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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #257EDE it is the complementary color #DA8121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #257EDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #257EDE shade: #2A7ED9, #3B90EC, #4CA2FF, #5DB4FF and #6EC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #257EDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #257EDE shade: #257EDE, #146CCB, #035AB8, #0048A5 and #003692

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #257EDE shade: #257EDE, #254CDE, #3025DE, #6225DE and #9425DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #257EDE shade: #257EDE, #254CDE and #2525DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #257EDE shade matches the following richer shades: #257EDE and #117DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #257EDE shade: #257EDE, #397FCA, #4E80B6, #6280A1 and #76818D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #257EDE shade: #25DEDB, #25B0DE, #257EDE, #254DDE and #2E25DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #257EDE shade: #17569A, #1C6ABE, #257EDE, #4993E3 and #6DA8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #257EDE shade: #257EDE, #AA25DE and #C8DE25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #257EDE shade: #257EDE, #DE257E and #7EDE25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #257EDE shade: #257EDE, #AA25DE, #DE8525 and #59DE25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #257EDE shade: #257EDE, #DE25DB, #DE8525 and #25DE28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

Complementary color

CMYK 0 / 41 / 85 / 15

HEX #DA8121

RGB 218 129 33

HSL 31.14, 0.74%, 0.49%

LAB 62.27, 27.85, 61.39

 

CMYK 81 / 42 / 0 / 15

HEX #2A7ED9

RGB 42 126 217

HSL 211.2, 0.7%, 0.51%

LAB 52.31, 7.53, -53.58

 

CMYK 75 / 39 / 0 / 7

HEX #3B90EC

RGB 59 144 236

HSL 211.19, 0.82%, 0.58%

LAB 58.91, 5.45, -53.64

 

CMYK 70 / 36 / 0 / 0

HEX #4CA2FF

RGB 76 162 255

HSL 211.17, 1%, 0.65%

LAB 65.43, 3.76, -53.68

 

CMYK 64 / 29 / 0 / 0

HEX #5DB4FF

RGB 93 180 255

HSL 207.78, 1%, 0.68%

LAB 71, -3.82, -44.86

 

CMYK 57 / 22 / 0 / 0

HEX #6EC6FF

RGB 110 198 255

HSL 203.59, 1%, 0.72%

LAB 76.63, -10.52, -36.04

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 90 / 47 / 0 / 20

HEX #146CCB

RGB 20 108 203

HSL 211.15, 0.82%, 0.44%

LAB 45.89, 11.78, -55.95

 

CMYK 98 / 51 / 0 / 28

HEX #035AB8

RGB 3 90 184

HSL 211.16, 0.97%, 0.37%

LAB 39.23, 15.16, -55.69

 

CMYK 100 / 56 / 0 / 35

HEX #0048A5

RGB 0 72 165

HSL 213.82, 1%, 0.32%

LAB 32.59, 19.36, -55.2

 

CMYK 100 / 63 / 0 / 43

HEX #003692

RGB 0 54 146

HSL 217.81, 1%, 0.29%

LAB 25.9, 23.93, -54.57

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 83 / 66 / 0 / 13

HEX #254CDE

RGB 37 76 222

HSL 227.35, 0.74%, 0.51%

LAB 39.3, 40.73, -77.53

 

CMYK 78 / 83 / 0 / 13

HEX #3025DE

RGB 48 37 222

HSL 243.57, 0.74%, 0.51%

LAB 32.31, 62.34, -89.07

 

CMYK 56 / 83 / 0 / 13

HEX #6225DE

RGB 98 37 222

HSL 259.78, 0.74%, 0.51%

LAB 36.35, 66.09, -82.25

 

CMYK 33 / 83 / 0 / 13

HEX #9425DE

RGB 148 37 222

HSL 276, 0.74%, 0.51%

LAB 42.6, 72.23, -71.76

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 83 / 66 / 0 / 13

HEX #254CDE

RGB 37 76 222

HSL 227.35, 0.74%, 0.51%

LAB 39.3, 40.73, -77.53

 

CMYK 83 / 83 / 0 / 13

HEX #2525DE

RGB 37 37 222

HSL 240, 0.74%, 0.51%

LAB 31.78, 61.87, -89.97

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 93 / 48 / 0 / 5

HEX #117DF2

RGB 17 125 242

HSL 211.2, 0.9%, 0.51%

LAB 53.16, 16.1, -66.23

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 72 / 37 / 0 / 21

HEX #397FCA

RGB 57 127 202

HSL 211.03, 0.58%, 0.51%

LAB 52.19, 3.17, -45.25

 

CMYK 57 / 30 / 0 / 29

HEX #4E80B6

RGB 78 128 182

HSL 211.15, 0.42%, 0.51%

LAB 52.33, -0.6, -33.54

 

CMYK 39 / 20 / 0 / 37

HEX #6280A1

RGB 98 128 161

HSL 211.43, 0.25%, 0.51%

LAB 52.52, -2.02, -21.03

 

CMYK 16 / 9 / 0 / 45

HEX #76818D

RGB 118 129 141

HSL 211.3, 0.09%, 0.51%

LAB 53.47, -1.39, -7.84

 

CMYK 83 / 0 / 1 / 13

HEX #25DEDB

RGB 37 222 219

HSL 179.03, 0.74%, 0.51%

LAB 80.6, -42.72, -10.92

 

CMYK 83 / 21 / 0 / 13

HEX #25B0DE

RGB 37 176 222

HSL 194.92, 0.74%, 0.51%

LAB 67.06, -19.61, -33.13

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 83 / 65 / 0 / 13

HEX #254DDE

RGB 37 77 222

HSL 227.03, 0.74%, 0.51%

LAB 39.54, 40.11, -77.15

 

CMYK 79 / 83 / 0 / 13

HEX #2E25DE

RGB 46 37 222

HSL 242.92, 0.74%, 0.51%

LAB 32.21, 62.24, -89.25

 

CMYK 85 / 44 / 0 / 40

HEX #17569A

RGB 23 86 154

HSL 211.15, 0.74%, 0.35%

LAB 36.31, 6.68, -42.56

 

CMYK 85 / 44 / 0 / 25

HEX #1C6ABE

RGB 28 106 190

HSL 211.11, 0.74%, 0.43%

LAB 44.62, 8.46, -50.48

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 68 / 35 / 0 / 11

HEX #4993E3

RGB 73 147 227

HSL 211.17, 0.73%, 0.59%

LAB 59.73, 2.43, -47.31

 

CMYK 53 / 28 / 0 / 9

HEX #6DA8E9

RGB 109 168 233

HSL 211.45, 0.74%, 0.67%

LAB 67.38, -0.96, -38.51

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 23 / 83 / 0 / 13

HEX #AA25DE

RGB 170 37 222

HSL 283.14, 0.74%, 0.51%

LAB 45.83, 75.52, -66.36

 

CMYK 10 / 0 / 83 / 13

HEX #C8DE25

RGB 200 222 37

HSL 67.14, 0.74%, 0.51%

LAB 84.31, -27.99, 78.18

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 0 / 83 / 43 / 13

HEX #DE257E

RGB 222 37 126

HSL 331.14, 0.74%, 0.51%

LAB 49.93, 72.67, -2.72

 

CMYK 43 / 0 / 83 / 13

HEX #7EDE25

RGB 126 222 37

HSL 91.14, 0.74%, 0.51%

LAB 80.07, -55.53, 72.87

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 23 / 83 / 0 / 13

HEX #AA25DE

RGB 170 37 222

HSL 283.14, 0.74%, 0.51%

LAB 45.83, 75.52, -66.36

 

CMYK 0 / 40 / 83 / 13

HEX #DE8525

RGB 222 133 37

HSL 31.14, 0.74%, 0.51%

LAB 63.7, 27.51, 61.46

 

CMYK 60 / 0 / 83 / 13

HEX #59DE25

RGB 89 222 37

HSL 103.14, 0.74%, 0.51%

LAB 78.75, -65.82, 71.19

 

CMYK 83 / 43 / 0 / 13

HEX #257EDE

RGB 37 126 222

HSL 211.14, 0.74%, 0.51%

LAB 52.5, 8.98, -56.11

 

CMYK 0 / 83 / 1 / 13

HEX #DE25DB

RGB 222 37 219

HSL 300.97, 0.74%, 0.51%

LAB 53.99, 83.84, -51.08

 

CMYK 0 / 40 / 83 / 13

HEX #DE8525

RGB 222 133 37

HSL 31.14, 0.74%, 0.51%

LAB 63.7, 27.51, 61.46

 

CMYK 83 / 0 / 82 / 13

HEX #25DE28

RGB 37 222 40

HSL 120.97, 0.74%, 0.51%

LAB 77.75, -74.33, 69.17

 

Description

Color code: HEX #257EDE | qconv.com Color code: HEX #257EDE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 126 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 126 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 43 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 43% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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