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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25CEC0 it is the complementary color #DA313F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25CEC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25CEC0 shade: #2ACEBB, #3BE0CE, #4CF2E1, #5DFFF4 and #6EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25CEC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25CEC0 shade: #25CEC0, #14BCAD, #03AA9A, #009887 and #008674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25CEC0 shade: #24D0C1, #24D093, #24D065, #24D037 and #40D024

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25CEC0 shade: #24D0C1, #24B0D0, #2481D0, #2453D0 and #2425D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25CEC0 shade matches the following richer shades: #24D0C1 and #10E3D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25CEC0 shade: #24D0C1, #38BCB1, #4CA8A0, #609490 and #73807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25CEC0 shade: #24D066, #24D094, #24D0C1, #24B0D0 and #2482D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25CEC0 shade: #188980, #1EADA1, #24D0C1, #40DDD0 and #63E3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25CEC0 shade: #25CEC0, #3824D0 and #D07D24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25CEC0 shade: #25CEC0, #C124D0 and #D0C124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25CEC0 shade: #25CEC0, #3824D0, #D02432 and #BCD024

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25CEC0 shade: #25CEC0, #6C24D0, #D02432 and #88D024

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 7 / 19

HEX #25CEC0

RGB 37 206 192

HSL 175.03, 0.7%, 0.48%

LAB 75.04, -43.32, -4.69

 

Complementary color

CMYK 0 / 78 / 71 / 15

HEX #DA313F

RGB 218 49 63

HSL 355.03, 0.7%, 0.52%

LAB 48.84, 64.37, 33.85

 

CMYK 80 / 0 / 9 / 19

HEX #2ACEBB

RGB 42 206 187

HSL 173.05, 0.66%, 0.49%

LAB 74.97, -44.27, -2.09

 

CMYK 74 / 0 / 8 / 12

HEX #3BE0CE

RGB 59 224 206

HSL 173.45, 0.73%, 0.55%

LAB 81.12, -45.2, -3.19

 

CMYK 69 / 0 / 7 / 5

HEX #4CF2E1

RGB 76 242 225

HSL 173.86, 0.86%, 0.62%

LAB 87.23, -45.89, -4.19

 

CMYK 64 / 0 / 4 / 0

HEX #5DFFF4

RGB 93 255 244

HSL 175.93, 1%, 0.68%

LAB 91.85, -44.22, -7.22

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 82 / 0 / 7 / 19

HEX #25CEC0

RGB 37 206 192

HSL 175.03, 0.7%, 0.48%

LAB 75.04, -43.32, -4.69

 

CMYK 89 / 0 / 8 / 26

HEX #14BCAD

RGB 20 188 173

HSL 174.64, 0.81%, 0.41%

LAB 68.85, -41.92, -3.49

 

CMYK 98 / 0 / 9 / 33

HEX #03AA9A

RGB 3 170 154

HSL 174.25, 0.97%, 0.34%

LAB 62.59, -40.16, -2.16

 

CMYK 100 / 0 / 11 / 40

HEX #009887

RGB 0 152 135

HSL 173.29, 1%, 0.3%

LAB 56.29, -37.84, -0.65

 

CMYK 100 / 0 / 13 / 47

HEX #008674

RGB 0 134 116

HSL 171.94, 1%, 0.26%

LAB 49.87, -35.36, 0.95

 

CMYK 83 / 0 / 7 / 18

HEX #24D0C1

RGB 36 208 193

HSL 174.77, 0.7%, 0.48%

LAB 75.66, -43.99, -4.31

 

CMYK 83 / 0 / 29 / 18

HEX #24D093

RGB 36 208 147

HSL 158.72, 0.7%, 0.48%

LAB 74.57, -55.52, 18.78

 

CMYK 83 / 0 / 51 / 18

HEX #24D065

RGB 36 208 101

HSL 142.67, 0.7%, 0.48%

LAB 73.82, -64.12, 41.32

 

CMYK 83 / 0 / 74 / 18

HEX #24D037

RGB 36 208 55

HSL 126.63, 0.7%, 0.48%

LAB 73.39, -69.4, 60.46

 

CMYK 69 / 0 / 83 / 18

HEX #40D024

RGB 64 208 36

HSL 110.23, 0.7%, 0.48%

LAB 73.76, -66.58, 66.7

 

CMYK 83 / 0 / 7 / 18

HEX #24D0C1

RGB 36 208 193

HSL 174.77, 0.7%, 0.48%

LAB 75.66, -43.99, -4.31

 

CMYK 83 / 15 / 0 / 18

HEX #24B0D0

RGB 36 176 208

HSL 191.16, 0.7%, 0.48%

LAB 66.5, -24.37, -26.29

 

CMYK 83 / 38 / 0 / 18

HEX #2481D0

RGB 36 129 208

HSL 207.56, 0.7%, 0.48%

LAB 52.54, 1.77, -48.13

 

CMYK 83 / 60 / 0 / 18

HEX #2453D0

RGB 36 83 208

HSL 223.6, 0.7%, 0.48%

LAB 39.77, 31.02, -68.73

 

CMYK 83 / 82 / 0 / 18

HEX #2425D0

RGB 36 37 208

HSL 239.65, 0.7%, 0.48%

LAB 30.04, 57.67, -84.78

 

CMYK 83 / 0 / 7 / 18

HEX #24D0C1

RGB 36 208 193

HSL 174.77, 0.7%, 0.48%

LAB 75.66, -43.99, -4.31

 

CMYK 93 / 0 / 7 / 11

HEX #10E3D2

RGB 16 227 210

HSL 175.17, 0.87%, 0.48%

LAB 81.68, -48.47, -4.56

 

CMYK 83 / 0 / 7 / 18

HEX #24D0C1

RGB 36 208 193

HSL 174.77, 0.7%, 0.48%

LAB 75.66, -43.99, -4.31

 

CMYK 70 / 0 / 6 / 26

HEX #38BCB1

RGB 56 188 177

HSL 175, 0.54%, 0.48%

LAB 69.46, -37.45, -4.73

 

CMYK 55 / 0 / 5 / 34

HEX #4CA8A0

RGB 76 168 160

HSL 174.78, 0.38%, 0.48%

LAB 63.41, -29.23, -4.17

 

CMYK 35 / 0 / 3 / 42

HEX #609490

RGB 96 148 144

HSL 175.38, 0.21%, 0.48%

LAB 57.73, -18.21, -3.4

 

CMYK 10 / 0 / 1 / 50

HEX #73807F

RGB 115 128 127

HSL 175.38, 0.05%, 0.48%

LAB 52.53, -4.98, -1.09

 

CMYK 83 / 0 / 51 / 18

HEX #24D066

RGB 36 208 102

HSL 143.02, 0.7%, 0.48%

LAB 73.83, -63.97, 40.85

 

CMYK 83 / 0 / 29 / 18

HEX #24D094

RGB 36 208 148

HSL 159.07, 0.7%, 0.48%

LAB 74.59, -55.3, 18.27

 

CMYK 83 / 0 / 7 / 18

HEX #24D0C1

RGB 36 208 193

HSL 174.77, 0.7%, 0.48%

LAB 75.66, -43.99, -4.31

 

CMYK 83 / 15 / 0 / 18

HEX #24B0D0

RGB 36 176 208

HSL 191.16, 0.7%, 0.48%

LAB 66.5, -24.37, -26.29

 

CMYK 83 / 38 / 0 / 18

HEX #2482D0

RGB 36 130 208

HSL 207.21, 0.7%, 0.48%

LAB 52.83, 1.17, -47.67

 

CMYK 82 / 0 / 7 / 46

HEX #188980

RGB 24 137 128

HSL 175.22, 0.7%, 0.32%

LAB 51.43, -31.61, -3.73

 

CMYK 83 / 0 / 7 / 32

HEX #1EADA1

RGB 30 173 161

HSL 174.97, 0.7%, 0.4%

LAB 63.95, -38.01, -4.05

 

CMYK 83 / 0 / 7 / 18

HEX #24D0C1

RGB 36 208 193

HSL 174.77, 0.7%, 0.48%

LAB 75.66, -43.99, -4.31

 

CMYK 71 / 0 / 6 / 13

HEX #40DDD0

RGB 64 221 208

HSL 175.03, 0.7%, 0.56%

LAB 80.38, -42.76, -5.34

 

CMYK 56 / 0 / 4 / 11

HEX #63E3D9

RGB 99 227 217

HSL 175.31, 0.7%, 0.64%

LAB 83.23, -37.62, -5.81

 

CMYK 82 / 0 / 7 / 19

HEX #25CEC0

RGB 37 206 192

HSL 175.03, 0.7%, 0.48%

LAB 75.04, -43.32, -4.69

 

CMYK 73 / 83 / 0 / 18

HEX #3824D0

RGB 56 36 208

HSL 246.98, 0.7%, 0.48%

LAB 31.01, 59.18, -83.13

 

CMYK 0 / 40 / 83 / 18

HEX #D07D24

RGB 208 125 36

HSL 31.05, 0.7%, 0.48%

LAB 60.07, 25.86, 57.96

 

CMYK 82 / 0 / 7 / 19

HEX #25CEC0

RGB 37 206 192

HSL 175.03, 0.7%, 0.48%

LAB 75.04, -43.32, -4.69

 

CMYK 7 / 83 / 0 / 18

HEX #C124D0

RGB 193 36 208

HSL 294.77, 0.7%, 0.48%

LAB 48.45, 77.15, -53.92

 

CMYK 0 / 7 / 83 / 18

HEX #D0C124

RGB 208 193 36

HSL 54.77, 0.7%, 0.48%

LAB 77.09, -10.39, 72.57

 

CMYK 82 / 0 / 7 / 19

HEX #25CEC0

RGB 37 206 192

HSL 175.03, 0.7%, 0.48%

LAB 75.04, -43.32, -4.69

 

CMYK 73 / 83 / 0 / 18

HEX #3824D0

RGB 56 36 208

HSL 246.98, 0.7%, 0.48%

LAB 31.01, 59.18, -83.13

 

CMYK 0 / 83 / 76 / 18

HEX #D02432

RGB 208 36 50

HSL 355.12, 0.7%, 0.48%

LAB 45.5, 64.49, 37.09

 

CMYK 10 / 0 / 83 / 18

HEX #BCD024

RGB 188 208 36

HSL 66.98, 0.7%, 0.48%

LAB 79.57, -26.3, 74.05

 

CMYK 82 / 0 / 7 / 19

HEX #25CEC0

RGB 37 206 192

HSL 175.03, 0.7%, 0.48%

LAB 75.04, -43.32, -4.69

 

CMYK 48 / 83 / 0 / 18

HEX #6C24D0

RGB 108 36 208

HSL 265.12, 0.7%, 0.48%

LAB 35.99, 64.09, -74.74

 

CMYK 0 / 83 / 76 / 18

HEX #D02432

RGB 208 36 50

HSL 355.12, 0.7%, 0.48%

LAB 45.5, 64.49, 37.09

 

CMYK 35 / 0 / 83 / 18

HEX #88D024

RGB 136 208 36

HSL 85.12, 0.7%, 0.48%

LAB 76.36, -46.58, 70.01

 

Description

Color code: HEX #25CEC0 | qconv.com Color code: HEX #25CEC0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 206 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 206 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 7 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 7% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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