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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #263B53 it is the complementary color #D9C4AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #263B53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #263B53 shade: #2B3B4E, #3C4D61, #4D5F74, #5E7187 and #6F839A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #263B53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #263B53 shade: #263B53, #152940, #04172D, #00051A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #263B53 shade: #263B53, #262F53, #292653, #362653 and #422653

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #263B53 shade: #263B53, #262F53 and #262653

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #263B53 shade matches the following richer shades: #263B53, #1C3B5D, #123A67 and #083971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #263B53 shade: #263B53, #303C49, #3A3D40, #443D36 and #4E3E2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #263B53 shade: #265353, #264753, #263B53, #262F53 and #292653

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #263B53 shade: #0C131B, #192737, #263B53, #334F70 and #40638C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #263B53 shade: #263B53, #472653 and #4D5326

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #263B53 shade: #263B53, #53263B and #3B5326

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #263B53 shade: #263B53, #472653, #533E26 and #325326

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #263B53 shade: #263B53, #532652, #533E26 and #265328

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

Complementary color

CMYK 0 / 10 / 21 / 15

HEX #D9C4AC

RGB 217 196 172

HSL 32, 0.37%, 0.76%

LAB 80.3, 3.59, 14.74

 

CMYK 45 / 24 / 0 / 69

HEX #2B3B4E

RGB 43 59 78

HSL 212.57, 0.29%, 0.24%

LAB 24.29, -0.71, -13.62

 

CMYK 38 / 21 / 0 / 62

HEX #3C4D61

RGB 60 77 97

HSL 212.43, 0.24%, 0.31%

LAB 32.1, -1.06, -13.83

 

CMYK 34 / 18 / 0 / 55

HEX #4D5F74

RGB 77 95 116

HSL 212.31, 0.2%, 0.38%

LAB 39.62, -1.32, -14.09

 

CMYK 30 / 16 / 0 / 47

HEX #5E7187

RGB 94 113 135

HSL 212.2, 0.18%, 0.45%

LAB 46.89, -1.53, -14.38

 

CMYK 28 / 15 / 0 / 40

HEX #6F839A

RGB 111 131 154

HSL 212.09, 0.18%, 0.52%

LAB 53.97, -1.71, -14.69

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 67 / 36 / 0 / 75

HEX #152940

RGB 21 41 64

HSL 212.09, 0.51%, 0.17%

LAB 16.08, 0.39, -17.02

 

CMYK 91 / 49 / 0 / 82

HEX #04172D

RGB 4 23 45

HSL 212.2, 0.84%, 0.1%

LAB 7.48, 1.76, -17.1

 

CMYK 100 / 81 / 0 / 90

HEX #00051A

RGB 0 5 26

HSL 228.46, 1%, 0.05%

LAB 1.65, 2.73, -11.44

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 54 / 43 / 0 / 67

HEX #262F53

RGB 38 47 83

HSL 228, 0.37%, 0.24%

LAB 20.32, 7.82, -23.18

 

CMYK 51 / 54 / 0 / 67

HEX #292653

RGB 41 38 83

HSL 244, 0.37%, 0.24%

LAB 17.84, 15.07, -27.12

 

CMYK 35 / 54 / 0 / 67

HEX #362653

RGB 54 38 83

HSL 261.33, 0.37%, 0.24%

LAB 19.2, 18.87, -24.86

 

CMYK 20 / 54 / 0 / 67

HEX #422653

RGB 66 38 83

HSL 277.33, 0.37%, 0.24%

LAB 20.71, 22.67, -22.38

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 54 / 43 / 0 / 67

HEX #262F53

RGB 38 47 83

HSL 228, 0.37%, 0.24%

LAB 20.32, 7.82, -23.18

 

CMYK 54 / 54 / 0 / 67

HEX #262653

RGB 38 38 83

HSL 240, 0.37%, 0.24%

LAB 17.57, 14.27, -27.57

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 70 / 37 / 0 / 64

HEX #1C3B5D

RGB 28 59 93

HSL 211.38, 0.54%, 0.24%

LAB 24.21, 0.87, -23.67

 

CMYK 83 / 44 / 0 / 60

HEX #123A67

RGB 18 58 103

HSL 211.76, 0.7%, 0.24%

LAB 24.11, 4.03, -30.35

 

CMYK 93 / 50 / 0 / 56

HEX #083971

RGB 8 57 113

HSL 212, 0.87%, 0.24%

LAB 24.23, 8.08, -36.6

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 34 / 18 / 0 / 71

HEX #303C49

RGB 48 60 73

HSL 211.2, 0.21%, 0.24%

LAB 24.77, -1.27, -9.56

 

CMYK 9 / 5 / 0 / 75

HEX #3A3D40

RGB 58 61 64

HSL 210, 0.05%, 0.24%

LAB 25.59, -0.55, -2.28

 

CMYK 0 / 10 / 21 / 73

HEX #443D36

RGB 68 61 54

HSL 30, 0.11%, 0.24%

LAB 26.25, 1.64, 5.41

 

CMYK 0 / 21 / 44 / 69

HEX #4E3E2C

RGB 78 62 44

HSL 31.76, 0.28%, 0.24%

LAB 27.43, 4.07, 13.7

 

CMYK 54 / 0 / 0 / 67

HEX #265353

RGB 38 83 83

HSL 180, 0.37%, 0.24%

LAB 32.31, -15.38, -4.76

 

CMYK 54 / 14 / 0 / 67

HEX #264753

RGB 38 71 83

HSL 196, 0.37%, 0.24%

LAB 28.23, -8.25, -10.9

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 54 / 43 / 0 / 67

HEX #262F53

RGB 38 47 83

HSL 228, 0.37%, 0.24%

LAB 20.32, 7.82, -23.18

 

CMYK 51 / 54 / 0 / 67

HEX #292653

RGB 41 38 83

HSL 244, 0.37%, 0.24%

LAB 17.84, 15.07, -27.12

 

CMYK 56 / 30 / 0 / 89

HEX #0C131B

RGB 12 19 27

HSL 212, 0.38%, 0.08%

LAB 5.63, -0.4, -6.29

 

CMYK 55 / 29 / 0 / 78

HEX #192737

RGB 25 39 55

HSL 212, 0.38%, 0.16%

LAB 15.13, -0.53, -12.2

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 54 / 29 / 0 / 56

HEX #334F70

RGB 51 79 112

HSL 212.46, 0.37%, 0.32%

LAB 32.84, -0.1, -22.19

 

CMYK 54 / 29 / 0 / 45

HEX #40638C

RGB 64 99 140

HSL 212.37, 0.37%, 0.4%

LAB 41.07, -0.05, -26.5

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 14 / 54 / 0 / 67

HEX #472653

RGB 71 38 83

HSL 284, 0.37%, 0.24%

LAB 21.4, 24.3, -21.25

 

CMYK 7 / 0 / 54 / 67

HEX #4D5326

RGB 77 83 38

HSL 68, 0.37%, 0.24%

LAB 33.78, -10.07, 25.31

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 0 / 54 / 29 / 67

HEX #53263B

RGB 83 38 59

HSL 332, 0.37%, 0.24%

LAB 22.09, 23.78, -3.75

 

CMYK 29 / 0 / 54 / 67

HEX #3B5326

RGB 59 83 38

HSL 92, 0.37%, 0.24%

LAB 32.38, -18.17, 23.3

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 14 / 54 / 0 / 67

HEX #472653

RGB 71 38 83

HSL 284, 0.37%, 0.24%

LAB 21.4, 24.3, -21.25

 

CMYK 0 / 25 / 54 / 67

HEX #533E26

RGB 83 62 38

HSL 32, 0.37%, 0.24%

LAB 27.91, 5.75, 18.24

 

CMYK 40 / 0 / 54 / 67

HEX #325326

RGB 50 83 38

HSL 104, 0.37%, 0.24%

LAB 31.82, -21.83, 22.48

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 0 / 54 / 1 / 67

HEX #532652

RGB 83 38 82

HSL 301.33, 0.37%, 0.24%

LAB 23.12, 28.06, -17.76

 

CMYK 0 / 25 / 54 / 67

HEX #533E26

RGB 83 62 38

HSL 32, 0.37%, 0.24%

LAB 27.91, 5.75, 18.24

 

CMYK 54 / 0 / 52 / 67

HEX #265328

RGB 38 83 40

HSL 122.67, 0.37%, 0.24%

LAB 31.24, -25.78, 20.47

 

Description

Color code: HEX #263B53 | qconv.com Color code: HEX #263B53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 59 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 59 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 29 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 29% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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