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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25836C it is the complementary color #DA7C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25836C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25836C shade: #2A8367, #3B957A, #4CA78D, #5DB9A0 and #6ECBB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25836C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25836C shade: #25836C, #147159, #035F46, #004D33 and #003B20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25836C shade: #25836C, #258352, #258339, #2A8325 and #438325

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25836C shade: #25836C, #258083, #256783, #254E83 and #253483

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25836C shade matches the following richer shades: #25836C, #179073 and #099E7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25836C shade: #25836C, #327565, #40685E, #4D5A57 and #5B4C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25836C shade: #258339, #258352, #25836B, #258183 and #256883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25836C shade: #124237, #1B6351, #25836C, #2EA386 and #37C3A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25836C shade: #25836C, #252983 and #834625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25836C shade: #25836C, #6B2583 and #836B25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25836C shade: #25836C, #252983, #83253C and #837E25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25836C shade: #25836C, #3C2583, #83253C and #6B8325

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

Complementary color

CMYK 0 / 43 / 33 / 15

HEX #DA7C93

RGB 218 124 147

HSL 345.32, 0.56%, 0.67%

LAB 62.87, 39.04, 3.72

 

CMYK 68 / 0 / 21 / 49

HEX #2A8367

RGB 42 131 103

HSL 161.12, 0.51%, 0.34%

LAB 49.14, -33.32, 7.56

 

CMYK 60 / 0 / 18 / 42

HEX #3B957A

RGB 59 149 122

HSL 162, 0.43%, 0.41%

LAB 55.92, -33.54, 6.34

 

CMYK 54 / 0 / 16 / 35

HEX #4CA78D

RGB 76 167 141

HSL 162.86, 0.37%, 0.48%

LAB 62.59, -33.59, 5.27

 

CMYK 50 / 0 / 14 / 27

HEX #5DB9A0

RGB 93 185 160

HSL 163.7, 0.4%, 0.55%

LAB 69.16, -33.54, 4.29

 

CMYK 46 / 0 / 12 / 20

HEX #6ECBB3

RGB 110 203 179

HSL 164.52, 0.47%, 0.61%

LAB 75.63, -33.43, 3.4

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 82 / 0 / 21 / 56

HEX #147159

RGB 20 113 89

HSL 164.52, 0.7%, 0.26%

LAB 42.28, -32.1, 6

 

CMYK 97 / 0 / 26 / 63

HEX #035F46

RGB 3 95 70

HSL 163.7, 0.94%, 0.19%

LAB 35.29, -30.85, 7.61

 

CMYK 100 / 0 / 34 / 70

HEX #004D33

RGB 0 77 51

HSL 159.74, 1%, 0.15%

LAB 28.24, -28.37, 9.62

 

CMYK 100 / 0 / 46 / 77

HEX #003B20

RGB 0 59 32

HSL 152.54, 1%, 0.12%

LAB 20.95, -25.39, 11.89

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 72 / 0 / 37 / 49

HEX #258352

RGB 37 131 82

HSL 148.72, 0.56%, 0.33%

LAB 48.55, -39.09, 18.83

 

CMYK 72 / 0 / 56 / 49

HEX #258339

RGB 37 131 57

HSL 132.77, 0.56%, 0.33%

LAB 48.16, -43.56, 31.94

 

CMYK 68 / 0 / 72 / 49

HEX #2A8325

RGB 42 131 37

HSL 116.81, 0.56%, 0.33%

LAB 48.08, -44.95, 41.29

 

CMYK 49 / 0 / 72 / 49

HEX #438325

RGB 67 131 37

HSL 100.85, 0.56%, 0.33%

LAB 48.96, -38.07, 42.48

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 72 / 2 / 0 / 49

HEX #258083

RGB 37 128 131

HSL 181.91, 0.56%, 0.33%

LAB 48.85, -24.71, -9.31

 

CMYK 72 / 21 / 0 / 49

HEX #256783

RGB 37 103 131

HSL 197.87, 0.56%, 0.33%

LAB 40.79, -11.04, -21.59

 

CMYK 72 / 40 / 0 / 49

HEX #254E83

RGB 37 78 131

HSL 213.83, 0.56%, 0.33%

LAB 32.88, 4.58, -34

 

CMYK 72 / 60 / 0 / 49

HEX #253483

RGB 37 52 131

HSL 230.43, 0.56%, 0.33%

LAB 25.22, 22.36, -46.32

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 84 / 0 / 20 / 44

HEX #179073

RGB 23 144 115

HSL 165.62, 0.72%, 0.33%

LAB 53.35, -38.55, 6.57

 

CMYK 94 / 0 / 23 / 38

HEX #099E7A

RGB 9 158 122

HSL 165.5, 0.89%, 0.33%

LAB 57.96, -43.56, 9.13

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 57 / 0 / 14 / 54

HEX #327565

RGB 50 117 101

HSL 165.67, 0.4%, 0.33%

LAB 44.72, -25.47, 2.43

 

CMYK 38 / 0 / 10 / 59

HEX #40685E

RGB 64 104 94

HSL 165, 0.24%, 0.33%

LAB 40.89, -16.62, 1.18

 

CMYK 14 / 0 / 3 / 65

HEX #4D5A57

RGB 77 90 87

HSL 166.15, 0.08%, 0.33%

LAB 37.07, -5.73, 0.02

 

CMYK 0 / 16 / 12 / 64

HEX #5B4C50

RGB 91 76 80

HSL 344, 0.09%, 0.33%

LAB 33.92, 7.05, -0.03

 

CMYK 72 / 0 / 56 / 49

HEX #258339

RGB 37 131 57

HSL 132.77, 0.56%, 0.33%

LAB 48.16, -43.56, 31.94

 

CMYK 72 / 0 / 37 / 49

HEX #258352

RGB 37 131 82

HSL 148.72, 0.56%, 0.33%

LAB 48.55, -39.09, 18.83

 

CMYK 72 / 0 / 18 / 49

HEX #25836B

RGB 37 131 107

HSL 164.68, 0.56%, 0.33%

LAB 49.11, -33.13, 5.18

 

CMYK 72 / 2 / 0 / 49

HEX #258183

RGB 37 129 131

HSL 181.28, 0.56%, 0.33%

LAB 49.17, -25.22, -8.83

 

CMYK 72 / 21 / 0 / 49

HEX #256883

RGB 37 104 131

HSL 197.23, 0.56%, 0.33%

LAB 41.11, -11.62, -21.09

 

CMYK 73 / 0 / 17 / 74

HEX #124237

RGB 18 66 55

HSL 166.25, 0.57%, 0.16%

LAB 24.64, -19.17, 2

 

CMYK 73 / 0 / 18 / 61

HEX #1B6351

RGB 27 99 81

HSL 165, 0.57%, 0.25%

LAB 37.39, -26.73, 3.88

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 72 / 0 / 18 / 36

HEX #2EA386

RGB 46 163 134

HSL 165.13, 0.56%, 0.41%

LAB 60.33, -39.12, 5.84

 

CMYK 72 / 0 / 17 / 24

HEX #37C3A1

RGB 55 195 161

HSL 165.43, 0.56%, 0.49%

LAB 71.16, -44.88, 6.49

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 72 / 69 / 0 / 49

HEX #252983

RGB 37 41 131

HSL 237.45, 0.56%, 0.33%

LAB 22.37, 29.8, -50.99

 

CMYK 0 / 47 / 72 / 49

HEX #834625

RGB 131 70 37

HSL 21.06, 0.56%, 0.33%

LAB 36.63, 23.17, 30.83

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 18 / 72 / 0 / 49

HEX #6B2583

RGB 107 37 131

HSL 284.68, 0.56%, 0.33%

LAB 29.63, 45.65, -38.82

 

CMYK 0 / 18 / 72 / 49

HEX #836B25

RGB 131 107 37

HSL 44.68, 0.56%, 0.33%

LAB 46.28, 1.48, 41.17

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 72 / 69 / 0 / 49

HEX #252983

RGB 37 41 131

HSL 237.45, 0.56%, 0.33%

LAB 22.37, 29.8, -50.99

 

CMYK 0 / 72 / 54 / 49

HEX #83253C

RGB 131 37 60

HSL 345.32, 0.56%, 0.33%

LAB 30.58, 41.68, 8.91

 

CMYK 0 / 4 / 72 / 49

HEX #837E25

RGB 131 126 37

HSL 56.81, 0.56%, 0.33%

LAB 51.7, -9.25, 46.65

 

CMYK 72 / 0 / 18 / 49

HEX #25836C

RGB 37 131 108

HSL 165.32, 0.56%, 0.33%

LAB 49.14, -32.86, 4.63

 

CMYK 54 / 72 / 0 / 49

HEX #3C2583

RGB 60 37 131

HSL 254.68, 0.56%, 0.33%

LAB 23.41, 35.85, -49.19

 

CMYK 0 / 72 / 54 / 49

HEX #83253C

RGB 131 37 60

HSL 345.32, 0.56%, 0.33%

LAB 30.58, 41.68, 8.91

 

CMYK 18 / 0 / 72 / 49

HEX #6B8325

RGB 107 131 37

HSL 75.32, 0.56%, 0.33%

LAB 51.26, -22.66, 45.57

 

Description

Color code: HEX #25836C | qconv.com Color code: HEX #25836C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 131 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 131 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 18 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 18% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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