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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25D48E it is the complementary color #DA2B71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25D48E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25D48E shade: #2AD489, #3BE69C, #4CF8AF, #5DFFC2 and #6EFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25D48E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25D48E shade: #25D48E, #14C27B, #03B068, #009E55 and #008C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25D48E shade: #25D48E, #25D45F, #25D430, #4AD425 and #79D425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25D48E shade: #25D48E, #25D4BD, #25BCD4, #258CD4 and #255DD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25D48E shade matches the following richer shades: #25D48E and #11E892

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25D48E shade: #25D48E, #39C08A, #4DAB86, #629782 and #76837E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25D48E shade: #25D431, #25D45F, #25D48E, #25D4BD and #25BDD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25D48E shade: #198E5F, #1FB176, #25D48E, #44DEA0 and #68E4B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25D48E shade: #25D48E, #2548D4 and #D44825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25D48E shade: #25D48E, #8E25D4 and #D48E25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25D48E shade: #25D48E, #2548D4, #D4256B and #D4B125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25D48E shade: #25D48E, #3625D4, #D4256B and #C2D425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

Complementary color

CMYK 0 / 80 / 48 / 15

HEX #DA2B71

RGB 218 43 113

HSL 336, 0.7%, 0.51%

LAB 49.28, 69.17, 4.16

 

CMYK 80 / 0 / 35 / 17

HEX #2AD489

RGB 42 212 137

HSL 153.53, 0.67%, 0.5%

LAB 75.69, -58.56, 25.57

 

CMYK 74 / 0 / 32 / 10

HEX #3BE69C

RGB 59 230 156

HSL 154.04, 0.77%, 0.57%

LAB 81.8, -59.44, 24.06

 

CMYK 69 / 0 / 29 / 3

HEX #4CF8AF

RGB 76 248 175

HSL 154.53, 0.92%, 0.64%

LAB 87.86, -60.03, 22.66

 

CMYK 64 / 0 / 24 / 0

HEX #5DFFC2

RGB 93 255 194

HSL 157.41, 1%, 0.68%

LAB 90.66, -56.09, 16.88

 

CMYK 57 / 0 / 16 / 0

HEX #6EFFD5

RGB 110 255 213

HSL 162.62, 1%, 0.72%

LAB 91.52, -48.83, 8.39

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 90 / 0 / 37 / 24

HEX #14C27B

RGB 20 194 123

HSL 155.52, 0.81%, 0.42%

LAB 69.59, -56.62, 24.65

 

CMYK 98 / 0 / 41 / 31

HEX #03B068

RGB 3 176 104

HSL 155.03, 0.97%, 0.35%

LAB 63.4, -54.78, 26.45

 

CMYK 100 / 0 / 46 / 38

HEX #009E55

RGB 0 158 85

HSL 152.28, 1%, 0.31%

LAB 57.18, -52.22, 28.43

 

CMYK 100 / 0 / 53 / 45

HEX #008C42

RGB 0 140 66

HSL 148.29, 1%, 0.27%

LAB 50.86, -49.34, 30.46

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 83 / 0 / 55 / 17

HEX #25D45F

RGB 37 212 95

HSL 139.89, 0.7%, 0.49%

LAB 75.02, -66.2, 45.64

 

CMYK 83 / 0 / 77 / 17

HEX #25D430

RGB 37 212 48

HSL 123.77, 0.7%, 0.49%

LAB 74.63, -70.98, 63.99

 

CMYK 65 / 0 / 83 / 17

HEX #4AD425

RGB 74 212 37

HSL 107.31, 0.7%, 0.49%

LAB 75.25, -65.85, 67.89

 

CMYK 43 / 0 / 83 / 17

HEX #79D425

RGB 121 212 37

HSL 91.2, 0.7%, 0.49%

LAB 76.85, -53.25, 69.93

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 83 / 0 / 11 / 17

HEX #25D4BD

RGB 37 212 189

HSL 172.11, 0.7%, 0.49%

LAB 76.77, -46.72, -0.53

 

CMYK 83 / 11 / 0 / 17

HEX #25BCD4

RGB 37 188 212

HSL 188.23, 0.7%, 0.49%

LAB 70.26, -28.99, -22.75

 

CMYK 83 / 34 / 0 / 17

HEX #258CD4

RGB 37 140 212

HSL 204.69, 0.7%, 0.49%

LAB 55.99, -3.19, -44.92

 

CMYK 83 / 56 / 0 / 17

HEX #255DD4

RGB 37 93 212

HSL 220.8, 0.7%, 0.49%

LAB 42.73, 26.14, -66.21

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 93 / 0 / 37 / 9

HEX #11E892

RGB 17 232 146

HSL 156, 0.86%, 0.49%

LAB 81.79, -65.61, 29.1

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 70 / 0 / 28 / 25

HEX #39C08A

RGB 57 192 138

HSL 156, 0.54%, 0.49%

LAB 69.76, -48.75, 16.97

 

CMYK 55 / 0 / 22 / 33

HEX #4DAB86

RGB 77 171 134

HSL 156.38, 0.38%, 0.49%

LAB 63.69, -36.85, 10.74

 

CMYK 35 / 0 / 14 / 41

HEX #629782

RGB 98 151 130

HSL 156.23, 0.21%, 0.49%

LAB 58.36, -22.46, 5.51

 

CMYK 10 / 0 / 4 / 49

HEX #76837E

RGB 118 131 126

HSL 156.92, 0.05%, 0.49%

LAB 53.59, -5.8, 1.07

 

CMYK 83 / 0 / 77 / 17

HEX #25D431

RGB 37 212 49

HSL 124.11, 0.7%, 0.49%

LAB 74.64, -70.91, 63.68

 

CMYK 83 / 0 / 55 / 17

HEX #25D45F

RGB 37 212 95

HSL 139.89, 0.7%, 0.49%

LAB 75.02, -66.2, 45.64

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 83 / 0 / 11 / 17

HEX #25D4BD

RGB 37 212 189

HSL 172.11, 0.7%, 0.49%

LAB 76.77, -46.72, -0.53

 

CMYK 83 / 11 / 0 / 17

HEX #25BDD4

RGB 37 189 212

HSL 187.89, 0.7%, 0.49%

LAB 70.55, -29.48, -22.29

 

CMYK 82 / 0 / 33 / 44

HEX #198E5F

RGB 25 142 95

HSL 155.9, 0.7%, 0.33%

LAB 52.26, -42.44, 16.46

 

CMYK 82 / 0 / 33 / 31

HEX #1FB176

RGB 31 177 118

HSL 155.75, 0.7%, 0.41%

LAB 64.2, -50.49, 20.05

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 69 / 0 / 28 / 13

HEX #44DEA0

RGB 68 222 160

HSL 155.84, 0.7%, 0.57%

LAB 79.62, -54.28, 19.01

 

CMYK 54 / 0 / 22 / 11

HEX #68E4B2

RGB 104 228 178

HSL 155.81, 0.7%, 0.65%

LAB 82.72, -46.25, 14.05

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 83 / 66 / 0 / 17

HEX #2548D4

RGB 37 72 212

HSL 228, 0.7%, 0.49%

LAB 37.45, 39.61, -74.85

 

CMYK 0 / 66 / 83 / 17

HEX #D44825

RGB 212 72 37

HSL 12, 0.7%, 0.49%

LAB 50.41, 53.43, 49.13

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 33 / 83 / 0 / 17

HEX #8E25D4

RGB 142 37 212

HSL 276, 0.7%, 0.49%

LAB 40.94, 69.28, -68.77

 

CMYK 0 / 33 / 83 / 17

HEX #D48E25

RGB 212 142 37

HSL 36, 0.7%, 0.49%

LAB 64.54, 18.43, 61.71

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 83 / 66 / 0 / 17

HEX #2548D4

RGB 37 72 212

HSL 228, 0.7%, 0.49%

LAB 37.45, 39.61, -74.85

 

CMYK 0 / 83 / 50 / 17

HEX #D4256B

RGB 212 37 107

HSL 336, 0.7%, 0.49%

LAB 47.47, 68.61, 5.08

 

CMYK 0 / 17 / 83 / 17

HEX #D4B125

RGB 212 177 37

HSL 48, 0.7%, 0.49%

LAB 73.27, -0.33, 69.21

 

CMYK 83 / 0 / 33 / 17

HEX #25D48E

RGB 37 212 142

HSL 156, 0.7%, 0.49%

LAB 75.72, -58.01, 22.99

 

CMYK 75 / 83 / 0 / 17

HEX #3625D4

RGB 54 37 212

HSL 245.83, 0.7%, 0.49%

LAB 31.49, 59.79, -84.67

 

CMYK 0 / 83 / 50 / 17

HEX #D4256B

RGB 212 37 107

HSL 336, 0.7%, 0.49%

LAB 47.47, 68.61, 5.08

 

CMYK 8 / 0 / 83 / 17

HEX #C2D425

RGB 194 212 37

HSL 66.17, 0.7%, 0.49%

LAB 81.12, -25.7, 75.31

 

Description

Color code: HEX #25D48E | qconv.com Color code: HEX #25D48E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 212 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 212 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 33 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 33% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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