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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25C0B5 it is the complementary color #DA3F4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25C0B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25C0B5 shade: #2AC0B0, #3BD2C3, #4CE4D6, #5DF6E9 and #6EFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25C0B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25C0B5 shade: #25C0B5, #14AEA2, #039C8F, #008A7C and #007869

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25C0B5 shade: #24C0B5, #24C08B, #24C061, #24C037 and #3CC024

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25C0B5 shade: #24C0B5, #24A1C0, #2477C0, #244DC0 and #2424C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25C0B5 shade matches the following richer shades: #24C0B5 and #12D3C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25C0B5 shade: #24C0B5, #37AEA5, #499B95, #5C8985 and #6E7675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25C0B5 shade: #24C060, #24C08A, #24C0B3, #24A4C0 and #247AC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25C0B5 shade: #177B74, #1E9E95, #24C0B5, #36D8CD and #58DFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25C0B5 shade: #25C0B5, #3624C0 and #C07524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25C0B5 shade: #25C0B5, #B324C0 and #C0B324

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25C0B5 shade: #25C0B5, #3624C0, #C02431 and #AEC024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25C0B5 shade: #25C0B5, #6524C0, #C02431 and #7FC024

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 6 / 25

HEX #25C0B5

RGB 37 192 181

HSL 175.74, 0.68%, 0.45%

LAB 70.48, -40.23, -5.45

 

Complementary color

CMYK 0 / 71 / 66 / 15

HEX #DA3F4A

RGB 218 63 74

HSL 355.74, 0.68%, 0.55%

LAB 50.63, 60.35, 29.56

 

CMYK 78 / 0 / 8 / 25

HEX #2AC0B0

RGB 42 192 176

HSL 173.6, 0.64%, 0.46%

LAB 70.4, -41.17, -2.81

 

CMYK 72 / 0 / 7 / 18

HEX #3BD2C3

RGB 59 210 195

HSL 174.04, 0.63%, 0.53%

LAB 76.66, -42.02, -3.88

 

CMYK 67 / 0 / 6 / 11

HEX #4CE4D6

RGB 76 228 214

HSL 174.47, 0.74%, 0.6%

LAB 82.85, -42.65, -4.86

 

CMYK 62 / 0 / 5 / 4

HEX #5DF6E9

RGB 93 246 233

HSL 174.9, 0.89%, 0.66%

LAB 88.98, -43.1, -5.75

 

CMYK 57 / 0 / 1 / 0

HEX #6EFFFC

RGB 110 255 252

HSL 178.76, 1%, 0.72%

LAB 92.51, -39.39, -10.34

 

CMYK 81 / 0 / 6 / 25

HEX #25C0B5

RGB 37 192 181

HSL 175.74, 0.68%, 0.45%

LAB 70.48, -40.23, -5.45

 

CMYK 89 / 0 / 7 / 32

HEX #14AEA2

RGB 20 174 162

HSL 175.32, 0.79%, 0.38%

LAB 64.18, -38.88, -4.27

 

CMYK 98 / 0 / 8 / 39

HEX #039C8F

RGB 3 156 143

HSL 174.9, 0.96%, 0.31%

LAB 57.83, -37.15, -2.96

 

CMYK 100 / 0 / 10 / 46

HEX #008A7C

RGB 0 138 124

HSL 173.91, 1%, 0.27%

LAB 51.42, -34.8, -1.45

 

CMYK 100 / 0 / 13 / 53

HEX #007869

RGB 0 120 105

HSL 172.5, 1%, 0.24%

LAB 44.88, -32.27, 0.16

 

CMYK 81 / 0 / 6 / 25

HEX #24C0B5

RGB 36 192 181

HSL 175.77, 0.68%, 0.45%

LAB 70.46, -40.32, -5.47

 

CMYK 81 / 0 / 28 / 25

HEX #24C08B

RGB 36 192 139

HSL 159.62, 0.68%, 0.45%

LAB 69.43, -51.15, 15.92

 

CMYK 81 / 0 / 49 / 25

HEX #24C061

RGB 36 192 97

HSL 143.46, 0.68%, 0.45%

LAB 68.71, -59.35, 36.93

 

CMYK 81 / 0 / 71 / 25

HEX #24C037

RGB 36 192 55

HSL 127.31, 0.68%, 0.45%

LAB 68.28, -64.56, 55.23

 

CMYK 69 / 0 / 81 / 25

HEX #3CC024

RGB 60 192 36

HSL 110.77, 0.68%, 0.45%

LAB 68.6, -62.22, 61.92

 

CMYK 81 / 0 / 6 / 25

HEX #24C0B5

RGB 36 192 181

HSL 175.77, 0.68%, 0.45%

LAB 70.46, -40.32, -5.47

 

CMYK 81 / 16 / 0 / 25

HEX #24A1C0

RGB 36 161 192

HSL 191.92, 0.68%, 0.45%

LAB 61.37, -21.97, -25.29

 

CMYK 81 / 38 / 0 / 25

HEX #2477C0

RGB 36 119 192

HSL 208.08, 0.68%, 0.45%

LAB 48.73, 1.82, -45.07

 

CMYK 81 / 60 / 0 / 25

HEX #244DC0

RGB 36 77 192

HSL 224.23, 0.68%, 0.45%

LAB 36.91, 28.87, -64.12

 

CMYK 81 / 81 / 0 / 25

HEX #2424C0

RGB 36 36 192

HSL 240, 0.68%, 0.45%

LAB 27.96, 53.24, -78.86

 

CMYK 81 / 0 / 6 / 25

HEX #24C0B5

RGB 36 192 181

HSL 175.77, 0.68%, 0.45%

LAB 70.46, -40.32, -5.47

 

CMYK 91 / 0 / 7 / 17

HEX #12D3C5

RGB 18 211 197

HSL 175.65, 0.84%, 0.45%

LAB 76.53, -45.21, -5.21

 

CMYK 81 / 0 / 6 / 25

HEX #24C0B5

RGB 36 192 181

HSL 175.77, 0.68%, 0.45%

LAB 70.46, -40.32, -5.47

 

CMYK 68 / 0 / 5 / 32

HEX #37AEA5

RGB 55 174 165

HSL 175.46, 0.52%, 0.45%

LAB 64.8, -34.46, -4.97

 

CMYK 53 / 0 / 4 / 39

HEX #499B95

RGB 73 155 149

HSL 175.61, 0.36%, 0.45%

LAB 59, -26.41, -4.49

 

CMYK 33 / 0 / 3 / 46

HEX #5C8985

RGB 92 137 133

HSL 174.67, 0.2%, 0.45%

LAB 53.88, -16.25, -2.77

 

CMYK 7 / 0 / 1 / 54

HEX #6E7675

RGB 110 118 117

HSL 172.5, 0.04%, 0.45%

LAB 48.95, -3.21, -0.49

 

CMYK 81 / 0 / 50 / 25

HEX #24C060

RGB 36 192 96

HSL 143.08, 0.68%, 0.45%

LAB 68.69, -59.51, 37.42

 

CMYK 81 / 0 / 28 / 25

HEX #24C08A

RGB 36 192 138

HSL 159.23, 0.68%, 0.45%

LAB 69.4, -51.37, 16.43

 

CMYK 81 / 0 / 7 / 25

HEX #24C0B3

RGB 36 192 179

HSL 175, 0.68%, 0.45%

LAB 70.41, -40.88, -4.46

 

CMYK 81 / 15 / 0 / 25

HEX #24A4C0

RGB 36 164 192

HSL 190.77, 0.68%, 0.45%

LAB 62.28, -23.52, -23.89

 

CMYK 81 / 36 / 0 / 25

HEX #247AC0

RGB 36 122 192

HSL 206.92, 0.68%, 0.45%

LAB 49.62, -0.01, -43.65

 

CMYK 81 / 0 / 6 / 52

HEX #177B74

RGB 23 123 116

HSL 175.8, 0.68%, 0.29%

LAB 46.46, -28.63, -4.03

 

CMYK 81 / 0 / 6 / 38

HEX #1E9E95

RGB 30 158 149

HSL 175.78, 0.68%, 0.37%

LAB 58.88, -34.64, -4.78

 

CMYK 81 / 0 / 6 / 25

HEX #24C0B5

RGB 36 192 181

HSL 175.77, 0.68%, 0.45%

LAB 70.46, -40.32, -5.47

 

CMYK 75 / 0 / 5 / 15

HEX #36D8CD

RGB 54 216 205

HSL 175.93, 0.68%, 0.53%

LAB 78.64, -42.52, -6.33

 

CMYK 61 / 0 / 4 / 13

HEX #58DFD5

RGB 88 223 213

HSL 175.56, 0.68%, 0.61%

LAB 81.65, -38.79, -6.07

 

CMYK 81 / 0 / 6 / 25

HEX #25C0B5

RGB 37 192 181

HSL 175.74, 0.68%, 0.45%

LAB 70.48, -40.23, -5.45

 

CMYK 72 / 81 / 0 / 25

HEX #3624C0

RGB 54 36 192

HSL 246.92, 0.68%, 0.45%

LAB 29.04, 54.37, -77.05

 

CMYK 0 / 39 / 81 / 25

HEX #C07524

RGB 192 117 36

HSL 31.15, 0.68%, 0.45%

LAB 56.14, 23.37, 53.66

 

CMYK 81 / 0 / 6 / 25

HEX #25C0B5

RGB 37 192 181

HSL 175.74, 0.68%, 0.45%

LAB 70.48, -40.23, -5.45

 

CMYK 7 / 81 / 0 / 25

HEX #B324C0

RGB 179 36 192

HSL 295, 0.68%, 0.45%

LAB 45.15, 71.99, -50.07

 

CMYK 0 / 7 / 81 / 25

HEX #C0B324

RGB 192 179 36

HSL 55, 0.68%, 0.45%

LAB 71.94, -10.15, 67.62

 

CMYK 81 / 0 / 6 / 25

HEX #25C0B5

RGB 37 192 181

HSL 175.74, 0.68%, 0.45%

LAB 70.48, -40.23, -5.45

 

CMYK 72 / 81 / 0 / 25

HEX #3624C0

RGB 54 36 192

HSL 246.92, 0.68%, 0.45%

LAB 29.04, 54.37, -77.05

 

CMYK 0 / 81 / 74 / 25

HEX #C02431

RGB 192 36 49

HSL 355, 0.68%, 0.45%

LAB 42.29, 59.97, 33.21

 

CMYK 9 / 0 / 81 / 25

HEX #AEC024

RGB 174 192 36

HSL 66.92, 0.68%, 0.45%

LAB 74.08, -24.43, 68.91

 

CMYK 81 / 0 / 6 / 25

HEX #25C0B5

RGB 37 192 181

HSL 175.74, 0.68%, 0.45%

LAB 70.48, -40.23, -5.45

 

CMYK 47 / 81 / 0 / 25

HEX #6524C0

RGB 101 36 192

HSL 265, 0.68%, 0.45%

LAB 33.64, 59.3, -69.3

 

CMYK 0 / 81 / 74 / 25

HEX #C02431

RGB 192 36 49

HSL 355, 0.68%, 0.45%

LAB 42.29, 59.97, 33.21

 

CMYK 34 / 0 / 81 / 25

HEX #7FC024

RGB 127 192 36

HSL 85, 0.68%, 0.45%

LAB 71.1, -43.07, 65.14

 

Description

Color code: HEX #25C0B5 | qconv.com Color code: HEX #25C0B5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 192 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 192 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 6 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 6% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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