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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #259168 it is the complementary color #DA6E97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #259168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #259168 shade: #2A9163, #3BA376, #4CB589, #5DC79C and #6ED9AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #259168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #259168 shade: #259168, #147F55, #036D42, #005B2F and #00491C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #259168 shade: #259168, #25914B, #25912E, #3A9125 and #579125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #259168 shade: #259168, #259186, #258091, #256391 and #254691

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #259168 shade matches the following richer shades: #259168, #16A06C and #07AF6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #259168 shade: #259168, #348365, #437461, #52655E and #61565A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #259168 shade: #25912E, #25914B, #259168, #259185 and #258191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #259168 shade: #145039, #1D7151, #259168, #2EB280 and #3DCD96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #259168 shade: #259168, #253991 and #913D25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #259168 shade: #259168, #682591 and #916825

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #259168 shade: #259168, #253991, #91254F and #917E25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #259168 shade: #259168, #322591, #91254F and #859125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

Complementary color

CMYK 0 / 50 / 31 / 15

HEX #DA6E97

RGB 218 110 151

HSL 337.22, 0.59%, 0.64%

LAB 60.15, 46.69, -2.54

 

CMYK 71 / 0 / 32 / 43

HEX #2A9163

RGB 42 145 99

HSL 153.2, 0.55%, 0.37%

LAB 53.65, -40.41, 16.15

 

CMYK 64 / 0 / 28 / 36

HEX #3BA376

RGB 59 163 118

HSL 154.04, 0.47%, 0.44%

LAB 60.28, -40.74, 14.74

 

CMYK 58 / 0 / 24 / 29

HEX #4CB589

RGB 76 181 137

HSL 154.86, 0.42%, 0.5%

LAB 66.82, -40.85, 13.48

 

CMYK 53 / 0 / 22 / 22

HEX #5DC79C

RGB 93 199 156

HSL 155.66, 0.49%, 0.57%

LAB 73.27, -40.83, 12.34

 

CMYK 49 / 0 / 19 / 15

HEX #6ED9AF

RGB 110 217 175

HSL 156.45, 0.58%, 0.64%

LAB 79.63, -40.73, 11.29

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 84 / 0 / 33 / 50

HEX #147F55

RGB 20 127 85

HSL 156.45, 0.73%, 0.29%

LAB 46.95, -39.16, 14.89

 

CMYK 97 / 0 / 39 / 57

HEX #036D42

RGB 3 109 66

HSL 155.66, 0.95%, 0.22%

LAB 40.16, -37.73, 16.7

 

CMYK 100 / 0 / 48 / 64

HEX #005B2F

RGB 0 91 47

HSL 150.99, 1%, 0.18%

LAB 33.32, -35.07, 18.84

 

CMYK 100 / 0 / 62 / 71

HEX #00491C

RGB 0 73 28

HSL 143.01, 1%, 0.14%

LAB 26.3, -31.82, 21.07

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 74 / 0 / 48 / 43

HEX #25914B

RGB 37 145 75

HSL 141.11, 0.59%, 0.36%

LAB 53.12, -45.98, 28.63

 

CMYK 74 / 0 / 68 / 43

HEX #25912E

RGB 37 145 46

HSL 125, 0.59%, 0.36%

LAB 52.78, -50, 42.44

 

CMYK 60 / 0 / 74 / 43

HEX #3A9125

RGB 58 145 37

HSL 108.33, 0.59%, 0.36%

LAB 53.26, -46.28, 46.78

 

CMYK 40 / 0 / 74 / 43

HEX #579125

RGB 87 145 37

HSL 92.22, 0.59%, 0.36%

LAB 54.46, -37.22, 48.38

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 74 / 0 / 8 / 43

HEX #259186

RGB 37 145 134

HSL 173.89, 0.59%, 0.36%

LAB 54.41, -32.16, -2.79

 

CMYK 74 / 12 / 0 / 43

HEX #258091

RGB 37 128 145

HSL 189.44, 0.59%, 0.36%

LAB 49.35, -20.19, -16.78

 

CMYK 74 / 32 / 0 / 43

HEX #256391

RGB 37 99 145

HSL 205.56, 0.59%, 0.36%

LAB 40.18, -3.51, -30.97

 

CMYK 74 / 52 / 0 / 43

HEX #254691

RGB 37 70 145

HSL 221.67, 0.59%, 0.36%

LAB 31.39, 15.44, -44.99

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 86 / 0 / 33 / 37

HEX #16A06C

RGB 22 160 108

HSL 157.39, 0.76%, 0.36%

LAB 58.41, -46.93, 17.6

 

CMYK 96 / 0 / 37 / 31

HEX #07AF6F

RGB 7 175 111

HSL 157.14, 0.92%, 0.36%

LAB 63.22, -52.82, 22.48

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 60 / 0 / 23 / 49

HEX #348365

RGB 52 131 101

HSL 157.22, 0.43%, 0.36%

LAB 49.38, -31.79, 9.1

 

CMYK 42 / 0 / 16 / 55

HEX #437461

RGB 67 116 97

HSL 156.73, 0.27%, 0.36%

LAB 45.01, -21.4, 5.33

 

CMYK 19 / 0 / 7 / 60

HEX #52655E

RGB 82 101 94

HSL 157.89, 0.1%, 0.36%

LAB 41.07, -8.75, 1.58

 

CMYK 0 / 11 / 7 / 62

HEX #61565A

RGB 97 86 90

HSL 338.18, 0.06%, 0.36%

LAB 37.73, 5.27, -0.68

 

CMYK 74 / 0 / 68 / 43

HEX #25912E

RGB 37 145 46

HSL 125, 0.59%, 0.36%

LAB 52.78, -50, 42.44

 

CMYK 74 / 0 / 48 / 43

HEX #25914B

RGB 37 145 75

HSL 141.11, 0.59%, 0.36%

LAB 53.12, -45.98, 28.63

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 74 / 0 / 8 / 43

HEX #259185

RGB 37 145 133

HSL 173.33, 0.59%, 0.36%

LAB 54.38, -32.44, -2.26

 

CMYK 74 / 11 / 0 / 43

HEX #258191

RGB 37 129 145

HSL 188.89, 0.59%, 0.36%

LAB 49.66, -20.72, -16.3

 

CMYK 75 / 0 / 29 / 69

HEX #145039

RGB 20 80 57

HSL 157, 0.6%, 0.2%

LAB 29.87, -25.3, 8.14

 

CMYK 74 / 0 / 28 / 56

HEX #1D7151

RGB 29 113 81

HSL 157.14, 0.59%, 0.28%

LAB 42.25, -32.92, 10.77

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 74 / 0 / 28 / 30

HEX #2EB280

RGB 46 178 128

HSL 157.27, 0.59%, 0.44%

LAB 64.95, -46.91, 15.68

 

CMYK 70 / 0 / 27 / 20

HEX #3DCD96

RGB 61 205 150

HSL 157.08, 0.59%, 0.52%

LAB 74.1, -50.74, 16.59

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 74 / 61 / 0 / 43

HEX #253991

RGB 37 57 145

HSL 228.89, 0.59%, 0.36%

LAB 27.75, 24.33, -50.9

 

CMYK 0 / 58 / 74 / 43

HEX #913D25

RGB 145 61 37

HSL 13.33, 0.59%, 0.36%

LAB 36.91, 33.96, 31.77

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 28 / 74 / 0 / 43

HEX #682591

RGB 104 37 145

HSL 277.22, 0.59%, 0.36%

LAB 30.18, 48.1, -46.64

 

CMYK 0 / 28 / 74 / 43

HEX #916825

RGB 145 104 37

HSL 37.22, 0.59%, 0.36%

LAB 47.05, 9.75, 42.46

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 74 / 61 / 0 / 43

HEX #253991

RGB 37 57 145

HSL 228.89, 0.59%, 0.36%

LAB 27.75, 24.33, -50.9

 

CMYK 0 / 74 / 46 / 43

HEX #91254F

RGB 145 37 79

HSL 336.67, 0.59%, 0.36%

LAB 33.79, 47.87, 1.39

 

CMYK 0 / 13 / 74 / 43

HEX #917E25

RGB 145 126 37

HSL 49.44, 0.59%, 0.36%

LAB 53.03, -2.8, 48.41

 

CMYK 74 / 0 / 28 / 43

HEX #259168

RGB 37 145 104

HSL 157.22, 0.59%, 0.36%

LAB 53.65, -40.05, 13.3

 

CMYK 66 / 74 / 0 / 43

HEX #322591

RGB 50 37 145

HSL 247.22, 0.59%, 0.36%

LAB 23.82, 38.81, -57.3

 

CMYK 0 / 74 / 46 / 43

HEX #91254F

RGB 145 37 79

HSL 336.67, 0.59%, 0.36%

LAB 33.79, 47.87, 1.39

 

CMYK 8 / 0 / 74 / 43

HEX #859125

RGB 133 145 37

HSL 66.67, 0.59%, 0.36%

LAB 57.44, -18.48, 52.3

 

Description

Color code: HEX #259168 | qconv.com Color code: HEX #259168 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 145 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 145 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 28 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 28% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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