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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2559A1 it is the complementary color #DAA65E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2559A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2559A1 shade: #2A599C, #3B6BAF, #4C7DC2, #5D8FD5 and #6EA1E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2559A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2559A1 shade: #2559A1, #14478E, #03357B, #002368 and #001155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2559A1 shade: #2459A2, #2437A2, #3324A2, #5524A2 and #7724A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2559A1 shade: #2459A2, #2437A2 and #2424A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2559A1 shade matches the following richer shades: #2459A2, #1456B2 and #0454C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2559A1 shade: #2459A2, #345B92, #445E81, #556171 and #656361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2559A1 shade: #249DA2, #247CA2, #245BA2, #2439A2 and #3124A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2559A1 shade: #15345E, #1D4680, #2459A2, #2C6BC3 and #4481D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2559A1 shade: #2559A1, #8424A2 and #8DA224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2559A1 shade: #2559A1, #A2245B and #5BA224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2559A1 shade: #2559A1, #8424A2, #A26B24 and #42A224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2559A1 shade: #2559A1, #A22499, #A26B24 and #24A22D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 45 / 0 / 37

HEX #2559A1

RGB 37 89 161

HSL 214.84, 0.63%, 0.39%

LAB 38.04, 9, -43.96

 

Complementary color

CMYK 0 / 24 / 57 / 15

HEX #DAA65E

RGB 218 166 94

HSL 34.84, 0.63%, 0.61%

LAB 71.55, 11.1, 44.23

 

CMYK 73 / 43 / 0 / 39

HEX #2A599C

RGB 42 89 156

HSL 215.26, 0.58%, 0.39%

LAB 37.91, 7.76, -41.17

 

CMYK 66 / 39 / 0 / 31

HEX #3B6BAF

RGB 59 107 175

HSL 215.17, 0.5%, 0.46%

LAB 45, 6.07, -41.09

 

CMYK 61 / 36 / 0 / 24

HEX #4C7DC2

RGB 76 125 194

HSL 215.08, 0.49%, 0.53%

LAB 51.95, 4.77, -41.02

 

CMYK 56 / 33 / 0 / 16

HEX #5D8FD5

RGB 93 143 213

HSL 215, 0.59%, 0.6%

LAB 58.77, 3.74, -40.98

 

CMYK 53 / 31 / 0 / 9

HEX #6EA1E8

RGB 110 161 232

HSL 214.92, 0.73%, 0.67%

LAB 65.46, 2.91, -40.96

 

CMYK 77 / 45 / 0 / 37

HEX #2559A1

RGB 37 89 161

HSL 214.84, 0.63%, 0.39%

LAB 38.04, 9, -43.96

 

CMYK 86 / 50 / 0 / 44

HEX #14478E

RGB 20 71 142

HSL 214.92, 0.75%, 0.32%

LAB 30.9, 11.59, -43.97

 

CMYK 98 / 57 / 0 / 52

HEX #03357B

RGB 3 53 123

HSL 215, 0.95%, 0.25%

LAB 23.66, 14.97, -43.88

 

CMYK 100 / 66 / 0 / 59

HEX #002368

RGB 0 35 104

HSL 219.81, 1%, 0.2%

LAB 16.51, 19.61, -43.32

 

CMYK 100 / 80 / 0 / 67

HEX #001155

RGB 0 17 85

HSL 228, 1%, 0.17%

LAB 9.46, 24.54, -42.26

 

CMYK 78 / 45 / 0 / 36

HEX #2459A2

RGB 36 89 162

HSL 214.76, 0.64%, 0.39%

LAB 38.07, 9.27, -44.51

 

CMYK 78 / 66 / 0 / 36

HEX #2437A2

RGB 36 55 162

HSL 230.95, 0.64%, 0.39%

LAB 28.68, 32, -59.74

 

CMYK 69 / 78 / 0 / 36

HEX #3324A2

RGB 51 36 162

HSL 247.14, 0.64%, 0.39%

LAB 25.49, 44.93, -64.97

 

CMYK 48 / 78 / 0 / 36

HEX #5524A2

RGB 85 36 162

HSL 263.33, 0.64%, 0.39%

LAB 28.91, 49.35, -59.22

 

CMYK 27 / 78 / 0 / 36

HEX #7724A2

RGB 119 36 162

HSL 279.52, 0.64%, 0.39%

LAB 33.55, 55.19, -51.46

 

CMYK 78 / 45 / 0 / 36

HEX #2459A2

RGB 36 89 162

HSL 214.76, 0.64%, 0.39%

LAB 38.07, 9.27, -44.51

 

CMYK 78 / 66 / 0 / 36

HEX #2437A2

RGB 36 55 162

HSL 230.95, 0.64%, 0.39%

LAB 28.68, 32, -59.74

 

CMYK 78 / 78 / 0 / 36

HEX #2424A2

RGB 36 36 162

HSL 240, 0.64%, 0.39%

LAB 24.47, 43.6, -66.69

 

CMYK 78 / 45 / 0 / 36

HEX #2459A2

RGB 36 89 162

HSL 214.76, 0.64%, 0.39%

LAB 38.07, 9.27, -44.51

 

CMYK 89 / 52 / 0 / 30

HEX #1456B2

RGB 20 86 178

HSL 214.94, 0.8%, 0.39%

LAB 37.88, 16.16, -54.34

 

CMYK 98 / 57 / 0 / 24

HEX #0454C2

RGB 4 84 194

HSL 214.74, 0.96%, 0.39%

LAB 38.31, 23.25, -63.03

 

CMYK 78 / 45 / 0 / 36

HEX #2459A2

RGB 36 89 162

HSL 214.76, 0.64%, 0.39%

LAB 38.07, 9.27, -44.51

 

CMYK 64 / 38 / 0 / 43

HEX #345B92

RGB 52 91 146

HSL 215.11, 0.47%, 0.39%

LAB 38.35, 4.45, -34.42

 

CMYK 47 / 27 / 0 / 49

HEX #445E81

RGB 68 94 129

HSL 214.43, 0.31%, 0.39%

LAB 39.27, 0.51, -22.61

 

CMYK 25 / 14 / 0 / 56

HEX #556171

RGB 85 97 113

HSL 214.29, 0.14%, 0.39%

LAB 40.69, -0.69, -10.57

 

CMYK 0 / 2 / 4 / 60

HEX #656361

RGB 101 99 97

HSL 30, 0.02%, 0.39%

LAB 42.08, 0.38, 1.41

 

CMYK 78 / 3 / 0 / 36

HEX #249DA2

RGB 36 157 162

HSL 182.38, 0.64%, 0.39%

LAB 59.06, -29.64, -11.88

 

CMYK 78 / 23 / 0 / 36

HEX #247CA2

RGB 36 124 162

HSL 198.1, 0.64%, 0.39%

LAB 48.76, -12.23, -27.63

 

CMYK 78 / 44 / 0 / 36

HEX #245BA2

RGB 36 91 162

HSL 213.81, 0.64%, 0.39%

LAB 38.67, 7.96, -43.56

 

CMYK 78 / 65 / 0 / 36

HEX #2439A2

RGB 36 57 162

HSL 230, 0.64%, 0.39%

LAB 29.18, 30.68, -58.92

 

CMYK 70 / 78 / 0 / 36

HEX #3124A2

RGB 49 36 162

HSL 246.19, 0.64%, 0.39%

LAB 25.33, 44.73, -65.23

 

CMYK 78 / 45 / 0 / 63

HEX #15345E

RGB 21 52 94

HSL 214.52, 0.63%, 0.23%

LAB 21.67, 4.9, -28.38

 

CMYK 77 / 45 / 0 / 50

HEX #1D4680

RGB 29 70 128

HSL 215.15, 0.63%, 0.31%

LAB 29.91, 7.55, -36.89

 

CMYK 78 / 45 / 0 / 36

HEX #2459A2

RGB 36 89 162

HSL 214.76, 0.64%, 0.39%

LAB 38.07, 9.27, -44.51

 

CMYK 77 / 45 / 0 / 24

HEX #2C6BC3

RGB 44 107 195

HSL 214.97, 0.63%, 0.47%

LAB 45.62, 11.31, -51.74

 

CMYK 68 / 39 / 0 / 17

HEX #4481D4

RGB 68 129 212

HSL 214.58, 0.63%, 0.55%

LAB 53.69, 7.16, -48.51

 

CMYK 77 / 45 / 0 / 37

HEX #2559A1

RGB 37 89 161

HSL 214.84, 0.63%, 0.39%

LAB 38.04, 9, -43.96

 

CMYK 19 / 78 / 0 / 36

HEX #8424A2

RGB 132 36 162

HSL 285.71, 0.64%, 0.39%

LAB 35.55, 57.67, -48.12

 

CMYK 13 / 0 / 78 / 36

HEX #8DA224

RGB 141 162 36

HSL 70, 0.64%, 0.39%

LAB 63.04, -23.67, 58.11

 

CMYK 77 / 45 / 0 / 37

HEX #2559A1

RGB 37 89 161

HSL 214.84, 0.63%, 0.39%

LAB 38.04, 9, -43.96

 

CMYK 0 / 78 / 44 / 36

HEX #A2245B

RGB 162 36 91

HSL 333.81, 0.64%, 0.39%

LAB 37.3, 54.29, -0.84

 

CMYK 44 / 0 / 78 / 36

HEX #5BA224

RGB 91 162 36

HSL 93.81, 0.64%, 0.39%

LAB 60.06, -43.12, 54.26

 

CMYK 77 / 45 / 0 / 37

HEX #2559A1

RGB 37 89 161

HSL 214.84, 0.63%, 0.39%

LAB 38.04, 9, -43.96

 

CMYK 19 / 78 / 0 / 36

HEX #8424A2

RGB 132 36 162

HSL 285.71, 0.64%, 0.39%

LAB 35.55, 57.67, -48.12

 

CMYK 0 / 34 / 78 / 36

HEX #A26B24

RGB 162 107 36

HSL 33.81, 0.64%, 0.39%

LAB 49.89, 15.74, 46.42

 

CMYK 59 / 0 / 78 / 36

HEX #42A224

RGB 66 162 36

HSL 105.71, 0.64%, 0.39%

LAB 59.09, -50.58, 52.99

 

CMYK 77 / 45 / 0 / 37

HEX #2559A1

RGB 37 89 161

HSL 214.84, 0.63%, 0.39%

LAB 38.04, 9, -43.96

 

CMYK 0 / 78 / 6 / 36

HEX #A22499

RGB 162 36 153

HSL 304.29, 0.64%, 0.39%

LAB 39.99, 62.29, -35.3

 

CMYK 0 / 34 / 78 / 36

HEX #A26B24

RGB 162 107 36

HSL 33.81, 0.64%, 0.39%

LAB 49.89, 15.74, 46.42

 

CMYK 78 / 0 / 72 / 36

HEX #24A22D

RGB 36 162 45

HSL 124.29, 0.64%, 0.39%

LAB 58.42, -55.95, 48.82

 

Description

Color code: HEX #2559A1 | qconv.com Color code: HEX #2559A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 89 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 89 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 45 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 45% 0% 37% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Mi India Official Si...
Link: http://www.mi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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