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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25E48D it is the complementary color #DA1B72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25E48D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25E48D shade: #2AE488, #3BF69B, #4CFFAE, #5DFFC1 and #6EFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25E48D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25E48D shade: #25E48D, #14D27A, #03C067, #00AE54 and #009C41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25E48D shade: #25E48D, #25E459, #25E426, #57E425 and #8BE425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25E48D shade: #25E48D, #25E4C0, #25D4E4, #25A0E4 and #256DE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25E48D shade matches the following richer shades: #25E48D and #11F78E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25E48D shade: #25E48D, #38D08B, #4CBC89, #60A887 and #749486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25E48D shade: #25E425, #25E458, #25E48A, #25E4BD and #25D7E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25E48D shade: #14A261, #18C777, #25E48D, #49E8A0 and #6EEDB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25E48D shade: #25E48D, #2558E4 and #E43E25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25E48D shade: #25E48D, #8A25E4 and #E48A25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25E48D shade: #25E48D, #2558E4, #E4257E and #E4B125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25E48D shade: #25E48D, #2B25E4, #E4257E and #DDE425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

Complementary color

CMYK 0 / 88 / 48 / 15

HEX #DA1B72

RGB 218 27 114

HSL 332.67, 0.78%, 0.48%

LAB 48.14, 72.61, 1.89

 

CMYK 82 / 0 / 40 / 11

HEX #2AE488

RGB 42 228 136

HSL 150.32, 0.78%, 0.53%

LAB 80.6, -64.47, 32.63

 

CMYK 76 / 0 / 37 / 4

HEX #3BF69B

RGB 59 246 155

HSL 150.8, 0.91%, 0.6%

LAB 86.61, -65.48, 31.06

 

CMYK 70 / 0 / 32 / 0

HEX #4CFFAE

RGB 76 255 174

HSL 152.85, 1%, 0.65%

LAB 89.91, -62.87, 25.98

 

CMYK 64 / 0 / 24 / 0

HEX #5DFFC1

RGB 93 255 193

HSL 157.04, 1%, 0.68%

LAB 90.64, -56.3, 17.37

 

CMYK 57 / 0 / 17 / 0

HEX #6EFFD4

RGB 110 255 212

HSL 162.21, 1%, 0.72%

LAB 91.5, -49.06, 8.87

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 90 / 0 / 42 / 18

HEX #14D27A

RGB 20 210 122

HSL 152.21, 0.83%, 0.45%

LAB 74.6, -62.46, 31.82

 

CMYK 98 / 0 / 46 / 25

HEX #03C067

RGB 3 192 103

HSL 151.75, 0.97%, 0.38%

LAB 68.53, -60.49, 33.64

 

CMYK 100 / 0 / 52 / 32

HEX #00AE54

RGB 0 174 84

HSL 148.97, 1%, 0.34%

LAB 62.43, -57.83, 35.57

 

CMYK 100 / 0 / 58 / 39

HEX #009C41

RGB 0 156 65

HSL 145, 1%, 0.31%

LAB 56.25, -54.83, 37.48

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 84 / 0 / 61 / 11

HEX #25E459

RGB 37 228 89

HSL 136.34, 0.78%, 0.52%

LAB 79.95, -72, 54.11

 

CMYK 84 / 0 / 83 / 11

HEX #25E426

RGB 37 228 38

HSL 120.31, 0.78%, 0.52%

LAB 79.63, -76.13, 71.37

 

CMYK 62 / 0 / 84 / 11

HEX #57E425

RGB 87 228 37

HSL 104.29, 0.78%, 0.52%

LAB 80.54, -68.27, 72.77

 

CMYK 39 / 0 / 84 / 11

HEX #8BE425

RGB 139 228 37

HSL 87.96, 0.78%, 0.52%

LAB 82.44, -53.63, 75.17

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 84 / 0 / 16 / 11

HEX #25E4C0

RGB 37 228 192

HSL 168.69, 0.78%, 0.52%

LAB 81.67, -52.57, 4.98

 

CMYK 84 / 7 / 0 / 11

HEX #25D4E4

RGB 37 212 228

HSL 185.03, 0.78%, 0.52%

LAB 77.92, -35.5, -19.75

 

CMYK 84 / 30 / 0 / 11

HEX #25A0E4

RGB 37 160 228

HSL 201.36, 0.78%, 0.52%

LAB 62.62, -8.84, -43.37

 

CMYK 84 / 52 / 0 / 11

HEX #256DE4

RGB 37 109 228

HSL 217.38, 0.78%, 0.52%

LAB 48.17, 21.94, -66.45

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 93 / 0 / 43 / 3

HEX #11F78E

RGB 17 247 142

HSL 152.61, 0.93%, 0.52%

LAB 86.3, -71.41, 37.06

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 73 / 0 / 33 / 18

HEX #38D08B

RGB 56 208 139

HSL 152.76, 0.62%, 0.52%

LAB 74.71, -54.97, 23.24

 

CMYK 60 / 0 / 27 / 26

HEX #4CBC89

RGB 76 188 137

HSL 152.68, 0.46%, 0.52%

LAB 68.97, -43.88, 16.49

 

CMYK 43 / 0 / 20 / 34

HEX #60A887

RGB 96 168 135

HSL 152.5, 0.29%, 0.52%

LAB 63.54, -30.38, 10.08

 

CMYK 22 / 0 / 9 / 42

HEX #749486

RGB 116 148 134

HSL 153.75, 0.13%, 0.52%

LAB 58.62, -14.18, 3.74

 

CMYK 84 / 0 / 84 / 11

HEX #25E425

RGB 37 228 37

HSL 120, 0.78%, 0.52%

LAB 79.62, -76.17, 71.6

 

CMYK 84 / 0 / 61 / 11

HEX #25E458

RGB 37 228 88

HSL 136.02, 0.78%, 0.52%

LAB 79.95, -72.12, 54.53

 

CMYK 84 / 0 / 39 / 11

HEX #25E48A

RGB 37 228 138

HSL 151.73, 0.78%, 0.52%

LAB 80.58, -64.54, 31.58

 

CMYK 84 / 0 / 17 / 11

HEX #25E4BD

RGB 37 228 189

HSL 167.75, 0.78%, 0.52%

LAB 81.6, -53.33, 6.47

 

CMYK 84 / 6 / 0 / 11

HEX #25D7E4

RGB 37 215 228

HSL 184.08, 0.78%, 0.52%

LAB 78.81, -36.9, -18.41

 

CMYK 88 / 0 / 40 / 36

HEX #14A261

RGB 20 162 97

HSL 152.54, 0.78%, 0.36%

LAB 58.84, -50.19, 24.19

 

CMYK 88 / 0 / 40 / 22

HEX #18C777

RGB 24 199 119

HSL 152.57, 0.78%, 0.44%

LAB 71.13, -58.95, 28.81

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 69 / 0 / 31 / 9

HEX #49E8A0

RGB 73 232 160

HSL 152.83, 0.78%, 0.6%

LAB 82.74, -57.41, 23.32

 

CMYK 54 / 0 / 24 / 7

HEX #6EEDB3

RGB 110 237 179

HSL 152.6, 0.78%, 0.68%

LAB 85.57, -48.55, 17.56

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 84 / 61 / 0 / 11

HEX #2558E4

RGB 37 88 228

HSL 223.98, 0.78%, 0.52%

LAB 42.72, 35.37, -75.33

 

CMYK 0 / 73 / 84 / 11

HEX #E43E25

RGB 228 62 37

HSL 7.85, 0.78%, 0.52%

LAB 51.92, 62.36, 51.57

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 39 / 84 / 0 / 11

HEX #8A25E4

RGB 138 37 228

HSL 271.73, 0.78%, 0.52%

LAB 41.73, 72.14, -76.66

 

CMYK 0 / 39 / 84 / 11

HEX #E48A25

RGB 228 138 37

HSL 31.73, 0.78%, 0.52%

LAB 65.6, 27.36, 63.39

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 84 / 61 / 0 / 11

HEX #2558E4

RGB 37 88 228

HSL 223.98, 0.78%, 0.52%

LAB 42.72, 35.37, -75.33

 

CMYK 0 / 84 / 45 / 11

HEX #E4257E

RGB 228 37 126

HSL 332.04, 0.78%, 0.52%

LAB 51.06, 74.11, -0.92

 

CMYK 0 / 22 / 84 / 11

HEX #E4B125

RGB 228 177 37

HSL 43.98, 0.78%, 0.52%

LAB 74.87, 6.63, 71.21

 

CMYK 84 / 0 / 38 / 11

HEX #25E48D

RGB 37 228 141

HSL 152.67, 0.78%, 0.52%

LAB 80.63, -63.97, 30.12

 

CMYK 81 / 84 / 0 / 11

HEX #2B25E4

RGB 43 37 228

HSL 241.88, 0.78%, 0.52%

LAB 32.78, 63.84, -91.74

 

CMYK 0 / 84 / 45 / 11

HEX #E4257E

RGB 228 37 126

HSL 332.04, 0.78%, 0.52%

LAB 51.06, 74.11, -0.92

 

CMYK 3 / 0 / 84 / 11

HEX #DDE425

RGB 221 228 37

HSL 62.2, 0.78%, 0.52%

LAB 87.48, -22.2, 81.47

 

Description

Color code: HEX #25E48D | qconv.com Color code: HEX #25E48D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 228 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 228 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 38 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 38% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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