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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25815E it is the complementary color #DA7EA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25815E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25815E shade: #2A8159, #3B936C, #4CA57F, #5DB792 and #6EC9A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25815E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25815E shade: #25815E, #146F4B, #035D38, #004B25 and #003912

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25815E shade: #25825F, #258246, #25822D, #378225 and #508225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25815E shade: #25825F, #258278, #257382, #255A82 and #254182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25815E shade matches the following richer shades: #25825F, #189062 and #0A9D65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25815E shade: #25825F, #33745B, #416758, #4E5955 and #5C4B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25815E shade: #25822D, #258246, #25825E, #258277 and #257482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25815E shade: #134230, #1C6247, #25825F, #2FA276 and #38C28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25815E shade: #25815E, #253682 and #823925

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25815E shade: #25815E, #5E2582 and #825E25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25815E shade: #25815E, #253682, #822549 and #827125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25815E shade: #25815E, #302582, #822549 and #778225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 27 / 49

HEX #25815E

RGB 37 129 94

HSL 157.17, 0.55%, 0.33%

LAB 48.14, -35.52, 11.37

 

Complementary color

CMYK 0 / 42 / 26 / 15

HEX #DA7EA1

RGB 218 126 161

HSL 337.17, 0.55%, 0.67%

LAB 63.67, 39.85, -3.09

 

CMYK 67 / 0 / 31 / 49

HEX #2A8159

RGB 42 129 89

HSL 152.41, 0.51%, 0.34%

LAB 48.15, -35.78, 14.3

 

CMYK 60 / 0 / 27 / 42

HEX #3B936C

RGB 59 147 108

HSL 153.41, 0.43%, 0.4%

LAB 54.95, -35.95, 12.93

 

CMYK 54 / 0 / 23 / 35

HEX #4CA57F

RGB 76 165 127

HSL 154.38, 0.37%, 0.47%

LAB 61.64, -35.93, 11.72

 

CMYK 49 / 0 / 20 / 28

HEX #5DB792

RGB 93 183 146

HSL 155.33, 0.38%, 0.54%

LAB 68.22, -35.81, 10.62

 

CMYK 45 / 0 / 18 / 21

HEX #6EC9A5

RGB 110 201 165

HSL 156.26, 0.46%, 0.61%

LAB 74.7, -35.64, 9.62

 

CMYK 71 / 0 / 27 / 49

HEX #25815E

RGB 37 129 94

HSL 157.17, 0.55%, 0.33%

LAB 48.14, -35.52, 11.37

 

CMYK 82 / 0 / 32 / 56

HEX #146F4B

RGB 20 111 75

HSL 156.26, 0.69%, 0.26%

LAB 41.26, -34.82, 12.92

 

CMYK 97 / 0 / 40 / 64

HEX #035D38

RGB 3 93 56

HSL 155.33, 0.94%, 0.19%

LAB 34.26, -33.56, 14.72

 

CMYK 100 / 0 / 51 / 71

HEX #004B25

RGB 0 75 37

HSL 149.6, 1%, 0.15%

LAB 27.2, -30.88, 16.91

 

CMYK 100 / 0 / 68 / 78

HEX #003912

RGB 0 57 18

HSL 138.95, 1%, 0.11%

LAB 19.92, -27.44, 19.2

 

CMYK 72 / 0 / 27 / 49

HEX #25825F

RGB 37 130 95

HSL 157.42, 0.56%, 0.33%

LAB 48.49, -35.72, 11.28

 

CMYK 72 / 0 / 46 / 49

HEX #258246

RGB 37 130 70

HSL 141.29, 0.56%, 0.33%

LAB 48.01, -41.03, 24.82

 

CMYK 72 / 0 / 65 / 49

HEX #25822D

RGB 37 130 45

HSL 125.16, 0.56%, 0.33%

LAB 47.69, -44.77, 37.28

 

CMYK 58 / 0 / 72 / 49

HEX #378225

RGB 55 130 37

HSL 108.39, 0.56%, 0.33%

LAB 48.15, -41.31, 41.49

 

CMYK 38 / 0 / 72 / 49

HEX #508225

RGB 80 130 37

HSL 92.26, 0.56%, 0.33%

LAB 49.26, -33.09, 42.99

 

CMYK 72 / 0 / 27 / 49

HEX #25825F

RGB 37 130 95

HSL 157.42, 0.56%, 0.33%

LAB 48.49, -35.72, 11.28

 

CMYK 72 / 0 / 8 / 49

HEX #258278

RGB 37 130 120

HSL 173.55, 0.56%, 0.33%

LAB 49.15, -29.04, -2.4

 

CMYK 72 / 12 / 0 / 49

HEX #257382

RGB 37 115 130

HSL 189.68, 0.56%, 0.33%

LAB 44.61, -18.17, -15.12

 

CMYK 72 / 31 / 0 / 49

HEX #255A82

RGB 37 90 130

HSL 205.81, 0.56%, 0.33%

LAB 36.59, -3.53, -27.52

 

CMYK 72 / 50 / 0 / 49

HEX #254182

RGB 37 65 130

HSL 221.94, 0.56%, 0.33%

LAB 28.87, 12.98, -39.8

 

CMYK 72 / 0 / 27 / 49

HEX #25825F

RGB 37 130 95

HSL 157.42, 0.56%, 0.33%

LAB 48.49, -35.72, 11.28

 

CMYK 83 / 0 / 32 / 44

HEX #189062

RGB 24 144 98

HSL 157, 0.71%, 0.33%

LAB 52.97, -42.66, 15.74

 

CMYK 94 / 0 / 36 / 38

HEX #0A9D65

RGB 10 157 101

HSL 157.14, 0.88%, 0.33%

LAB 57.19, -48.12, 19.79

 

CMYK 72 / 0 / 27 / 49

HEX #25825F

RGB 37 130 95

HSL 157.42, 0.56%, 0.33%

LAB 48.49, -35.72, 11.28

 

CMYK 56 / 0 / 22 / 55

HEX #33745B

RGB 51 116 91

HSL 156.92, 0.39%, 0.33%

LAB 44.16, -27.28, 7.6

 

CMYK 37 / 0 / 15 / 60

HEX #416758

RGB 65 103 88

HSL 156.32, 0.23%, 0.33%

LAB 40.46, -17.23, 4.21

 

CMYK 12 / 0 / 4 / 65

HEX #4E5955

RGB 78 89 85

HSL 158.18, 0.07%, 0.33%

LAB 36.78, -5.2, 0.85

 

CMYK 0 / 18 / 11 / 64

HEX #5C4B52

RGB 92 75 82

HSL 335.29, 0.1%, 0.33%

LAB 33.81, 8.49, -1.45

 

CMYK 72 / 0 / 65 / 49

HEX #25822D

RGB 37 130 45

HSL 125.16, 0.56%, 0.33%

LAB 47.69, -44.77, 37.28

 

CMYK 72 / 0 / 46 / 49

HEX #258246

RGB 37 130 70

HSL 141.29, 0.56%, 0.33%

LAB 48.01, -41.03, 24.82

 

CMYK 72 / 0 / 28 / 49

HEX #25825E

RGB 37 130 94

HSL 156.77, 0.56%, 0.33%

LAB 48.47, -35.96, 11.83

 

CMYK 72 / 0 / 8 / 49

HEX #258277

RGB 37 130 119

HSL 172.9, 0.56%, 0.33%

LAB 49.12, -29.33, -1.85

 

CMYK 72 / 11 / 0 / 49

HEX #257482

RGB 37 116 130

HSL 189.03, 0.56%, 0.33%

LAB 44.94, -18.71, -14.63

 

CMYK 71 / 0 / 27 / 74

HEX #134230

RGB 19 66 48

HSL 157.02, 0.55%, 0.17%

LAB 24.48, -20.96, 6.37

 

CMYK 71 / 0 / 28 / 62

HEX #1C6247

RGB 28 98 71

HSL 156.86, 0.56%, 0.25%

LAB 36.81, -28.73, 9.19

 

CMYK 72 / 0 / 27 / 49

HEX #25825F

RGB 37 130 95

HSL 157.42, 0.56%, 0.33%

LAB 48.49, -35.72, 11.28

 

CMYK 71 / 0 / 27 / 36

HEX #2FA276

RGB 47 162 118

HSL 157.04, 0.55%, 0.41%

LAB 59.66, -42.44, 13.85

 

CMYK 71 / 0 / 27 / 24

HEX #38C28D

RGB 56 194 141

HSL 156.96, 0.55%, 0.49%

LAB 70.42, -49.05, 16.27

 

CMYK 71 / 0 / 27 / 49

HEX #25815E

RGB 37 129 94

HSL 157.17, 0.55%, 0.33%

LAB 48.14, -35.52, 11.37

 

CMYK 72 / 58 / 0 / 49

HEX #253682

RGB 37 54 130

HSL 229.03, 0.56%, 0.33%

LAB 25.69, 20.6, -44.93

 

CMYK 0 / 56 / 72 / 49

HEX #823925

RGB 130 57 37

HSL 12.9, 0.56%, 0.33%

LAB 33.57, 30, 27.32

 

CMYK 71 / 0 / 27 / 49

HEX #25815E

RGB 37 129 94

HSL 157.17, 0.55%, 0.33%

LAB 48.14, -35.52, 11.37

 

CMYK 28 / 72 / 0 / 49

HEX #5E2582

RGB 94 37 130

HSL 276.77, 0.56%, 0.33%

LAB 27.61, 42.47, -41.55

 

CMYK 0 / 28 / 72 / 49

HEX #825E25

RGB 130 94 37

HSL 36.77, 0.56%, 0.33%

LAB 42.59, 8.61, 37.28

 

CMYK 71 / 0 / 27 / 49

HEX #25815E

RGB 37 129 94

HSL 157.17, 0.55%, 0.33%

LAB 48.14, -35.52, 11.37

 

CMYK 72 / 58 / 0 / 49

HEX #253682

RGB 37 54 130

HSL 229.03, 0.56%, 0.33%

LAB 25.69, 20.6, -44.93

 

CMYK 0 / 72 / 44 / 49

HEX #822549

RGB 130 37 73

HSL 336.77, 0.56%, 0.33%

LAB 30.76, 42.63, 0.56

 

CMYK 0 / 13 / 72 / 49

HEX #827125

RGB 130 113 37

HSL 49.03, 0.56%, 0.33%

LAB 47.87, -2.44, 42.77

 

CMYK 71 / 0 / 27 / 49

HEX #25815E

RGB 37 129 94

HSL 157.17, 0.55%, 0.33%

LAB 48.14, -35.52, 11.37

 

CMYK 63 / 72 / 0 / 49

HEX #302582

RGB 48 37 130

HSL 247.1, 0.56%, 0.33%

LAB 22.17, 33.55, -50.64

 

CMYK 0 / 72 / 44 / 49

HEX #822549

RGB 130 37 73

HSL 336.77, 0.56%, 0.33%

LAB 30.76, 42.63, 0.56

 

CMYK 8 / 0 / 72 / 49

HEX #778225

RGB 119 130 37

HSL 67.1, 0.56%, 0.33%

LAB 51.86, -16.86, 46.47

 

Description

Color code: HEX #25815E | qconv.com Color code: HEX #25815E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 129 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 129 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 27 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 27% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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