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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25887C it is the complementary color #DA7783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25887C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25887C shade: #2A8877, #3B9A8A, #4CAC9D, #5DBEB0 and #6ED0C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25887C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25887C shade: #25887C, #147669, #036456, #005243 and #004030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25887C shade: #25887C, #258861, #258846, #25882C and #398825

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25887C shade: #25887C, #257988, #255E88, #254488 and #252988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25887C shade matches the following richer shades: #25887C, #179686 and #09A491

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25887C shade: #25887C, #337A71, #416C66, #4F5E5C and #5D5051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25887C shade: #258846, #258860, #25887A, #257A88 and #256088

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25887C shade: #134741, #1C675E, #25887C, #2EA899 and #37C8B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25887C shade: #25887C, #2B2588 and #885325

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25887C shade: #25887C, #7A2588 and #887A25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25887C shade: #25887C, #2B2588, #882532 and #818825

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25887C shade: #25887C, #492588, #882532 and #638825

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

Complementary color

CMYK 0 / 45 / 40 / 15

HEX #DA7783

RGB 218 119 131

HSL 352.73, 0.57%, 0.66%

LAB 61.43, 39.72, 10.82

 

CMYK 69 / 0 / 13 / 47

HEX #2A8877

RGB 42 136 119

HSL 169.15, 0.53%, 0.35%

LAB 51.19, -31.41, 1.19

 

CMYK 62 / 0 / 10 / 40

HEX #3B9A8A

RGB 59 154 138

HSL 169.89, 0.45%, 0.42%

LAB 57.92, -31.77, 0.12

 

CMYK 56 / 0 / 9 / 33

HEX #4CAC9D

RGB 76 172 157

HSL 170.63, 0.39%, 0.49%

LAB 64.54, -31.94, -0.83

 

CMYK 51 / 0 / 7 / 25

HEX #5DBEB0

RGB 93 190 176

HSL 171.34, 0.43%, 0.55%

LAB 71.07, -32, -1.69

 

CMYK 47 / 0 / 6 / 18

HEX #6ED0C3

RGB 110 208 195

HSL 172.04, 0.51%, 0.62%

LAB 77.5, -31.99, -2.48

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 83 / 0 / 11 / 54

HEX #147669

RGB 20 118 105

HSL 172.04, 0.71%, 0.27%

LAB 44.41, -29.86, -0.49

 

CMYK 97 / 0 / 14 / 61

HEX #036456

RGB 3 100 86

HSL 171.34, 0.94%, 0.2%

LAB 37.49, -28.49, 0.9

 

CMYK 100 / 0 / 18 / 68

HEX #005243

RGB 0 82 67

HSL 169.02, 1%, 0.16%

LAB 30.5, -26.06, 2.64

 

CMYK 100 / 0 / 25 / 75

HEX #004030

RGB 0 64 48

HSL 165, 1%, 0.13%

LAB 23.27, -23.26, 4.6

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 73 / 0 / 29 / 47

HEX #258861

RGB 37 136 97

HSL 156.36, 0.57%, 0.34%

LAB 50.53, -37.86, 12.97

 

CMYK 73 / 0 / 49 / 47

HEX #258846

RGB 37 136 70

HSL 140, 0.57%, 0.34%

LAB 50.03, -43.39, 27.4

 

CMYK 73 / 0 / 68 / 47

HEX #25882C

RGB 37 136 44

HSL 124.24, 0.57%, 0.34%

LAB 49.72, -47.05, 39.99

 

CMYK 58 / 0 / 73 / 47

HEX #398825

RGB 57 136 37

HSL 107.88, 0.57%, 0.34%

LAB 50.23, -43.11, 43.67

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 73 / 11 / 0 / 47

HEX #257988

RGB 37 121 136

HSL 189.09, 0.57%, 0.34%

LAB 46.77, -19.43, -15.4

 

CMYK 73 / 31 / 0 / 47

HEX #255E88

RGB 37 94 136

HSL 205.45, 0.57%, 0.34%

LAB 38.16, -3.78, -28.72

 

CMYK 73 / 50 / 0 / 47

HEX #254488

RGB 37 68 136

HSL 221.21, 0.57%, 0.34%

LAB 30.17, 13.28, -41.42

 

CMYK 73 / 70 / 0 / 47

HEX #252988

RGB 37 41 136

HSL 237.58, 0.57%, 0.34%

LAB 22.85, 31.63, -53.33

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 85 / 0 / 11 / 41

HEX #179686

RGB 23 150 134

HSL 172.44, 0.73%, 0.34%

LAB 55.8, -35.95, -0.78

 

CMYK 95 / 0 / 12 / 36

HEX #09A491

RGB 9 164 145

HSL 172.65, 0.9%, 0.34%

LAB 60.47, -39.87, -0.2

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 58 / 0 / 7 / 52

HEX #337A71

RGB 51 122 113

HSL 172.39, 0.41%, 0.34%

LAB 46.73, -24.5, -1.77

 

CMYK 40 / 0 / 6 / 58

HEX #416C66

RGB 65 108 102

HSL 171.63, 0.25%, 0.34%

LAB 42.47, -16.46, -1.36

 

CMYK 16 / 0 / 2 / 63

HEX #4F5E5C

RGB 79 94 92

HSL 172, 0.09%, 0.34%

LAB 38.62, -6.21, -0.79

 

CMYK 0 / 14 / 13 / 64

HEX #5D5051

RGB 93 80 81

HSL 355.38, 0.08%, 0.34%

LAB 35.32, 5.58, 1.4

 

CMYK 73 / 0 / 49 / 47

HEX #258846

RGB 37 136 70

HSL 140, 0.57%, 0.34%

LAB 50.03, -43.39, 27.4

 

CMYK 73 / 0 / 29 / 47

HEX #258860

RGB 37 136 96

HSL 155.76, 0.57%, 0.34%

LAB 50.51, -38.1, 13.51

 

CMYK 73 / 0 / 10 / 47

HEX #25887A

RGB 37 136 122

HSL 171.52, 0.57%, 0.34%

LAB 51.16, -31.34, -0.61

 

CMYK 73 / 10 / 0 / 47

HEX #257A88

RGB 37 122 136

HSL 188.48, 0.57%, 0.34%

LAB 47.09, -19.96, -14.91

 

CMYK 73 / 29 / 0 / 47

HEX #256088

RGB 37 96 136

HSL 204.24, 0.57%, 0.34%

LAB 38.79, -5.02, -27.73

 

CMYK 73 / 0 / 8 / 72

HEX #134741

RGB 19 71 65

HSL 173.08, 0.58%, 0.18%

LAB 26.81, -18.56, -1.39

 

CMYK 73 / 0 / 9 / 60

HEX #1C675E

RGB 28 103 94

HSL 172.8, 0.57%, 0.26%

LAB 39.17, -24.77, -1.51

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 73 / 0 / 9 / 34

HEX #2EA899

RGB 46 168 153

HSL 172.62, 0.57%, 0.42%

LAB 62.41, -36.29, -1.81

 

CMYK 73 / 0 / 9 / 22

HEX #37C8B6

RGB 55 200 182

HSL 172.55, 0.57%, 0.5%

LAB 73.22, -41.6, -1.92

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 68 / 73 / 0 / 47

HEX #2B2588

RGB 43 37 136

HSL 243.64, 0.57%, 0.34%

LAB 22.35, 34.89, -54.13

 

CMYK 0 / 39 / 73 / 47

HEX #885325

RGB 136 83 37

HSL 27.88, 0.57%, 0.34%

LAB 40.5, 17.86, 35.28

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 10 / 73 / 0 / 47

HEX #7A2588

RGB 122 37 136

HSL 291.52, 0.57%, 0.34%

LAB 32.34, 50.1, -37.46

 

CMYK 0 / 10 / 73 / 47

HEX #887A25

RGB 136 122 37

HSL 51.52, 0.57%, 0.34%

LAB 51.02, -4.72, 46.13

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 68 / 73 / 0 / 47

HEX #2B2588

RGB 43 37 136

HSL 243.64, 0.57%, 0.34%

LAB 22.35, 34.89, -54.13

 

CMYK 0 / 73 / 63 / 47

HEX #882532

RGB 136 37 50

HSL 352.12, 0.57%, 0.34%

LAB 31.32, 42.55, 16.64

 

CMYK 5 / 0 / 73 / 47

HEX #818825

RGB 129 136 37

HSL 64.24, 0.57%, 0.34%

LAB 54.46, -15.55, 49.31

 

CMYK 73 / 0 / 9 / 47

HEX #25887C

RGB 37 136 124

HSL 172.73, 0.57%, 0.34%

LAB 51.22, -30.77, -1.69

 

CMYK 46 / 73 / 0 / 47

HEX #492588

RGB 73 37 136

HSL 261.82, 0.57%, 0.34%

LAB 25.31, 39.7, -49.16

 

CMYK 0 / 73 / 63 / 47

HEX #882532

RGB 136 37 50

HSL 352.12, 0.57%, 0.34%

LAB 31.32, 42.55, 16.64

 

CMYK 27 / 0 / 73 / 47

HEX #638825

RGB 99 136 37

HSL 82.42, 0.57%, 0.34%

LAB 52.28, -28.48, 46.42

 

Description

Color code: HEX #25887C | qconv.com Color code: HEX #25887C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 136 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 136 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 9 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 9% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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