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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25FCB0 it is the complementary color #DA034F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25FCB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25FCB0 shade: #2AFCAB, #3BFFBE, #4CFFD1, #5DFFE4 and #6EFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25FCB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25FCB0 shade: #25FCB0, #14EA9D, #03D88A, #00C677 and #00B464

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25FCB0 shade: #26FBB0, #26FB77, #26FB3D, #49FB26 and #82FB26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25FCB0 shade: #26FBB0, #26FBE9, #26D4FB, #269AFB and #2661FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25FCB0 shade matches the following richer shades: #26FBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25FCB0 shade: #26FBB0, #38E9AB, #4AD8A6, #5CC6A0 and #6DB49B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25FCB0 shade: #26FB3C, #26FB74, #26FBAD, #26FBE6 and #26D8FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25FCB0 shade: #03CD85, #03F5A0, #26FBB0, #4FFCBF and #78FCCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25FCB0 shade: #25FCB0, #264AFB and #FB5826

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25FCB0 shade: #25FCB0, #AD26FB and #FBAD26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25FCB0 shade: #25FCB0, #264AFB, #FB2674 and #FBD826

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25FCB0 shade: #25FCB0, #4326FB, #FB2674 and #DFFB26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 30 / 1

HEX #25FCB0

RGB 37 252 176

HSL 158.79, 0.97%, 0.57%

LAB 88.52, -65.46, 22.97

 

Complementary color

CMYK 0 / 99 / 64 / 15

HEX #DA034F

RGB 218 3 79

HSL 338.79, 0.97%, 0.43%

LAB 46.36, 72.99, 21.06

 

CMYK 83 / 0 / 32 / 1

HEX #2AFCAB

RGB 42 252 171

HSL 156.86, 0.97%, 0.58%

LAB 88.47, -66.13, 25.46

 

CMYK 77 / 0 / 25 / 0

HEX #3BFFBE

RGB 59 255 190

HSL 160.1, 1%, 0.62%

LAB 89.94, -61.64, 17.82

 

CMYK 70 / 0 / 18 / 0

HEX #4CFFD1

RGB 76 255 209

HSL 164.58, 1%, 0.65%

LAB 90.62, -55.29, 9.06

 

CMYK 64 / 0 / 11 / 0

HEX #5DFFE4

RGB 93 255 228

HSL 170, 1%, 0.68%

LAB 91.44, -48.27, 0.45

 

CMYK 57 / 0 / 3 / 0

HEX #6EFFF7

RGB 110 255 247

HSL 176.69, 1%, 0.72%

LAB 92.38, -40.67, -7.96

 

CMYK 85 / 0 / 30 / 1

HEX #25FCB0

RGB 37 252 176

HSL 158.79, 0.97%, 0.57%

LAB 88.52, -65.46, 22.97

 

CMYK 91 / 0 / 33 / 8

HEX #14EA9D

RGB 20 234 157

HSL 158.41, 0.84%, 0.5%

LAB 82.61, -63.95, 24.58

 

CMYK 99 / 0 / 36 / 15

HEX #03D88A

RGB 3 216 138

HSL 158.03, 0.97%, 0.43%

LAB 76.66, -62.08, 26.31

 

CMYK 100 / 0 / 40 / 22

HEX #00C677

RGB 0 198 119

HSL 156.06, 1%, 0.39%

LAB 70.68, -59.68, 28.19

 

CMYK 100 / 0 / 44 / 29

HEX #00B464

RGB 0 180 100

HSL 153.33, 1%, 0.35%

LAB 64.61, -57.07, 30.14

 

CMYK 85 / 0 / 30 / 2

HEX #26FBB0

RGB 38 251 176

HSL 158.87, 0.96%, 0.57%

LAB 88.23, -65.03, 22.57

 

CMYK 85 / 0 / 53 / 2

HEX #26FB77

RGB 38 251 119

HSL 142.82, 0.96%, 0.57%

LAB 87.36, -75.15, 49.42

 

CMYK 85 / 0 / 76 / 2

HEX #26FB3D

RGB 38 251 61

HSL 126.48, 0.96%, 0.57%

LAB 86.87, -81.18, 71.89

 

CMYK 71 / 0 / 85 / 2

HEX #49FB26

RGB 73 251 38

HSL 110.14, 0.96%, 0.57%

LAB 87.27, -78.09, 78.39

 

CMYK 48 / 0 / 85 / 2

HEX #82FB26

RGB 130 251 38

HSL 94.08, 0.96%, 0.57%

LAB 88.87, -65.06, 80.41

 

CMYK 85 / 0 / 30 / 2

HEX #26FBB0

RGB 38 251 176

HSL 158.87, 0.96%, 0.57%

LAB 88.23, -65.03, 22.57

 

CMYK 85 / 0 / 7 / 2

HEX #26FBE9

RGB 38 251 233

HSL 174.93, 0.96%, 0.57%

LAB 89.53, -51.22, -5.04

 

CMYK 85 / 16 / 0 / 2

HEX #26D4FB

RGB 38 212 251

HSL 190.99, 0.96%, 0.57%

LAB 78.73, -28.23, -30.8

 

CMYK 85 / 39 / 0 / 2

HEX #269AFB

RGB 38 154 251

HSL 207.32, 0.96%, 0.57%

LAB 62.07, 3.03, -56.89

 

CMYK 85 / 61 / 0 / 2

HEX #2661FB

RGB 38 97 251

HSL 223.38, 0.96%, 0.57%

LAB 46.88, 38.22, -81.46

 

CMYK 85 / 0 / 30 / 2

HEX #26FBB0

RGB 38 251 176

HSL 158.87, 0.96%, 0.57%

LAB 88.23, -65.03, 22.57

 

CMYK 85 / 0 / 30 / 2

HEX #26FBB0

RGB 38 251 176

HSL 158.87, 0.96%, 0.57%

LAB 88.23, -65.03, 22.57

 

CMYK 76 / 0 / 27 / 9

HEX #38E9AB

RGB 56 233 171

HSL 158.98, 0.8%, 0.57%

LAB 82.94, -57.75, 17.86

 

CMYK 66 / 0 / 23 / 15

HEX #4AD8A6

RGB 74 216 166

HSL 158.87, 0.65%, 0.57%

LAB 78.06, -49.6, 13.69

 

CMYK 54 / 0 / 19 / 22

HEX #5CC6A0

RGB 92 198 160

HSL 158.49, 0.48%, 0.57%

LAB 73.02, -39.73, 9.83

 

CMYK 39 / 0 / 14 / 29

HEX #6DB49B

RGB 109 180 155

HSL 158.87, 0.32%, 0.57%

LAB 68.21, -28.15, 5.77

 

CMYK 85 / 0 / 76 / 2

HEX #26FB3C

RGB 38 251 60

HSL 126.2, 0.96%, 0.57%

LAB 86.87, -81.25, 72.19

 

CMYK 85 / 0 / 54 / 2

HEX #26FB74

RGB 38 251 116

HSL 141.97, 0.96%, 0.57%

LAB 87.32, -75.57, 50.75

 

CMYK 85 / 0 / 31 / 2

HEX #26FBAD

RGB 38 251 173

HSL 158.03, 0.96%, 0.57%

LAB 88.17, -65.66, 24.02

 

CMYK 85 / 0 / 8 / 2

HEX #26FBE6

RGB 38 251 230

HSL 174.08, 0.96%, 0.57%

LAB 89.45, -52.03, -3.6

 

CMYK 85 / 14 / 0 / 2

HEX #26D8FB

RGB 38 216 251

HSL 189.86, 0.96%, 0.57%

LAB 79.89, -30.18, -29.02

 

CMYK 99 / 0 / 35 / 20

HEX #03CD85

RGB 3 205 133

HSL 158.61, 0.97%, 0.41%

LAB 73.14, -59.22, 24.17

 

CMYK 99 / 0 / 35 / 4

HEX #03F5A0

RGB 3 245 160

HSL 158.93, 0.98%, 0.49%

LAB 85.94, -67.73, 27.56

 

CMYK 85 / 0 / 30 / 2

HEX #26FBB0

RGB 38 251 176

HSL 158.87, 0.96%, 0.57%

LAB 88.23, -65.03, 22.57

 

CMYK 69 / 0 / 24 / 1

HEX #4FFCBF

RGB 79 252 191

HSL 158.84, 0.97%, 0.65%

LAB 89.41, -57.76, 16.63

 

CMYK 52 / 0 / 18 / 1

HEX #78FCCE

RGB 120 252 206

HSL 159.09, 0.96%, 0.73%

LAB 90.81, -47.06, 11.03

 

CMYK 85 / 0 / 30 / 1

HEX #25FCB0

RGB 37 252 176

HSL 158.79, 0.97%, 0.57%

LAB 88.52, -65.46, 22.97

 

CMYK 85 / 71 / 0 / 2

HEX #264AFB

RGB 38 74 251

HSL 229.86, 0.96%, 0.57%

LAB 41.65, 52.15, -90.06

 

CMYK 0 / 65 / 85 / 2

HEX #FB5826

RGB 251 88 38

HSL 14.08, 0.96%, 0.57%

LAB 59.55, 60.03, 59.28

 

CMYK 85 / 0 / 30 / 1

HEX #25FCB0

RGB 37 252 176

HSL 158.79, 0.97%, 0.57%

LAB 88.52, -65.46, 22.97

 

CMYK 31 / 85 / 0 / 2

HEX #AD26FB

RGB 173 38 251

HSL 278.03, 0.96%, 0.57%

LAB 48.56, 81.28, -78.27

 

CMYK 0 / 31 / 85 / 2

HEX #FBAD26

RGB 251 173 38

HSL 38.03, 0.96%, 0.57%

LAB 76.4, 18.59, 73.21

 

CMYK 85 / 0 / 30 / 1

HEX #25FCB0

RGB 37 252 176

HSL 158.79, 0.97%, 0.57%

LAB 88.52, -65.46, 22.97

 

CMYK 85 / 71 / 0 / 2

HEX #264AFB

RGB 38 74 251

HSL 229.86, 0.96%, 0.57%

LAB 41.65, 52.15, -90.06

 

CMYK 0 / 85 / 54 / 2

HEX #FB2674

RGB 251 38 116

HSL 338.03, 0.96%, 0.57%

LAB 55.23, 78.66, 11.66

 

CMYK 0 / 14 / 85 / 2

HEX #FBD826

RGB 251 216 38

HSL 50.14, 0.96%, 0.57%

LAB 86.88, -3.63, 81.78

 

CMYK 85 / 0 / 30 / 1

HEX #25FCB0

RGB 37 252 176

HSL 158.79, 0.97%, 0.57%

LAB 88.52, -65.46, 22.97

 

CMYK 73 / 85 / 0 / 2

HEX #4326FB

RGB 67 38 251

HSL 248.17, 0.96%, 0.57%

LAB 37.01, 70.96, -97.7

 

CMYK 0 / 85 / 54 / 2

HEX #FB2674

RGB 251 38 116

HSL 338.03, 0.96%, 0.57%

LAB 55.23, 78.66, 11.66

 

CMYK 11 / 0 / 85 / 2

HEX #DFFB26

RGB 223 251 38

HSL 67.89, 0.96%, 0.57%

LAB 93.81, -32.16, 86.57

 

Description

Color code: HEX #25FCB0 | qconv.com Color code: HEX #25FCB0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 252 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 252 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 30 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 30% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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