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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2573A1 it is the complementary color #DA8C5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2573A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2573A1 shade: #2A739C, #3B85AF, #4C97C2, #5DA9D5 and #6EBBE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2573A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2573A1 shade: #2573A1, #14618E, #034F7B, #003D68 and #002B55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2573A1 shade: #2473A2, #2451A2, #2430A2, #3B24A2 and #5D24A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2573A1 shade: #2473A2, #2451A2, #2430A2 and #2424A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2573A1 shade matches the following richer shades: #2473A2, #1477B2 and #047BC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2573A1 shade: #2473A2, #346F92, #446B81, #556771 and #656361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2573A1 shade: #24A28D, #2495A2, #2474A2, #2452A2 and #2431A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2573A1 shade: #15435E, #1D5B80, #2473A2, #2C8BC3 and #449FD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2573A1 shade: #2573A1, #6B24A2 and #A29D24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2573A1 shade: #2573A1, #A22474 and #74A224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2573A1 shade: #2573A1, #6B24A2, #A25224 and #5BA224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2573A1 shade: #2573A1, #9124A2, #A25224 and #35A224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 29 / 0 / 37

HEX #2573A1

RGB 37 115 161

HSL 202.26, 0.63%, 0.39%

LAB 45.94, -7.25, -31.44

 

Complementary color

CMYK 0 / 36 / 57 / 15

HEX #DA8C5E

RGB 218 140 94

HSL 22.26, 0.63%, 0.61%

LAB 65.33, 25.09, 36.67

 

CMYK 73 / 26 / 0 / 39

HEX #2A739C

RGB 42 115 156

HSL 201.58, 0.58%, 0.39%

LAB 45.84, -8.39, -28.64

 

CMYK 66 / 24 / 0 / 31

HEX #3B85AF

RGB 59 133 175

HSL 201.72, 0.5%, 0.46%

LAB 52.73, -9.5, -28.94

 

CMYK 61 / 22 / 0 / 24

HEX #4C97C2

RGB 76 151 194

HSL 201.86, 0.49%, 0.53%

LAB 59.49, -10.32, -29.22

 

CMYK 56 / 21 / 0 / 16

HEX #5DA9D5

RGB 93 169 213

HSL 202, 0.59%, 0.6%

LAB 66.14, -10.95, -29.49

 

CMYK 53 / 19 / 0 / 9

HEX #6EBBE8

RGB 110 187 232

HSL 202.13, 0.73%, 0.67%

LAB 72.68, -11.45, -29.74

 

CMYK 77 / 29 / 0 / 37

HEX #2573A1

RGB 37 115 161

HSL 202.26, 0.63%, 0.39%

LAB 45.94, -7.25, -31.44

 

CMYK 86 / 32 / 0 / 44

HEX #14618E

RGB 20 97 142

HSL 202.13, 0.75%, 0.32%

LAB 38.99, -5.41, -31.08

 

CMYK 98 / 36 / 0 / 52

HEX #034F7B

RGB 3 79 123

HSL 202, 0.95%, 0.25%

LAB 31.9, -2.96, -30.65

 

CMYK 100 / 41 / 0 / 59

HEX #003D68

RGB 0 61 104

HSL 204.81, 1%, 0.2%

LAB 24.76, 0.64, -29.99

 

CMYK 100 / 49 / 0 / 67

HEX #002B55

RGB 0 43 85

HSL 209.65, 1%, 0.17%

LAB 17.38, 4.87, -29.31

 

CMYK 78 / 29 / 0 / 36

HEX #2473A2

RGB 36 115 162

HSL 202.38, 0.64%, 0.39%

LAB 45.97, -7, -31.99

 

CMYK 78 / 50 / 0 / 36

HEX #2451A2

RGB 36 81 162

HSL 218.57, 0.64%, 0.39%

LAB 35.73, 14.57, -48.28

 

CMYK 78 / 70 / 0 / 36

HEX #2430A2

RGB 36 48 162

HSL 234.29, 0.64%, 0.39%

LAB 27.01, 36.49, -62.49

 

CMYK 64 / 78 / 0 / 36

HEX #3B24A2

RGB 59 36 162

HSL 250.95, 0.64%, 0.39%

LAB 26.16, 45.81, -63.84

 

CMYK 43 / 78 / 0 / 36

HEX #5D24A2

RGB 93 36 162

HSL 267.14, 0.64%, 0.39%

LAB 29.91, 50.62, -57.55

 

CMYK 78 / 29 / 0 / 36

HEX #2473A2

RGB 36 115 162

HSL 202.38, 0.64%, 0.39%

LAB 45.97, -7, -31.99

 

CMYK 78 / 50 / 0 / 36

HEX #2451A2

RGB 36 81 162

HSL 218.57, 0.64%, 0.39%

LAB 35.73, 14.57, -48.28

 

CMYK 78 / 70 / 0 / 36

HEX #2430A2

RGB 36 48 162

HSL 234.29, 0.64%, 0.39%

LAB 27.01, 36.49, -62.49

 

CMYK 78 / 78 / 0 / 36

HEX #2424A2

RGB 36 36 162

HSL 240, 0.64%, 0.39%

LAB 24.47, 43.6, -66.69

 

CMYK 78 / 29 / 0 / 36

HEX #2473A2

RGB 36 115 162

HSL 202.38, 0.64%, 0.39%

LAB 45.97, -7, -31.99

 

CMYK 89 / 33 / 0 / 30

HEX #1477B2

RGB 20 119 178

HSL 202.41, 0.8%, 0.39%

LAB 47.7, -4.83, -38.63

 

CMYK 98 / 37 / 0 / 24

HEX #047BC2

RGB 4 123 194

HSL 202.42, 0.96%, 0.39%

LAB 49.6, -1.77, -44.85

 

CMYK 78 / 29 / 0 / 36

HEX #2473A2

RGB 36 115 162

HSL 202.38, 0.64%, 0.39%

LAB 45.97, -7, -31.99

 

CMYK 64 / 24 / 0 / 43

HEX #346F92

RGB 52 111 146

HSL 202.34, 0.47%, 0.39%

LAB 44.48, -7.87, -24.82

 

CMYK 47 / 17 / 0 / 49

HEX #446B81

RGB 68 107 129

HSL 201.64, 0.31%, 0.39%

LAB 43.26, -7.37, -16.48

 

CMYK 25 / 9 / 0 / 56

HEX #556771

RGB 85 103 113

HSL 201.43, 0.14%, 0.39%

LAB 42.5, -4.29, -7.86

 

CMYK 0 / 2 / 4 / 60

HEX #656361

RGB 101 99 97

HSL 30, 0.02%, 0.39%

LAB 42.08, 0.38, 1.41

 

CMYK 78 / 0 / 13 / 36

HEX #24A28D

RGB 36 162 141

HSL 170, 0.64%, 0.39%

LAB 60.01, -38.11, 1.41

 

CMYK 78 / 8 / 0 / 36

HEX #2495A2

RGB 36 149 162

HSL 186.19, 0.64%, 0.39%

LAB 56.56, -25.66, -15.65

 

CMYK 78 / 28 / 0 / 36

HEX #2474A2

RGB 36 116 162

HSL 201.9, 0.64%, 0.39%

LAB 46.28, -7.6, -31.51

 

CMYK 78 / 49 / 0 / 36

HEX #2452A2

RGB 36 82 162

HSL 218.1, 0.64%, 0.39%

LAB 36.02, 13.9, -47.81

 

CMYK 78 / 70 / 0 / 36

HEX #2431A2

RGB 36 49 162

HSL 233.81, 0.64%, 0.39%

LAB 27.24, 35.86, -62.11

 

CMYK 78 / 29 / 0 / 63

HEX #15435E

RGB 21 67 94

HSL 202.19, 0.63%, 0.23%

LAB 26.68, -5.31, -20.46

 

CMYK 77 / 29 / 0 / 50

HEX #1D5B80

RGB 29 91 128

HSL 202.42, 0.63%, 0.31%

LAB 36.56, -6.12, -26.36

 

CMYK 78 / 29 / 0 / 36

HEX #2473A2

RGB 36 115 162

HSL 202.38, 0.64%, 0.39%

LAB 45.97, -7, -31.99

 

CMYK 77 / 29 / 0 / 24

HEX #2C8BC3

RGB 44 139 195

HSL 202.25, 0.63%, 0.47%

LAB 55.01, -8.09, -36.85

 

CMYK 68 / 25 / 0 / 17

HEX #449FD4

RGB 68 159 212

HSL 202.08, 0.63%, 0.55%

LAB 62.32, -10.27, -34.93

 

CMYK 77 / 29 / 0 / 37

HEX #2573A1

RGB 37 115 161

HSL 202.26, 0.63%, 0.39%

LAB 45.94, -7.25, -31.44

 

CMYK 34 / 78 / 0 / 36

HEX #6B24A2

RGB 107 36 162

HSL 273.81, 0.64%, 0.39%

LAB 31.8, 53.01, -54.38

 

CMYK 0 / 3 / 78 / 36

HEX #A29D24

RGB 162 157 36

HSL 57.62, 0.64%, 0.39%

LAB 63.28, -11.92, 58.95

 

CMYK 77 / 29 / 0 / 37

HEX #2573A1

RGB 37 115 161

HSL 202.26, 0.63%, 0.39%

LAB 45.94, -7.25, -31.44

 

CMYK 0 / 78 / 28 / 36

HEX #A22474

RGB 162 36 116

HSL 321.9, 0.64%, 0.39%

LAB 38.21, 57.07, -15.3

 

CMYK 28 / 0 / 78 / 36

HEX #74A224

RGB 116 162 36

HSL 81.9, 0.64%, 0.39%

LAB 61.38, -33.96, 55.97

 

CMYK 77 / 29 / 0 / 37

HEX #2573A1

RGB 37 115 161

HSL 202.26, 0.63%, 0.39%

LAB 45.94, -7.25, -31.44

 

CMYK 34 / 78 / 0 / 36

HEX #6B24A2

RGB 107 36 162

HSL 273.81, 0.64%, 0.39%

LAB 31.8, 53.01, -54.38

 

CMYK 0 / 49 / 78 / 36

HEX #A25224

RGB 162 82 36

HSL 21.9, 0.64%, 0.39%

LAB 44.01, 29.73, 40.61

 

CMYK 44 / 0 / 78 / 36

HEX #5BA224

RGB 91 162 36

HSL 93.81, 0.64%, 0.39%

LAB 60.06, -43.12, 54.26

 

CMYK 77 / 29 / 0 / 37

HEX #2573A1

RGB 37 115 161

HSL 202.26, 0.63%, 0.39%

LAB 45.94, -7.25, -31.44

 

CMYK 10 / 78 / 0 / 36

HEX #9124A2

RGB 145 36 162

HSL 291.9, 0.64%, 0.39%

LAB 37.64, 60.25, -44.64

 

CMYK 0 / 49 / 78 / 36

HEX #A25224

RGB 162 82 36

HSL 21.9, 0.64%, 0.39%

LAB 44.01, 29.73, 40.61

 

CMYK 67 / 0 / 78 / 36

HEX #35A224

RGB 53 162 36

HSL 111.9, 0.64%, 0.39%

LAB 58.72, -53.63, 52.5

 

Description

Color code: HEX #2573A1 | qconv.com Color code: HEX #2573A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 115 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 115 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 29 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 29% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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