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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25C8FC it is the complementary color #DA3703. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25C8FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25C8FC shade: #2AC8F7, #3BDAFF, #4CECFF, #5DFEFF and #6EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25C8FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25C8FC shade: #25C8FC, #14B6E9, #03A4D6, #0092C3 and #0080B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25C8FC shade: #26C8FB, #268EFB, #2655FB, #3126FB and #6B26FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25C8FC shade: #26C8FB, #268EFB, #2655FB and #2626FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25C8FC shade matches the following richer shades: #26C8FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25C8FC shade: #26C8FB, #38BFE9, #4AB5D8, #5CACC6 and #6DA3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25C8FC shade: #26FBBB, #26FBF4, #26CAFB, #2691FB and #2658FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25C8FC shade: #039CCD, #03BBF5, #26C8FB, #4FD2FC and #78DCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25C8FC shade: #25C8FC, #8326FB and #FBD826

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25C8FC shade: #25C8FC, #FB26CA and #CAFB26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25C8FC shade: #25C8FC, #8326FB, #FB5826 and #9FFB26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25C8FC shade: #25C8FC, #C226FB, #FB5826 and #5FFB26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 21 / 0 / 1

HEX #25C8FC

RGB 37 200 252

HSL 194.51, 0.97%, 0.57%

LAB 75.28, -21.95, -36.66

 

Complementary color

CMYK 0 / 75 / 99 / 15

HEX #DA3703

RGB 218 55 3

HSL 14.51, 0.97%, 0.43%

LAB 49.06, 61.11, 60.35

 

CMYK 83 / 19 / 0 / 3

HEX #2AC8F7

RGB 42 200 247

HSL 193.76, 0.93%, 0.57%

LAB 75.15, -23.26, -34.18

 

CMYK 77 / 15 / 0 / 0

HEX #3BDAFF

RGB 59 218 255

HSL 191.33, 1%, 0.62%

LAB 80.9, -28.2, -29.57

 

CMYK 70 / 7 / 0 / 0

HEX #4CECFF

RGB 76 236 255

HSL 186.37, 1%, 0.65%

LAB 86.38, -34.92, -21.2

 

CMYK 64 / 0 / 0 / 0

HEX #5DFEFF

RGB 93 254 255

HSL 180.37, 1%, 0.68%

LAB 91.88, -40.88, -12.89

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 85 / 21 / 0 / 1

HEX #25C8FC

RGB 37 200 252

HSL 194.51, 0.97%, 0.57%

LAB 75.28, -21.95, -36.66

 

CMYK 91 / 22 / 0 / 9

HEX #14B6E9

RGB 20 182 233

HSL 194.37, 0.84%, 0.5%

LAB 69.1, -19.99, -36

 

CMYK 99 / 23 / 0 / 16

HEX #03A4D6

RGB 3 164 214

HSL 194.22, 0.97%, 0.43%

LAB 62.87, -17.66, -35.27

 

CMYK 100 / 25 / 0 / 24

HEX #0092C3

RGB 0 146 195

HSL 195.08, 1%, 0.38%

LAB 56.58, -14.82, -34.42

 

CMYK 100 / 27 / 0 / 31

HEX #0080B0

RGB 0 128 176

HSL 196.36, 1%, 0.35%

LAB 50.18, -11.78, -33.57

 

CMYK 85 / 20 / 0 / 2

HEX #26C8FB

RGB 38 200 251

HSL 194.37, 0.96%, 0.57%

LAB 75.26, -22.22, -36.17

 

CMYK 85 / 43 / 0 / 2

HEX #268EFB

RGB 38 142 251

HSL 210.7, 0.96%, 0.57%

LAB 58.72, 10.18, -62.26

 

CMYK 85 / 66 / 0 / 2

HEX #2655FB

RGB 38 85 251

HSL 226.76, 0.96%, 0.57%

LAB 44.05, 45.62, -86.1

 

CMYK 80 / 85 / 0 / 2

HEX #3126FB

RGB 49 38 251

HSL 243.1, 0.96%, 0.57%

LAB 35.99, 70.15, -99.42

 

CMYK 57 / 85 / 0 / 2

HEX #6B26FB

RGB 107 38 251

HSL 259.44, 0.96%, 0.57%

LAB 40.37, 73.78, -92.03

 

CMYK 85 / 20 / 0 / 2

HEX #26C8FB

RGB 38 200 251

HSL 194.37, 0.96%, 0.57%

LAB 75.26, -22.22, -36.17

 

CMYK 85 / 43 / 0 / 2

HEX #268EFB

RGB 38 142 251

HSL 210.7, 0.96%, 0.57%

LAB 58.72, 10.18, -62.26

 

CMYK 85 / 66 / 0 / 2

HEX #2655FB

RGB 38 85 251

HSL 226.76, 0.96%, 0.57%

LAB 44.05, 45.62, -86.1

 

CMYK 85 / 85 / 0 / 2

HEX #2626FB

RGB 38 38 251

HSL 240, 0.96%, 0.57%

LAB 35.52, 69.78, -100.22

 

CMYK 85 / 20 / 0 / 2

HEX #26C8FB

RGB 38 200 251

HSL 194.37, 0.96%, 0.57%

LAB 75.26, -22.22, -36.17

 

CMYK 85 / 20 / 0 / 2

HEX #26C8FB

RGB 38 200 251

HSL 194.37, 0.96%, 0.57%

LAB 75.26, -22.22, -36.17

 

CMYK 76 / 18 / 0 / 9

HEX #38BFE9

RGB 56 191 233

HSL 194.24, 0.8%, 0.57%

LAB 72.22, -21.97, -31.14

 

CMYK 66 / 16 / 0 / 15

HEX #4AB5D8

RGB 74 181 216

HSL 194.79, 0.65%, 0.57%

LAB 69.08, -19.84, -26.66

 

CMYK 54 / 13 / 0 / 22

HEX #5CACC6

RGB 92 172 198

HSL 194.72, 0.48%, 0.57%

LAB 66.41, -17.23, -20.78

 

CMYK 39 / 9 / 0 / 29

HEX #6DA3B4

RGB 109 163 180

HSL 194.37, 0.32%, 0.57%

LAB 63.95, -13.35, -14.41

 

CMYK 85 / 0 / 25 / 2

HEX #26FBBB

RGB 38 251 187

HSL 161.97, 0.96%, 0.57%

LAB 88.44, -62.63, 17.24

 

CMYK 85 / 0 / 3 / 2

HEX #26FBF4

RGB 38 251 244

HSL 178.03, 0.96%, 0.57%

LAB 89.83, -48.21, -10.32

 

CMYK 85 / 20 / 0 / 2

HEX #26CAFB

RGB 38 202 251

HSL 193.8, 0.96%, 0.57%

LAB 75.83, -23.24, -35.27

 

CMYK 85 / 42 / 0 / 2

HEX #2691FB

RGB 38 145 251

HSL 209.86, 0.96%, 0.57%

LAB 59.55, 8.37, -60.92

 

CMYK 85 / 65 / 0 / 2

HEX #2658FB

RGB 38 88 251

HSL 225.92, 0.96%, 0.57%

LAB 44.74, 43.79, -84.96

 

CMYK 99 / 24 / 0 / 20

HEX #039CCD

RGB 3 156 205

HSL 194.55, 0.97%, 0.41%

LAB 60.07, -16.57, -34.6

 

CMYK 99 / 24 / 0 / 4

HEX #03BBF5

RGB 3 187 245

HSL 194.38, 0.98%, 0.49%

LAB 70.98, -18.96, -39.61

 

CMYK 85 / 20 / 0 / 2

HEX #26C8FB

RGB 38 200 251

HSL 194.37, 0.96%, 0.57%

LAB 75.26, -22.22, -36.17

 

CMYK 69 / 17 / 0 / 1

HEX #4FD2FC

RGB 79 210 252

HSL 194.57, 0.97%, 0.65%

LAB 78.92, -22.8, -30.99

 

CMYK 52 / 13 / 0 / 1

HEX #78DCFC

RGB 120 220 252

HSL 194.55, 0.96%, 0.73%

LAB 83.02, -20.77, -24.59

 

CMYK 85 / 21 / 0 / 1

HEX #25C8FC

RGB 37 200 252

HSL 194.51, 0.97%, 0.57%

LAB 75.28, -21.95, -36.66

 

CMYK 48 / 85 / 0 / 2

HEX #8326FB

RGB 131 38 251

HSL 266.2, 0.96%, 0.57%

LAB 43.03, 76.13, -87.55

 

CMYK 0 / 14 / 85 / 2

HEX #FBD826

RGB 251 216 38

HSL 50.14, 0.96%, 0.57%

LAB 86.88, -3.63, 81.78

 

CMYK 85 / 21 / 0 / 1

HEX #25C8FC

RGB 37 200 252

HSL 194.51, 0.97%, 0.57%

LAB 75.28, -21.95, -36.66

 

CMYK 0 / 85 / 20 / 2

HEX #FB26CA

RGB 251 38 202

HSL 313.8, 0.96%, 0.57%

LAB 58.19, 86.89, -34.43

 

CMYK 20 / 0 / 85 / 2

HEX #CAFB26

RGB 202 251 38

HSL 73.8, 0.96%, 0.57%

LAB 92.44, -40.39, 84.87

 

CMYK 85 / 21 / 0 / 1

HEX #25C8FC

RGB 37 200 252

HSL 194.51, 0.97%, 0.57%

LAB 75.28, -21.95, -36.66

 

CMYK 48 / 85 / 0 / 2

HEX #8326FB

RGB 131 38 251

HSL 266.2, 0.96%, 0.57%

LAB 43.03, 76.13, -87.55

 

CMYK 0 / 65 / 85 / 2

HEX #FB5826

RGB 251 88 38

HSL 14.08, 0.96%, 0.57%

LAB 59.55, 60.03, 59.28

 

CMYK 37 / 0 / 85 / 2

HEX #9FFB26

RGB 159 251 38

HSL 85.92, 0.96%, 0.57%

LAB 90.09, -55.99, 81.95

 

CMYK 85 / 21 / 0 / 1

HEX #25C8FC

RGB 37 200 252

HSL 194.51, 0.97%, 0.57%

LAB 75.28, -21.95, -36.66

 

CMYK 23 / 85 / 0 / 2

HEX #C226FB

RGB 194 38 251

HSL 283.94, 0.96%, 0.57%

LAB 51.63, 84.27, -73.13

 

CMYK 0 / 65 / 85 / 2

HEX #FB5826

RGB 251 88 38

HSL 14.08, 0.96%, 0.57%

LAB 59.55, 60.03, 59.28

 

CMYK 62 / 0 / 85 / 2

HEX #5FFB26

RGB 95 251 38

HSL 103.94, 0.96%, 0.57%

LAB 87.76, -73.91, 79.01

 

Description

Color code: HEX #25C8FC | qconv.com Color code: HEX #25C8FC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 200 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 200 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 21 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 21% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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