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Color name
HEX #25968D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25968D it is the complementary color #DA6972. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25968D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25968D shade: #2A9688, #3BA89B, #4CBAAE, #5DCCC1 and #6EDED4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25968D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25968D shade: #25968D, #14847A, #037267, #006054 and #004E41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25968D shade: #25968D, #25966F, #259650, #259632 and #379625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25968D shade: #25968D, #258196, #256296, #254496 and #252596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25968D shade matches the following richer shades: #25968D, #16A69A and #07B5A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25968D shade: #25968D, #358781, #447874, #536967 and #62595A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25968D shade: #259651, #25966F, #25968D, #258296 and #256496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25968D shade: #15544F, #1D756E, #25968D, #2DB7AC and #3FCFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25968D shade: #25968D, #322596 and #966025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25968D shade: #25968D, #8D2596 and #968D25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25968D shade: #25968D, #322596, #96252F and #899625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25968D shade: #25968D, #542596, #96252F and #679625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

Complementary color

CMYK 0 / 52 / 48 / 15

HEX #DA6972

RGB 218 105 114

HSL 355.22, 0.6%, 0.63%

LAB 58.25, 45.05, 16.19

 

CMYK 72 / 0 / 9 / 41

HEX #2A9688

RGB 42 150 136

HSL 172.22, 0.56%, 0.38%

LAB 56.17, -33.26, -1.35

 

CMYK 65 / 0 / 8 / 34

HEX #3BA89B

RGB 59 168 155

HSL 172.84, 0.48%, 0.45%

LAB 62.76, -33.79, -2.38

 

CMYK 59 / 0 / 6 / 27

HEX #4CBAAE

RGB 76 186 174

HSL 173.45, 0.44%, 0.51%

LAB 69.26, -34.11, -3.31

 

CMYK 54 / 0 / 5 / 20

HEX #5DCCC1

RGB 93 204 193

HSL 174.05, 0.52%, 0.58%

LAB 75.68, -34.29, -4.15

 

CMYK 50 / 0 / 5 / 13

HEX #6EDED4

RGB 110 222 212

HSL 174.64, 0.63%, 0.65%

LAB 82.01, -34.38, -4.93

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 85 / 0 / 8 / 48

HEX #14847A

RGB 20 132 122

HSL 174.64, 0.74%, 0.3%

LAB 49.56, -31.41, -2.99

 

CMYK 97 / 0 / 10 / 55

HEX #037267

RGB 3 114 103

HSL 174.05, 0.95%, 0.23%

LAB 42.81, -29.88, -1.66

 

CMYK 100 / 0 / 13 / 62

HEX #006054

RGB 0 96 84

HSL 172.5, 1%, 0.19%

LAB 36, -27.46, -0.05

 

CMYK 100 / 0 / 17 / 69

HEX #004E41

RGB 0 78 65

HSL 170, 1%, 0.15%

LAB 28.98, -24.75, 1.73

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 75 / 0 / 26 / 41

HEX #25966F

RGB 37 150 111

HSL 159.29, 0.6%, 0.37%

LAB 55.43, -40.51, 11.83

 

CMYK 75 / 0 / 47 / 41

HEX #259650

RGB 37 150 80

HSL 142.83, 0.6%, 0.37%

LAB 54.85, -47, 28.18

 

CMYK 75 / 0 / 67 / 41

HEX #259632

RGB 37 150 50

HSL 126.9, 0.6%, 0.37%

LAB 54.49, -51.29, 42.56

 

CMYK 63 / 0 / 75 / 41

HEX #379625

RGB 55 150 37

HSL 110.44, 0.6%, 0.37%

LAB 54.82, -48.88, 48.32

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 75 / 14 / 0 / 41

HEX #258196

RGB 37 129 150

HSL 191.15, 0.6%, 0.37%

LAB 49.85, -19.05, -18.93

 

CMYK 75 / 35 / 0 / 41

HEX #256296

RGB 37 98 150

HSL 207.61, 0.6%, 0.37%

LAB 40.13, -1.01, -34.05

 

CMYK 75 / 55 / 0 / 41

HEX #254496

RGB 37 68 150

HSL 223.54, 0.6%, 0.37%

LAB 31.18, 18.76, -48.38

 

CMYK 75 / 75 / 0 / 41

HEX #252596

RGB 37 37 150

HSL 240, 0.6%, 0.37%

LAB 23.4, 39.05, -61.11

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 87 / 0 / 7 / 35

HEX #16A69A

RGB 22 166 154

HSL 175, 0.77%, 0.37%

LAB 61.46, -37.48, -3.81

 

CMYK 96 / 0 / 8 / 29

HEX #07B5A7

RGB 7 181 167

HSL 175.17, 0.93%, 0.37%

LAB 66.43, -41.1, -3.75

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 61 / 0 / 4 / 47

HEX #358781

RGB 53 135 129

HSL 175.61, 0.44%, 0.37%

LAB 51.46, -26.13, -4.2

 

CMYK 43 / 0 / 3 / 53

HEX #447874

RGB 68 120 116

HSL 175.38, 0.28%, 0.37%

LAB 46.87, -18.42, -3.26

 

CMYK 21 / 0 / 2 / 59

HEX #536967

RGB 83 105 103

HSL 174.55, 0.12%, 0.37%

LAB 42.64, -8.62, -1.59

 

CMYK 0 / 9 / 8 / 62

HEX #62595A

RGB 98 89 90

HSL 353.33, 0.05%, 0.37%

LAB 38.69, 3.84, 0.74

 

CMYK 75 / 0 / 46 / 41

HEX #259651

RGB 37 150 81

HSL 143.36, 0.6%, 0.37%

LAB 54.87, -46.82, 27.67

 

CMYK 75 / 0 / 26 / 41

HEX #25966F

RGB 37 150 111

HSL 159.29, 0.6%, 0.37%

LAB 55.43, -40.51, 11.83

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 75 / 13 / 0 / 41

HEX #258296

RGB 37 130 150

HSL 190.62, 0.6%, 0.37%

LAB 50.17, -19.59, -18.45

 

CMYK 75 / 33 / 0 / 41

HEX #256496

RGB 37 100 150

HSL 206.55, 0.6%, 0.37%

LAB 40.75, -2.25, -33.08

 

CMYK 75 / 0 / 6 / 67

HEX #15544F

RGB 21 84 79

HSL 175.24, 0.6%, 0.21%

LAB 31.95, -20.72, -2.81

 

CMYK 75 / 0 / 6 / 54

HEX #1D756E

RGB 29 117 110

HSL 175.23, 0.6%, 0.29%

LAB 44.39, -26.78, -3.5

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 75 / 0 / 6 / 28

HEX #2DB7AC

RGB 45 183 172

HSL 175.22, 0.61%, 0.45%

LAB 67.58, -37.93, -4.77

 

CMYK 70 / 0 / 6 / 19

HEX #3FCFC3

RGB 63 207 195

HSL 175, 0.6%, 0.53%

LAB 75.84, -40.17, -5.08

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 67 / 75 / 0 / 41

HEX #322596

RGB 50 37 150

HSL 246.9, 0.6%, 0.37%

LAB 24.33, 40.44, -59.54

 

CMYK 0 / 36 / 75 / 41

HEX #966025

RGB 150 96 37

HSL 31.33, 0.6%, 0.37%

LAB 45.61, 16.67, 41.21

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 6 / 75 / 0 / 41

HEX #8D2596

RGB 141 37 150

HSL 295.22, 0.6%, 0.37%

LAB 36.34, 56.93, -39.49

 

CMYK 0 / 6 / 75 / 41

HEX #968D25

RGB 150 141 37

HSL 55.22, 0.6%, 0.37%

LAB 57.72, -8.75, 53.07

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 67 / 75 / 0 / 41

HEX #322596

RGB 50 37 150

HSL 246.9, 0.6%, 0.37%

LAB 24.33, 40.44, -59.54

 

CMYK 0 / 75 / 69 / 41

HEX #96252F

RGB 150 37 47

HSL 354.69, 0.6%, 0.37%

LAB 34.01, 46.94, 22.56

 

CMYK 9 / 0 / 75 / 41

HEX #899625

RGB 137 150 37

HSL 66.9, 0.6%, 0.37%

LAB 59.22, -19.3, 54.1

 

CMYK 75 / 0 / 6 / 41

HEX #25968D

RGB 37 150 141

HSL 175.22, 0.6%, 0.37%

LAB 56.22, -32.49, -4.15

 

CMYK 44 / 75 / 0 / 41

HEX #542596

RGB 84 37 150

HSL 264.96, 0.6%, 0.37%

LAB 27.87, 45.54, -53.6

 

CMYK 0 / 75 / 69 / 41

HEX #96252F

RGB 150 37 47

HSL 354.69, 0.6%, 0.37%

LAB 34.01, 46.94, 22.56

 

CMYK 31 / 0 / 75 / 41

HEX #679625

RGB 103 150 37

HSL 84.96, 0.6%, 0.37%

LAB 56.91, -33.47, 51.08

 

Description

Color code: HEX #25968D | qconv.com Color code: HEX #25968D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 150 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 150 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 6 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 6% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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