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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #264648 it is the complementary color #D9B9B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #264648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #264648 shade: #2B4643, #3C5856, #4D6A69, #5E7C7C and #6F8E8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #264648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #264648 shade: #264648, #153435, #042222 and #00100F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #264648 shade: #264749, #263E49, #263449, #262B49 and #2B2649

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #264648 shade: #264749, #263E49, #263449, #262B49 and #262649

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #264648 shade matches the following richer shades: #264749, #1D4F52, #14575B, #0B5F64 and #02676D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #264648 shade: #264749, #2F3F40, #383737, #412F2E and #4B2725

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #264648 shade: #264938, #264941, #264749, #263E49 and #263549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #264648 shade: #0A1213, #182D2E, #264749, #346164 and #437B7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #264648 shade: #264648, #2F2649 and #493D26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #264648 shade: #264648, #492647 and #474926

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #264648 shade: #264648, #2F2649, #492826 and #404926

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #264648 shade: #264648, #392649, #492826 and #364926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 3 / 0 / 72

HEX #264648

RGB 38 70 72

HSL 183.53, 0.31%, 0.22%

LAB 27.46, -11.15, -4.9

 

Complementary color

CMYK 0 / 15 / 16 / 15

HEX #D9B9B7

RGB 217 185 183

HSL 3.53, 0.31%, 0.78%

LAB 77.8, 11.12, 5.26

 

CMYK 39 / 0 / 4 / 73

HEX #2B4643

RGB 43 70 67

HSL 173.33, 0.24%, 0.22%

LAB 27.57, -11.04, -1.46

 

CMYK 32 / 0 / 2 / 65

HEX #3C5856

RGB 60 88 86

HSL 175.71, 0.19%, 0.29%

LAB 35.23, -10.89, -2.2

 

CMYK 27 / 0 / 1 / 58

HEX #4D6A69

RGB 77 106 105

HSL 177.93, 0.16%, 0.36%

LAB 42.62, -10.77, -2.88

 

CMYK 24 / 0 / 0 / 51

HEX #5E7C7C

RGB 94 124 124

HSL 180, 0.14%, 0.43%

LAB 49.8, -10.67, -3.52

 

CMYK 22 / 1 / 0 / 44

HEX #6F8E8F

RGB 111 142 143

HSL 181.88, 0.13%, 0.5%

LAB 56.79, -10.59, -4.12

 

CMYK 47 / 3 / 0 / 72

HEX #264648

RGB 38 70 72

HSL 183.53, 0.31%, 0.22%

LAB 27.46, -11.15, -4.9

 

CMYK 60 / 2 / 0 / 79

HEX #153435

RGB 21 52 53

HSL 181.88, 0.43%, 0.15%

LAB 19.53, -11.07, -4.15

 

CMYK 88 / 0 / 0 / 87

HEX #042222

RGB 4 34 34

HSL 180, 0.79%, 0.07%

LAB 11.17, -10.92, -3.27

 

CMYK 100 / 0 / 6 / 94

HEX #00100F

RGB 0 16 15

HSL 176.25, 1%, 0.03%

LAB 3.66, -4.65, -1.07

 

CMYK 48 / 3 / 0 / 71

HEX #264749

RGB 38 71 73

HSL 183.43, 0.32%, 0.22%

LAB 27.84, -11.44, -4.99

 

CMYK 48 / 15 / 0 / 71

HEX #263E49

RGB 38 62 73

HSL 198.86, 0.32%, 0.22%

LAB 24.76, -5.86, -9.63

 

CMYK 48 / 29 / 0 / 71

HEX #263449

RGB 38 52 73

HSL 216, 0.32%, 0.22%

LAB 21.39, 0.78, -14.8

 

CMYK 48 / 41 / 0 / 71

HEX #262B49

RGB 38 43 73

HSL 231.43, 0.32%, 0.22%

LAB 18.46, 7.1, -19.39

 

CMYK 41 / 48 / 0 / 71

HEX #2B2649

RGB 43 38 73

HSL 248.57, 0.32%, 0.22%

LAB 17.37, 12.25, -21.07

 

CMYK 48 / 3 / 0 / 71

HEX #264749

RGB 38 71 73

HSL 183.43, 0.32%, 0.22%

LAB 27.84, -11.44, -4.99

 

CMYK 48 / 15 / 0 / 71

HEX #263E49

RGB 38 62 73

HSL 198.86, 0.32%, 0.22%

LAB 24.76, -5.86, -9.63

 

CMYK 48 / 29 / 0 / 71

HEX #263449

RGB 38 52 73

HSL 216, 0.32%, 0.22%

LAB 21.39, 0.78, -14.8

 

CMYK 48 / 41 / 0 / 71

HEX #262B49

RGB 38 43 73

HSL 231.43, 0.32%, 0.22%

LAB 18.46, 7.1, -19.39

 

CMYK 48 / 48 / 0 / 71

HEX #262649

RGB 38 38 73

HSL 240, 0.32%, 0.22%

LAB 16.89, 10.7, -21.86

 

CMYK 48 / 3 / 0 / 71

HEX #264749

RGB 38 71 73

HSL 183.43, 0.32%, 0.22%

LAB 27.84, -11.44, -4.99

 

CMYK 65 / 4 / 0 / 68

HEX #1D4F52

RGB 29 79 82

HSL 183.4, 0.48%, 0.22%

LAB 30.55, -15.5, -6.78

 

CMYK 78 / 4 / 0 / 64

HEX #14575B

RGB 20 87 91

HSL 183.38, 0.64%, 0.22%

LAB 33.39, -18.52, -8.25

 

CMYK 89 / 5 / 0 / 61

HEX #0B5F64

RGB 11 95 100

HSL 183.37, 0.8%, 0.22%

LAB 36.32, -20.73, -9.48

 

CMYK 98 / 6 / 0 / 57

HEX #02676D

RGB 2 103 109

HSL 183.36, 0.96%, 0.22%

LAB 39.27, -22.5, -10.58

 

CMYK 48 / 3 / 0 / 71

HEX #264749

RGB 38 71 73

HSL 183.43, 0.32%, 0.22%

LAB 27.84, -11.44, -4.99

 

CMYK 27 / 2 / 0 / 75

HEX #2F3F40

RGB 47 63 64

HSL 183.53, 0.15%, 0.22%

LAB 25.35, -6.14, -2.73

 

CMYK 0 / 2 / 2 / 78

HEX #383737

RGB 56 55 55

HSL 0, 0.01%, 0.22%

LAB 23.17, 0.43, 0.15

 

CMYK 0 / 28 / 29 / 75

HEX #412F2E

RGB 65 47 46

HSL 3.16, 0.17%, 0.22%

LAB 21.41, 8.05, 3.84

 

CMYK 0 / 48 / 51 / 71

HEX #4B2725

RGB 75 39 37

HSL 3.16, 0.34%, 0.22%

LAB 20.36, 16.61, 8.75

 

CMYK 48 / 0 / 23 / 71

HEX #264938

RGB 38 73 56

HSL 150.86, 0.32%, 0.22%

LAB 28.01, -17.32, 6.28

 

CMYK 48 / 0 / 11 / 71

HEX #264941

RGB 38 73 65

HSL 166.29, 0.32%, 0.22%

LAB 28.27, -14.96, 0.84

 

CMYK 48 / 3 / 0 / 71

HEX #264749

RGB 38 71 73

HSL 183.43, 0.32%, 0.22%

LAB 27.84, -11.44, -4.99

 

CMYK 48 / 15 / 0 / 71

HEX #263E49

RGB 38 62 73

HSL 198.86, 0.32%, 0.22%

LAB 24.76, -5.86, -9.63

 

CMYK 48 / 27 / 0 / 71

HEX #263549

RGB 38 53 73

HSL 214.29, 0.32%, 0.22%

LAB 21.72, 0.1, -14.29

 

CMYK 47 / 5 / 0 / 93

HEX #0A1213

RGB 10 18 19

HSL 186.67, 0.31%, 0.06%

LAB 4.92, -2.38, -1.49

 

CMYK 48 / 2 / 0 / 82

HEX #182D2E

RGB 24 45 46

HSL 182.73, 0.31%, 0.14%

LAB 16.84, -8.06, -3.3

 

CMYK 48 / 3 / 0 / 71

HEX #264749

RGB 38 71 73

HSL 183.43, 0.32%, 0.22%

LAB 27.84, -11.44, -4.99

 

CMYK 48 / 3 / 0 / 61

HEX #346164

RGB 52 97 100

HSL 183.75, 0.32%, 0.3%

LAB 38.2, -14.57, -6.54

 

CMYK 47 / 3 / 0 / 50

HEX #437B7F

RGB 67 123 127

HSL 184, 0.31%, 0.38%

LAB 48.12, -17.28, -7.93

 

CMYK 47 / 3 / 0 / 72

HEX #264648

RGB 38 70 72

HSL 183.53, 0.31%, 0.22%

LAB 27.46, -11.15, -4.9

 

CMYK 36 / 48 / 0 / 71

HEX #2F2649

RGB 47 38 73

HSL 255.43, 0.32%, 0.22%

LAB 17.79, 13.55, -20.38

 

CMYK 0 / 16 / 48 / 71

HEX #493D26

RGB 73 61 38

HSL 39.43, 0.32%, 0.22%

LAB 26.43, 1.49, 16.11

 

CMYK 47 / 3 / 0 / 72

HEX #264648

RGB 38 70 72

HSL 183.53, 0.31%, 0.22%

LAB 27.46, -11.15, -4.9

 

CMYK 0 / 48 / 3 / 71

HEX #492647

RGB 73 38 71

HSL 303.43, 0.32%, 0.22%

LAB 21.05, 22.23, -13.68

 

CMYK 3 / 0 / 48 / 71

HEX #474926

RGB 71 73 38

HSL 63.43, 0.32%, 0.22%

LAB 30.02, -6.98, 20.61

 

CMYK 47 / 3 / 0 / 72

HEX #264648

RGB 38 70 72

HSL 183.53, 0.31%, 0.22%

LAB 27.46, -11.15, -4.9

 

CMYK 36 / 48 / 0 / 71

HEX #2F2649

RGB 47 38 73

HSL 255.43, 0.32%, 0.22%

LAB 17.79, 13.55, -20.38

 

CMYK 0 / 45 / 48 / 71

HEX #492826

RGB 73 40 38

HSL 3.43, 0.32%, 0.22%

LAB 20.34, 15.18, 7.98

 

CMYK 12 / 0 / 48 / 71

HEX #404926

RGB 64 73 38

HSL 75.43, 0.32%, 0.22%

LAB 29.4, -10.28, 19.7

 

CMYK 47 / 3 / 0 / 72

HEX #264648

RGB 38 70 72

HSL 183.53, 0.31%, 0.22%

LAB 27.46, -11.15, -4.9

 

CMYK 22 / 48 / 0 / 71

HEX #392649

RGB 57 38 73

HSL 272.57, 0.32%, 0.22%

LAB 18.96, 16.97, -18.46

 

CMYK 0 / 45 / 48 / 71

HEX #492826

RGB 73 40 38

HSL 3.43, 0.32%, 0.22%

LAB 20.34, 15.18, 7.98

 

CMYK 26 / 0 / 48 / 71

HEX #364926

RGB 54 73 38

HSL 92.57, 0.32%, 0.22%

LAB 28.61, -14.78, 18.54

 

Description

Color code: HEX #264648 | qconv.com Color code: HEX #264648 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 70 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 70 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 3 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 3% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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