -28.66, -12.82

 

CMYK 78 / 25 / 0 / 36

HEX #247AA2

RGB 36 122 162

HSL 199.05, 0.64%, 0.39%

LAB 48.14, -11.09, -28.6

 

CMYK 78 / 45 / 0 / 36

HEX #2459A2

RGB 36 89 162

HSL 214.76, 0.64%, 0.39%

LAB 38.07, 9.27, -44.51

 

CMYK 78 / 66 / 0 / 36

HEX #2437A2

RGB 36 55 162

HSL 230.95, 0.64%, 0.39%

LAB 28.68, 32, -59.74

 

CMYK 69 / 78 / 0 / 36

HEX #3324A2

RGB 51 36 162

HSL 247.14, 0.64%, 0.39%

LAB 25.49, 44.93, -64.97

 

CMYK 78 / 46 / 0 / 63

HEX #15335E

RGB 21 51 94

HSL 215.34, 0.63%, 0.23%

LAB 21.34, 5.61, -28.91

 

CMYK 77 / 46 / 0 / 50

HEX #1D4580

RGB 29 69 128

HSL 215.76, 0.63%, 0.31%

LAB 29.6, 8.23, -37.38

 

CMYK 78 / 46 / 0 / 36

HEX #2457A2

RGB 36 87 162

HSL 215.71, 0.64%, 0.39%

LAB 37.48, 10.58, -45.46

 

CMYK 77 / 46 / 0 / 24

HEX #2C69C3

RGB 44 105 195

HSL 215.76, 0.63%, 0.47%

LAB 45.05, 12.58, -52.66

 

CMYK 68 / 41 / 0 / 17

HEX #447ED4

RGB 68 126 212

HSL 215.83, 0.63%, 0.55%

LAB 52.84, 8.98, -49.86

 

CMYK 77 / 46 / 0 / 37

HEX #2557A1

RGB 37 87 161

HSL 215.81, 0.63%, 0.39%

LAB 37.45, 10.32, -44.91

 

CMYK 17 / 78 / 0 / 36

HEX #8624A2

RGB 134 36 162

HSL 286.67, 0.64%, 0.39%

LAB 35.87, 58.06, -47.6

 

CMYK 14 / 0 / 78 / 36

HEX #8BA224

RGB 139 162 36

HSL 70.95, 0.64%, 0.39%

LAB 62.89, -24.52, 57.93

 

CMYK 77 / 46 / 0 / 37

HEX #2557A1

RGB 37 87 161

HSL 215.81, 0.63%, 0.39%

LAB 37.45, 10.32, -44.91

 

CMYK 0 / 78 / 45 / 36

HEX #A22459

RGB 162 36 89

HSL 334.76, 0.64%, 0.39%

LAB 37.23, 54.09, 0.35

 

CMYK 45 / 0 / 78 / 36

HEX #59A224

RGB 89 162 36

HSL 94.76, 0.64%, 0.39%

LAB 59.97, -43.78, 54.14

 

CMYK 77 / 46 / 0 / 37

HEX #2557A1

RGB 37 87 161

HSL 215.81, 0.63%, 0.39%

LAB 37.45, 10.32, -44.91

 

CMYK 17 / 78 / 0 / 36

HEX #8624A2

RGB 134 36 162

HSL 286.67, 0.64%, 0.39%

LAB 35.87, 58.06, -47.6

 

CMYK 0 / 33 / 78 / 36

HEX #A26D24

RGB 162 109 36

HSL 34.76, 0.64%, 0.39%

LAB 50.39, 14.61, 46.9

 

CMYK 61 / 0 / 78 / 36

HEX #3FA224

RGB 63 162 36

HSL 107.14, 0.64%, 0.39%

LAB 59, -51.34, 52.86

 

CMYK 77 / 46 / 0 / 37

HEX #2557A1

RGB 37 87 161

HSL 215.81, 0.63%, 0.39%

LAB 37.45, 10.32, -44.91

 

CMYK 0 / 78 / 7 / 36

HEX #A22497

RGB 162 36 151

HSL 305.24, 0.64%, 0.39%

LAB 39.88, 61.98, -34.27

 

CMYK 0 / 33 / 78 / 36

HEX #A26D24

RGB 162 109 36

HSL 34.76, 0.64%, 0.39%

LAB 50.39, 14.61, 46.9

 

CMYK 78 / 0 / 71 / 36

HEX #24A22F

RGB 36 162 47

HSL 125.24, 0.64%, 0.39%

LAB 58.43, -55.77, 48.05

 

Description

Color code: HEX #2557A1 | qconv.com Color code: HEX #2557A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 87 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 87 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 46 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 46% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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