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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #257BA6 it is the complementary color #DA8459. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #257BA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #257BA6 shade: #2A7BA1, #3B8DB4, #4C9FC7, #5DB1DA and #6EC3ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #257BA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #257BA6 shade: #257BA6, #146993, #035780, #00456D and #00335A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #257BA6 shade: #247BA7, #2458A7, #2435A7, #3724A7 and #5A24A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #257BA6 shade: #247BA7, #2458A7, #2435A7 and #2424A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #257BA6 shade matches the following richer shades: #247BA7, #1481B7 and #0386C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #257BA6 shade: #247BA7, #357696, #457086, #566B75 and #666565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #257BA6 shade: #24A78D, #249EA7, #247BA7, #2458A7 and #2436A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #257BA6 shade: #154963, #1D6285, #247BA7, #2C94C9 and #47A7D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #257BA6 shade: #257BA6, #6A24A7 and #A79E24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #257BA6 shade: #257BA6, #A7247B and #7BA724

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #257BA6 shade: #257BA6, #6A24A7, #A75024 and #61A724

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #257BA6 shade: #257BA6, #9124A7, #A75024 and #3AA724

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 26 / 0 / 35

HEX #257BA6

RGB 37 123 166

HSL 200, 0.64%, 0.4%

LAB 48.65, -10.11, -30.13

 

Complementary color

CMYK 0 / 39 / 59 / 15

HEX #DA8459

RGB 218 132 89

HSL 20, 0.64%, 0.6%

LAB 63.45, 28.99, 37.01

 

CMYK 74 / 24 / 0 / 37

HEX #2A7BA1

RGB 42 123 161

HSL 199.16, 0.59%, 0.4%

LAB 48.55, -11.25, -27.36

 

CMYK 67 / 22 / 0 / 29

HEX #3B8DB4

RGB 59 141 180

HSL 199.34, 0.51%, 0.47%

LAB 55.35, -12.33, -27.74

 

CMYK 62 / 20 / 0 / 22

HEX #4C9FC7

RGB 76 159 199

HSL 199.51, 0.52%, 0.54%

LAB 62.05, -13.14, -28.08

 

CMYK 57 / 19 / 0 / 15

HEX #5DB1DA

RGB 93 177 218

HSL 199.68, 0.63%, 0.61%

LAB 68.63, -13.75, -28.4

 

CMYK 54 / 18 / 0 / 7

HEX #6EC3ED

RGB 110 195 237

HSL 199.84, 0.78%, 0.68%

LAB 75.11, -14.23, -28.71

 

CMYK 78 / 26 / 0 / 35

HEX #257BA6

RGB 37 123 166

HSL 200, 0.64%, 0.4%

LAB 48.65, -10.11, -30.13

 

CMYK 86 / 29 / 0 / 42

HEX #146993

RGB 20 105 147

HSL 199.84, 0.76%, 0.33%

LAB 41.78, -8.33, -29.69

 

CMYK 98 / 32 / 0 / 50

HEX #035780

RGB 3 87 128

HSL 199.68, 0.95%, 0.26%

LAB 34.79, -5.98, -29.17

 

CMYK 100 / 37 / 0 / 57

HEX #00456D

RGB 0 69 109

HSL 202.02, 1%, 0.21%

LAB 27.74, -2.58, -28.44

 

CMYK 100 / 43 / 0 / 65

HEX #00335A

RGB 0 51 90

HSL 206, 1%, 0.18%

LAB 20.46, 1.36, -27.71

 

CMYK 78 / 26 / 0 / 35

HEX #247BA7

RGB 36 123 167

HSL 200.15, 0.65%, 0.4%

LAB 48.67, -9.86, -30.68

 

CMYK 78 / 47 / 0 / 35

HEX #2458A7

RGB 36 88 167

HSL 216.18, 0.65%, 0.4%

LAB 38.1, 11.88, -47.44

 

CMYK 78 / 68 / 0 / 35

HEX #2435A7

RGB 36 53 167

HSL 232.21, 0.65%, 0.4%

LAB 28.67, 35.14, -62.78

 

CMYK 67 / 78 / 0 / 35

HEX #3724A7

RGB 55 36 167

HSL 248.7, 0.65%, 0.4%

LAB 26.34, 46.9, -66.58

 

CMYK 46 / 78 / 0 / 35

HEX #5A24A7

RGB 90 36 167

HSL 264.73, 0.65%, 0.4%

LAB 29.97, 51.42, -60.47

 

CMYK 78 / 26 / 0 / 35

HEX #247BA7

RGB 36 123 167

HSL 200.15, 0.65%, 0.4%

LAB 48.67, -9.86, -30.68

 

CMYK 78 / 47 / 0 / 35

HEX #2458A7

RGB 36 88 167

HSL 216.18, 0.65%, 0.4%

LAB 38.1, 11.88, -47.44

 

CMYK 78 / 68 / 0 / 35

HEX #2435A7

RGB 36 53 167

HSL 232.21, 0.65%, 0.4%

LAB 28.67, 35.14, -62.78

 

CMYK 78 / 78 / 0 / 35

HEX #2424A7

RGB 36 36 167

HSL 240, 0.65%, 0.4%

LAB 25.04, 45.25, -68.78

 

CMYK 78 / 26 / 0 / 35

HEX #247BA7

RGB 36 123 167

HSL 200.15, 0.65%, 0.4%

LAB 48.67, -9.86, -30.68

 

CMYK 89 / 30 / 0 / 28

HEX #1481B7

RGB 20 129 183

HSL 199.88, 0.8%, 0.4%

LAB 51, -8.82, -36.32

 

CMYK 99 / 33 / 0 / 22

HEX #0386C8

RGB 3 134 200

HSL 200.1, 0.97%, 0.4%

LAB 53.21, -6.03, -42.56

 

CMYK 78 / 26 / 0 / 35

HEX #247BA7

RGB 36 123 167

HSL 200.15, 0.65%, 0.4%

LAB 48.67, -9.86, -30.68

 

CMYK 65 / 21 / 0 / 41

HEX #357696

RGB 53 118 150

HSL 199.79, 0.48%, 0.4%

LAB 46.86, -10.4, -23.49

 

CMYK 49 / 16 / 0 / 47

HEX #457086

RGB 69 112 134

HSL 200.31, 0.32%, 0.4%

LAB 45.05, -8.51, -16.73

 

CMYK 26 / 9 / 0 / 54

HEX #566B75

RGB 86 107 117

HSL 199.35, 0.15%, 0.4%

LAB 43.91, -5.3, -8.15

 

CMYK 0 / 1 / 1 / 60

HEX #666565

RGB 102 101 101

HSL 0, 0%, 0.4%

LAB 42.87, 0.39, 0.13

 

CMYK 78 / 0 / 16 / 35

HEX #24A78D

RGB 36 167 141

HSL 168.09, 0.65%, 0.4%

LAB 61.6, -40.32, 3.71

 

CMYK 78 / 5 / 0 / 35

HEX #249EA7

RGB 36 158 167

HSL 184.12, 0.65%, 0.4%

LAB 59.54, -28.57, -13.99

 

CMYK 78 / 26 / 0 / 35

HEX #247BA7

RGB 36 123 167

HSL 200.15, 0.65%, 0.4%

LAB 48.67, -9.86, -30.68

 

CMYK 78 / 47 / 0 / 35

HEX #2458A7

RGB 36 88 167

HSL 216.18, 0.65%, 0.4%

LAB 38.1, 11.88, -47.44

 

CMYK 78 / 68 / 0 / 35

HEX #2436A7

RGB 36 54 167

HSL 231.76, 0.65%, 0.4%

LAB 28.91, 34.5, -62.39

 

CMYK 79 / 26 / 0 / 61

HEX #154963

RGB 21 73 99

HSL 200, 0.65%, 0.24%

LAB 28.97, -7.18, -20.11

 

CMYK 78 / 26 / 0 / 48

HEX #1D6285

RGB 29 98 133

HSL 200.19, 0.64%, 0.32%

LAB 39.05, -8.49, -25.51

 

CMYK 78 / 26 / 0 / 35

HEX #247BA7

RGB 36 123 167

HSL 200.15, 0.65%, 0.4%

LAB 48.67, -9.86, -30.68

 

CMYK 78 / 26 / 0 / 21

HEX #2C94C9

RGB 44 148 201

HSL 200.25, 0.64%, 0.48%

LAB 57.97, -11.06, -35.6

 

CMYK 67 / 22 / 0 / 16

HEX #47A7D6

RGB 71 167 214

HSL 199.72, 0.64%, 0.56%

LAB 64.83, -13.53, -32.13

 

CMYK 78 / 26 / 0 / 35

HEX #257BA6

RGB 37 123 166

HSL 200, 0.64%, 0.4%

LAB 48.65, -10.11, -30.13

 

CMYK 37 / 78 / 0 / 35

HEX #6A24A7

RGB 106 36 167

HSL 272.06, 0.65%, 0.4%

LAB 32.07, 54, -56.96

 

CMYK 0 / 5 / 78 / 35

HEX #A79E24

RGB 167 158 36

HSL 55.88, 0.65%, 0.4%

LAB 64, -10.22, 59.77

 

CMYK 78 / 26 / 0 / 35

HEX #257BA6

RGB 37 123 166

HSL 200, 0.64%, 0.4%

LAB 48.65, -10.11, -30.13

 

CMYK 0 / 78 / 26 / 35

HEX #A7247B

RGB 167 36 123

HSL 320.15, 0.65%, 0.4%

LAB 39.42, 59.2, -17.72

 

CMYK 26 / 0 / 78 / 35

HEX #7BA724

RGB 123 167 36

HSL 80.15, 0.65%, 0.4%

LAB 63.32, -33.5, 57.94

 

CMYK 78 / 26 / 0 / 35

HEX #257BA6

RGB 37 123 166

HSL 200, 0.64%, 0.4%

LAB 48.65, -10.11, -30.13

 

CMYK 37 / 78 / 0 / 35

HEX #6A24A7

RGB 106 36 167

HSL 272.06, 0.65%, 0.4%

LAB 32.07, 54, -56.96

 

CMYK 0 / 52 / 78 / 35

HEX #A75024

RGB 167 80 36

HSL 20.15, 0.65%, 0.4%

LAB 44.35, 32.87, 41.2

 

CMYK 42 / 0 / 78 / 35

HEX #61A724

RGB 97 167 36

HSL 92.06, 0.65%, 0.4%

LAB 61.92, -43.15, 56.12

 

CMYK 78 / 26 / 0 / 35

HEX #257BA6

RGB 37 123 166

HSL 200, 0.64%, 0.4%

LAB 48.65, -10.11, -30.13

 

CMYK 13 / 78 / 0 / 35

HEX #9124A7

RGB 145 36 167

HSL 289.92, 0.65%, 0.4%

LAB 37.97, 61.17, -47.12

 

CMYK 0 / 52 / 78 / 35

HEX #A75024

RGB 167 80 36

HSL 20.15, 0.65%, 0.4%

LAB 44.35, 32.87, 41.2

 

CMYK 65 / 0 / 78 / 35

HEX #3AA724

RGB 58 167 36

HSL 109.92, 0.65%, 0.4%

LAB 60.48, -54.28, 54.25

 

Description

Color code: HEX #257BA6 | qconv.com Color code: HEX #257BA6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 123 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 123 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 26 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 26% 0% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

80% - T4B | Together4Bould...
Link: http://tg4b.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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