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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25783D it is the complementary color #DA87C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25783D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25783D shade: #2A7838, #3B8A4B, #4C9C5E, #5DAE71 and #6EC084

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25783D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25783D shade: #25783D, #14662A, #035417, #004204 and #003000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25783D shade: #25783D, #257826, #3A7825, #507825 and #677825

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25783D shade: #25783D, #257853, #25786A, #257078 and #255A78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25783D shade matches the following richer shades: #25783D, #188537 and #0B9232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25783D shade: #25783D, #316C42, #3E5F48, #4B524D and #584552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25783D shade: #3A7825, #257826, #25783C, #257853 and #257869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25783D shade: #11391D, #1B592D, #25783D, #2E984D and #38B85D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25783D shade: #25783D, #255078 and #78252E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25783D shade: #25783D, #3C2578 and #783C25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25783D shade: #25783D, #255078, #782561 and #784D25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25783D shade: #25783D, #253778, #782561 and #786625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

Complementary color

CMYK 0 / 38 / 11 / 15

HEX #DA87C2

RGB 218 135 194

HSL 317.35, 0.53%, 0.69%

LAB 66.62, 40.16, -17.34

 

CMYK 65 / 0 / 53 / 53

HEX #2A7838

RGB 42 120 56

HSL 130.77, 0.48%, 0.32%

LAB 44.53, -38.34, 28.08

 

CMYK 57 / 0 / 46 / 46

HEX #3B8A4B

RGB 59 138 75

HSL 132.15, 0.4%, 0.39%

LAB 51.4, -38.55, 26.57

 

CMYK 51 / 0 / 40 / 39

HEX #4C9C5E

RGB 76 156 94

HSL 133.5, 0.34%, 0.45%

LAB 58.15, -38.52, 25.15

 

CMYK 47 / 0 / 35 / 32

HEX #5DAE71

RGB 93 174 113

HSL 134.81, 0.33%, 0.52%

LAB 64.8, -38.36, 23.84

 

CMYK 43 / 0 / 31 / 25

HEX #6EC084

RGB 110 192 132

HSL 136.1, 0.39%, 0.59%

LAB 71.34, -38.13, 22.62

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 80 / 0 / 59 / 60

HEX #14662A

RGB 20 102 42

HSL 136.1, 0.67%, 0.24%

LAB 37.51, -37.77, 26.92

 

CMYK 96 / 0 / 73 / 67

HEX #035417

RGB 3 84 23

HSL 134.81, 0.93%, 0.17%

LAB 30.45, -36.09, 28.46

 

CMYK 100 / 0 / 94 / 74

HEX #004204

RGB 0 66 4

HSL 123.64, 1%, 0.13%

LAB 23.36, -32.29, 29.33

 

CMYK 100 / 0 / 100 / 81

HEX #003000

RGB 0 48 0

HSL 120, 1%, 0.09%

LAB 16.07, -26.65, 22.67

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 69 / 0 / 68 / 53

HEX #257826

RGB 37 120 38

HSL 120.72, 0.53%, 0.31%

LAB 44.18, -41.86, 36.64

 

CMYK 52 / 0 / 69 / 53

HEX #3A7825

RGB 58 120 37

HSL 104.82, 0.53%, 0.31%

LAB 44.89, -36.32, 38.07

 

CMYK 33 / 0 / 69 / 53

HEX #507825

RGB 80 120 37

HSL 88.92, 0.53%, 0.31%

LAB 46, -28.43, 39.59

 

CMYK 14 / 0 / 69 / 53

HEX #677825

RGB 103 120 37

HSL 72.29, 0.53%, 0.31%

LAB 47.56, -18.72, 41.69

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 69 / 0 / 31 / 53

HEX #257853

RGB 37 120 83

HSL 153.25, 0.53%, 0.31%

LAB 44.87, -34.14, 13.25

 

CMYK 69 / 0 / 12 / 53

HEX #25786A

RGB 37 120 106

HSL 169.88, 0.53%, 0.31%

LAB 45.45, -28.2, 0.47

 

CMYK 69 / 7 / 0 / 53

HEX #257078

RGB 37 112 120

HSL 185.78, 0.53%, 0.31%

LAB 43.27, -19.84, -11.16

 

CMYK 69 / 25 / 0 / 53

HEX #255A78

RGB 37 90 120

HSL 201.69, 0.53%, 0.31%

LAB 36.1, -7.21, -22.14

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 82 / 0 / 59 / 48

HEX #188537

RGB 24 133 55

HSL 137.06, 0.69%, 0.31%

LAB 48.57, -46.64, 33.38

 

CMYK 92 / 0 / 66 / 43

HEX #0B9232

RGB 11 146 50

HSL 137.33, 0.86%, 0.31%

LAB 52.8, -52.92, 40.59

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 55 / 0 / 39 / 58

HEX #316C42

RGB 49 108 66

HSL 137.29, 0.38%, 0.31%

LAB 40.85, -29.52, 17.8

 

CMYK 35 / 0 / 24 / 63

HEX #3E5F48

RGB 62 95 72

HSL 138.18, 0.21%, 0.31%

LAB 37.26, -17.51, 9.41

 

CMYK 9 / 0 / 6 / 68

HEX #4B524D

RGB 75 82 77

HSL 137.14, 0.04%, 0.31%

LAB 34.12, -3.9, 1.97

 

CMYK 0 / 22 / 7 / 65

HEX #584552

RGB 88 69 82

HSL 318.95, 0.12%, 0.31%

LAB 31.67, 10.64, -4.66

 

CMYK 52 / 0 / 69 / 53

HEX #3A7825

RGB 58 120 37

HSL 104.82, 0.53%, 0.31%

LAB 44.89, -36.32, 38.07

 

CMYK 69 / 0 / 68 / 53

HEX #257826

RGB 37 120 38

HSL 120.72, 0.53%, 0.31%

LAB 44.18, -41.86, 36.64

 

CMYK 69 / 0 / 50 / 53

HEX #25783C

RGB 37 120 60

HSL 136.63, 0.53%, 0.31%

LAB 44.45, -38.78, 25.78

 

CMYK 69 / 0 / 31 / 53

HEX #257853

RGB 37 120 83

HSL 153.25, 0.53%, 0.31%

LAB 44.87, -34.14, 13.25

 

CMYK 69 / 0 / 13 / 53

HEX #257869

RGB 37 120 105

HSL 169.16, 0.53%, 0.31%

LAB 45.42, -28.48, 1.02

 

CMYK 70 / 0 / 49 / 78

HEX #11391D

RGB 17 57 29

HSL 138, 0.54%, 0.15%

LAB 20.57, -21.56, 13.4

 

CMYK 70 / 0 / 49 / 65

HEX #1B592D

RGB 27 89 45

HSL 137.42, 0.53%, 0.23%

LAB 33.06, -30.63, 19.78

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 70 / 0 / 49 / 40

HEX #2E984D

RGB 46 152 77

HSL 137.55, 0.54%, 0.39%

LAB 55.66, -46.75, 30.83

 

CMYK 70 / 0 / 49 / 28

HEX #38B85D

RGB 56 184 93

HSL 137.34, 0.53%, 0.47%

LAB 66.45, -54.35, 36.19

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 69 / 33 / 0 / 53

HEX #255078

RGB 37 80 120

HSL 208.92, 0.53%, 0.31%

LAB 32.89, -0.93, -27.16

 

CMYK 0 / 69 / 62 / 53

HEX #78252E

RGB 120 37 46

HSL 353.49, 0.53%, 0.31%

LAB 28.15, 36.75, 14.53

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 50 / 69 / 0 / 53

HEX #3C2578

RGB 60 37 120

HSL 256.63, 0.53%, 0.31%

LAB 22.44, 32.44, -43.81

 

CMYK 0 / 50 / 69 / 53

HEX #783C25

RGB 120 60 37

HSL 16.63, 0.53%, 0.31%

LAB 32.61, 24.1, 25.78

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 69 / 33 / 0 / 53

HEX #255078

RGB 37 80 120

HSL 208.92, 0.53%, 0.31%

LAB 32.89, -0.93, -27.16

 

CMYK 0 / 69 / 19 / 53

HEX #782561

RGB 120 37 97

HSL 316.63, 0.53%, 0.31%

LAB 29.86, 42.73, -16.67

 

CMYK 0 / 36 / 69 / 53

HEX #784D25

RGB 120 77 37

HSL 28.92, 0.53%, 0.31%

LAB 36.81, 14.06, 30.6

 

CMYK 69 / 0 / 49 / 53

HEX #25783D

RGB 37 120 61

HSL 137.35, 0.53%, 0.31%

LAB 44.47, -38.61, 25.25

 

CMYK 69 / 54 / 0 / 53

HEX #253778

RGB 37 55 120

HSL 226.99, 0.53%, 0.31%

LAB 25.2, 16.02, -39.42

 

CMYK 0 / 69 / 19 / 53

HEX #782561

RGB 120 37 97

HSL 316.63, 0.53%, 0.31%

LAB 29.86, 42.73, -16.67

 

CMYK 0 / 15 / 69 / 53

HEX #786625

RGB 120 102 37

HSL 46.99, 0.53%, 0.31%

LAB 43.7, -0.82, 38.12

 

Description

Color code: HEX #25783D | qconv.com Color code: HEX #25783D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 120 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 120 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 49 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 49% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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