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Color name
HEX #255CA0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #255CA0 it is the complementary color #DAA35F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #255CA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #255CA0 shade: #2A5C9B, #3B6EAE, #4C80C1, #5D92D4 and #6EA4E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #255CA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #255CA0 shade: #255CA0, #144A8D, #03387A, #002667 and #001454

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #255CA0 shade: #255CA1, #253BA1, #3125A1, #5225A1 and #7325A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #255CA0 shade: #255CA1, #253BA1 and #2525A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #255CA0 shade matches the following richer shades: #255CA1, #155BB1 and #0559C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #255CA0 shade: #255CA1, #355E91, #456080, #566270 and #666360

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #255CA0 shade: #259FA1, #257EA1, #255DA1, #253CA1 and #3025A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #255CA0 shade: #16365E, #1D497F, #255CA1, #2D70C2 and #4585D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #255CA0 shade: #255CA0, #8225A1 and #8EA125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #255CA0 shade: #255CA0, #A1255D and #5DA125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #255CA0 shade: #255CA0, #8225A1, #A16925 and #44A125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #255CA0 shade: #255CA0, #A1259A, #A16925 and #25A12B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 43 / 0 / 37

HEX #255CA0

RGB 37 92 160

HSL 213.17, 0.62%, 0.39%

LAB 38.87, 6.66, -42.03

 

Complementary color

CMYK 0 / 25 / 56 / 15

HEX #DAA35F

RGB 218 163 95

HSL 33.17, 0.62%, 0.61%

LAB 70.82, 12.79, 42.86

 

CMYK 73 / 41 / 0 / 39

HEX #2A5C9B

RGB 42 92 155

HSL 213.45, 0.57%, 0.39%

LAB 38.75, 5.43, -39.23

 

CMYK 66 / 37 / 0 / 32

HEX #3B6EAE

RGB 59 110 174

HSL 213.39, 0.49%, 0.46%

LAB 45.82, 3.84, -39.2

 

CMYK 61 / 34 / 0 / 24

HEX #4C80C1

RGB 76 128 193

HSL 213.33, 0.49%, 0.53%

LAB 52.76, 2.63, -39.17

 

CMYK 56 / 31 / 0 / 17

HEX #5D92D4

RGB 93 146 212

HSL 213.28, 0.58%, 0.6%

LAB 59.56, 1.67, -39.17

 

CMYK 52 / 29 / 0 / 9

HEX #6EA4E7

RGB 110 164 231

HSL 213.22, 0.72%, 0.67%

LAB 66.24, 0.9, -39.19

 

CMYK 77 / 43 / 0 / 37

HEX #255CA0

RGB 37 92 160

HSL 213.17, 0.62%, 0.39%

LAB 38.87, 6.66, -42.03

 

CMYK 86 / 48 / 0 / 45

HEX #144A8D

RGB 20 74 141

HSL 213.22, 0.75%, 0.32%

LAB 31.74, 9.12, -42.01

 

CMYK 98 / 54 / 0 / 52

HEX #03387A

RGB 3 56 122

HSL 213.28, 0.95%, 0.25%

LAB 24.49, 12.38, -41.9

 

CMYK 100 / 63 / 0 / 60

HEX #002667

RGB 0 38 103

HSL 217.86, 1%, 0.2%

LAB 17.3, 16.93, -41.38

 

CMYK 100 / 76 / 0 / 67

HEX #001454

RGB 0 20 84

HSL 225.71, 1%, 0.16%

LAB 10.11, 21.96, -40.49

 

CMYK 77 / 43 / 0 / 37

HEX #255CA1

RGB 37 92 161

HSL 213.39, 0.63%, 0.39%

LAB 38.93, 7.05, -42.53

 

CMYK 77 / 63 / 0 / 37

HEX #253BA1

RGB 37 59 161

HSL 229.35, 0.63%, 0.39%

LAB 29.65, 29.09, -57.55

 

CMYK 70 / 77 / 0 / 37

HEX #3125A1

RGB 49 37 161

HSL 245.81, 0.63%, 0.39%

LAB 25.41, 43.88, -64.5

 

CMYK 49 / 77 / 0 / 37

HEX #5225A1

RGB 82 37 161

HSL 261.77, 0.63%, 0.39%

LAB 28.62, 48.16, -59.1

 

CMYK 29 / 77 / 0 / 37

HEX #7325A1

RGB 115 37 161

HSL 277.74, 0.63%, 0.39%

LAB 33.01, 53.85, -51.75

 

CMYK 77 / 43 / 0 / 37

HEX #255CA1

RGB 37 92 161

HSL 213.39, 0.63%, 0.39%

LAB 38.93, 7.05, -42.53

 

CMYK 77 / 63 / 0 / 37

HEX #253BA1

RGB 37 59 161

HSL 229.35, 0.63%, 0.39%

LAB 29.65, 29.09, -57.55

 

CMYK 77 / 77 / 0 / 37

HEX #2525A1

RGB 37 37 161

HSL 240, 0.63%, 0.39%

LAB 24.61, 42.78, -65.85

 

CMYK 77 / 43 / 0 / 37

HEX #255CA1

RGB 37 92 161

HSL 213.39, 0.63%, 0.39%

LAB 38.93, 7.05, -42.53

 

CMYK 88 / 49 / 0 / 31

HEX #155BB1

RGB 21 91 177

HSL 213.08, 0.79%, 0.39%

LAB 39.27, 12.51, -51.5

 

CMYK 97 / 54 / 0 / 24

HEX #0559C1

RGB 5 89 193

HSL 213.19, 0.95%, 0.39%

LAB 39.63, 19.56, -60.3

 

CMYK 77 / 43 / 0 / 37

HEX #255CA1

RGB 37 92 161

HSL 213.39, 0.63%, 0.39%

LAB 38.93, 7.05, -42.53

 

CMYK 63 / 35 / 0 / 43

HEX #355E91

RGB 53 94 145

HSL 213.26, 0.46%, 0.39%

LAB 39.25, 2.38, -32.4

 

CMYK 46 / 25 / 0 / 50

HEX #456080

RGB 69 96 128

HSL 212.54, 0.3%, 0.39%

LAB 39.9, -0.77, -21.03

 

CMYK 23 / 13 / 0 / 56

HEX #566270

RGB 86 98 112

HSL 212.31, 0.13%, 0.39%

LAB 41.03, -1.2, -9.44

 

CMYK 0 / 3 / 6 / 60

HEX #666360

RGB 102 99 96

HSL 30, 0.03%, 0.39%

LAB 42.14, 0.58, 2.12

 

CMYK 77 / 1 / 0 / 37

HEX #259FA1

RGB 37 159 161

HSL 180.97, 0.63%, 0.39%

LAB 59.67, -30.81, -10.39

 

CMYK 77 / 22 / 0 / 37

HEX #257EA1

RGB 37 126 161

HSL 196.94, 0.63%, 0.39%

LAB 49.36, -13.6, -26.11

 

CMYK 77 / 42 / 0 / 37

HEX #255DA1

RGB 37 93 161

HSL 212.9, 0.63%, 0.39%

LAB 39.23, 6.4, -42.06

 

CMYK 77 / 63 / 0 / 37

HEX #253CA1

RGB 37 60 161

HSL 228.87, 0.63%, 0.39%

LAB 29.91, 28.42, -57.13

 

CMYK 70 / 77 / 0 / 37

HEX #3025A1

RGB 48 37 161

HSL 245.32, 0.63%, 0.39%

LAB 25.34, 43.78, -64.62

 

CMYK 77 / 43 / 0 / 63

HEX #16365E

RGB 22 54 94

HSL 213.33, 0.62%, 0.23%

LAB 22.36, 3.65, -27.27

 

CMYK 77 / 43 / 0 / 50

HEX #1D497F

RGB 29 73 127

HSL 213.06, 0.63%, 0.31%

LAB 30.78, 5.11, -34.88

 

CMYK 77 / 43 / 0 / 37

HEX #255CA1

RGB 37 92 161

HSL 213.39, 0.63%, 0.39%

LAB 38.93, 7.05, -42.53

 

CMYK 77 / 42 / 0 / 24

HEX #2D70C2

RGB 45 112 194

HSL 213.02, 0.62%, 0.47%

LAB 47.03, 7.89, -48.91

 

CMYK 67 / 37 / 0 / 17

HEX #4585D3

RGB 69 133 211

HSL 212.96, 0.62%, 0.55%

LAB 54.81, 4.56, -46.17

 

CMYK 77 / 43 / 0 / 37

HEX #255CA0

RGB 37 92 160

HSL 213.17, 0.62%, 0.39%

LAB 38.87, 6.66, -42.03

 

CMYK 19 / 77 / 0 / 37

HEX #8225A1

RGB 130 37 161

HSL 285, 0.63%, 0.39%

LAB 35.29, 56.73, -47.96

 

CMYK 12 / 0 / 77 / 37

HEX #8EA125

RGB 142 161 37

HSL 69.19, 0.63%, 0.39%

LAB 62.82, -22.7, 57.62

 

CMYK 77 / 43 / 0 / 37

HEX #255CA0

RGB 37 92 160

HSL 213.17, 0.62%, 0.39%

LAB 38.87, 6.66, -42.03

 

CMYK 0 / 77 / 42 / 37

HEX #A1255D

RGB 161 37 93

HSL 332.9, 0.63%, 0.39%

LAB 37.28, 53.89, -2.16

 

CMYK 42 / 0 / 77 / 37

HEX #5DA125

RGB 93 161 37

HSL 92.9, 0.63%, 0.39%

LAB 59.84, -41.96, 53.75

 

CMYK 77 / 43 / 0 / 37

HEX #255CA0

RGB 37 92 160

HSL 213.17, 0.62%, 0.39%

LAB 38.87, 6.66, -42.03

 

CMYK 19 / 77 / 0 / 37

HEX #8225A1

RGB 130 37 161

HSL 285, 0.63%, 0.39%

LAB 35.29, 56.73, -47.96

 

CMYK 0 / 35 / 77 / 37

HEX #A16925

RGB 161 105 37

HSL 32.9, 0.63%, 0.39%

LAB 49.27, 16.47, 45.33

 

CMYK 58 / 0 / 77 / 37

HEX #44A125

RGB 68 161 37

HSL 105, 0.63%, 0.39%

LAB 58.84, -49.62, 52.43

 

CMYK 77 / 43 / 0 / 37

HEX #255CA0

RGB 37 92 160

HSL 213.17, 0.62%, 0.39%

LAB 38.87, 6.66, -42.03

 

CMYK 0 / 77 / 4 / 37

HEX #A1259A

RGB 161 37 154

HSL 303.39, 0.63%, 0.39%

LAB 39.97, 61.94, -35.95

 

CMYK 0 / 35 / 77 / 37

HEX #A16925

RGB 161 105 37

HSL 32.9, 0.63%, 0.39%

LAB 49.27, 16.47, 45.33

 

CMYK 77 / 0 / 73 / 37

HEX #25A12B

RGB 37 161 43

HSL 122.9, 0.63%, 0.39%

LAB 58.09, -55.66, 49.26

 

Description

Color code: HEX #255CA0 | qconv.com Color code: HEX #255CA0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 92 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 92 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 43 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 43% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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