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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25E993 it is the complementary color #DA166C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25E993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25E993 shade: #2AE98E, #3BFBA1, #4CFFB4, #5DFFC7 and #6EFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25E993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25E993 shade: #25E993, #14D780, #03C56D, #00B35A and #00A147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25E993 shade: #24E993, #24E95E, #24E929, #55E924 and #8AE924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25E993 shade: #24E993, #24E9C8, #24D5E9, #24A0E9 and #246BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25E993 shade matches the following richer shades: #24E993 and #11FC95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25E993 shade: #24E993, #38D690, #4BC28E, #5FAF8C and #729B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25E993 shade: #24E928, #24E95C, #24E990, #24E9C5 and #24D9E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25E993 shade: #10AA67, #14D07E, #24E993, #4AEDA5 and #6FF0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25E993 shade: #25E993, #2456E9 and #E94224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25E993 shade: #25E993, #9024E9 and #E99024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25E993 shade: #25E993, #2456E9, #E9247D and #E9B824

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25E993 shade: #25E993, #2E24E9, #E9247D and #DFE924

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 37 / 9

HEX #25E993

RGB 37 233 147

HSL 153.67, 0.82%, 0.53%

LAB 82.26, -64.57, 29.24

 

Complementary color

CMYK 0 / 90 / 50 / 15

HEX #DA166C

RGB 218 22 108

HSL 333.67, 0.82%, 0.47%

LAB 47.7, 72.92, 4.95

 

CMYK 82 / 0 / 39 / 9

HEX #2AE98E

RGB 42 233 142

HSL 151.41, 0.81%, 0.54%

LAB 82.23, -65.1, 31.75

 

CMYK 76 / 0 / 36 / 2

HEX #3BFBA1

RGB 59 251 161

HSL 151.88, 0.96%, 0.61%

LAB 88.21, -66.13, 30.19

 

CMYK 70 / 0 / 29 / 0

HEX #4CFFB4

RGB 76 255 180

HSL 154.86, 1%, 0.65%

LAB 90.02, -61.67, 23.09

 

CMYK 64 / 0 / 22 / 0

HEX #5DFFC7

RGB 93 255 199

HSL 159.26, 1%, 0.68%

LAB 90.77, -55.01, 14.46

 

CMYK 57 / 0 / 15 / 0

HEX #6EFFDA

RGB 110 255 218

HSL 164.69, 1%, 0.72%

LAB 91.64, -47.69, 5.97

 

CMYK 84 / 0 / 37 / 9

HEX #25E993

RGB 37 233 147

HSL 153.67, 0.82%, 0.53%

LAB 82.26, -64.57, 29.24

 

CMYK 91 / 0 / 40 / 16

HEX #14D780

RGB 20 215 128

HSL 153.23, 0.83%, 0.46%

LAB 76.26, -63.06, 30.93

 

CMYK 98 / 0 / 45 / 23

HEX #03C56D

RGB 3 197 109

HSL 152.78, 0.97%, 0.39%

LAB 70.22, -61.11, 32.74

 

CMYK 100 / 0 / 50 / 30

HEX #00B35A

RGB 0 179 90

HSL 150.17, 1%, 0.35%

LAB 64.14, -58.5, 34.68

 

CMYK 100 / 0 / 56 / 37

HEX #00A147

RGB 0 161 71

HSL 146.46, 1%, 0.32%

LAB 57.98, -55.58, 36.62

 

CMYK 85 / 0 / 37 / 9

HEX #24E993

RGB 36 233 147

HSL 153.81, 0.82%, 0.53%

LAB 82.25, -64.65, 29.23

 

CMYK 85 / 0 / 60 / 9

HEX #24E95E

RGB 36 233 94

HSL 137.66, 0.82%, 0.53%

LAB 81.54, -73.02, 53.76

 

CMYK 85 / 0 / 82 / 9

HEX #24E929

RGB 36 233 41

HSL 121.52, 0.82%, 0.53%

LAB 81.19, -77.48, 72.07

 

CMYK 64 / 0 / 85 / 9

HEX #55E924

RGB 85 233 36

HSL 105.08, 0.82%, 0.53%

LAB 82.02, -70.36, 74.28

 

CMYK 41 / 0 / 85 / 9

HEX #8AE924

RGB 138 233 36

HSL 88.93, 0.82%, 0.53%

LAB 83.87, -55.95, 76.61

 

CMYK 85 / 0 / 37 / 9

HEX #24E993

RGB 36 233 147

HSL 153.81, 0.82%, 0.53%

LAB 82.25, -64.65, 29.23

 

CMYK 85 / 0 / 14 / 9

HEX #24E9C8

RGB 36 233 200

HSL 169.95, 0.82%, 0.53%

LAB 83.35, -52.63, 3.2

 

CMYK 85 / 9 / 0 / 9

HEX #24D5E9

RGB 36 213 233

HSL 186.09, 0.82%, 0.53%

LAB 78.37, -34.5, -21.74

 

CMYK 85 / 31 / 0 / 9

HEX #24A0E9

RGB 36 160 233

HSL 202.23, 0.82%, 0.53%

LAB 62.84, -7.13, -45.78

 

CMYK 85 / 54 / 0 / 9

HEX #246BE9

RGB 36 107 233

HSL 218.38, 0.82%, 0.53%

LAB 47.97, 25.04, -69.6

 

CMYK 85 / 0 / 37 / 9

HEX #24E993

RGB 36 233 147

HSL 153.81, 0.82%, 0.53%

LAB 82.25, -64.65, 29.23

 

CMYK 93 / 0 / 41 / 1

HEX #11FC95

RGB 17 252 149

HSL 153.7, 0.98%, 0.53%

LAB 87.93, -71.81, 35.73

 

CMYK 85 / 0 / 37 / 9

HEX #24E993

RGB 36 233 147

HSL 153.81, 0.82%, 0.53%

LAB 82.25, -64.65, 29.23

 

CMYK 74 / 0 / 33 / 16

HEX #38D690

RGB 56 214 144

HSL 153.42, 0.66%, 0.53%

LAB 76.65, -56.24, 23.26

 

CMYK 61 / 0 / 27 / 24

HEX #4BC28E

RGB 75 194 142

HSL 153.78, 0.49%, 0.53%

LAB 70.89, -45.55, 16.46

 

CMYK 46 / 0 / 20 / 31

HEX #5FAF8C

RGB 95 175 140

HSL 153.75, 0.33%, 0.53%

LAB 65.74, -32.89, 10.41

 

CMYK 26 / 0 / 12 / 39

HEX #729B89

RGB 114 155 137

HSL 153.66, 0.17%, 0.53%

LAB 60.63, -17.92, 4.92

 

CMYK 85 / 0 / 83 / 9

HEX #24E928

RGB 36 233 40

HSL 121.22, 0.82%, 0.53%

LAB 81.18, -77.53, 72.3

 

CMYK 85 / 0 / 61 / 9

HEX #24E95C

RGB 36 233 92

HSL 137.06, 0.82%, 0.53%

LAB 81.52, -73.26, 54.61

 

CMYK 85 / 0 / 38 / 9

HEX #24E990

RGB 36 233 144

HSL 152.89, 0.82%, 0.53%

LAB 82.2, -65.23, 30.69

 

CMYK 85 / 0 / 15 / 9

HEX #24E9C5

RGB 36 233 197

HSL 169.04, 0.82%, 0.53%

LAB 83.28, -53.39, 4.67

 

CMYK 85 / 7 / 0 / 9

HEX #24D9E9

RGB 36 217 233

HSL 184.87, 0.82%, 0.53%

LAB 79.55, -36.38, -19.96

 

CMYK 91 / 0 / 39 / 33

HEX #10AA67

RGB 16 170 103

HSL 153.9, 0.83%, 0.36%

LAB 61.51, -52.2, 24.51

 

CMYK 90 / 0 / 39 / 18

HEX #14D07E

RGB 20 208 126

HSL 153.83, 0.82%, 0.45%

LAB 74.04, -61.01, 29.03

 

CMYK 85 / 0 / 37 / 9

HEX #24E993

RGB 36 233 147

HSL 153.81, 0.82%, 0.53%

LAB 82.25, -64.65, 29.23

 

CMYK 69 / 0 / 30 / 7

HEX #4AEDA5

RGB 74 237 165

HSL 153.5, 0.82%, 0.61%

LAB 84.35, -58.16, 22.96

 

CMYK 54 / 0 / 23 / 6

HEX #6FF0B8

RGB 111 240 184

HSL 153.95, 0.81%, 0.69%

LAB 86.58, -48.56, 16.39

 

CMYK 84 / 0 / 37 / 9

HEX #25E993

RGB 37 233 147

HSL 153.67, 0.82%, 0.53%

LAB 82.26, -64.57, 29.24

 

CMYK 85 / 63 / 0 / 9

HEX #2456E9

RGB 36 86 233

HSL 224.77, 0.82%, 0.53%

LAB 42.63, 38.41, -78.32

 

CMYK 0 / 72 / 85 / 9

HEX #E94224

RGB 233 66 36

HSL 9.14, 0.82%, 0.53%

LAB 53.33, 62.5, 53.61

 

CMYK 84 / 0 / 37 / 9

HEX #25E993

RGB 37 233 147

HSL 153.67, 0.82%, 0.53%

LAB 82.26, -64.57, 29.24

 

CMYK 38 / 85 / 0 / 9

HEX #9024E9

RGB 144 36 233

HSL 272.89, 0.82%, 0.53%

LAB 42.87, 74.26, -77.6

 

CMYK 0 / 38 / 85 / 9

HEX #E99024

RGB 233 144 36

HSL 32.89, 0.82%, 0.53%

LAB 67.57, 26.25, 65.63

 

CMYK 84 / 0 / 37 / 9

HEX #25E993

RGB 37 233 147

HSL 153.67, 0.82%, 0.53%

LAB 82.26, -64.57, 29.24

 

CMYK 85 / 63 / 0 / 9

HEX #2456E9

RGB 36 86 233

HSL 224.77, 0.82%, 0.53%

LAB 42.63, 38.41, -78.32

 

CMYK 0 / 85 / 46 / 9

HEX #E9247D

RGB 233 36 125

HSL 332.89, 0.82%, 0.53%

LAB 51.91, 75.41, 1.03

 

CMYK 0 / 21 / 85 / 9

HEX #E9B824

RGB 233 184 36

HSL 45.08, 0.82%, 0.53%

LAB 77.12, 5.09, 73.55

 

CMYK 84 / 0 / 37 / 9

HEX #25E993

RGB 37 233 147

HSL 153.67, 0.82%, 0.53%

LAB 82.26, -64.57, 29.24

 

CMYK 80 / 85 / 0 / 9

HEX #2E24E9

RGB 46 36 233

HSL 243.05, 0.82%, 0.53%

LAB 33.41, 65.78, -93.55

 

CMYK 0 / 85 / 46 / 9

HEX #E9247D

RGB 233 36 125

HSL 332.89, 0.82%, 0.53%

LAB 51.91, 75.41, 1.03

 

CMYK 4 / 0 / 85 / 9

HEX #DFE924

RGB 223 233 36

HSL 63.05, 0.82%, 0.53%

LAB 88.97, -23.79, 82.97

 

Description

Color code: HEX #25E993 | qconv.com Color code: HEX #25E993 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 233 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 233 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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