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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25785A it is the complementary color #DA87A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25785A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25785A shade: #2A7855, #3B8A68, #4C9C7B, #5DAE8E and #6EC0A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25785A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25785A shade: #25785A, #146647, #035434, #004221 and #00300E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25785A shade: #25785A, #257844, #25782D, #337825 and #4A7825

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25785A shade: #25785A, #257871, #256A78, #255378 and #253C78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25785A shade matches the following richer shades: #25785A, #18855E and #0B9261

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25785A shade: #25785A, #316C57, #3E5F53, #4B5250 and #58454C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25785A shade: #25782D, #257843, #25785A, #257870 and #256A78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25785A shade: #11392B, #1B5942, #25785A, #2E9872 and #38B889

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25785A shade: #25785A, #253378 and #783825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25785A shade: #25785A, #5A2578 and #785A25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25785A shade: #25785A, #253378, #782543 and #786A25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25785A shade: #25785A, #302578, #782543 and #6D7825

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

Complementary color

CMYK 0 / 38 / 24 / 15

HEX #DA87A5

RGB 218 135 165

HSL 338.31, 0.53%, 0.69%

LAB 65.71, 35.67, -2.37

 

CMYK 65 / 0 / 29 / 53

HEX #2A7855

RGB 42 120 85

HSL 153.08, 0.48%, 0.32%

LAB 45.05, -32.68, 12.35

 

CMYK 57 / 0 / 25 / 46

HEX #3B8A68

RGB 59 138 104

HSL 154.18, 0.4%, 0.39%

LAB 51.96, -32.75, 11.03

 

CMYK 51 / 0 / 21 / 39

HEX #4C9C7B

RGB 76 156 123

HSL 155.25, 0.34%, 0.45%

LAB 58.74, -32.66, 9.87

 

CMYK 47 / 0 / 18 / 32

HEX #5DAE8E

RGB 93 174 142

HSL 156.3, 0.33%, 0.52%

LAB 65.4, -32.51, 8.82

 

CMYK 43 / 0 / 16 / 25

HEX #6EC0A1

RGB 110 192 161

HSL 157.32, 0.39%, 0.59%

LAB 71.95, -32.31, 7.85

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 80 / 0 / 30 / 60

HEX #146647

RGB 20 102 71

HSL 157.32, 0.67%, 0.24%

LAB 38.03, -31.87, 10.86

 

CMYK 96 / 0 / 38 / 67

HEX #035434

RGB 3 84 52

HSL 156.3, 0.93%, 0.17%

LAB 30.9, -30.76, 12.63

 

CMYK 100 / 0 / 50 / 74

HEX #004221

RGB 0 66 33

HSL 150, 1%, 0.13%

LAB 23.69, -28.1, 14.84

 

CMYK 100 / 0 / 71 / 81

HEX #00300E

RGB 0 48 14

HSL 137.5, 1%, 0.09%

LAB 16.23, -24.61, 16.98

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 69 / 0 / 43 / 53

HEX #257844

RGB 37 120 68

HSL 142.41, 0.53%, 0.31%

LAB 44.58, -37.33, 21.5

 

CMYK 69 / 0 / 63 / 53

HEX #25782D

RGB 37 120 45

HSL 125.78, 0.53%, 0.31%

LAB 44.26, -41.03, 33.39

 

CMYK 58 / 0 / 69 / 53

HEX #337825

RGB 51 120 37

HSL 109.88, 0.53%, 0.31%

LAB 44.62, -38.43, 37.69

 

CMYK 38 / 0 / 69 / 53

HEX #4A7825

RGB 74 120 37

HSL 93.25, 0.53%, 0.31%

LAB 45.66, -30.75, 39.12

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 69 / 0 / 6 / 53

HEX #257871

RGB 37 120 113

HSL 174.94, 0.53%, 0.31%

LAB 45.66, -26.17, -3.4

 

CMYK 69 / 12 / 0 / 53

HEX #256A78

RGB 37 106 120

HSL 190.12, 0.53%, 0.31%

LAB 41.31, -16.55, -14.13

 

CMYK 69 / 31 / 0 / 53

HEX #255378

RGB 37 83 120

HSL 206.75, 0.53%, 0.31%

LAB 33.85, -2.85, -25.66

 

CMYK 69 / 50 / 0 / 53

HEX #253C78

RGB 37 60 120

HSL 223.37, 0.53%, 0.31%

LAB 26.68, 12.53, -37.04

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 82 / 0 / 29 / 48

HEX #18855E

RGB 24 133 94

HSL 158.53, 0.69%, 0.31%

LAB 49.22, -39.08, 12.84

 

CMYK 92 / 0 / 34 / 43

HEX #0B9261

RGB 11 146 97

HSL 158.22, 0.86%, 0.31%

LAB 53.48, -44.73, 16.98

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 55 / 0 / 19 / 58

HEX #316C57

RGB 49 108 87

HSL 158.64, 0.38%, 0.31%

LAB 41.32, -24.81, 5.95

 

CMYK 35 / 0 / 13 / 63

HEX #3E5F53

RGB 62 95 83

HSL 158.18, 0.21%, 0.31%

LAB 37.54, -14.99, 3.05

 

CMYK 9 / 0 / 2 / 68

HEX #4B5250

RGB 75 82 80

HSL 162.86, 0.04%, 0.31%

LAB 34.21, -3.24, 0.21

 

CMYK 0 / 22 / 14 / 65

HEX #58454C

RGB 88 69 76

HSL 337.89, 0.12%, 0.31%

LAB 31.47, 9.44, -1.1

 

CMYK 69 / 0 / 63 / 53

HEX #25782D

RGB 37 120 45

HSL 125.78, 0.53%, 0.31%

LAB 44.26, -41.03, 33.39

 

CMYK 69 / 0 / 44 / 53

HEX #257843

RGB 37 120 67

HSL 141.69, 0.53%, 0.31%

LAB 44.56, -37.52, 22.04

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 69 / 0 / 7 / 53

HEX #257870

RGB 37 120 112

HSL 174.22, 0.53%, 0.31%

LAB 45.63, -26.46, -2.85

 

CMYK 69 / 12 / 0 / 53

HEX #256A78

RGB 37 106 120

HSL 190.12, 0.53%, 0.31%

LAB 41.31, -16.55, -14.13

 

CMYK 70 / 0 / 25 / 78

HEX #11392B

RGB 17 57 43

HSL 159, 0.54%, 0.15%

LAB 20.9, -18.09, 4.63

 

CMYK 70 / 0 / 26 / 65

HEX #1B5942

RGB 27 89 66

HSL 157.74, 0.53%, 0.23%

LAB 33.5, -25.93, 7.62

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 70 / 0 / 25 / 40

HEX #2E9872

RGB 46 152 114

HSL 158.49, 0.54%, 0.39%

LAB 56.34, -39.27, 11.43

 

CMYK 70 / 0 / 26 / 28

HEX #38B889

RGB 56 184 137

HSL 157.97, 0.53%, 0.47%

LAB 67.22, -45.85, 13.97

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 69 / 58 / 0 / 53

HEX #253378

RGB 37 51 120

HSL 229.88, 0.53%, 0.31%

LAB 24.05, 18.82, -41.28

 

CMYK 0 / 53 / 69 / 53

HEX #783825

RGB 120 56 37

HSL 13.73, 0.53%, 0.31%

LAB 31.7, 26.37, 24.71

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 25 / 69 / 0 / 53

HEX #5A2578

RGB 90 37 120

HSL 278.31, 0.53%, 0.31%

LAB 26.31, 39.17, -37.36

 

CMYK 0 / 25 / 69 / 53

HEX #785A25

RGB 120 90 37

HSL 38.31, 0.53%, 0.31%

LAB 40.31, 6.26, 34.48

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 69 / 58 / 0 / 53

HEX #253378

RGB 37 51 120

HSL 229.88, 0.53%, 0.31%

LAB 24.05, 18.82, -41.28

 

CMYK 0 / 69 / 44 / 53

HEX #782543

RGB 120 37 67

HSL 338.31, 0.53%, 0.31%

LAB 28.7, 38.73, 1.31

 

CMYK 0 / 12 / 69 / 53

HEX #786A25

RGB 120 106 37

HSL 49.88, 0.53%, 0.31%

LAB 44.85, -3.13, 39.33

 

CMYK 69 / 0 / 25 / 53

HEX #25785A

RGB 37 120 90

HSL 158.31, 0.53%, 0.31%

LAB 45.03, -32.46, 9.36

 

CMYK 60 / 69 / 0 / 53

HEX #302578

RGB 48 37 120

HSL 247.95, 0.53%, 0.31%

LAB 21.24, 30.17, -45.83

 

CMYK 0 / 69 / 44 / 53

HEX #782543

RGB 120 37 67

HSL 338.31, 0.53%, 0.31%

LAB 28.7, 38.73, 1.31

 

CMYK 9 / 0 / 69 / 53

HEX #6D7825

RGB 109 120 37

HSL 67.95, 0.53%, 0.31%

LAB 48.03, -16.04, 42.33

 

Description

Color code: HEX #25785A | qconv.com Color code: HEX #25785A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 120 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 120 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 25 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 25% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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