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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #255A5F it is the complementary color #DAA5A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #255A5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #255A5F shade: #2A5A5A, #3B6C6D, #4C7E80, #5D9093 and #6EA2A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #255A5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #255A5F shade: #255A5F, #14484C, #033639, #002426 and #001213

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #255A5F shade: #255A5F, #254A5F, #253A5F, #252B5F and #2E255F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #255A5F shade: #255A5F, #254A5F, #253A5F, #252B5F and #25255F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #255A5F shade matches the following richer shades: #255A5F, #1A636A, #0F6C74 and #04757F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #255A5F shade: #255A5F, #2F5154, #3A484A, #453F3F and #503634

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #255A5F shade: #255F45, #255F54, #255A5F, #254B5F and #253B5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #255A5F shade: #0E2224, #193E41, #255A5F, #30767D and #3C929A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #255A5F shade: #255A5F, #35255F and #5F4C25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #255A5F shade: #255A5F, #5F255A and #5A5F25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #255A5F shade: #255A5F, #35255F, #5F2925 and #4E5F25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #255A5F shade: #255A5F, #47255F, #5F2925 and #3D5F25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

Complementary color

CMYK 0 / 24 / 27 / 15

HEX #DAA5A0

RGB 218 165 160

HSL 5.17, 0.44%, 0.74%

LAB 72.46, 18.82, 10.18

 

CMYK 53 / 0 / 0 / 65

HEX #2A5A5A

RGB 42 90 90

HSL 180, 0.36%, 0.26%

LAB 35.09, -16.2, -5.01

 

CMYK 46 / 1 / 0 / 57

HEX #3B6C6D

RGB 59 108 109

HSL 181.2, 0.3%, 0.33%

LAB 42.4, -16.25, -5.74

 

CMYK 41 / 2 / 0 / 50

HEX #4C7E80

RGB 76 126 128

HSL 182.31, 0.25%, 0.4%

LAB 49.52, -16.23, -6.4

 

CMYK 37 / 2 / 0 / 42

HEX #5D9093

RGB 93 144 147

HSL 183.33, 0.23%, 0.47%

LAB 56.47, -16.19, -7.01

 

CMYK 34 / 2 / 0 / 35

HEX #6EA2A6

RGB 110 162 166

HSL 184.29, 0.24%, 0.54%

LAB 63.27, -16.13, -7.58

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 74 / 5 / 0 / 70

HEX #14484C

RGB 20 72 76

HSL 184.29, 0.58%, 0.19%

LAB 27.59, -15.27, -7.4

 

CMYK 95 / 5 / 0 / 78

HEX #033639

RGB 3 54 57

HSL 183.33, 0.9%, 0.12%

LAB 19.86, -14.35, -6.45

 

CMYK 100 / 5 / 0 / 85

HEX #002426

RGB 0 36 38

HSL 183.16, 1%, 0.07%

LAB 11.97, -11.7, -5.01

 

CMYK 100 / 5 / 0 / 93

HEX #001213

RGB 0 18 19

HSL 183.16, 1%, 0.04%

LAB 4.33, -5, -2.42

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 61 / 22 / 0 / 63

HEX #254A5F

RGB 37 74 95

HSL 201.72, 0.44%, 0.26%

LAB 29.71, -6.26, -16.36

 

CMYK 61 / 39 / 0 / 63

HEX #253A5F

RGB 37 58 95

HSL 218.28, 0.44%, 0.26%

LAB 24.47, 4.3, -24.54

 

CMYK 61 / 55 / 0 / 63

HEX #252B5F

RGB 37 43 95

HSL 233.79, 0.44%, 0.26%

LAB 19.83, 14.89, -31.93

 

CMYK 52 / 61 / 0 / 63

HEX #2E255F

RGB 46 37 95

HSL 249.31, 0.44%, 0.26%

LAB 18.93, 21.22, -33.35

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 61 / 22 / 0 / 63

HEX #254A5F

RGB 37 74 95

HSL 201.72, 0.44%, 0.26%

LAB 29.71, -6.26, -16.36

 

CMYK 61 / 39 / 0 / 63

HEX #253A5F

RGB 37 58 95

HSL 218.28, 0.44%, 0.26%

LAB 24.47, 4.3, -24.54

 

CMYK 61 / 55 / 0 / 63

HEX #252B5F

RGB 37 43 95

HSL 233.79, 0.44%, 0.26%

LAB 19.83, 14.89, -31.93

 

CMYK 61 / 61 / 0 / 63

HEX #25255F

RGB 37 37 95

HSL 240, 0.44%, 0.26%

LAB 18.11, 19.16, -34.71

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 75 / 7 / 0 / 58

HEX #1A636A

RGB 26 99 106

HSL 185.25, 0.61%, 0.26%

LAB 38.17, -19.14, -10.37

 

CMYK 87 / 7 / 0 / 55

HEX #0F6C74

RGB 15 108 116

HSL 184.75, 0.77%, 0.26%

LAB 41.36, -21.78, -11.68

 

CMYK 97 / 8 / 0 / 50

HEX #04757F

RGB 4 117 127

HSL 184.88, 0.94%, 0.26%

LAB 44.63, -23.42, -13.34

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 44 / 4 / 0 / 67

HEX #2F5154

RGB 47 81 84

HSL 184.86, 0.28%, 0.26%

LAB 32.1, -11.44, -5.66

 

CMYK 22 / 3 / 0 / 71

HEX #3A484A

RGB 58 72 74

HSL 187.5, 0.12%, 0.26%

LAB 29.48, -5.05, -3.06

 

CMYK 0 / 9 / 9 / 73

HEX #453F3F

RGB 69 63 63

HSL 0, 0.05%, 0.26%

LAB 27.24, 2.57, 0.92

 

CMYK 0 / 33 / 35 / 69

HEX #503634

RGB 80 54 52

HSL 4.29, 0.21%, 0.26%

LAB 25.54, 11.34, 5.93

 

CMYK 61 / 0 / 27 / 63

HEX #255F45

RGB 37 95 69

HSL 153.1, 0.44%, 0.26%

LAB 36, -25.83, 9.32

 

CMYK 61 / 0 / 12 / 63

HEX #255F54

RGB 37 95 84

HSL 168.62, 0.44%, 0.26%

LAB 36.4, -21.86, 0.64

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 61 / 21 / 0 / 63

HEX #254B5F

RGB 37 75 95

HSL 200.69, 0.44%, 0.26%

LAB 30.04, -6.89, -15.85

 

CMYK 61 / 38 / 0 / 63

HEX #253B5F

RGB 37 59 95

HSL 217.24, 0.44%, 0.26%

LAB 24.79, 3.62, -24.03

 

CMYK 61 / 6 / 0 / 86

HEX #0E2224

RGB 14 34 36

HSL 185.45, 0.44%, 0.1%

LAB 11.72, -7.37, -3.86

 

CMYK 62 / 5 / 0 / 75

HEX #193E41

RGB 25 62 65

HSL 184.5, 0.44%, 0.18%

LAB 23.78, -12.11, -5.86

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 62 / 6 / 0 / 51

HEX #30767D

RGB 48 118 125

HSL 185.45, 0.45%, 0.34%

LAB 45.72, -19.48, -10.42

 

CMYK 61 / 5 / 0 / 40

HEX #3C929A

RGB 60 146 154

HSL 185.11, 0.44%, 0.42%

LAB 55.94, -23.08, -11.96

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 44 / 61 / 0 / 63

HEX #35255F

RGB 53 37 95

HSL 256.55, 0.44%, 0.26%

LAB 19.66, 22.98, -32.12

 

CMYK 0 / 20 / 61 / 63

HEX #5F4C25

RGB 95 76 37

HSL 40.34, 0.44%, 0.26%

LAB 33.43, 2.72, 25.9

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 0 / 61 / 5 / 63

HEX #5F255A

RGB 95 37 90

HSL 305.17, 0.44%, 0.26%

LAB 25.24, 34.05, -19.61

 

CMYK 5 / 0 / 61 / 63

HEX #5A5F25

RGB 90 95 37

HSL 65.17, 0.44%, 0.26%

LAB 38.71, -10.98, 31.85

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 44 / 61 / 0 / 63

HEX #35255F

RGB 53 37 95

HSL 256.55, 0.44%, 0.26%

LAB 19.66, 22.98, -32.12

 

CMYK 0 / 57 / 61 / 63

HEX #5F2925

RGB 95 41 37

HSL 4.14, 0.44%, 0.26%

LAB 24.17, 24.23, 14.43

 

CMYK 18 / 0 / 61 / 63

HEX #4E5F25

RGB 78 95 37

HSL 77.59, 0.44%, 0.26%

LAB 37.73, -16.49, 30.47

 

CMYK 61 / 5 / 0 / 63

HEX #255A5F

RGB 37 90 95

HSL 185.17, 0.44%, 0.26%

LAB 35.07, -15.81, -8.19

 

CMYK 25 / 61 / 0 / 63

HEX #47255F

RGB 71 37 95

HSL 275.17, 0.44%, 0.26%

LAB 21.9, 27.95, -28.41

 

CMYK 0 / 57 / 61 / 63

HEX #5F2925

RGB 95 41 37

HSL 4.14, 0.44%, 0.26%

LAB 24.17, 24.23, 14.43

 

CMYK 36 / 0 / 61 / 63

HEX #3D5F25

RGB 61 95 37

HSL 95.17, 0.44%, 0.26%

LAB 36.57, -23.72, 28.84

 

Description

Color code: HEX #255A5F | qconv.com Color code: HEX #255A5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 90 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 90 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 5 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 5% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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