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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2583BA it is the complementary color #DA7C45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2583BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2583BA shade: #2A83B5, #3B95C8, #4CA7DB, #5DB9EE and #6ECBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2583BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2583BA shade: #2583BA, #1471A7, #035F94, #004D81 and #003B6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2583BA shade: #2583BB, #255BBB, #2532BB, #3F25BB and #6825BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2583BA shade: #2583BB, #255BBB, #2532BB and #2525BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2583BA shade matches the following richer shades: #2583BB, #1288CD and #008DDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2583BA shade: #2583BB, #377FA9, #497A97, #5B7584 and #6D7072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2583BA shade: #25BBA2, #25ACBB, #2584BB, #255CBB and #2534BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2583BA shade: #175376, #1E6B98, #2583BB, #329AD6 and #55ABDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2583BA shade: #2583BA, #7A25BB and #BBB625

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2583BA shade: #2583BA, #BB2584 and #84BB25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2583BA shade: #2583BA, #7A25BB, #BB5C25 and #66BB25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2583BA shade: #2583BA, #A725BB, #BB5C25 and #39BB25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 30 / 0 / 27

HEX #2583BA

RGB 37 131 186

HSL 202.15, 0.67%, 0.44%

LAB 52.03, -7.48, -36.4

 

Complementary color

CMYK 0 / 43 / 68 / 15

HEX #DA7C45

RGB 218 124 69

HSL 22.15, 0.67%, 0.56%

LAB 61.44, 31.94, 45.08

 

CMYK 77 / 28 / 0 / 29

HEX #2A83B5

RGB 42 131 181

HSL 201.58, 0.62%, 0.44%

LAB 51.91, -8.73, -33.72

 

CMYK 71 / 26 / 0 / 22

HEX #3B95C8

RGB 59 149 200

HSL 201.7, 0.56%, 0.51%

LAB 58.6, -10.07, -34.04

 

CMYK 65 / 24 / 0 / 14

HEX #4CA7DB

RGB 76 167 219

HSL 201.82, 0.67%, 0.58%

LAB 65.19, -11.1, -34.32

 

CMYK 61 / 22 / 0 / 7

HEX #5DB9EE

RGB 93 185 238

HSL 201.93, 0.81%, 0.65%

LAB 71.69, -11.92, -34.59

 

CMYK 57 / 20 / 0 / 0

HEX #6ECBFF

RGB 110 203 255

HSL 201.52, 1%, 0.72%

LAB 78.02, -13.16, -33.89

 

CMYK 80 / 30 / 0 / 27

HEX #2583BA

RGB 37 131 186

HSL 202.15, 0.67%, 0.44%

LAB 52.03, -7.48, -36.4

 

CMYK 88 / 32 / 0 / 35

HEX #1471A7

RGB 20 113 167

HSL 202.04, 0.79%, 0.37%

LAB 45.29, -5.45, -36.02

 

CMYK 98 / 36 / 0 / 42

HEX #035F94

RGB 3 95 148

HSL 201.93, 0.96%, 0.3%

LAB 38.45, -2.86, -35.56

 

CMYK 100 / 40 / 0 / 49

HEX #004D81

RGB 0 77 129

HSL 204.19, 1%, 0.25%

LAB 31.56, 0.68, -34.91

 

CMYK 100 / 46 / 0 / 57

HEX #003B6E

RGB 0 59 110

HSL 207.82, 1%, 0.22%

LAB 24.49, 4.7, -34.26

 

CMYK 80 / 30 / 0 / 27

HEX #2583BB

RGB 37 131 187

HSL 202.4, 0.67%, 0.44%

LAB 52.08, -7.11, -36.9

 

CMYK 80 / 51 / 0 / 27

HEX #255BBB

RGB 37 91 187

HSL 218.4, 0.67%, 0.44%

LAB 40.35, 17.82, -55.6

 

CMYK 80 / 73 / 0 / 27

HEX #2532BB

RGB 37 50 187

HSL 234.8, 0.67%, 0.44%

LAB 30.06, 44.17, -72.42

 

CMYK 66 / 80 / 0 / 27

HEX #3F25BB

RGB 63 37 187

HSL 250.4, 0.67%, 0.44%

LAB 29.33, 53.2, -73.58

 

CMYK 44 / 80 / 0 / 27

HEX #6825BB

RGB 104 37 187

HSL 266.8, 0.67%, 0.44%

LAB 33.68, 58.1, -66.27

 

CMYK 80 / 30 / 0 / 27

HEX #2583BB

RGB 37 131 187

HSL 202.4, 0.67%, 0.44%

LAB 52.08, -7.11, -36.9

 

CMYK 80 / 51 / 0 / 27

HEX #255BBB

RGB 37 91 187

HSL 218.4, 0.67%, 0.44%

LAB 40.35, 17.82, -55.6

 

CMYK 80 / 73 / 0 / 27

HEX #2532BB

RGB 37 50 187

HSL 234.8, 0.67%, 0.44%

LAB 30.06, 44.17, -72.42

 

CMYK 80 / 80 / 0 / 27

HEX #2525BB

RGB 37 37 187

HSL 240, 0.67%, 0.44%

LAB 27.58, 51.24, -76.53

 

CMYK 80 / 30 / 0 / 27

HEX #2583BB

RGB 37 131 187

HSL 202.4, 0.67%, 0.44%

LAB 52.08, -7.11, -36.9

 

CMYK 91 / 34 / 0 / 20

HEX #1288CD

RGB 18 136 205

HSL 202.14, 0.84%, 0.44%

LAB 54.18, -4.74, -43.85

 

CMYK 100 / 37 / 0 / 13

HEX #008DDF

RGB 0 141 223

HSL 202.06, 1%, 0.44%

LAB 56.46, -1.47, -50.36

 

CMYK 80 / 30 / 0 / 27

HEX #2583BB

RGB 37 131 187

HSL 202.4, 0.67%, 0.44%

LAB 52.08, -7.11, -36.9

 

CMYK 67 / 25 / 0 / 34

HEX #377FA9

RGB 55 127 169

HSL 202.11, 0.51%, 0.44%

LAB 50.52, -8.77, -28.93

 

CMYK 52 / 19 / 0 / 41

HEX #497A97

RGB 73 122 151

HSL 202.31, 0.35%, 0.44%

LAB 48.97, -8.09, -20.76

 

CMYK 31 / 11 / 0 / 48

HEX #5B7584

RGB 91 117 132

HSL 201.95, 0.18%, 0.44%

LAB 47.77, -5.62, -11.29

 

CMYK 4 / 2 / 0 / 55

HEX #6D7072

RGB 109 112 114

HSL 204, 0.02%, 0.44%

LAB 47.05, -0.72, -1.51

 

CMYK 80 / 0 / 13 / 27

HEX #25BBA2

RGB 37 187 162

HSL 170, 0.67%, 0.44%

LAB 68.42, -43.28, 1.95

 

CMYK 80 / 8 / 0 / 27

HEX #25ACBB

RGB 37 172 187

HSL 186, 0.67%, 0.44%

LAB 64.55, -29.07, -17.63

 

CMYK 80 / 29 / 0 / 27

HEX #2584BB

RGB 37 132 187

HSL 202, 0.67%, 0.44%

LAB 52.38, -7.69, -36.42

 

CMYK 80 / 51 / 0 / 27

HEX #255CBB

RGB 37 92 187

HSL 218, 0.67%, 0.44%

LAB 40.63, 17.16, -55.15

 

CMYK 80 / 72 / 0 / 27

HEX #2534BB

RGB 37 52 187

HSL 234, 0.67%, 0.44%

LAB 30.49, 42.98, -71.72

 

CMYK 81 / 30 / 0 / 54

HEX #175376

RGB 23 83 118

HSL 202.11, 0.67%, 0.28%

LAB 33.3, -5.79, -25.31

 

CMYK 80 / 30 / 0 / 40

HEX #1E6B98

RGB 30 107 152

HSL 202.13, 0.67%, 0.36%

LAB 42.85, -6.65, -30.98

 

CMYK 80 / 30 / 0 / 27

HEX #2583BB

RGB 37 131 187

HSL 202.4, 0.67%, 0.44%

LAB 52.08, -7.11, -36.9

 

CMYK 77 / 28 / 0 / 16

HEX #329AD6

RGB 50 154 214

HSL 201.95, 0.67%, 0.52%

LAB 60.47, -9.2, -38.97

 

CMYK 62 / 23 / 0 / 13

HEX #55ABDD

RGB 85 171 221

HSL 202.06, 0.67%, 0.6%

LAB 66.73, -11.1, -33.01

 

CMYK 80 / 30 / 0 / 27

HEX #2583BA

RGB 37 131 186

HSL 202.15, 0.67%, 0.44%

LAB 52.03, -7.48, -36.4

 

CMYK 35 / 80 / 0 / 27

HEX #7A25BB

RGB 122 37 187

HSL 274, 0.67%, 0.44%

LAB 36.08, 60.83, -62.25

 

CMYK 0 / 3 / 80 / 27

HEX #BBB625

RGB 187 182 37

HSL 58, 0.67%, 0.44%

LAB 72.33, -13.84, 67.52

 

CMYK 80 / 30 / 0 / 27

HEX #2583BA

RGB 37 131 186

HSL 202.15, 0.67%, 0.44%

LAB 52.03, -7.48, -36.4

 

CMYK 0 / 80 / 29 / 27

HEX #BB2584

RGB 187 37 132

HSL 322, 0.67%, 0.44%

LAB 43.59, 64.88, -16.57

 

CMYK 29 / 0 / 80 / 27

HEX #84BB25

RGB 132 187 37

HSL 82, 0.67%, 0.44%

LAB 69.88, -38.99, 63.86

 

CMYK 80 / 30 / 0 / 27

HEX #2583BA

RGB 37 131 186

HSL 202.15, 0.67%, 0.44%

LAB 52.03, -7.48, -36.4

 

CMYK 35 / 80 / 0 / 27

HEX #7A25BB

RGB 122 37 187

HSL 274, 0.67%, 0.44%

LAB 36.08, 60.83, -62.25

 

CMYK 0 / 51 / 80 / 27

HEX #BB5C25

RGB 187 92 37

HSL 22, 0.67%, 0.44%

LAB 49.92, 34.73, 47.21

 

CMYK 45 / 0 / 80 / 27

HEX #66BB25

RGB 102 187 37

HSL 94, 0.67%, 0.44%

LAB 68.39, -49.54, 61.94

 

CMYK 80 / 30 / 0 / 27

HEX #2583BA

RGB 37 131 186

HSL 202.15, 0.67%, 0.44%

LAB 52.03, -7.48, -36.4

 

CMYK 11 / 80 / 0 / 27

HEX #A725BB

RGB 167 37 187

HSL 292, 0.67%, 0.44%

LAB 42.95, 68.66, -50.78

 

CMYK 0 / 51 / 80 / 27

HEX #BB5C25

RGB 187 92 37

HSL 22, 0.67%, 0.44%

LAB 49.92, 34.73, 47.21

 

CMYK 70 / 0 / 80 / 27

HEX #39BB25

RGB 57 187 37

HSL 112, 0.67%, 0.44%

LAB 66.93, -61.11, 60.06

 

Description

Color code: HEX #2583BA | qconv.com Color code: HEX #2583BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 131 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 131 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 30 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 30% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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