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Color name
HEX #25C968

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25C968 it is the complementary color #DA3697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25C968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25C968 shade: #2AC963, #3BDB76, #4CED89, #5DFF9C and #6EFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25C968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25C968 shade: #25C968, #14B755, #03A542, #00932F and #00811C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25C968 shade: #25CA68, #25CA3C, #3ACA25, #67CA25 and #93CA25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25C968 shade: #25CA68, #25CA95, #25CAC1, #25A6CA and #2579CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25C968 shade matches the following richer shades: #25CA68 and #11DD65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25C968 shade: #25CA68, #38B76C, #4BA36F, #5F9073 and #727C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25C968 shade: #3BCA25, #25CA3B, #25CA67, #25CA93 and #25CABF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25C968 shade: #188444, #1EA756, #25CA68, #3DDB7E and #60E195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25C968 shade: #25C968, #2567CA and #CA2525

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25C968 shade: #25C968, #6725CA and #CA6725

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25C968 shade: #25C968, #2567CA, #CA2588 and #CA8825

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25C968 shade: #25C968, #2535CA, #CA2588 and #CABA25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 48 / 21

HEX #25C968

RGB 37 201 104

HSL 144.51, 0.69%, 0.47%

LAB 71.67, -61.2, 37.17

 

Complementary color

CMYK 0 / 75 / 31 / 15

HEX #DA3697

RGB 218 54 151

HSL 324.51, 0.69%, 0.53%

LAB 51.59, 69.84, -15.34

 

CMYK 79 / 0 / 51 / 21

HEX #2AC963

RGB 42 201 99

HSL 141.51, 0.65%, 0.48%

LAB 71.67, -61.44, 39.65

 

CMYK 73 / 0 / 46 / 14

HEX #3BDB76

RGB 59 219 118

HSL 142.13, 0.69%, 0.55%

LAB 77.82, -62.42, 38.07

 

CMYK 68 / 0 / 42 / 7

HEX #4CED89

RGB 76 237 137

HSL 142.73, 0.82%, 0.61%

LAB 83.92, -63.06, 36.57

 

CMYK 64 / 0 / 39 / 0

HEX #5DFF9C

RGB 93 255 156

HSL 143.33, 1%, 0.68%

LAB 89.97, -63.44, 35.15

 

CMYK 57 / 0 / 31 / 0

HEX #6EFFAF

RGB 110 255 175

HSL 146.9, 1%, 0.72%

LAB 90.75, -56.69, 26.75

 

CMYK 82 / 0 / 48 / 21

HEX #25C968

RGB 37 201 104

HSL 144.51, 0.69%, 0.47%

LAB 71.67, -61.2, 37.17

 

CMYK 89 / 0 / 54 / 28

HEX #14B755

RGB 20 183 85

HSL 143.93, 0.8%, 0.4%

LAB 65.49, -59.62, 38.86

 

CMYK 98 / 0 / 60 / 35

HEX #03A542

RGB 3 165 66

HSL 143.33, 0.96%, 0.33%

LAB 59.27, -57.43, 40.56

 

CMYK 100 / 0 / 68 / 42

HEX #00932F

RGB 0 147 47

HSL 139.18, 1%, 0.29%

LAB 53.03, -54.27, 42.16

 

CMYK 100 / 0 / 78 / 49

HEX #00811C

RGB 0 129 28

HSL 133.02, 1%, 0.25%

LAB 46.69, -50.55, 43.19

 

CMYK 82 / 0 / 49 / 21

HEX #25CA68

RGB 37 202 104

HSL 144.36, 0.69%, 0.47%

LAB 71.98, -61.54, 37.56

 

CMYK 82 / 0 / 70 / 21

HEX #25CA3C

RGB 37 202 60

HSL 128.36, 0.69%, 0.47%

LAB 71.53, -67.06, 56.73

 

CMYK 71 / 0 / 82 / 21

HEX #3ACA25

RGB 58 202 37

HSL 112.36, 0.69%, 0.47%

LAB 71.74, -65.72, 64.54

 

CMYK 49 / 0 / 82 / 21

HEX #67CA25

RGB 103 202 37

HSL 96, 0.69%, 0.47%

LAB 73.06, -55.01, 66.24

 

CMYK 27 / 0 / 82 / 21

HEX #93CA25

RGB 147 202 37

HSL 80, 0.69%, 0.47%

LAB 75.19, -39.91, 68.95

 

CMYK 82 / 0 / 49 / 21

HEX #25CA68

RGB 37 202 104

HSL 144.36, 0.69%, 0.47%

LAB 71.98, -61.54, 37.56

 

CMYK 82 / 0 / 26 / 21

HEX #25CA95

RGB 37 202 149

HSL 160.73, 0.69%, 0.47%

LAB 72.76, -52.67, 15.2

 

CMYK 82 / 0 / 4 / 21

HEX #25CAC1

RGB 37 202 193

HSL 176.73, 0.69%, 0.47%

LAB 73.86, -41.28, -6.98

 

CMYK 82 / 18 / 0 / 21

HEX #25A6CA

RGB 37 166 202

HSL 193.09, 0.69%, 0.47%

LAB 63.29, -21.13, -27.92

 

CMYK 82 / 40 / 0 / 21

HEX #2579CA

RGB 37 121 202

HSL 209.45, 0.69%, 0.47%

LAB 49.9, 4.48, -48.93

 

CMYK 82 / 0 / 49 / 21

HEX #25CA68

RGB 37 202 104

HSL 144.36, 0.69%, 0.47%

LAB 71.98, -61.54, 37.56

 

CMYK 92 / 0 / 54 / 13

HEX #11DD65

RGB 17 221 101

HSL 144.71, 0.86%, 0.47%

LAB 77.74, -69.64, 46.07

 

CMYK 82 / 0 / 49 / 21

HEX #25CA68

RGB 37 202 104

HSL 144.36, 0.69%, 0.47%

LAB 71.98, -61.54, 37.56

 

CMYK 69 / 0 / 41 / 28

HEX #38B76C

RGB 56 183 108

HSL 144.57, 0.53%, 0.47%

LAB 66.36, -51.43, 28.36

 

CMYK 54 / 0 / 32 / 36

HEX #4BA36F

RGB 75 163 111

HSL 144.55, 0.37%, 0.47%

LAB 60.64, -38.66, 19.19

 

CMYK 34 / 0 / 20 / 44

HEX #5F9073

RGB 95 144 115

HSL 144.49, 0.21%, 0.47%

LAB 55.7, -23.07, 10.24

 

CMYK 8 / 0 / 5 / 51

HEX #727C76

RGB 114 124 118

HSL 144, 0.04%, 0.47%

LAB 51.04, -4.96, 1.99

 

CMYK 71 / 0 / 82 / 21

HEX #3BCA25

RGB 59 202 37

HSL 112, 0.69%, 0.47%

LAB 71.76, -65.54, 64.57

 

CMYK 82 / 0 / 71 / 21

HEX #25CA3B

RGB 37 202 59

HSL 128, 0.69%, 0.47%

LAB 71.52, -67.15, 57.1

 

CMYK 82 / 0 / 49 / 21

HEX #25CA67

RGB 37 202 103

HSL 144, 0.69%, 0.47%

LAB 71.97, -61.7, 38.04

 

CMYK 82 / 0 / 27 / 21

HEX #25CA93

RGB 37 202 147

HSL 160, 0.69%, 0.47%

LAB 72.72, -53.13, 16.21

 

CMYK 82 / 0 / 5 / 21

HEX #25CABF

RGB 37 202 191

HSL 176, 0.69%, 0.47%

LAB 73.8, -41.84, -5.98

 

CMYK 82 / 0 / 48 / 48

HEX #188444

RGB 24 132 68

HSL 144.44, 0.69%, 0.31%

LAB 48.4, -44.17, 26.37

 

CMYK 82 / 0 / 49 / 35

HEX #1EA756

RGB 30 167 86

HSL 144.53, 0.7%, 0.39%

LAB 60.41, -53.1, 32.08

 

CMYK 82 / 0 / 49 / 21

HEX #25CA68

RGB 37 202 104

HSL 144.36, 0.69%, 0.47%

LAB 71.98, -61.54, 37.56

 

CMYK 72 / 0 / 42 / 14

HEX #3DDB7E

RGB 61 219 126

HSL 144.68, 0.69%, 0.55%

LAB 77.97, -60.79, 34.28

 

CMYK 57 / 0 / 34 / 12

HEX #60E195

RGB 96 225 149

HSL 144.65, 0.68%, 0.63%

LAB 81.02, -52.54, 26.75

 

CMYK 82 / 0 / 48 / 21

HEX #25C968

RGB 37 201 104

HSL 144.51, 0.69%, 0.47%

LAB 71.67, -61.2, 37.17

 

CMYK 82 / 49 / 0 / 21

HEX #2567CA

RGB 37 103 202

HSL 216, 0.69%, 0.47%

LAB 44.74, 15.82, -57.2

 

CMYK 0 / 82 / 82 / 21

HEX #CA2525

RGB 202 37 37

HSL 0, 0.69%, 0.47%

LAB 44.25, 62.15, 42.69

 

CMYK 82 / 0 / 48 / 21

HEX #25C968

RGB 37 201 104

HSL 144.51, 0.69%, 0.47%

LAB 71.67, -61.2, 37.17

 

CMYK 49 / 82 / 0 / 21

HEX #6725CA

RGB 103 37 202

HSL 264, 0.69%, 0.47%

LAB 34.95, 61.66, -72.99

 

CMYK 0 / 49 / 82 / 21

HEX #CA6725

RGB 202 103 37

HSL 24, 0.69%, 0.47%

LAB 54.44, 35.07, 52.22

 

CMYK 82 / 0 / 48 / 21

HEX #25C968

RGB 37 201 104

HSL 144.51, 0.69%, 0.47%

LAB 71.67, -61.2, 37.17

 

CMYK 82 / 49 / 0 / 21

HEX #2567CA

RGB 37 103 202

HSL 216, 0.69%, 0.47%

LAB 44.74, 15.82, -57.2

 

CMYK 0 / 82 / 33 / 21

HEX #CA2588

RGB 202 37 136

HSL 324, 0.69%, 0.47%

LAB 46.52, 68.9, -14.28

 

CMYK 0 / 33 / 82 / 21

HEX #CA8825

RGB 202 136 37

HSL 36, 0.69%, 0.47%

LAB 61.91, 17.35, 58.93

 

CMYK 82 / 0 / 48 / 21

HEX #25C968

RGB 37 201 104

HSL 144.51, 0.69%, 0.47%

LAB 71.67, -61.2, 37.17

 

CMYK 82 / 74 / 0 / 21

HEX #2535CA

RGB 37 53 202

HSL 234.18, 0.69%, 0.47%

LAB 32.27, 47.55, -77.59

 

CMYK 0 / 82 / 33 / 21

HEX #CA2588

RGB 202 37 136

HSL 324, 0.69%, 0.47%

LAB 46.52, 68.9, -14.28

 

CMYK 0 / 8 / 82 / 21

HEX #CABA25

RGB 202 186 37

HSL 54.18, 0.69%, 0.47%

LAB 74.7, -9.37, 70.07

 

Description

Color code: HEX #25C968 | qconv.com Color code: HEX #25C968 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 201 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 201 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 48 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 48% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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