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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25D4CA it is the complementary color #DA2B35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25D4CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25D4CA shade: #2AD4C5, #3BE6D8, #4CF8EB, #5DFFFE and #6EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25D4CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25D4CA shade: #25D4CA, #14C2B7, #03B0A4, #009E91 and #008C7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25D4CA shade: #25D4CA, #25D49B, #25D46C, #25D43C and #3DD425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25D4CA shade: #25D4CA, #25AFD4, #2580D4, #2550D4 and #2525D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25D4CA shade matches the following richer shades: #25D4CA and #11E8DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25D4CA shade: #25D4CA, #39C0B8, #4DABA6, #629794 and #768382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25D4CA shade: #25D46B, #25D49A, #25D4C8, #25B1D4 and #2582D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25D4CA shade: #198E87, #1FB1A8, #25D4CA, #44DED5 and #68E4DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25D4CA shade: #25D4CA, #3C25D4 and #D48225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25D4CA shade: #25D4CA, #C825D4 and #D4C825

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25D4CA shade: #25D4CA, #3C25D4, #D42531 and #BDD425

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25D4CA shade: #25D4CA, #7125D4, #D42531 and #88D425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

Complementary color

CMYK 0 / 80 / 76 / 15

HEX #DA2B35

RGB 218 43 53

HSL 356.57, 0.7%, 0.51%

LAB 48.12, 65.63, 38.82

 

CMYK 80 / 0 / 7 / 17

HEX #2AD4C5

RGB 42 212 197

HSL 174.71, 0.67%, 0.5%

LAB 77.05, -44.14, -4.41

 

CMYK 74 / 0 / 6 / 10

HEX #3BE6D8

RGB 59 230 216

HSL 175.09, 0.77%, 0.57%

LAB 83.17, -45.12, -5.48

 

CMYK 69 / 0 / 5 / 3

HEX #4CF8EB

RGB 76 248 235

HSL 175.47, 0.92%, 0.64%

LAB 89.24, -45.87, -6.46

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFE

RGB 93 255 254

HSL 179.63, 1%, 0.68%

LAB 92.13, -41.59, -11.99

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 90 / 0 / 6 / 24

HEX #14C2B7

RGB 20 194 183

HSL 176.21, 0.81%, 0.42%

LAB 70.98, -41.7, -5.82

 

CMYK 98 / 0 / 7 / 31

HEX #03B0A4

RGB 3 176 164

HSL 175.84, 0.97%, 0.35%

LAB 64.76, -39.9, -4.54

 

CMYK 100 / 0 / 8 / 38

HEX #009E91

RGB 0 158 145

HSL 175.06, 1%, 0.31%

LAB 58.51, -37.58, -3.1

 

CMYK 100 / 0 / 10 / 45

HEX #008C7E

RGB 0 140 126

HSL 174, 1%, 0.27%

LAB 52.13, -35.11, -1.57

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 83 / 0 / 27 / 17

HEX #25D49B

RGB 37 212 155

HSL 160.46, 0.7%, 0.49%

LAB 75.98, -55.17, 16.49

 

CMYK 83 / 0 / 49 / 17

HEX #25D46C

RGB 37 212 108

HSL 144.34, 0.7%, 0.49%

LAB 75.18, -64.27, 39.6

 

CMYK 83 / 0 / 72 / 17

HEX #25D43C

RGB 37 212 60

HSL 127.89, 0.7%, 0.49%

LAB 74.7, -70.08, 60.02

 

CMYK 71 / 0 / 83 / 17

HEX #3DD425

RGB 61 212 37

HSL 111.77, 0.7%, 0.49%

LAB 74.96, -68.32, 67.51

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 83 / 17 / 0 / 17

HEX #25AFD4

RGB 37 175 212

HSL 192.69, 0.7%, 0.49%

LAB 66.37, -22.45, -28.7

 

CMYK 83 / 40 / 0 / 17

HEX #2580D4

RGB 37 128 212

HSL 208.8, 0.7%, 0.49%

LAB 52.49, 3.97, -50.47

 

CMYK 83 / 62 / 0 / 17

HEX #2550D4

RGB 37 80 212

HSL 225.26, 0.7%, 0.49%

LAB 39.38, 34.53, -71.67

 

CMYK 83 / 83 / 0 / 17

HEX #2525D4

RGB 37 37 212

HSL 240, 0.7%, 0.49%

LAB 30.57, 58.91, -86.22

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 93 / 0 / 5 / 9

HEX #11E8DC

RGB 17 232 220

HSL 176.65, 0.86%, 0.49%

LAB 83.44, -47.77, -7.24

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 70 / 0 / 4 / 25

HEX #39C0B8

RGB 57 192 184

HSL 176.44, 0.54%, 0.49%

LAB 70.89, -37.2, -6.44

 

CMYK 55 / 0 / 3 / 33

HEX #4DABA6

RGB 77 171 166

HSL 176.81, 0.38%, 0.49%

LAB 64.53, -28.87, -5.86

 

CMYK 35 / 0 / 2 / 41

HEX #629794

RGB 98 151 148

HSL 176.6, 0.21%, 0.49%

LAB 58.85, -18.23, -4.02

 

CMYK 10 / 0 / 1 / 49

HEX #768382

RGB 118 131 130

HSL 175.38, 0.05%, 0.49%

LAB 53.7, -4.96, -1.09

 

CMYK 83 / 0 / 50 / 17

HEX #25D46B

RGB 37 212 107

HSL 144, 0.7%, 0.49%

LAB 75.17, -64.43, 40.07

 

CMYK 83 / 0 / 27 / 17

HEX #25D49A

RGB 37 212 154

HSL 160.11, 0.7%, 0.49%

LAB 75.95, -55.4, 17

 

CMYK 83 / 0 / 6 / 17

HEX #25D4C8

RGB 37 212 200

HSL 175.89, 0.7%, 0.49%

LAB 77.07, -43.71, -6

 

CMYK 83 / 17 / 0 / 17

HEX #25B1D4

RGB 37 177 212

HSL 192, 0.7%, 0.49%

LAB 66.97, -23.48, -27.78

 

CMYK 83 / 39 / 0 / 17

HEX #2582D4

RGB 37 130 212

HSL 208.11, 0.7%, 0.49%

LAB 53.07, 2.76, -49.55

 

CMYK 82 / 0 / 5 / 44

HEX #198E87

RGB 25 142 135

HSL 176.41, 0.7%, 0.33%

LAB 53.28, -31.77, -5.07

 

CMYK 82 / 0 / 5 / 31

HEX #1FB1A8

RGB 31 177 168

HSL 176.3, 0.7%, 0.41%

LAB 65.41, -37.72, -5.79

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 69 / 0 / 4 / 13

HEX #44DED5

RGB 68 222 213

HSL 176.49, 0.7%, 0.57%

LAB 80.89, -41.34, -7.24

 

CMYK 54 / 0 / 3 / 11

HEX #68E4DD

RGB 104 228 221

HSL 176.61, 0.7%, 0.65%

LAB 83.78, -36.11, -7.1

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 72 / 83 / 0 / 17

HEX #3C25D4

RGB 60 37 212

HSL 247.89, 0.7%, 0.49%

LAB 31.89, 60.17, -83.98

 

CMYK 0 / 39 / 83 / 17

HEX #D48225

RGB 212 130 37

HSL 31.89, 0.7%, 0.49%

LAB 61.74, 24.9, 59.26

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 6 / 83 / 0 / 17

HEX #C825D4

RGB 200 37 212

HSL 295.89, 0.7%, 0.49%

LAB 49.93, 78.82, -53.8

 

CMYK 0 / 6 / 83 / 17

HEX #D4C825

RGB 212 200 37

HSL 55.89, 0.7%, 0.49%

LAB 79.29, -12.19, 74.32

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 72 / 83 / 0 / 17

HEX #3C25D4

RGB 60 37 212

HSL 247.89, 0.7%, 0.49%

LAB 31.89, 60.17, -83.98

 

CMYK 0 / 83 / 77 / 17

HEX #D42531

RGB 212 37 49

HSL 355.89, 0.7%, 0.49%

LAB 46.37, 65.31, 38.84

 

CMYK 11 / 0 / 83 / 17

HEX #BDD425

RGB 189 212 37

HSL 67.89, 0.7%, 0.49%

LAB 80.76, -27.77, 74.86

 

CMYK 83 / 0 / 5 / 17

HEX #25D4CA

RGB 37 212 202

HSL 176.57, 0.7%, 0.49%

LAB 77.13, -43.14, -6.99

 

CMYK 47 / 83 / 0 / 17

HEX #7125D4

RGB 113 37 212

HSL 266.06, 0.7%, 0.49%

LAB 37.09, 65.32, -75.22

 

CMYK 0 / 83 / 77 / 17

HEX #D42531

RGB 212 37 49

HSL 355.89, 0.7%, 0.49%

LAB 46.37, 65.31, 38.84

 

CMYK 36 / 0 / 83 / 17

HEX #88D425

RGB 136 212 37

HSL 86.06, 0.7%, 0.49%

LAB 77.55, -48.2, 70.82

 

Description

Color code: HEX #25D4CA | qconv.com Color code: HEX #25D4CA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 212 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 212 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 5 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 5% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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