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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25B012 it is the complementary color #DA4FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25B012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25B012 shade: #2AB00D, #3BC220, #4CD433, #5DE646 and #6EF859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25B012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25B012 shade: #25B012, #149E00, #038C00, #007A00 and #006800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25B012 shade: #25AF12, #4FAF12, #79AF12, #A4AF12 and #AF9012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25B012 shade: #25AF12, #12AF29, #12AF54, #12AF7E and #12AFA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25B012 shade matches the following richer shades: #25AF12 and #19BF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25B012 shade: #25AF12, #319F22, #3D9031, #498041 and #547051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25B012 shade: #7BAF12, #51AF12, #27AF12, #12AF27 and #12AF51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25B012 shade: #15640A, #1D8A0E, #25AF12, #2DD416 and #42E82B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25B012 shade: #25B012, #12A4AF and #AF1266

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25B012 shade: #25B012, #1227AF and #AF1227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25B012 shade: #25B012, #12A4AF, #9A12AF and #AF1C12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25B012 shade: #25B012, #1275AF, #9A12AF and #AF4B12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 90 / 31

HEX #25B012

RGB 37 176 18

HSL 112.78, 0.81%, 0.38%

LAB 62.92, -61.82, 60.87

 

Complementary color

CMYK 8 / 67 / 0 / 7

HEX #DA4FED

RGB 218 79 237

HSL 292.78, 0.81%, 0.62%

LAB 58.61, 73.77, -53.89

 

CMYK 76 / 0 / 93 / 31

HEX #2AB00D

RGB 42 176 13

HSL 109.33, 0.86%, 0.37%

LAB 62.99, -61.24, 61.8

 

CMYK 70 / 0 / 84 / 24

HEX #3BC220

RGB 59 194 32

HSL 110, 0.72%, 0.44%

LAB 69.2, -63.26, 63.52

 

CMYK 64 / 0 / 76 / 17

HEX #4CD433

RGB 76 212 51

HSL 110.68, 0.65%, 0.52%

LAB 75.37, -64.64, 64

 

CMYK 60 / 0 / 70 / 10

HEX #5DE646

RGB 93 230 70

HSL 111.38, 0.76%, 0.59%

LAB 81.49, -65.57, 63.74

 

CMYK 56 / 0 / 64 / 3

HEX #6EF859

RGB 110 248 89

HSL 112.08, 0.92%, 0.66%

LAB 87.57, -66.18, 63.04

 

CMYK 79 / 0 / 90 / 31

HEX #25B012

RGB 37 176 18

HSL 112.78, 0.81%, 0.38%

LAB 62.92, -61.82, 60.87

 

CMYK 87 / 0 / 100 / 38

HEX #149E00

RGB 20 158 0

HSL 112.41, 1%, 0.31%

LAB 56.69, -58.93, 58.34

 

CMYK 98 / 0 / 100 / 45

HEX #038C00

RGB 3 140 0

HSL 118.71, 1%, 0.27%

LAB 50.42, -54.96, 53.27

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 79 / 0 / 90 / 31

HEX #25AF12

RGB 37 175 18

HSL 112.74, 0.81%, 0.38%

LAB 62.59, -61.51, 60.59

 

CMYK 55 / 0 / 90 / 31

HEX #4FAF12

RGB 79 175 18

HSL 96.69, 0.81%, 0.38%

LAB 63.64, -52.68, 61.91

 

CMYK 31 / 0 / 90 / 31

HEX #79AF12

RGB 121 175 18

HSL 80.64, 0.81%, 0.38%

LAB 65.57, -38.55, 64.3

 

CMYK 6 / 0 / 90 / 31

HEX #A4AF12

RGB 164 175 18

HSL 64.2, 0.81%, 0.38%

LAB 68.46, -20.8, 67.85

 

CMYK 0 / 18 / 90 / 31

HEX #AF9012

RGB 175 144 18

HSL 48.15, 0.81%, 0.38%

LAB 60.87, 0.39, 62.25

 

CMYK 79 / 0 / 90 / 31

HEX #25AF12

RGB 37 175 18

HSL 112.74, 0.81%, 0.38%

LAB 62.59, -61.51, 60.59

 

CMYK 90 / 0 / 77 / 31

HEX #12AF29

RGB 18 175 41

HSL 128.79, 0.81%, 0.38%

LAB 62.46, -62.25, 54.3

 

CMYK 90 / 0 / 52 / 31

HEX #12AF54

RGB 18 175 84

HSL 145.22, 0.81%, 0.38%

LAB 62.87, -57.25, 36.13

 

CMYK 90 / 0 / 28 / 31

HEX #12AF7E

RGB 18 175 126

HSL 161.27, 0.81%, 0.38%

LAB 63.59, -48.93, 14.83

 

CMYK 90 / 0 / 4 / 31

HEX #12AFA8

RGB 18 175 168

HSL 177.32, 0.81%, 0.38%

LAB 64.66, -37.68, -6.92

 

CMYK 79 / 0 / 90 / 31

HEX #25AF12

RGB 37 175 18

HSL 112.74, 0.81%, 0.38%

LAB 62.59, -61.51, 60.59

 

CMYK 87 / 0 / 99 / 25

HEX #19BF02

RGB 25 191 2

HSL 112.7, 0.98%, 0.38%

LAB 67.63, -67.9, 66.89

 

CMYK 79 / 0 / 90 / 31

HEX #25AF12

RGB 37 175 18

HSL 112.74, 0.81%, 0.38%

LAB 62.59, -61.51, 60.59

 

CMYK 69 / 0 / 79 / 38

HEX #319F22

RGB 49 159 34

HSL 112.8, 0.65%, 0.38%

LAB 57.62, -53.57, 52.06

 

CMYK 58 / 0 / 66 / 44

HEX #3D9031

RGB 61 144 49

HSL 112.42, 0.49%, 0.38%

LAB 53.12, -44.01, 41.69

 

CMYK 43 / 0 / 49 / 50

HEX #498041

RGB 73 128 65

HSL 112.38, 0.33%, 0.38%

LAB 48.56, -31.53, 28.5

 

CMYK 25 / 0 / 28 / 56

HEX #547051

RGB 84 112 81

HSL 114.19, 0.16%, 0.38%

LAB 44.33, -16.85, 14.01

 

CMYK 30 / 0 / 90 / 31

HEX #7BAF12

RGB 123 175 18

HSL 79.87, 0.81%, 0.38%

LAB 65.68, -37.78, 64.44

 

CMYK 54 / 0 / 90 / 31

HEX #51AF12

RGB 81 175 18

HSL 95.92, 0.81%, 0.38%

LAB 63.72, -52.11, 62

 

CMYK 78 / 0 / 90 / 31

HEX #27AF12

RGB 39 175 18

HSL 111.97, 0.81%, 0.38%

LAB 62.62, -61.23, 60.63

 

CMYK 90 / 0 / 78 / 31

HEX #12AF27

RGB 18 175 39

HSL 128.03, 0.81%, 0.38%

LAB 62.45, -62.39, 54.95

 

CMYK 90 / 0 / 54 / 31

HEX #12AF51

RGB 18 175 81

HSL 144.08, 0.81%, 0.38%

LAB 62.83, -57.71, 37.58

 

CMYK 79 / 0 / 90 / 61

HEX #15640A

RGB 21 100 10

HSL 112.67, 0.82%, 0.22%

LAB 36.55, -40.14, 39.44

 

CMYK 79 / 0 / 90 / 46

HEX #1D8A0E

RGB 29 138 14

HSL 112.74, 0.82%, 0.3%

LAB 50.06, -51.29, 50.49

 

CMYK 79 / 0 / 90 / 31

HEX #25AF12

RGB 37 175 18

HSL 112.74, 0.81%, 0.38%

LAB 62.59, -61.51, 60.59

 

CMYK 79 / 0 / 90 / 17

HEX #2DD416

RGB 45 212 22

HSL 112.74, 0.81%, 0.46%

LAB 74.64, -71.3, 70.26

 

CMYK 72 / 0 / 81 / 9

HEX #42E82B

RGB 66 232 43

HSL 112.7, 0.8%, 0.54%

LAB 81.32, -73.31, 71.84

 

CMYK 79 / 0 / 90 / 31

HEX #25B012

RGB 37 176 18

HSL 112.78, 0.81%, 0.38%

LAB 62.92, -61.82, 60.87

 

CMYK 90 / 6 / 0 / 31

HEX #12A4AF

RGB 18 164 175

HSL 184.2, 0.81%, 0.38%

LAB 61.46, -30.35, -15.63

 

CMYK 0 / 90 / 42 / 31

HEX #AF1266

RGB 175 18 102

HSL 327.9, 0.81%, 0.38%

LAB 38.74, 62.92, -5.43

 

CMYK 79 / 0 / 90 / 31

HEX #25B012

RGB 37 176 18

HSL 112.78, 0.81%, 0.38%

LAB 62.92, -61.82, 60.87

 

CMYK 90 / 78 / 0 / 31

HEX #1227AF

RGB 18 39 175

HSL 231.97, 0.81%, 0.38%

LAB 25.79, 45.33, -72.38

 

CMYK 0 / 90 / 78 / 31

HEX #AF1227

RGB 175 18 39

HSL 351.97, 0.81%, 0.38%

LAB 37.29, 58.84, 32.64

 

CMYK 79 / 0 / 90 / 31

HEX #25B012

RGB 37 176 18

HSL 112.78, 0.81%, 0.38%

LAB 62.92, -61.82, 60.87

 

CMYK 90 / 6 / 0 / 31

HEX #12A4AF

RGB 18 164 175

HSL 184.2, 0.81%, 0.38%

LAB 61.46, -30.35, -15.63

 

CMYK 12 / 90 / 0 / 31

HEX #9A12AF

RGB 154 18 175

HSL 291.97, 0.81%, 0.38%

LAB 38.55, 68.49, -50.89

 

CMYK 0 / 84 / 90 / 31

HEX #AF1C12

RGB 175 28 18

HSL 3.82, 0.81%, 0.38%

LAB 37.82, 56.22, 44.42

 

CMYK 79 / 0 / 90 / 31

HEX #25B012

RGB 37 176 18

HSL 112.78, 0.81%, 0.38%

LAB 62.92, -61.82, 60.87

 

CMYK 90 / 33 / 0 / 31

HEX #1275AF

RGB 18 117 175

HSL 202.17, 0.81%, 0.38%

LAB 46.9, -4.91, -38.14

 

CMYK 12 / 90 / 0 / 31

HEX #9A12AF

RGB 154 18 175

HSL 291.97, 0.81%, 0.38%

LAB 38.55, 68.49, -50.89

 

CMYK 0 / 57 / 90 / 31

HEX #AF4B12

RGB 175 75 18

HSL 21.78, 0.81%, 0.38%

LAB 44.5, 38.1, 49.51

 

Description

Color code: HEX #25B012 | qconv.com Color code: HEX #25B012 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 176 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 176 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 90% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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