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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25FC37 it is the complementary color #DA03C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25FC37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25FC37 shade: #2AFC32, #3BFF45, #4CFF58, #5DFF6B and #6EFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25FC37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25FC37 shade: #25FC37, #14EA24, #03D811, #00C600 and #00B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25FC37 shade: #26FB38, #4EFB26, #87FB26, #C1FB26 and #FAFB26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25FC37 shade: #26FB38, #26FB72, #26FBAB, #26FBE4 and #26D9FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25FC37 shade matches the following richer shades: #26FB38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25FC37 shade: #26FB38, #38E947, #4AD856, #5CC665 and #6DB473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25FC37 shade: #86FB26, #4DFB26, #26FB38, #26FB71 and #26FBAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25FC37 shade: #03CD14, #03F517, #26FB38, #4FFC5E and #78FC83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25FC37 shade: #25FC37, #26BFFB and #FB266A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25FC37 shade: #25FC37, #3826FB and #FB3826

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25FC37 shade: #25FC37, #26BFFB, #FB26E9 and #FB6326

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25FC37 shade: #25FC37, #267FFB, #FB26E9 and #FBA326

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 78 / 1

HEX #25FC37

RGB 37 252 55

HSL 125.02, 0.97%, 0.57%

LAB 87.14, -81.92, 73.91

 

Complementary color

CMYK 0 / 99 / 8 / 15

HEX #DA03C8

RGB 218 3 200

HSL 305.02, 0.97%, 0.43%

LAB 50.85, 84.57, -45.23

 

CMYK 83 / 0 / 80 / 1

HEX #2AFC32

RGB 42 252 50

HSL 122.29, 0.97%, 0.58%

LAB 87.16, -81.77, 75.32

 

CMYK 77 / 0 / 73 / 0

HEX #3BFF45

RGB 59 255 69

HSL 123.06, 1%, 0.62%

LAB 88.39, -79.57, 70.91

 

CMYK 70 / 0 / 65 / 0

HEX #4CFF58

RGB 76 255 88

HSL 124.02, 1%, 0.65%

LAB 88.81, -75.51, 64.54

 

CMYK 64 / 0 / 58 / 0

HEX #5DFF6B

RGB 93 255 107

HSL 125.19, 1%, 0.68%

LAB 89.35, -70.47, 57.39

 

CMYK 57 / 0 / 51 / 0

HEX #6EFF7E

RGB 110 255 126

HSL 126.62, 1%, 0.72%

LAB 90.02, -64.53, 49.75

 

CMYK 85 / 0 / 78 / 1

HEX #25FC37

RGB 37 252 55

HSL 125.02, 0.97%, 0.57%

LAB 87.14, -81.92, 73.91

 

CMYK 91 / 0 / 85 / 8

HEX #14EA24

RGB 20 234 36

HSL 124.49, 0.84%, 0.5%

LAB 81.36, -79.1, 73.33

 

CMYK 99 / 0 / 92 / 15

HEX #03D811

RGB 3 216 17

HSL 123.94, 0.97%, 0.43%

LAB 75.56, -75.6, 71.65

 

CMYK 100 / 0 / 100 / 22

HEX #00C600

RGB 0 198 0

HSL 120, 1%, 0.39%

LAB 69.75, -71.24, 68.75

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 85 / 0 / 78 / 2

HEX #26FB38

RGB 38 251 56

HSL 125.07, 0.96%, 0.57%

LAB 86.85, -81.5, 73.35

 

CMYK 69 / 0 / 85 / 2

HEX #4EFB26

RGB 78 251 38

HSL 108.73, 0.96%, 0.57%

LAB 87.37, -77.23, 78.52

 

CMYK 46 / 0 / 85 / 2

HEX #87FB26

RGB 135 251 38

HSL 92.68, 0.96%, 0.57%

LAB 89.06, -63.6, 80.65

 

CMYK 23 / 0 / 85 / 2

HEX #C1FB26

RGB 193 251 38

HSL 76.34, 0.96%, 0.57%

LAB 91.9, -43.82, 84.2

 

CMYK 0 / 0 / 85 / 2

HEX #FAFB26

RGB 250 251 38

HSL 60.28, 0.96%, 0.57%

LAB 95.77, -21.24, 88.99

 

CMYK 85 / 0 / 78 / 2

HEX #26FB38

RGB 38 251 56

HSL 125.07, 0.96%, 0.57%

LAB 86.85, -81.5, 73.35

 

CMYK 85 / 0 / 55 / 2

HEX #26FB72

RGB 38 251 114

HSL 141.41, 0.96%, 0.57%

LAB 87.3, -75.84, 51.64

 

CMYK 85 / 0 / 32 / 2

HEX #26FBAB

RGB 38 251 171

HSL 157.46, 0.96%, 0.57%

LAB 88.14, -66.07, 24.99

 

CMYK 85 / 0 / 9 / 2

HEX #26FBE4

RGB 38 251 228

HSL 173.52, 0.96%, 0.57%

LAB 89.4, -52.56, -2.64

 

CMYK 85 / 14 / 0 / 2

HEX #26D9FB

RGB 38 217 251

HSL 189.58, 0.96%, 0.57%

LAB 80.18, -30.66, -28.58

 

CMYK 85 / 0 / 78 / 2

HEX #26FB38

RGB 38 251 56

HSL 125.07, 0.96%, 0.57%

LAB 86.85, -81.5, 73.35

 

CMYK 85 / 0 / 78 / 2

HEX #26FB38

RGB 38 251 56

HSL 125.07, 0.96%, 0.57%

LAB 86.85, -81.5, 73.35

 

CMYK 76 / 0 / 70 / 9

HEX #38E947

RGB 56 233 71

HSL 125.08, 0.8%, 0.57%

LAB 81.61, -73.22, 63.24

 

CMYK 66 / 0 / 60 / 15

HEX #4AD856

RGB 74 216 86

HSL 125.07, 0.65%, 0.57%

LAB 76.82, -63.27, 52

 

CMYK 54 / 0 / 49 / 22

HEX #5CC665

RGB 92 198 101

HSL 125.09, 0.48%, 0.57%

LAB 71.96, -50.64, 39.3

 

CMYK 39 / 0 / 36 / 29

HEX #6DB473

RGB 109 180 115

HSL 125.07, 0.32%, 0.57%

LAB 67.38, -35.96, 26.34

 

CMYK 47 / 0 / 85 / 2

HEX #86FB26

RGB 134 251 38

HSL 92.96, 0.96%, 0.57%

LAB 89.02, -63.9, 80.6

 

CMYK 69 / 0 / 85 / 2

HEX #4DFB26

RGB 77 251 38

HSL 109.01, 0.96%, 0.57%

LAB 87.34, -77.41, 78.49

 

CMYK 85 / 0 / 78 / 2

HEX #26FB38

RGB 38 251 56

HSL 125.07, 0.96%, 0.57%

LAB 86.85, -81.5, 73.35

 

CMYK 85 / 0 / 55 / 2

HEX #26FB71

RGB 38 251 113

HSL 141.13, 0.96%, 0.57%

LAB 87.29, -75.98, 52.08

 

CMYK 85 / 0 / 32 / 2

HEX #26FBAA

RGB 38 251 170

HSL 157.18, 0.96%, 0.57%

LAB 88.12, -66.28, 25.48

 

CMYK 99 / 0 / 90 / 20

HEX #03CD14

RGB 3 205 20

HSL 125.05, 0.97%, 0.41%

LAB 72.05, -72.55, 68.24

 

CMYK 99 / 0 / 91 / 4

HEX #03F517

RGB 3 245 23

HSL 124.96, 0.98%, 0.49%

LAB 84.68, -83.11, 78.51

 

CMYK 85 / 0 / 78 / 2

HEX #26FB38

RGB 38 251 56

HSL 125.07, 0.96%, 0.57%

LAB 86.85, -81.5, 73.35

 

CMYK 69 / 0 / 63 / 1

HEX #4FFC5E

RGB 79 252 94

HSL 125.2, 0.97%, 0.65%

LAB 88.01, -73.46, 61.28

 

CMYK 52 / 0 / 48 / 1

HEX #78FC83

RGB 120 252 131

HSL 125, 0.96%, 0.73%

LAB 89.51, -60.38, 46.85

 

CMYK 85 / 0 / 78 / 1

HEX #25FC37

RGB 37 252 55

HSL 125.02, 0.97%, 0.57%

LAB 87.14, -81.92, 73.91

 

CMYK 85 / 24 / 0 / 2

HEX #26BFFB

RGB 38 191 251

HSL 196.9, 0.96%, 0.57%

LAB 72.65, -17.56, -40.21

 

CMYK 0 / 85 / 58 / 2

HEX #FB266A

RGB 251 38 106

HSL 340.85, 0.96%, 0.57%

LAB 55.01, 78.01, 17.34

 

CMYK 85 / 0 / 78 / 1

HEX #25FC37

RGB 37 252 55

HSL 125.02, 0.97%, 0.57%

LAB 87.14, -81.92, 73.91

 

CMYK 78 / 85 / 0 / 2

HEX #3826FB

RGB 56 38 251

HSL 245.07, 0.96%, 0.57%

LAB 36.35, 70.43, -98.82

 

CMYK 0 / 78 / 85 / 2

HEX #FB3826

RGB 251 56 38

HSL 5.07, 0.96%, 0.57%

LAB 55.56, 71.01, 55.94

 

CMYK 85 / 0 / 78 / 1

HEX #25FC37

RGB 37 252 55

HSL 125.02, 0.97%, 0.57%

LAB 87.14, -81.92, 73.91

 

CMYK 85 / 24 / 0 / 2

HEX #26BFFB

RGB 38 191 251

HSL 196.9, 0.96%, 0.57%

LAB 72.65, -17.56, -40.21

 

CMYK 0 / 85 / 7 / 2

HEX #FB26E9

RGB 251 38 233

HSL 305.07, 0.96%, 0.57%

LAB 59.69, 90.88, -49.63

 

CMYK 0 / 61 / 85 / 2

HEX #FB6326

RGB 251 99 38

HSL 17.18, 0.96%, 0.57%

LAB 61.28, 55.41, 60.73

 

CMYK 85 / 0 / 78 / 1

HEX #25FC37

RGB 37 252 55

HSL 125.02, 0.97%, 0.57%

LAB 87.14, -81.92, 73.91

 

CMYK 85 / 49 / 0 / 2

HEX #267FFB

RGB 38 127 251

HSL 214.93, 0.96%, 0.57%

LAB 54.61, 19.38, -68.87

 

CMYK 0 / 85 / 7 / 2

HEX #FB26E9

RGB 251 38 233

HSL 305.07, 0.96%, 0.57%

LAB 59.69, 90.88, -49.63

 

CMYK 0 / 35 / 85 / 2

HEX #FBA326

RGB 251 163 38

HSL 35.21, 0.96%, 0.57%

LAB 74.09, 23.82, 71.32

 

Description

Color code: HEX #25FC37 | qconv.com Color code: HEX #25FC37 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 252 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 252 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 78 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 78% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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